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The Cord Weekly
THE CORD WEEKLY Volume 29, Number 25 Thursday Mar. 23,1989 Wilfrid Laurier University Abandon all hope ye who enter here Cord Photo: Liza Sardi The Cord Weekly 2 Thursday, March 23,1989 THE CORD WEEKLY |1 keliv/f!rent-a-car ; SAVE $5.00 ! March 23,1989 Volume 29, Number 25 ■ ON ANY CAR RENTAL ■ I Editor-in-Chief Cori Ferguson ■ NEWS Editor Bryan C. Leblanc Associate Jonathan Stover Contributors Tim Sullivan Frances McAneney COMMENT ■ ■ Contributors 205 WEBER ST. N. Steve Giustizia l 886-9190 l FEATURES Free Customer Pick-up Delivery ■ Editor vacant and Contributors Elizabeth Chen ENTERTAINMENT Editor Neville J. Blair Contributors Dave Lackie Cori Cusak Jonathan Stover Kathy O'Grady Brad Driver Todd Bird SPORTS Editor Brad Lyon Contributors Brian Owen Sam Syfie Serge Grenier Lucien Boivin Raoul Treadway Wayne Riley Oscar Madison Fidel Treadway Kenneth J. Whytock Janet Smith DESIGN AND ASSEMBLY Production Manager Kat Rios Assistants Sandy Buchanan Sarah Welstead Bill Casey Systems Technician Paul Dawson Copy Editors Shannon Mcllwain Keri Downs Contributors \ Jana Watson Tony Burke CAREERS Andre Widmer 112 PHOTOGRAPHY Manager Vicki Williams Technician Jon Rohr gfCHALLENGE Graphic Arts Paul Tallon Contributors Liza Sardi Brian Craig gfSECURITY Chris Starkey Tony Burke J. Jonah Jameson Marc Leblanc — ADVERTISING INFLEXIBILITY Manager Bill Rockwood Classifieds Mark Hand gfPRESTIGE Production Manager Scott Vandenberg National Advertising Campus Plus gf (416)481-7283 SATISFACTION CIRCULATION AND FILING Manager John Doherty Ifyou want theserewards Eight month, 24-issue CORD subscription rates are: $20.00 for addresses within Canada inacareer... and $25.00 outside the country. Co-op students may subscribe at the rate of $9.00 per four month work term. -
Olivia Block CV 2019
Olivia Block www.oliviablock.net [email protected] Olivia Block CV Table of Contents SELECTED TEACHING, TALKS, RESIDENCIES………………………………2 RELEASES, SOUNDTRACKS ………………………4 PERFORMANCE and PREMIERES………………….5 INSTALLATIONS/EXHIBITS ………………………10 SELECTED PRESS……………………………………12 !1 SELECTED TEACHING, TALKS 2019 Northwestern University Sound Arts and Industries Program. Instructor 2018 School of the Art Institute of Chicago Sound Department. Part time instructor. University of Michigan School of Music, Theater and Dance/Performing Arts Technology. Teaching Residency, student meetings, surround sound concert. 2017 Ojai, CA. Thacher boarding School. Week-long teaching residency. Guest teaching for electronic music students, choral students, freshman music appreciation class. Curated by Gregory Haggard. Chapel Hill, NC. University of North Carolina Chapel Hill, Department of Music. Talk and workshop. Curated by Allen L. Anderson. 2016 St. Augustine, Florida. Flagler College. Flagler Art Museum residency, including Listening Practices workshop for honors freshman, master class and discussion on found sounds and objects for sculpture students, listening to found sounds discussion for anthropology course. Curated by Julie Dickover !2 Winnipeg, Ontario, Canada. Send + Receive Festival. Aural Superimpositions presentation. Curated by Crys Cole. Chicago, Il. Northwestern University, Department of Radio, TV, and Film Talk/ presentation to Sound masters students. Curated by Stephan Moore. Chicago, IL. School of the Art Institute. Listening Practices workshop for Management Studio course masters students. Curated/taught by Kate Dumbleton. 2015 Chicago, IL. Chicago Cultural Center. Building Blocks: Architecture of Sound panel discussion with Owen Clayton Condon, Walter Kitundu, Ryan Biziorek and Lou Mallozzi. Curated by Chicago Department of Cultural Affairs and Special Events for the Chicago Architecture Biennial. St Louis. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
A Canadian Perspective on the International Film Festival
NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
EU Page 1 COVER.Indd
JACKSONVILLE Dog Ownership • Jaguar Mike Thomas • Summer Dining • Jacksonville Music Video Revival free monthly guide to entertainment & more | august 2010 | eujacksonville.com 2 AUGUST 2010 | eu jacksonville monthly contents AUGUST 2010 feature page 4-8 dog ownership 101 page 7 summer tips for pets join EU on page 8 the secret lives of dogs facebook! page 11 interview with jaguar mike thomas arts + culture page 9 the art of yvonne lozano page 20 art events page 21 artist profi le: crystal fl oyd page 22 loretta swit interview follow us on twitter! page 23 theatre events Look for @EUJacksonville and life + stuff @EU_Music where you page 12 family events page 13 on the river: springs can get daily music and page 13 have kid, will travel: mosh entertainment updates page 14 prague getaway on the cover page 15 casablanca inn + eco tour “Bike Adventures” 11”x14” mixed media on canvas page 24 local bookshelf by Yvonne C. Lozano. To learn more about Yvonne eu staff page 24 reading strange read the interview with her on page 9. managing director Shelley Henley dish page 30 jacksonville music video revival creative director page 15 st. augustine eats page 29-33 music events Rachel Best Henley page 16-17 summer dining options + tips page 33 album review: s. carey copy editors Kellie Abrahamson page 18 dish update + events page 34 yourjax music fest Erin Thursby page 19 hidden gems: jimmy john’s page 35 upcoming concerts music editor food editor page 19 eat up downtown Kellie Abrahamson Erin Thursby on screen chief photographer music page 36 august movies Daniel Goncalves page 27 sound check page 37 special showings contributing photographers page 27 spotlight: chicken & whiskey page 38 view from the couch Richard Abrahamson Ezra Marcos page 28 blackwater music festival page 38 netscapades contributing writers Brenton Crozier Anna Rabhan Jack Diablo Shea Slemmer Rick Grant Alina Kodatt Emily Moody Tom Weppel Dick Kerekes Madeleine Wagner Liza Mitchell Liltera Williams Published by EU Jacksonville Newspaper. -
Are We Cool Now Study Guide.Pdf
Thank you for participating in Western Canada Theatre’s matinee programming! We would like you and your students to get the most out of your experience with us. Included in this package is some inside information exclusive to teachers and students, discussion questions, classroom activities, and online resources. We hope you find them useful Before and after seeing the show. Please take a few minutes to review appropriate theatre etiquette with your students. While clapping and laughing are most appropriate for the theatre, whispering, talking, and excessive movement during the show is distracting to others in the audience and our actors on stage. Audience members are encouraged to get comfortable, remove coats, use the washroom and turn all electronic devices OFF Before a show Begins. Please remind your students that texting is not allowed during the show. Remembering theatre etiquette makes the show more enjoyable for everyone! 1 Are We Cool Now? A Study Guide Production Personnel ............................................................................................................. 3 Western Canada Theatre Staff ................................................................................................ 4 Behind the Scenes ....................................................................... Error! Bookmark not defined. Playwright: Amiel Gladstone………………………………………………………………………………………………………………….……5 Musician: Dan Mangan……………………………………………………………………………………………………………………………….6 Synopsis……….….………………………………………………………………………………………………………………………………….……..7 -
Film Studies (FILM) 1
Film Studies (FILM) 1 FILM-115 World Cinema 3 Units FILM STUDIES (FILM) 54 hours lecture; 54 hours total This course will survey the historical, social, and artistic development FILM-100 Survey and Appreciation of Film 3 Units of cinema around the globe, introducing a range of international films, 54 hours lecture; 54 hours total movements, and traditions. This course is an introduction to the history and elements of filmmaking Transfers to both UC/CSU such as narrative, mise-en-scene, cinematography, acting, editing, and FILM-117 Director's Cinema 3 Units sound as well as approaches to film criticism. 54 hours lecture; 54 hours total Transfers to both UC/CSU This course examines the historical and artistic career of a seminal FILM-101 Introduction to Film Production 3 Units director in cinema history. Possible subjects include Martin Scorsese, 36 hours lecture; 54 hours lab; 90 hours total Alfred Hitchcock, Francis Ford Coppola, and Woody Allen. This course is designed to introduce you to the creative process Transfers to CSU only of filmmaking. We will study all aspects of production from the FILM-120 Horror Film 3 Units conceptualization of ideas and scripting, to the basic production 54 hours lecture; 54 hours total equipment and their functions, and finally the production and post- This course offers an in-depth examination of the popular horror film production processes. Assignments will emphasize visualization, through an analysis of its historical evolution, major theories, aesthetics shooting style, and production organization. Presentation of ideas in and conventions, and the impact of its role as a reflection of culture both the written word and visual media are integral to the production society. -
2018-2015 BC Master Production Agreement
2015-2018 BRITISH COLUMBIA PMRAODSUTCTEIOR N AGREEMENT 300 - 380 West 2nd Avenue Vancouver, BC V5Y 1C8 p 604.689.0727 f 604.689.1145 [email protected] www.ubcp.com TABLE OF CONTENTS Preamble ...................................................................................................................................... 1 SECTION A - GENERAL CLAUSES..................................................................................... 1 ARTICLE A1 - UNION RECOGNITION AND APPLICATION ........................................... 1 Union Recognition .......................................................................................................................................... 1 Scope of Agreement........................................................................................................................................ 1 Future Negotiations on Scope of Agreement ................................................................................................. 1 Minimum Terms ........................................................................................................................................... 1 Agreement in Whole ..................................................................................................................................... 2 Rights of Producer .......................................................................................................................................... 2 Laws of British Columbia Apply .................................................................................................................. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
SHOWCASE BC 831 Funding Offers for BC Artists
SHOWCASE BC 831 Funding Offers for BC Artists Funding offers were sent to the following artists on April 17 + April 21, 2020. Artists have until May 15, 2020, to accept the grant. A Million Dollars in Pennies ArkenFire Booty EP Abraham Arkora BOSLEN ACTORS Art d’Ecco Bratboy Adam Bailie Art Napoleon Bre McDaniel Adam Charles Wilson Asha Diaz Brent Joseph Adam Rosenthal Asheida Brevner Adam Winn Ashleigh Adele Ball Bridal Party Adera A-SLAM Bring The Noise Adewolf Astrocolor Britt A.M. Adrian Chalifour Autogramm Brooke Maxwell A-DUB AutoHeart Bruce Coughlan Aggression Aza Nabuko Buckman Coe Aidan Knight Babe Corner Bukola Balogan Air Stranger Balkan Shmalkan Bunnie Alex Cuba bbno$ Bushido World Music Alex Little and The Suspicious Beamer Wigley C.R. Avery Minds Bear Mountain Cabins In The Clouds Alex Maher Bedouin Soundclash Caitlin Goulet Alexander Boynton Jr. Ben Cottrill Cam Blake Alexandria Maillot Ben Dunnill Cam Penner Alien Boys Ben Klick Camaro 67 Alisa Balogh Ben Rogers Capri Everitt Alpas Collective Beth Marie Anderson Caracas the Band Alpha Yaya Diallo Betty and The Kid Cari Burdett Amber Mae Biawanna Carlos Joe Costa Andrea Superstein Big John Bates Noirchestra Carmanah Andrew Judah Big Little Lions Carsen Gray Andrew Phelan Black Mountain Whiskey Carson Hoy Angela Harris Rebellion Caryn Fader Angie Faith Black Wizard Cassandra Maze Anklegod Blackberry Wood Cassidy Waring Annette Ducharme Blessed Cayla Brooke Antoinette Blonde Diamond Chamelion Antonio Larosa Blue J Ché Aimee Dorval Anu Davaasuren Blue Moon Marquee Checkmate -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
T of À1 Radio
ism JOEL L.R.PHELPS EVERCLEAR ,•• ,."., !, •• P1 NEW MUSIC REPORT M Q AND NOT U CIRCLE December 25, 2000 I www.cmj.com 138.0 ******* **** ** * *ALL FOR ADC 90198 24498 Frederick Gier KUOR -REDLANDS 5319 HONDA AVE APT G ATASCADERO, CA 93422-3428 ON BEING NO. 1, TOURING WITH U2 & WHY WILL OLDHAM AND RAYMOND CARVER KICK ASS tof à1 Radio HOW PERFORMANCE ROYALTIES WILL AFFECT COLLEGE RADIO WHAT IT'S DOING TO INDIE RETAIL INCLUDING THE BLAZING HIT SINGLE "OH NO" ALBUM IN STORES NOW EF •TARIM INEWELII KUM. G RAP at MOP«, DEAD PREZ PHARCIAHE MUNCH •GHOST FACE NOTORIOUS J11" MONEY PASTOR TROY Et MASTER HUM BIG NUMB e PRODIGY•COCOA BROVAZ HATE DOME t.Q-TIIP Et WORDS e!' le.‘111,-ZéRVIAIMPUIMTPIeliElrÓ Issue 696 • Vol 65 • No 2 Campus VVebcasting: thriving. But passion alone isn't enough 11 The Beginning Of The End? when facing the likes of Best Buy and Earlier this month, the U.S. Copyright Office other monster chains, whose predatory ruled that FCC-licensed radio stations tactics are pricing many mom-and-pops offering their programming online are not out of business. exempt from license fees, which could open the door for record companies looking to 12 PJ Harvey: Tales From collect millions of dollars from broadcasters. The Gypsy Heart Colleges may be among the hardest hit. As she prepares to hit the road in support of her sixth and perhaps best album to date, 10 Sticker Shock Polly Jean Harvey chats with CMJ about A passion for music has kept indie music being No.