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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Grindcore.Pdf
Obsah: 1. Úvod..........................................................................................................................2 1.1 Ideová východiska práce.............................................................................2 1.2 Stav bádání, primární a sekundární literatura.............................................3 1.3 Definice grindcore, důležité pojmy.............................................................3 1.4 Členění práce a metodologie.......................................................................6 1.5 Cíl práce......................................................................................................8 2. Historický úvod – žánrová typologie........................................................................9 2.1 Počátky žánru a dva hlavní proudy grindcoru............................................9 2.2 Další vývoj grindcoru................................................................................13 3. Grindcore – hledání extrémního hudebního projevu ….........................................17 3.1 Transformace zpěvu..................................................................................17 3.2 Vývoj rytmu, rytmické sekce....................................................................19 3.3 Vývoj hry na kytaru a baskytaru …..........................................................20 3.4 Vývoj formy a mikrostruktury..................................................................20 3.5 Goregrindové intro....................................................................................22 -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Juin 2013 À 20H30 Le Plus En Vue Du Moment: the Upbeats
la programmation de Forde bénéficie le Moloko ne bénéficie pas d’autre soutien que de celui de ses nombreux-ses ami-es le Zoo ne bénéficie pas d’autre soutien que de celui de ses amis Nous voila rendus au dernier stade du processus : le grand du soutien de la Ville de Genève Samedi 22 Juin oral final ! Selon le principe de l'autogestion (qui nous est chère) Salle ... de nuit IN THE MOOD FOR tou.te.s les membres sont appelé à élire leur futur.e col- 4 place des volontaires, VIOLENCE [DUBSTEP] JUIN 201 JUIN lègue et représentant.e. 1er étage, droite BAR9 Z Audio, Audio Freaks, Dark Circles / UK Chaque candidat se présente donc devant l’association + : www.lezoo.ch (une cinquantaine de membres environ y assiste) qui, sui- BARE NOIZE Eight:FX, Audio Freaks, Buygore / UK te à ces entretiens grandeur nature, vote. WICKED ONE Cover Your Face / CH Fin du processus !! ... Wow wow wow! Watch out Genève, deux pointures de la ... qui recommence à chaque tournus au sein de la dubstep débarquent en ville! Pour cette deuxième soirée de permanence ! 1er étage, gauche , la fête de la musique, le Zoo vous offre LE plateau dont vous Buvette 4 place des volontaires rêvez. Tout d'abord le genevois Wicked One, qu'on a pu L'Usine dépense donc sans compter son temps et son www.darksite.ch/moloko écouter au côté de Datsik il y a peu de temps, viendra nous énergie pour élire ses permanent.e.s ! socio-culturelle préchauffer les oreilles avant de laisser la place à deux pontes C'est qu'elle les aime ! (et qu'illes le lui rendent bien!) Ouvert de 20h à 3h (non-fumeur) de la dubstep dirty, les anglais Bar9 et Bare Noize. -
25-29 Music Listings 4118.Indd
saturday–sunday MUSIC Ladysmith Black Mambazo Guantanamo Baywatch, Hurry Up, SUNDAY, MARCH 8 [AFRIcA’S GoLDEn tHRoAtS] the Cumstain, Pookie and Poodlez legendary, Grammy-hoarding South [GARAGE RocK] on its new single African vocal group, now halfway Retox, Whores, ”too Late,” Portland’s Guantanamo through its fifth decade, has tran- Rabbits, Phantom Family Baywatch trades its formerly scended the Western pop notori- [HARDCORE] Fatalist, nihilist, blis- reverb-flooded garage-rock sound ety that followed its contributions tering, brutal—these are just a few for tamer, Motown-influenced bal- to Paul Simon’s Graceland, becom- of the better words to describe ladry. It’s a signal that the upcom- ing a full-fledged ambassador for hardcore crew Retox, a group whose ing Darling…It’s Too Late, dropping the culture of its homeland. But pedigree includes members of sim- in May on Suicide Squeeze, may one doesn’t need familiarity with ilarly thorny outfits such as the fully shift the band away from that its lengthy history to be stirred Locust, Head Wound city and Holy signature Burger Records’ sound, by those golden voices. Aladdin Molar. one adjective that doesn’t which has flooded the market Theater, 3017 SE Milwaukie Ave., get used very often, though it with pseudo-psychedelic surf-rock 234-9694. 8 pm. $35. 21+. should, is “funny.” It’s understand- groups indistinguishable from one able that this quality wouldn’t trans- another. LUcAS cHEMOTTI. The late through singer Justin Pearson’s Low Cut Connie Know, 2026 NE Alberta St., 473- larynx-ripping screech. But Retox [tHE WHItE KEYS] An invasive 8729. -
Here Were Homeless People All Around Us and a Lot of Fighting Going On
GUILT Ati Moran (Breaking Free Fanzine) on hardcore: Hardcore for me is definitely an idea, an expression of feelings and [an attitude of] never giving up on what you believe in. [It’s] an emotion you feel strong about that no one can take away from you! I also be- lieve hardcore has a lot to do with the people I met in the last 22 years who were apart of the scene - they weren’t everyday people. Besides hardcore being music, it was a place to get away from the normal world! Charles Maggio (Rorschach, Gern Blandsten Records) on hardcore: John Brannon said it best: hardcore is the “blues of the suburbs.” QUICKsaND Walter Schreifels (Quicksand, Gorilla Biscuits) on fighting/ disagreements in hardcore: In the scene there were homeless people all around us and a lot of fighting going on. There was the whole punks versus skins thing. There was that back drop, so it was a pretty obvious place to say something about it, and it’s cool to have a scene that allows for that discussion. That’s what gives it power in a way. The hardcore scene is like high school. There’s the typical bullshit that goes on everywhere, but it’s cooler because it’s like a musical high school and there’s something kind of romantic about that. There was also a lot of back and forth between hip- hop and hardcore at the time, too. There was a time when there was a lot of racism but there was a whole backlash against that. -
Family Album
1 2 Cover Chris Pic Rigablood Below Fabio Bottelli Pic Rigablood WHAT’S HOT 6 Library 8 Rise Above Dead 10 Jeff Buckley X Every Time I Die 12 Don’t Sweat The Technique BACKSTAGE 14 The Freaks Come Out At Night Editor In Chief/Founder - Andrea Rigano Converge Art Director - Alexandra Romano, [email protected] 16 Managing Director - Luca Burato, [email protected] 22 Moz Executive Producer - Mat The Cat E Dio Inventò... Editing - Silvia Rapisarda 26 Photo Editor - Rigablood 30 Lemmy - Motorhead Translations - Alessandra Meneghello 32 Nine Pound Hammer Photographers - Luca Benedet, Mattia Cabani, Lance 404, Marco Marzocchi, 34 Saturno Buttò Alex Ruffini, Federico Vezzoli, Augusto Lucati, Mirko Bettini, Not A Wonder Miss Chain And The Broken Heels - Tour Report Boy, Lauren Martinez, 38 42 The Secret Illustrations - Marcello Crescenzi/Rise Above 45 Jacopo Toniolo Contributors - Milo Bandini, Maurice Bellotti/Poison For Souls, Marco Capelli, 50 Conkster Marco De Stefano, Paola Dal Bosco, Giangiacomo De Stefano, Flavio Ignelzi, Brixia Assault Fra, Martina Lavarda, Andrea Mazzoli, Eros Pasi, Alex ‘Wizo’, Marco ‘X-Man’ 58 Xodo, Gonz, Davide Penzo, Jordan Buckley, Alberto Zannier, Michele & Ross 62 Family Album ‘Banda Conkster’, Ozzy, Alessandro Doni, Giulio, Martino Cantele 66 Zucka Vs Tutti Stampa - Tipografia Nuova Jolly 68 Violator Vs Fueled By Fire viale Industria 28 Dear Landlord 35030 Rubano (PD) 72 76 Lagwagon Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, Go Getters N. 1221 del 04/03/2010. 80 81 Summer Jamboree Get in touch - www.saladdaysmag.com Adidas X Revelation Records [email protected] 84 facebook.com/saladdaysmag 88 Highlights twitter.com/SaladDays_it 92 Saints And Sinners L’editore è a disposizione di tutti gli interessati nel collaborare 94 Stokin’ The Neighbourhood con testi immagini. -
Write-Ins Race/Name Totals - General Election 11/03/20 11/10/2020
Write-Ins Race/Name Totals - General Election 11/03/20 11/10/2020 President/Vice President Phillip M Chesion / Cobie J Chesion 1 1 U/S. Gubbard 1 Adebude Eastman 1 Al Gore 1 Alexandria Cortez 2 Allan Roger Mulally former CEO Ford 1 Allen Bouska 1 Andrew Cuomo 2 Andrew Cuomo / Andrew Cuomo 1 Andrew Cuomo, NY / Dr. Anthony Fauci, Washington D.C. 1 Andrew Yang 14 Andrew Yang Morgan Freeman 1 Andrew Yang / Joe Biden 1 Andrew Yang/Amy Klobuchar 1 Andrew Yang/Jeremy Cohen 1 Anthony Fauci 3 Anyone/Else 1 AOC/Princess Nokia 1 Ashlie Kashl Adam Mathey 1 Barack Obama/Michelle Obama 1 Ben Carson Mitt Romney 1 Ben Carson Sr. 1 Ben Sass 1 Ben Sasse 6 Ben Sasse senator-Nebraska Laurel Cruse 1 Ben Sasse/Blank 1 Ben Shapiro 1 Bernard Sanders 1 Bernie Sanders 22 Bernie Sanders / Alexandria Ocasio Cortez 1 Bernie Sanders / Elizabeth Warren 2 Bernie Sanders / Kamala Harris 1 Bernie Sanders Joe Biden 1 Bernie Sanders Kamala D. Harris 1 Bernie Sanders/ Kamala Harris 1 Bernie Sanders/Andrew Yang 1 Bernie Sanders/Kamala D. Harris 2 Bernie Sanders/Kamala Harris 2 Blain Botsford Nick Honken 1 Blank 7 Blank/Blank 1 Bobby Estelle Bones 1 Bran Carroll 1 Brandon A Laetare 1 Brian Carroll Amar Patel 1 Page 1 of 142 President/Vice President Brian Bockenstedt 1 Brian Carol/Amar Patel 1 Brian Carrol Amar Patel 1 Brian Carroll 2 Brian carroll Ammor Patel 1 Brian Carroll Amor Patel 2 Brian Carroll / Amar Patel 3 Brian Carroll/Ama Patel 1 Brian Carroll/Amar Patel 25 Brian Carroll/Joshua Perkins 1 Brian T Carroll 1 Brian T. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Drummer Bracket Template
First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
ANALYSIS the Day of the Locust (1939) Nathanael West (1903-1940)
ANALYSIS The Day of the Locust (1939) Nathanael West (1903-1940) 1 The novel opens and ends with a mob scene, the first artificial and the last real. Circular structure is a characteristic of the transcendental mode and of Modernism, as in The Sun Also Rises and Finnegans Wake. In contrast, the structure of Locust implies a downward rather than an upward or progressive movement— to madness rather than transcendence. The great noise outside the office of Tod Hackett is a fake army moving “like a mob; its lines broken, as though fleeing from some terrible defeat.” This image prefigures the defeat of illusory dreams that provokes the mob riot at the end of the novel. The soldiers of European nations at war evokes the brutal recent history of western civilization, culminating in decadent Hollywood. They are stampeding to the wrong “stage” and their leader, in a cork sun-helmet that evokes colonialism, is chasing after them cursing and shaking his fist like a fool in a dark farce. Late in the novel Faye Greener, another force of Nature, is said to be “like a cork. No matter how rough the sea got, she would go dancing over the same waves that sank iron ships and tore away piers of reinforced concrete.” That the dominant forces of history and Nature are beyond control is a Gothic and a Naturalist vision of life. Naturalistic also is the detached view West takes of the retired people who “had come to California to die.” They are like locusts. West implies that believing in what you see on the movie screen is as foolish as believing that the set of “half a Mississippi steamboat” will get you somewhere.