DOCSLIB.ORG

San Diego Music Thing - Previous Speakers 1/30/14, 10:12 AM

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
San Diego Music Thing - Previous Speakers 1/30/14, 10:12 AM San Diego Music Thing - PrEVIOUS SPEAKErS 1/30/14, 10:12 AM 2013 FEATUrED SPEAKErS PAST SPEAKErS INCLUDE Andy Pickens (Jamplify)Ben Watson (Us vs. Them) Ben Westhoff (LA Weekly) Benji Rogers (PledgeMusic) Brad Kohn (Home Farm Studios) Brandon Boucher (pigFACTORY USA) Brett Anderson (The Donnas) Casey Robison (BMI) Marc Wilson (Warner Chappell)Marcus Spence (Mosley Group) Chelsea Schwartz (High Voltage Magazine) Marcy Rauer Wagman (Wagman Dickman LLC) Chris Morris (Variety) Margaret Saadi Kramer (Antic Inc) Chris Trovero (Manifest Destiny) Mario Escovedo (Requimme Management) Christy Taylor (91x Mark Frieser (Sync Exchange) Chuck D (Public Enemy) Marni Wandner (Sneak Attack Media) Corey Denis (Toolshed) Martin Atkins (Tour Smart) Cyndi Lynott (Stilletto Entertainment) Mary Rahmani (Dangerbird Management) Daniel Kitowski (Actors Fund) Masanghai-Sanni Youboty (2011 Records) Dave Cool (Bandzoogle) Mat Bates (Slacker) Dave Sozinho (Dead Air Dave, U.N.C.L.E. Promo) Michael Corcoran (Austin Chrinicle) David Andreone (roomr.com) Michael Hoisington (Higgs, Fletcher & Mack LLP) David Bason (MGMT Company) Michael Schneider (BandPage) David Branfman (Branfman Law Group) Michele Clark (Sunset Sessions) David Dufesne (Bandzoogle) Mike Herrera (MXPX) David Lizerbram (David Lizerbram & Associates) Mike Sherwood (Warner Brothers) Dawson Ludwig (Noise Pop) Milton Davis (Tallest Man Productions) Dennis Romero (LA Weekly) Monica Vergel de Dios (SpinMedia) Don Jasko (Digital Economics LLC) Nadine Gelineau (The MuseBox) Elissa Felman (AAM) Nathan Levinson (Adler Interactive) Erik Koral (FanManager LLC) Nic Adler ( Adler Interactive) http://sandiegomusicthing.com/previous-speakers Page 1 of 2 San Diego Music Thing - PrEVIOUS SPEAKErS 1/30/14, 10:12 AM Evan Cohen (Manifesto Records) Nick Rice (Creative Partnership Marketing) Fiona Bloom (The Bloom Effect) Nicole Polous (Sideways Media) Garrett Capone (Crush Management) Pat Magnarella (Pat Magnarella Management) Gayl Murphy (Hollywood Correspondent) Paul Zollo (American Songwriter Magazine) George Varga (Union Tribune) Phil Egenthal (Madison House) Glen Litwak (Law Offices of Litwak and Havkin) PJ Bloom (Neophonic) Greg Khaiken (The Planetary Group) Ray Farrell (finetunes) Hisham Dahud (Fame House, Hypebot.com) Rebecca Haithcoat (Myspace Music) Inge Colsen (Girlie Action) Rich Michalowski (Substance Co.) Isaac Heymann (108 Management) Robert Bray (Art Institute of CA/The Locust) James Leach (SESAC) Rynda Laurel (1968 Media) Jay Warsinske (indiepower.com) Sahil Lavignia (Gumroad) Jeff Gray “Pesci” (Fox Sports) Sarah Landy (Stache Media) Jeff Leeds (SpinMedia) Sarah Wefald (Relentless Artist Management) Jeff Weiss (Spin, Pitchfork) Shirly Halperin (Hollywood Reporter) Jim Roach (Red Parade Music) Stefan Goldby (Chemistry Productions) Joe Rinaldi (The Griffin) Tim Godwin (Taylor Guitars) John Anderson (HoneyPot Unlimited) Tim Mays (The Casbah) John Thomas-Griffith (touring musician, Cowboy Mouth) Tim Pyles (FM 94/9) Johnny Koch (Thrillcall) Tim Sweeney (Tim Sweeney and Associated) Josh Terry (Aware Records & A-Squared Management) Timothy Trudeau (Syntax Distribution) Justin Pearson (Three One G Records) Tonya Cooke (Adler Interactive) Karen Allen (Tag Strategic) Valerie Nemeth (Attorney at Law) Katie Bain (LA Weekly, Huffington Post) Wayne Kramer (MC5) Kelly MacGaunn (Kelleemack PR) Wendy Brynford Jones (Hello Wendy PR) Kelly Ross Kerr (Amped Up Digital) Kevin Bronson (Buzzbands LA/KCSN) Kim Gordon (Sonic Youth) Kristen Worden-Harris (Croshal Entertainment Group) Kristin Thomson (Future of Music Coalition) Laura Studarus (Under the Radar) Lol Tolhurst (The Cure) Lou Plaia (ReverbNation) Powered by Bandzoogle http://sandiegomusicthing.com/previous-speakers Page 2 of 2.
Load more

Recommended publications
  • Juin 2013 À 20H30 Le Plus En Vue Du Moment: the Upbeats
    la programmation de Forde bénéficie le Moloko ne bénéficie pas d’autre soutien que de celui de ses nombreux-ses ami-es le Zoo ne bénéficie pas d’autre soutien que de celui de ses amis Nous voila rendus au dernier stade du processus : le grand du soutien de la Ville de Genève Samedi 22 Juin oral final ! Selon le principe de l'autogestion (qui nous est chère) Salle ... de nuit IN THE MOOD FOR tou.te.s les membres sont appelé à élire leur futur.e col- 4 place des volontaires, VIOLENCE [DUBSTEP] JUIN 201 JUIN lègue et représentant.e. 1er étage, droite BAR9 Z Audio, Audio Freaks, Dark Circles / UK Chaque candidat se présente donc devant l’association + : www.lezoo.ch (une cinquantaine de membres environ y assiste) qui, sui- BARE NOIZE Eight:FX, Audio Freaks, Buygore / UK te à ces entretiens grandeur nature, vote. WICKED ONE Cover Your Face / CH Fin du processus !! ... Wow wow wow! Watch out Genève, deux pointures de la ... qui recommence à chaque tournus au sein de la dubstep débarquent en ville! Pour cette deuxième soirée de permanence ! 1er étage, gauche , la fête de la musique, le Zoo vous offre LE plateau dont vous Buvette 4 place des volontaires rêvez. Tout d'abord le genevois Wicked One, qu'on a pu L'Usine dépense donc sans compter son temps et son www.darksite.ch/moloko écouter au côté de Datsik il y a peu de temps, viendra nous énergie pour élire ses permanent.e.s ! socio-culturelle préchauffer les oreilles avant de laisser la place à deux pontes C'est qu'elle les aime ! (et qu'illes le lui rendent bien!) Ouvert de 20h à 3h (non-fumeur) de la dubstep dirty, les anglais Bar9 et Bare Noize.
    [Show full text]
  • 25-29 Music Listings 4118.Indd
    saturday–sunday MUSIC Ladysmith Black Mambazo Guantanamo Baywatch, Hurry Up, SUNDAY, MARCH 8 [AFRIcA’S GoLDEn tHRoAtS] the Cumstain, Pookie and Poodlez legendary, Grammy-hoarding South [GARAGE RocK] on its new single African vocal group, now halfway Retox, Whores, ”too Late,” Portland’s Guantanamo through its fifth decade, has tran- Rabbits, Phantom Family Baywatch trades its formerly scended the Western pop notori- [HARDCORE] Fatalist, nihilist, blis- reverb-flooded garage-rock sound ety that followed its contributions tering, brutal—these are just a few for tamer, Motown-influenced bal- to Paul Simon’s Graceland, becom- of the better words to describe ladry. It’s a signal that the upcom- ing a full-fledged ambassador for hardcore crew Retox, a group whose ing Darling…It’s Too Late, dropping the culture of its homeland. But pedigree includes members of sim- in May on Suicide Squeeze, may one doesn’t need familiarity with ilarly thorny outfits such as the fully shift the band away from that its lengthy history to be stirred Locust, Head Wound city and Holy signature Burger Records’ sound, by those golden voices. Aladdin Molar. one adjective that doesn’t which has flooded the market Theater, 3017 SE Milwaukie Ave., get used very often, though it with pseudo-psychedelic surf-rock 234-9694. 8 pm. $35. 21+. should, is “funny.” It’s understand- groups indistinguishable from one able that this quality wouldn’t trans- another. LUcAS cHEMOTTI. The late through singer Justin Pearson’s Low Cut Connie Know, 2026 NE Alberta St., 473- larynx-ripping screech. But Retox [tHE WHItE KEYS] An invasive 8729.
    [Show full text]
  • Here Were Homeless People All Around Us and a Lot of Fighting Going On
    GUILT Ati Moran (Breaking Free Fanzine) on hardcore: Hardcore for me is definitely an idea, an expression of feelings and [an attitude of] never giving up on what you believe in. [It’s] an emotion you feel strong about that no one can take away from you! I also be- lieve hardcore has a lot to do with the people I met in the last 22 years who were apart of the scene - they weren’t everyday people. Besides hardcore being music, it was a place to get away from the normal world! Charles Maggio (Rorschach, Gern Blandsten Records) on hardcore: John Brannon said it best: hardcore is the “blues of the suburbs.” QUICKsaND Walter Schreifels (Quicksand, Gorilla Biscuits) on fighting/ disagreements in hardcore: In the scene there were homeless people all around us and a lot of fighting going on. There was the whole punks versus skins thing. There was that back drop, so it was a pretty obvious place to say something about it, and it’s cool to have a scene that allows for that discussion. That’s what gives it power in a way. The hardcore scene is like high school. There’s the typical bullshit that goes on everywhere, but it’s cooler because it’s like a musical high school and there’s something kind of romantic about that. There was also a lot of back and forth between hip- hop and hardcore at the time, too. There was a time when there was a lot of racism but there was a whole backlash against that.
    [Show full text]
  • Family Album
    1 2 Cover Chris Pic Rigablood Below Fabio Bottelli Pic Rigablood WHAT’S HOT 6 Library 8 Rise Above Dead 10 Jeff Buckley X Every Time I Die 12 Don’t Sweat The Technique BACKSTAGE 14 The Freaks Come Out At Night Editor In Chief/Founder - Andrea Rigano Converge Art Director - Alexandra Romano, [email protected] 16 Managing Director - Luca Burato, [email protected] 22 Moz Executive Producer - Mat The Cat E Dio Inventò... Editing - Silvia Rapisarda 26 Photo Editor - Rigablood 30 Lemmy - Motorhead Translations - Alessandra Meneghello 32 Nine Pound Hammer Photographers - Luca Benedet, Mattia Cabani, Lance 404, Marco Marzocchi, 34 Saturno Buttò Alex Ruffini, Federico Vezzoli, Augusto Lucati, Mirko Bettini, Not A Wonder Miss Chain And The Broken Heels - Tour Report Boy, Lauren Martinez, 38 42 The Secret Illustrations - Marcello Crescenzi/Rise Above 45 Jacopo Toniolo Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Marco Capelli, 50 Conkster Marco De Stefano, Paola Dal Bosco, Giangiacomo De Stefano, Flavio Ignelzi, Brixia Assault Fra, Martina Lavarda, Andrea Mazzoli, Eros Pasi, Alex ‘Wizo’, Marco ‘X-Man’ 58 Xodo, Gonz, Davide Penzo, Jordan Buckley, Alberto Zannier, Michele & Ross 62 Family Album ‘Banda Conkster’, Ozzy, Alessandro Doni, Giulio, Martino Cantele 66 Zucka Vs Tutti Stampa - Tipografia Nuova Jolly 68 Violator Vs Fueled By Fire viale Industria 28 Dear Landlord 35030 Rubano (PD) 72 76 Lagwagon Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Go Getters N. 1221 del 04/03/2010. 80 81 Summer Jamboree Get in touch - www.saladdaysmag.com Adidas X Revelation Records [email protected] 84 facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints And Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Stokin’ The Neighbourhood con testi immagini.
    [Show full text]
  • The Educative Experience of Punk Learners
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 6-1-2014 "Punk Has Always Been My School": The Educative Experience of Punk Learners Rebekah A. Cordova University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Curriculum and Instruction Commons Recommended Citation Cordova, Rebekah A., ""Punk Has Always Been My School": The Educative Experience of Punk Learners" (2014). Electronic Theses and Dissertations. 142. https://digitalcommons.du.edu/etd/142 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. “Punk Has Always Been My School”: The Educative Experience of Punk Learners __________ A Dissertation Presented to the Faculty of the Morgridge College of Education University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Rebekah A. Cordova June 2014 Advisor: Dr. Bruce Uhrmacher i ©Copyright by Rebekah A. Cordova 2014 All Rights Reserved ii Author: Rebekah A. Cordova Title: “Punk has always been my school”: The educative experience of punk learners Advisor: Dr. Bruce Uhrmacher Degree Date: June 2014 ABSTRACT Punk music, ideology, and community have been a piece of United States culture since the early-1970s. Although varied scholarship on Punk exists in a variety of disciplines, the educative aspect of Punk engagement, specifically the Do-It-Yourself (DIY) ethos, has yet to be fully explored by the Education discipline.
    [Show full text]
  • Touchable Sound Records from the USA
    A Collection of 7-inch Touchable Sound Records from the USA In an era that advocates streamlined product, and music at the click of a mouse, Touchable Sound celebrates those independent-minded bands and labels that make their own records and relish the opportunity to produce labor- intensive one-off artifacts. As Henry H. Owings puts it in his introduction, the book honors “those who invest countless hours of themselves to further their art. It’s about having an attention to detail and a disinterest in the bottom line.” Curated by Brian Roettinger, Mike Treff, and Diego Hadis, and organized by region, Touchable Sound focuses on unique, exquisite examples of American 7-inch-record design. Spanning nearly 25 years, it lovingly documents the obscure and the hard-to-find with help from musicians, artists, and label owners. Many of these records—by bands as diverse as the Olivia Tremor Control, the Locust, Angel Hair, Stereolab, Los Crudos, the Melvins, and more— have never before been seen by a wide audience, and were originally pressed in extremely limited editions. Edited by Brian Roettinger, Mike Treff, and Diego Hadis. Introduction by Henry Owings (Chunklet Magazine & Books). Essay Contributions from Tom Hazelmyer (Amphetamine Reptile Records), Sam McPheeters (Vermiform Records / Born Against), Justin Pearson (Three One G Records / The Locust), Kristin Thomson (Simple Machines Records / Tsunami), Mike Amezcua (El Grito Records), Mark Ownes (Life of the Mind). Featuring over 300 records and 600 bands. All images photographed. Full marketing and publicity campaign planned. Release events scheduled throughout the Fall. Display copies and POP materials available.
    [Show full text]
  • F9 Production Information 1
    1 F9 PRODUCTION INFORMATION UNIVERSAL PICTURES PRESENTS AN ORIGINAL FILM/ONE RACE FILMS/PERFECT STORM PRODUCTION IN ASSOCIATION WITH ROTH/KIRSCHENBAUM FILMS A JUSTIN LIN FILM VIN DIESEL MICHELLE RODRIGUEZ TYRESE GIBSON CHRIS ‘LUDACRIS’ BRIDGES JOHN CENA NATHALIE EMMANUEL JORDANA BREWSTER SUNG KANG WITH HELEN MIRREN WITH KURT RUSSELL AND CHARLIZE THERON BASED ON CHARACTERS CREATED BY GARY SCOTT THOMPSON PRODUCED BY NEAL H. MORITZ, p.g.a. VIN DIESEL, p.g.a. JUSTIN LIN, p.g.a. JEFFREY KIRSCHENBAUM, p.g.a. JOE ROTH CLAYTON TOWNSEND, p.g.a. SAMANTHA VINCENT STORY BY JUSTIN LIN & ALFREDO BOTELLO AND DANIEL CASEY SCREENPLAY BY DANIEL CASEY & JUSTIN LIN DIRECTED BY JUSTIN LIN 2 F9 PRODUCTION INFORMATION PRODUCTION INFORMATION TABLE OF CONTENTS THE SYNOPSIS ................................................................................................... 3 THE BACKSTORY .............................................................................................. 4 THE CHARACTERS ............................................................................................ 7 Dom Toretto – Vin Diesel ............................................................................................................. 8 Letty – Michelle Rodriguez ........................................................................................................... 8 Roman – Tyrese Gibson ............................................................................................................. 10 Tej – Chris “Ludacris” Bridges ...................................................................................................
    [Show full text]
  • Current, August 21, 2017 University of Missouri-St
    University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 8-21-2017 Current, August 21, 2017 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, August 21, 2017" (2017). Current (2010s). 267. https://irl.umsl.edu/current2010s/267 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. The Current UMSL’S INDEPENDENT STUDENT NEWS Anheuser-Busch Hall Dedication Opens New Doors for Business Students KAT RIDDLER / THE CURRENT KAT The main entrance to Anheuser-Busch Hall. Construction on the $20 million building began in 2015. The building is the new home of the College of Business Adminstration and the first to be dedicated solely to the College. Kat Riddler heuser-Busch Hall (ABH). On Au- UMSL Chancellor Thomas George, Anheuser-Busch Hall is the new business college. Previously, the Managing Editor gust 17, over two hundred people University of Missouri System home of the College of Business Ad- college was housed in the Social gathered in the courtyard facing the President Mun Choi, local elected ministration. The 51,000-square- Science & Business Building (SSB). hose returning to the Uni- building for the Grand Opening of officials, and Anheuser-Busch rep- foot building is three stories and The temperature-controlled walk- Tversity of Missouri-St. Louis the $20 million building from 4:30 resentatives were among the many houses undergraduate and gradu- way from SSB to ESH extends to the campus may notice a new building p.m.
    [Show full text]
  • La Coka Nostra Rolling with Grinspoon Pt.Ii Kiva
    WWW.KOTORIMAG.COM MAGAZINE WWW.KOTORIMAG.COM MAGAZINE DEERHOOF • THE LOCUST • AS Tall AS LIONS • CLUTCH • DAVID CHOE • RJD2 • BUFF MONSTER • NORma JEAN • POT TM MUSIC/ART/POLITICS/CULTURE #009 MUSIC/ART/POLITICS/CULTURE LA COKA NOSTRA ROWDINESS, BEllIGERENCE AND AGGRESSION ROllING WITH GRINSPOON PT.II “WE’RE GOING TO GET AN INJECTION OF A WHOLE NEW ENERGY...” KIVA INVESTORS SEEKING EMOTIONal RETURNS LOOK NO FURTHER WE ARE THE FURY CattlE DECapItatION SIERRA SWAN CLEAR CHANNEL - AMERICAN SODOMITES? USA $3.99 CANADA $4.99 ISSUE 9 WWW.KOTORIMAG.COM TABLE OF CONTENTS LA COKA NOSTRA I’m not knocking anyone else’s shit but hip hop is in a flossy KIVA place and I don’t feel like it’s reflecting the world we’re Investors seeking emotional returns…look no further. 40 living in right now!” 33 CLUTCH BUFF MONSTER “One day in the middle of a show I turned around and looked “The mass appeal of urban inspired or urban related art is 23 behind me and there were two 30 foot penises behind us.” 27 growing every day.” POWER PELLETS: Kotori tells you wutz up! 04 DEERHOOF 14 Satomi educates America on why Asians are so salty WE ARE THE FURY: A HEAD COLD COUldn’t TRIP UP ROCK-N-ROLL 06 THE LOCUST ASPHALT JUNGLE: swallows up Bob Marley 10 20 swarmin’ with their one-liners!! FASHIONABLY SKATEBOARDING: SICK ASS DECKS! 16 SIERRA SWAN 50 super-sexy sultry ssssss! HOW TO MAKE YOUR MUSIC VIDEO 18 SANDBLOOM: ONE CRAZY WHITE BOY WITH A LOT OF SOUL 30 AS TALL AS LIONS 08 Singer Dan Nigro hiccups his way through animal cruelty & the glockenspiel METERMAIDS: DOG POO AND DEMO RAP COLLIDE! 54 FASHION ADVENTURES: Kotori conquers fashion!!! 55 RJD2 47 Ramble John Krohn carves an exciting ‘pop’ path down a road he’s always taken..
    [Show full text]
  • The Stony Brook Press Is Online at Take the Land Via Eminent Domain Proceedings
    n -1 I -- _--_,-1 9 1 -I- --- ~ ZI- , Vol. XXV, Issue 15 "I need a borscht belt to hold un mv schnitzei iiben slacks" - June 25, 2004 Revie Unwl Sony Brook University vs. Gydyne: Who really wiris? ,, -By Sam Goldman Right now, 246 acres of land sit rela- would adversely affect the campus and the sur- pared to a prison. New undergrad housing would tively unused to the west of Stony Brook rounding community. be a bigger boon to the campus than any University. Bounded by Stony Brook Road, An extra wrinkle to the situation was research center. Even more so, graduate hous- University Heights Drive, and the tracks of the recently added. Kings Park, about 10 miles ing, which the GSO has been clamoring for for LIRR train, the site, named Flowerfield, is ripe away from campus, was supposed to be the site quite some time now, would be by FAR the best for development, but who will be the lucky ones of "new urban growth" - a carefully constructed use of any new development. The University to develop it? This question is at the heart of Mecca of affordable housing (something Long continues to think about grandiose plans for Stony Brook University's - and Brookhaven's - Island -. and Suffolk County especially - sorely things like hotels and convention centers fut.ure. lacks) on the site of an abandoned mental hos- instead of looking after the basic needs of stu- The land is currently owned by the pital. Just a week ago, community groups dents. On top of this, the additions to the cam- Gyrodyne Company of America.
    [Show full text]
  • Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
    08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC.
    [Show full text]
  • Metal Supergroup Beckham
    lifestyle WEDNESDAY, DECEMBER 14, 2016 FEATURES The Radio City Rockettes perform ‘Finale’ in the 2016 New York Spectacular at Radio City Music Hall in New York on July 6, 2016. — AFP Faith No More singer to Beckham proud of head metal supergroup son's charity work ormer England soccer captain David Beckham said he aith No More frontman Mike Patton, The Cuban-born Lombardo often fig- was surprised and proud that his 11-year-old son, Cruz, who has one of rock's most versatile ures on lists of metal's top drummers. He Fhad taken it upon himself to raise money for charity by Fvoices, said Monday that he was form- is best known for Slayer, a macabre thrash releasing a Christmas single. Cruz Beckham followed in the ing a new metal supergroup with Slayer metal band, and has also played with musical footsteps of his mum, fashion designer and former drummer Dave Lombardo. Patton wrote on Suicidal Tendencies and Misfits. Lombardo Spice Girl Victoria, by releasing "If Everyday Was Christmas" Facebook that the supergroup called Dead and Patton previously joined forces for last week, with all proceeds from the single going to British Cross will release an album next year. The another supergroup called Fantomas. children's charity, Make Some Noise. 48-year-old Patton has a vocal range of six They will be joined in Dead Cross by gui- "He's been listening to his dad and his mum and saying octaves-one of the greatest of any living tarist Michael Crain and bassist and vocal- how important it is to help others," David Beckham, a United singer, even in opera.
    [Show full text]