RECORDSMITH 1888-1930'S MP3/CD LISTINGS
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Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Data Hora Música Intérprete Compositor Programa Vivo Mec. 01/07/2019 02:01:14 CONCERTO PARA VIOLINO EM RÉ MAIOR ORQUESTRA DE
Relatório de Programação Musical Razão Social: Empresa Brasil de Comunicação S/A - EBC CNPJ: 09.168.704/0001-42 Nome fantasia: Rádio MEC AM BRASÍLIA - Dial: 800kHZ - UF:DF Execução Data Hora Música Intérprete Compositor Programa Vivo Mec. ORQUESTRA DE CÂMARA LES INVENTIONS TOUCHEMOULIN (Joseph)(1727- 01/07/2019 02:01:14 CONCERTO PARA VIOLINO EM RÉ MAIOR VIOLINO: DANIEL SEPEC Programação Musical X 1801)(França) DIREÇÃO: PATRICK AYRTON HARMONIZAÇÃO PARA INSTRUMENTOS DE SOPRO CONJUNTO DE CÂMARA MOZZAFIATO MOZART (Wolfgang Amadeus) (1756-1791) 01/07/2019 02:22:43 Programação Musical X SOBRE TEMAS DA ÓPERA: "AS BODAS DE FIGARO" DIREÇÃO: CHARLES NEIDICH (Áustria) Piano: Christopher Hinterhuber CONCERTO PARA PIANO e ORQUESTRA EM LÁ 01/07/2019 02:41:48 ORQUESTRA FILARMÔNICA REAL DE LIVERPOOL RIES (FERDINAND)(1784-1838)(Alemanha) Programação Musical X MENOR, OP. 132 - "ADEUS À INGLATERRA". REGENTE: UWE GRODD QUARTETO "VOKALZEIT" e Composições de Weber, Schumann, Heinrich 01/07/2019 03:17:15 SELEÇÃO DE CANÇÕES FOLCLÓRICAS ALEMÃS Programação Musical X TROMPISTAS DA ORQUESTRA FILARMÔNICA DE BERLIM Werner, (1841 - 1904) 01/07/2019 03:27:46 QUINTETO DE CORDAS EM LÁ MENOR, OPUS 1 MEMBROS DO OCTETO DA FILARMÔNICA DE BERLIM DVORÁK (Antonín)(1841 - 1904)(República Programação Musical X Checa) ORQUESTRA SINFÔNICA NACIONAL DO BRASIL - UFF LEOPOLDO MIGUEZ (1850-1902)(Rio de 01/07/2019 03:56:12 "AVE LIBERTAS" - Poema Sinfônico Programação Musical X REGENTE: LÍGIA AMADÍO Janeiro) PRELÚDIO DA ÓPERA "OS MESTRES CANTORES DE THE LONDON CLASSICAL PLAYERS WAGNER (Richard) (1813-1883) (Austria - 01/07/2019 04:15:52 Programação Musical X NÜREMBERG" REGENTE: ROGER NORRINGTON Italia) LISZT (Franz) (1811-1886)(Hungria- 01/07/2019 04:24:36 SONATA EM SI MENOR S.178 PIANO: ARNALDO COHEN Programação Musical X Alemanha) DOS CAMPOS e BOSQUES DA BOÊMIA - POEMA ORQUESTRA FILARMÔNICA DE ISRAEL SMETANA(Bedrich)(1824 - 1884)(República 01/07/2019 04:55:34 Programação Musical X SINFÔNICO DO CICLO "A MINHA PÁTRIA". -
Título Do Trabalho: (Fonte Times, Tamanho 16, Justificado)
XXIII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música – Natal – 2013 Um percurso do baião na música popular brasileira através de três estudos de caso MODALIDADE: PAINEL José Roberto Zan Universidade Estadual de Campinas – [email protected] Resumo: Dentro da vasta e diversificada produção da música popular brasileira, o baião aparece como um segmento musical fortemente ligado às ideias de “tradição” e de “brasilidade”. O conhecimento desse repertório e de seus elementos musicais constitutivos (como levada rítmica, escalas e padrões melódicos) parece se constituir numa espécie de pré-requisito para se tocar música “autenticamente” brasileira. Contudo, um exame histórico revela que, ao longo de sua formatação na indústria fonográfica, o baião foi sendo revestido de diferentes significados de acordo com os contextos em que aparecia e com os modos como foi apropriado pelos músicos populares. Cada um dos trabalhos que compõe esse painel trabalha com canções ou temas instrumentais ligados ao baião produzidos em três períodos diferentes: o primeiro abordando os anos 1960; o segundo retornando aos anos 1940 e 1950; e o terceiro contemplando a década de 1970. Busca-se perceber de que modo os compositores e intérpretes trabalharam com elementos ligados a esse segmento musical e de quais sentidos ele se revestia em cada contexto. Palavras-chave: Baião. História da música popular brasileira. Análise musical. Mass song, instrumental music and MPB: a journey of baião. Abstract: Inside the large and varied Brazilian popular music production, baião appears as a musical segment strongly connected to ideas of “tradition” and “Brazilianess”. Knowing this repertoire and its constitutive musical elements (such as grooves, scales and melodic patterns) is presented as a precondition for playing “genuinely” Brazilian music. -
{Download PDF} Cultural Traditions in the United Kingdom
CULTURAL TRADITIONS IN THE UNITED KINGDOM PDF, EPUB, EBOOK Lynn Peppas | 32 pages | 24 Jul 2014 | Crabtree Publishing Co,Canada | 9780778703136 | English | New York, Canada Cultural Traditions in the United Kingdom PDF Book Retrieved 11 July It was designed by Sir Giles Gilbert Scott in and was launched by the post office as the K2 two years after. Under the Labour governments of the s and s most secondary modern and grammar schools were combined to become comprehensive schools. Due to the rise in the ownership of mobile phones among the population, the usage of the red telephone box has greatly declined over the past years. In , scouting in the UK experienced its biggest growth since , taking total membership to almost , We in Hollywood owe much to him. Pantomime often referred to as "panto" is a British musical comedy stage production, designed for family entertainment. From being a salad stop to housing a library of books, ingenious ways are sprouting up to save this icon from total extinction. The Tate galleries house the national collections of British and international modern art; they also host the famously controversial Turner Prize. Jenkins, Richard, ed. Non-European immigration in Britain has not moved toward a pattern of sharply-defined urban ethnic ghettoes. Media Radio Television Cinema. It is a small part of the tartan and is worn around the waist. Help Learn to edit Community portal Recent changes Upload file. At modern times the British music is one of the most developed and most influential in the world. Wolverhampton: Borderline Publications. Initially idealistic and patriotic in tone, as the war progressed the tone of the movement became increasingly sombre and pacifistic. -
Two Essays on Various Selves
AN ABSTRACT OF THE THESIS OF Mark Price for the degree of Masters of Art in Interdis- ciplinary Studies in the co-departments of English, English, and History presented on May 4, 1989. Title: TRIALS OF FORM: TWO ESSAYS ON VARIOUS SELVES Abstract approved: Redacted for Privacy Suzanne Clark TRIALS OF FORM: TWO ESSAYS ON VARIOUS SELVES I. Letters from Ruth: Since the 1950s, my grandmother's children have been scattered across the nation from the family farm in Iowa. My family came to Oregon in the early '60s. Since then, my grandmother has kept track of all her children and grandchildren and helped them keep track of each other. In this essay, I examine how my grandmother creates a sense of continuity among the family through her scrapbooks and letters. II. The Walking Circle: In the late '70s,I was a teenager in Bend, Oregon, dreaming of becoming a great writer. I walked around Bend late at night and filled many notebooks with my aspirations. In this essay,I look back into those notebooks from the perspective of a summer job I had ten years later. C Copyright by Mark Price May 4, 1989 All Rights Reserved TRIALS OF FORM: TWO ESSAYS ON VARIOUS SELVES by Mark Price A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Masters of Art in Interdisciplinary Studies Completed May 4, 1989 Commencement June 1989 APPROVED: Redacted for Privacy Assitant Professor of English in charge of major Redacted for Privacy Associate Professor of English in charge of co-field Redacted for Privacy Professor of History in charge of co-field Redacted for Privacy Chairman of department of English Redacted for Privacy Dean of aduate Date thesis is presented May 4, 1989 ACKNOWLEDGEMENTS I would like to thank Mrs. -
Hammond Jazz Empfehlungen
Hammond Jazz Empfehlungen Vorname Name Album Label B-3in' Organ Jazz 32Jazz George Benson It's Uptown Columbia George Benson The George Benson Cookbook Columbia George/"Brother" Jack Benson/McDuff George Benson & Jack McDuff Prestige Pat Bianchi East Coast Roots Jazzed Media Earl Bostic Complete Quintet Recordings Lonehilljazz Terence Brewer Groovin' Wes StrongBrewMusic Gloria Coleman Sweet Missy Doodlin' Records Linda Dachtyl For Hep Cats Chicken Coup Wild Bill Davis The Zurich Concert Jazz Connaisseur Deep Blue Organ Trio Wonderful Origin Records Moe Denham The Soul Jazz Sessions Thortch Recordings Joey DeFrancesco All About My Girl Muse Records Joey DeFrancesco All or Nothing at All Big Mo Joey DeFrancesco Ballads and Blues Concord Papa John DeFrancesco Desert Heat High Note Joey DeFrancesco Goodfellas Concord Joey DeFrancesco Joey DeFrancesco plays Sinatra his way High Note Joey DeFrancesco Legacy Concord Joey DeFrancesco One For Rudy High Note Joey DeFrancesco Plays Sinatra His Way High Note Joey DeFrancesco Singin' and Swingin' Concord Joey DeFrancesco The Champ Round 2 High Note Joey DeFrancesco The Philadelphia Connection High Note Bob De Vos Breaking the ice Savant Barbara Dennerlein Junkanoo Verve www.b-tonic.ch Seite 1 von 7 Hammond Jazz Empfehlungen Barbara Dennerlein Love Letters Bebab Lou Donaldson Everything I Play Is Funky Blue Note Lou Donaldson Good Gracious! Blue Note Lou Donaldson Here 'Tis Blue Note Lou Donaldson Midnight Creeper Blue Note Lou Donaldson The Natural Soul Blue Note Charles Earland Cookin' With the Mighty -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
Items Highlighted in Yellow Need to Be Updated Or Edited. DRAFT RAY
Items highlighted in yellow need to be updated or edited. DRAFT RAY AVERY COLLECTION 86-009 1860-1888. ca. 1920-1986. [Bulk: ca. 1920-1975] 10.5 linear feet including 3 volumes and 17 audio discs The Center for Popular Music, Middle Tennessee State University, Murfreesboro, TN May 1989 Ellen Garrison Updated 2007 and 2011 Lucinda Cockrell Ray Avery Collection 86-009 2 Table of Contents Ray Avery Collection 86-009 [Check page numbers after editing – these are incorrect.] Creator, Type of Material, Physical Description, Dates, Abstract (Descriptive Summary)……………………………………………………............................................. 3 Provenance and Acquisition Information, Subject/Index Terms, Agency History/Biographical Sketch………………………………................................... 3 Scope and Content……………………………………………………................................. 4 Series Description I. Black History Subject Files .................................................................................... 5 II. "Jazz Scrapbook" ................................................................................................... 5 III. New Orleans ......................................................................................................... 5 IV. Subject Files ......................................................................................................... 6 V. Record Covers ....................................................................................................... 6 VI. Record Company Announcements ...................................................................... -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Settimanale Di Migros Ticino Quello Swing Perduto
Quello swing perduto Settantacinque anni or sono in questo periodo ancora ci si interrogava su cosa ne fosse stato di Glenn Miller / 17.02.2020 di Enza Di Santo In quei giorni di metà dicembre del 1944, su nord e centro Europa le condizioni metereologiche erano pessime. Il 15 dicembre la nebbia avvolse le coste inglesi e si estese lungo il Canale della Manica, ma il «Norseman» Noorduyn UC-64 monomotore decollò lo stesso per Parigi, destinazione che avrebbe raggiunto poco meno di due ore più tardi attraversando una rotta sicura. A bordo del velivolo militare, il Pilota J. Morgan, il Tenente Colonnello N.F. Baesell e il Maggiore Anton Glenn Miller incaricato dell’intrattenimento delle truppe alleate in Inghilterra e a capo della Air Force band. Miller avrebbe dovuto esibirsi con la sua grande orchestra nella Capitale francese da poco liberata dai tedeschi, ma non ci arrivò mai. Del Norseman si persero le tracce. La scomparsa del Maggiore, annunciata solo alla vigilia di Natale, ebbe un notevole impatto mediatico: nell’era dello swing, durante la grande depressione, Glenn Miller, arrangiatore, trombonista e soprattutto capofila della più famosa big band di quei tempi, era svanito nel nulla, lasciando il silenzio nelle sale da ballo frequentate dai soldati che avevano smarrito uno dei simboli della loro generazione. Che fine aveva fatto l’artista che tra 1939 e il 1942 aveva venduto più dischi di tutti? La nebbia aveva inghiottito il compositore per il quale era stato ideato il disco d’oro, premio assegnatogli nel 1942 per aver raggiunto, in soli 3 mesi, il milione di copie venute del 78 giri di Chattanooga Choo Choo e I Know Why.