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Sheets to Lull To
Sheets to Lull To - Pratyaksh Gautam Lo-Fi? So, What’s Different? usic spawns countless genres, with new ones Most genres of music aim to grab your attention and Mpopping up by the dozens every few years. move you, or to make you move. Lo-fi established Among the genres to come to prominence in the last itself as a genre whose aim is to not draw too much few years, lo-fi stands out as one of the more “un- attention, as demonstrated by the title of the largest interesting” ones. It isn’t bizarre, avant-garde, nor is lo-fi live stream on the internet, ChilledCow’s 24x7 it dominating the top 40. It doesn’t have any artists “lo-fi hip hop radio - beats to relax/study to”. They’re who constantly make headlines for their fashion or repetitive, relaxed and laid-back beats, with rarely relationships. any comprehensible lyrics, to be played without It begs the much more “interesting” question, why needing to pay attention, as filler, think Phillip Glass is such a seemingly niche genre enjoying growing meets J Dilla. popularity? Simply put, lo-fi hip hop is this generation’s elevator Lo-fi, short for ‘low fidelity’ is a genre of music music, well suited for late-night study sesh’s, or drawing largely on hip-hop, with elements of other questionable activities best appreciated with sampling, classic old school drum machine sounds, a calm ambience. lo-fi has existed in some way or unquantised drums, slightly detuned synths, form for a long time, but has recently attracted a repetition, and repetition. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
World-Class Electronic Music at Flow's Resident Advisor Front Yard
Press release. Free for publication March 22nd 2018, 11:30 EET World-class electronic music at Flow's Resident Advisor Front Yard Flow Festival is known for its stellar electronic music offering, and this year the audience gets to enjoy it at the Resident Advisor Front Yard, among other venues. Come August, Helena Hauff, Moodymann, Gerd Janson, Young Marco, Yaeji, Sammy Dee & Zip, Sonja Moonear and many others will take the stage at Flow. Flow Festival debuted the very popular Resident Advisor Front Yard at last year's festival. This year the stage is back and the cooperation with Resident Advisor, the world's num- ber one online media for electronic music, continues. The area's stripped down industrial atmosphere with its cargo container structures combined with a park-like greenery and gorgeous light design creates an amazing setting for enjoying the club sounds. On Friday Resident Advisor Front Yard will host Sammy Dee and Zip, two legendary Ger- man DJs playing together, Swiss top DJ Sonja Moonear, Finnish electro's ultimate cult duo Imatran Voima's 20th anniversary live performance, Amsterdam-based Young Marco with his original, obscure and fascinating record finds, and Korean-born, but Berlin-based house and techno sensation Peggy Gou. On Saturday, the Resident Advisor stage will be taken over by e.g. Helena Hauff, who reached the top spot on Crack Magazine's TOP 50 DJ list, Detroit In Effect with his Miami bass, techno and hip hop inspired set, as well as Veronica Vasicka, who personifies Mini- mal Wave, the style and the record company. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
James Holden & the Animal Spirits Biography
james holden & the animal spirits biography The release of James Holden's long-anticipated second album The Inheritors in the summer of 2013 kicked off a bold new phase in the enduring British electronic guru's musical career. An epic 75 minute long English pagan saga, the immersive and idiosyncratic alternative electronic universe of The Inheritors was the product of Holden's late night studio jams on his modular synthesizer and custom hybrid analogue- digital machines. But with a recording process that had become so focused around the capturing of these private in-the-moment live performances, it was not long before the public act of travelling the world playing other people's records as part of Holden's international DJ career of over ten years standing began to feel increasingly out of step with his most recent studio explorations. The time had come to take the plunge with a live show all of his very own. London-born jazz-trained drummer Tom Page (of brotherly synth-and-drum improv duo Rocketnumbernine) was Holden’s first recruit, joining Holden and a portable incarnation of his modular synth in an improvised reimagining of tracks from The Inheritors, in answer to an impossible-to-turn-down invitation from Thom Yorke to support his Atoms For Peace supergroup on their North American arena tour in the Autumn of 2013. Then once back home on the European festival circuit, the improvisational flourishes of French saxophonist Etienne Jaumet (Zombie Zombie) - whose free-sax freak-out adorns Inheritors highlight The Caterpillar’s Intervention - were a welcome occasional addition to the newly-formed synth-and-drum duo’s continuing live adventures. -
NEW RELEASE GUIDE September 3 September 10 ORDERS DUE JULY 30 ORDERS DUE AUGUST 6
ada–music.com @ada_music NEW RELEASE GUIDE September 3 September 10 ORDERS DUE JULY 30 ORDERS DUE AUGUST 6 2021 ISSUE 19 September 3 ORDERS DUE JULY 30 SENJUTSU LIMITED EDITION SUPER DELUXE BOX SET Release Date: September 3, 2021 INCLUDES n Standard 2CD Digipak with 28-page booklet n Blu-Ray Digipak • “The Writing On The Wall” • Making Of “The Writing On The Wall” • Special Notes from Bruce Dickinson • 20-page booklet n 3 Illustrated Art Cards n 3D Senjutsu Eddie Lenticular n Origami Sheet with accompanying instructions to produce an Origami version of Eddie’s Helmet, all presented in an artworked envelope n Movie-style Poster of “The Writing On The Wall” n All housed in Custom Box made of durable board coated with a gloss lamination TRACKLIST CD 1 1. Senjutsu (8:20) 2. Stratego (4:59) 3. The Writing On The Wall (6:23) 4. Lost In A Lost World (9:31) 5. Days Of Future Past (4:03) 6. The Time Machine (7:09) CD 2 7. Darkest Hour (7:20) 8. Death of The Celts (10:20) 9. The Parchment (12:39) 10. Hell On Earth (11:19) BLU-RAY • “The Writing On The Wall” Video • “The Writing On The Wall” The Making Of • Special notes from Bruce Dickinson LIMITED EDITION SUPER DELUXE BOX SET List Price: $125.98 | Release Date: 9/3/21 | Discount: 3% Discount (through 9/3/21) Packaging: Super Deluxe Box | UPC: 4050538698114 Returnable: YES | Box Lot: TBD | Units Per Set: TBD | File Under: Rock SENJUTSU Release Date: September 3, 2021 H IRON MAIDEN Take Inspiration From The East For Their 17th Studio Album, SENJUTSU H Brand new double album shows band maintain -
PARTNER PROFILE 2015 Partnerpartner Pprofilerofile C/Oc/O Ppopop 2015
PARTNER PROFILE 2015 PARTNERPartner PprofileROFILE C/OC/O PpopOP 2015 CONTENTS c/o pop Festival 06 Locations 08 Bands & Acts 12 Press Coverage 14 c/o pop Convention 16 Feedback 18 Speakers & Panelists 20 Partner & Sponsors 2014 23 Contact 24 3 Partner profile C/O pop 2015 Partner profile C/O pop 2015 C/O pop 2015 “C/O POP: THIS IS WHERE musICIANS, 19—23 A FANS AND BusINEss PEOPLE COME UGUS T TOGETHEr – aN URBAN, DIVERSE AND UNIQUE FESTIVAL!“ Make your brand and your product part of this unforgettable feeling. At c/o pop, you can reach urban young people, opinion leaders and music lovers! On the following pages, you will find out more about the festival, the convention and the possibilities for partners, promoters and sponsors. We offer you a variety of options for being part of at c/o pop: Promotional activities of all kinds, media integrations, brand and product presence on site or your own partner events within the framework of the festival and the convention. We would be happy to create a tailor-made solution for your brand and your product at c/o pop! C/O POP MARKETING & SPONSORING Jutta Unger Tel: +49 221 998 911 00 Mail: [email protected] 4 5 KELIS PARTNER PROFILE C/O POP 2015 PARTNER PROFILE C/O POP 2015 C/O POP cOLOGNE MUSIC FESTIVAL elBOW MOUNT KIMBIE Five days, over 30,000 visitors, 60 concerts and parties in 30 different locations and around 100 artists from 20 countries: urban and diverse! The c/o pop festival’s recipe for success is simple: musically, the c/o pop festival has been offering a good mix of established artists and newcomers since 2004, including electro, indie, and related styles as well as international and national acts. -
Sonntags Im Bistro Grottino, Sommer 2015 (16.59H Bis Ca
Sonntags im Bistro Grottino, Sommer 2015 (16.59h bis ca. 19.08h) Set vom 7.6. Real Estate: Past Lives Department of Eagles: No One Does It Like You Unknown Mortal Orchestra: So Good… Ruby Suns: Oh Mojave The Congos: Fisherman The Upsetters: Big Gal Sally Beastie Boys: Song for the Man Captain Beefheart: Abba Zaba Destroyer: Del Monton Magnetic Fields: The Luckiest Guy… Beck: Black Tambourine Can: Halleluhwah Dorothy Collins: Lightworks (Raymond Scott) Erykah Badu: Soldier Digable Planets: Black Ego Calexico: Not Even Stevie Nicks Avey Tare's Slasher Flicks: Little Fang Panda Bear: Boys Latin Deerhoof: Super Duper Rescue Head Daniel Johnston: The Sun Shines Down Gil Scott Heron: Home Is Where the Hatred Is Timmy Thomas: Why Can't We Live Together The Four Tops: Baby I Need Your Loving Matthew E. White: Golden Robes William Onyeabor: Atomic Bomb Connan Mockasin: Megumi the Milkyway Above Django Django: Found You Atlas Sound: Walkabout Islands: Jogging Gorgeous Summer Tame Impala: Let it Happen The Notwist: Gloomy Planets Dan Deacon: Feel the Lightning Tocotronic: Spiralen Destroyer: Kaputt Set vom 14.6. Simone White: Flowers in May Beach House: Walk in the Park Peaking Lights: All the Sun That Shines The Slits: Man Next Door Jaako Eino Kalevi: Deeper Shadows Sisyphus: Lion's Share The Soundcarriers: So Beguiled Toro y Moi: Empty Nesters Kyu Sakamoto: Sukiyaki Homeboy Sandman: Holiday (Kosi Edit) Real Estate: Crime Devendra Banhart: Won't You Come Over Yo La Tengo: Automatic Doom Caribou: Melody Day Chris Cohen: Don't Look Today Unknown Mortal Orchestra: Can't Keep Checking My Phone John Cale: Hanky Panky Nohow Mac DeMarco: Let Her Go Girls: Oh So Protective One Stereolab: Fuses Beck: Tropicalia Cloud One: Atmosphere Strut Remix 1979 Cliff King Solomon: But Officer! Ariel Pink: Baby Frank Ocean: Forrest Gump Animal Collective: Rosie Oh Alexis Taylor: Am I Not A Soldier? Freddie Gibbs & Madlib: Shame (Instrumental) Arthur Russell: That's Us / Wild Combination The Streets: Never Went to Church Jacques Palminger: Wann strahlst Du? Dick Justice: Henry Lee Set vom 21.6. -
Jay Som Everybody Works Release Date: March 10, 2017
Jay Som Everybody Works Release Date: March 10, 2017 On her first proper album asJay Som, Melina Duterte, 22, solidifies her rep as a self- made force of sonic splendor and emotional might. If last year’s aptly named Turn Into compilation showcased a fuzz-loving artist in flux—chronicling her mission to master bedroom recording—then the rising Oakland star’s latest, Everybody Works, is the LP equivalent of mission accomplished. Duterte is as DIY as ever—writing, recording, playing, and producing every sound beyond a few backing vocals—but she takes us places we never could have imagined, wedding lo-fi rock to hi-fi home orchestration, and weaving evocative autobiographical poetry into energetic punk, electrified folk, and dreamy alt-funk. And while Duterte’s early stuff found her bucking against life’s lows, Everybody Works is about turning that angst into fuel for forging ahead. “Last time I was angry at the world,” she says. “This is a note to myself: everybody’s trying their best on their own set of problems and goals. We’re all working for something.” Everybody Works was made in three furious, caffeinated weeks in October. She came home from the road, moved into a new apartment, set up her bedroom studio (with room for a bed this time) and dove in. Duterte even ditched most of her 1. Lipstick Stains demos, writing half the LP on the spot and making lushly composed pieces like 2. The Bus Song “Lipstick Stains” all the more impressive. While the guitar-grinding Jay Som we first fell in love with still reigns on shoegazey shredders like “1 Billion Dogs” and in 3. -
Aitken Full CV
DOUG AITKEN BORN 1968 Born in Redondo Beach, CA EDUCATION 1987-91 Art Center College of Design, BFA, Pasadena, CA 1986-87 Marymount College, Palos Verdes, CA SOLO EXHIBITIONS 2019 Return to the Real, Victoria Miro Gallery, London UK NEW ERA, Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis Sonic Mountain (Sonoma), The Donum Estate, Sonoma, CA New Horizon: Art and the Landscape, The Trustees of Reservations’ Public Art Initiative, Various Locations in Massachusetts including Martha’s Vineyard, Greater Boston, and the Berkshires Doug Aitken, Faurschou Foundation, Beijing, China Doug Aitken, Don’t Forget to Breathe, 6775 Santa Monica Boulevard, Los Angeles, CA Doug Aitken, Mirage Gstaad, Elevation 1049: Frequencies, Gstaad, Switzerland 2018 Mirage Detroit, State Savings Bank, Detroit, MI Doug Aitken, Copenhagen Contemporary, Copenhagen, Denmark Doug Aitken, Galerie Eva Presenhuber, Zurich, Switzerland New Era, 303 Gallery, New York, NY Doug Aitken, Massimo De Carlo, Hong Kong, China 2017 Doug Aitken: Electric Earth, Modern Art Museum of Fort Worth, Fort Worth, TX Mirage, Desert X, Palm Springs, CA migration (empire), Minneapolis Institute of Art, Minneapolis, MN 2016 Doug Aitken, Underwater Pavilions, Parley for the Oceans and The Museum of Contemporary Art, Los Angeles, Pacific Ocean near Catalina Island, CA Doug Aitken: Electric Earth, Museum of Contemporary Art, Los Angeles, Los Angeles, CA Doug Aitken: twilight, Peder Lund, Oslo, Norway 2015 Schirn Kunsthalle, Frankfurt, Germany Victoria Miro Gallery, London, -
Dave Lombardo: Feeling Suicidal
FEELING SUICIDAL Dave LombardoBY DAVID JARNSTROM don’t keep track of Slayer,” Lombardo—54 years young in days—which suits his spontaneous Dave Lombardo says over the February—is headed in the opposite disposition perfectly. “It’s invigorating “Iphone matter-of-factly. “I have too direction, cracking the throttle on his going from one project to another,” much to deal with over here.” Currently storied career. he says. “I finished a six-week enjoying some well-earned downtime at Splitting time between crossover Dead Cross European tour this his Southern California home, the ever- pioneers Suicidal Tendencies, horror- summer, hopped a plane in Amsterdam genial drummer couldn’t care less that punk icons The Misfits, and hardcore the next day and started a Suicidal the legendary thrash metal band he supergroup Dead Cross (featuring tour in New York the day after that. co-founded as a teen is in the midst of a co-conspirator Mike Patton of Faith No No rehearsal, just straight to the stage. two-year farewell tour. While Slayer More and Mr. Bungle on vocals), I’d done my homework and was on point. slowly rides off into the sunset, Lombardo barely has time to think these Music is music, you know?” 24 DRUM! Spring 2019 DRUMmagazine.com MILOSZ BAUZA PHOTO Lombardo claims it was a “no-brainer” drums. There’s so much that contributes Lombardo is also looking forward to when Suicidal Tendencies frontman Mike to playing with real feeling. It’s something writing new Dead Cross material this Muir asked him to join the band, which— that can’t really be taught—some people winter. -
Imperial Celebrates Inaugural Liberation & Community Week
FR IDAY, 25 TH JANUARY, 2019 – Keep the Cat Free – ISSUE 1711 Felix The Student Newspaper of Imperial College London NEWS Cancer Awareness in Young People Week PAGE 4 COMMENT Who should vote on what? PAGE 6 SUSTAINABILITY Inclusivity starts here // Imperial College Union Imperial celebrates inaugural Liberation & Imperial Green Community Week being represented, go out spoke about how they 2019 Calendar and make those events have advocated for change and start those projects and championed diversity. PAGE 19 NEWS College Union’s first of microaggressions, yourself” - the importance Final year Biochemistry Liberation & Commu- which are unconscious of remembering that “the student and Student Andy Djaba nity Week, with a panel expressions of racism or burden of making sure Trustee, Hafiza Irshad, Editor-in-Chief discussion hosted by the sexism. Attendees at the we’re all represented talked about her work SPORT Deputy President (Wel- event heard more about shouldn’t be left on those with the outreach depart- fare), Becky Neil. why diversity is important of us that are unrepresent- ment, working to fully The launch event, and how every member ed” was also emphasised. include Muslim students The week involved a which was titled, “Inclu- of the Imperial commu- Panel members, includ- attending the summer panel event and social sivity Starts Here” and nity can be involved in ing Richard Carruthers camp by accommodating media campaign took place in the Union making the university (Deputy Director [Careers their prayer times, which Concert Hall, featured a more inclusive. Although Service]), Dr. Rahma had a positive impact on panel of seven speakers underrepresented stu- Elmahdi (Senior Teaching the students’ experience.