Johann Strauß, Sohn (1825–1899)
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Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Der Topos „Musikstadt Wien“ in den Filmen von Willi Forst Analyse der Filme „Wiener Blut“ und „Wiener Mädeln“ Verfasserin: Daniela Burgstaller angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin / Betreuer: ao.Univ.Prof. Dr. Margareta Saary Inhaltsverzeichnis Vorwort ............................................................................................................................ 3 1. Musikstadt Wien ......................................................................................................... 5 2. Wiener Film ................................................................................................................. 9 2.1 Definition ................................................................................................................ 9 2.2 Entwicklung .......................................................................................................... 10 2.3 Themen und wichtige Persönlichkeiten ................................................................ 11 3. Willi Forst .................................................................................................................. 13 3.1 Von der Theaterbühne zum Film – Leben und Werk ........................................... 13 3.2 Im Aufsichtsrat der Wien-Film GmbH ................................................................. 16 3.3 Die Filme über Wien ............................................................................................ -
Musikalischer Teilnachlass Carl Wetaschek (Infanterie-Regiment Erzherzog Carl Stephan Nr
Musikalischer Teilnachlass Carl Wetaschek (Infanterie-Regiment Erzherzog Carl Stephan Nr. 8) Wienbibliothek im Rathaus Musiksammlung ZPM 702 Ordnungssystematik Wienbibliothek im Rathaus / Musiksammlung – Teilnachlass Carl Wetaschek / ZPM 702 Biografische Informationen Wetaschek, Carl: 15. 12. 1859 Wien – 7. 11. 1936 Wien; Militärkapellmeister; Plevlje, Lo- soncz, Brünn, Eger, Wien, Budapest. Für eine Kurzbiografie siehe Wolfgang Suppan: Lexi- kon des Blasmusikwesens, Freiburg im Breisgau 1973, S. 300; Rudolf Flotzinger (Hg.): Oesterreichisches Musiklexikon, Bd. 5, Wien 2006, S. 2635 (Online-Version: http://www.musiklexikon.ac.at/ml/musik_W/Wetaschek_Karl.xml ). Provenienz des Bestands Der Nachlass wurde 2012 von einer Privatperson gekauft, die in keinem verwandtschaftlichen Verhältnis zum Bestandsbildner steht. Umfang 9 Archivboxen Inhalt Militär-, Salon-, Tanz- und Unterhaltungsmusik (handschriftliche und gedruckte Orchester-, Militärmusik- und Schrammelquartett-Stimmensätze, gedruckte Partituren und Klavieraus- gaben) von Wetaschek und anderen Komponisten Übersicht Ordnungssystematik Archivbox 1: Orchesterstimmensätze in Mappen, kleine Etiketten Nr. 1 – 3 Archivbox 2: Orchesterstimmensätze in Mappen, kleine Etiketten Nr. 4 – 8 Archivbox 3: Orchesterstimmensätze in Mappen, kleine Etiketten Nr. 9 – 13 Archivbox 4: Orchesterstimmensätze in Mappen, kleine Etiketten Nr. 14 – 19 Archivbox 5: Orchesterstimmensätze in Mappen, kleine Etiketten Nr. 21 – 37 Archivbox 6: Orchesterstimmensätze in Mappen, kl. Etiketten 45–52, gr. Etiketten Nr. 1–9 -
THE ART of CARLOS KLEIBER Carolyn Watson Thesis Submitted In
GESTURE AS COMMUNICATION: THE ART OF CARLOS KLEIBER Carolyn Watson Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Sydney May 2012 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Carolyn Watson Date: ii Abstract This thesis focuses on the art of orchestral conducting and in particular, the gestural language used by conductors. Aspects such as body posture and movement, eye contact, facial expressions and manual conducting gestures will be considered. These nonverbal forms of expression are the means a conductor uses to communicate with players. Manual conducting gestures are used to show fundamental technical information relating to tempo, dynamics and cues, as well as demonstrating to a degree, musical expression and conveying an interpretation of the musical work. Body posture can communicate authority, leadership, confidence and inspiration. Furthermore, physical gestures such as facial expressions can express a conductor’s mood and demeanour, as well as the emotional content of the music. Orchestral conducting is thus a complex and multifarious art, at the core of which is gesture. These physical facets of conducting will be examined by way of a case study. The conductor chosen as the centrepiece of this study is Austrian conductor, Carlos Kleiber (1930-2004). Hailed by many as the greatest conductor of all time1, Kleiber was a perfectionist with unscrupulously high standards who enjoyed a career with some of the world’s finest orchestras and opera companies including the Vienna Philharmonic, La Scala, Covent Garden, the Met and the Chicago Symphony. -
Salonorchester.Pdf
Das Programm des seit 2002 zur Boosey & Hawkes-Gruppe gehörenden Musikverlags Anton J. Benjamin bietet, neben zahlreichen Werken des ‘ernsten’ Repertoires, eine große Fülle von Schätzen für Salonorchester. Dabei handelt es sich gleichermaßen um Originalkompositionen wie um Bear- beitungen beliebter klassischer Werke. Stöbern Sie hier in dieser nahezu unerschöpflichen Fundgrube! (Für die Suche nach weiteren Werken im Programm von Boosey & Hawkes • Bote & Bock benutzen Sie bitte unseren Online-Katalog unter www.boosey.de/Katalog.) Hinweise zur Benutzung des PDF-Katalogs: Diese Ausgabe des Benjamin-Salonorchester-Kataloges nennt neben dem Komponisten, Titel und Bearbeiter auch die Spieldauer (soweit bekannt), die im Verlagsarchiv vorhandene Besetzung und den Preis der Standard-Ausgabe. Die Standard-Ausgabe (Spalte „Stand“) ist in der Regel die Salonorchester-Besetzung mit Piano- Direktion, Harmonium (Akkordeon), Violine-Direktion (doppelt), Violine obligat, Cello, Kontrabaß, Flöte, Oboe, Klarinette, Trompete, Posaune III und Schlagzeug (abgekürzt: SO). In vielen Fällen allerdings ist keine Oboe vorgesehen bzw. nur als Ergänzerstimme erhältlich (Abkürzung: SOo). Wenn darüber hinaus die jeweilige Ausgabe weniger Stimmen als oben aufgeführt enthält (z.B. kein Schlagzeug, kein Blech oder überhaupt keine Bläser) bzw. - in einigen wenigen Fällen - vermutlich unvollständig ist, so ist die Abkürzung für die Besetzungsangabe in Klammern gesetzt. Von der normalen Salonorchester- Besetzung gänzlich abweichende Spezial-Arrangements sind mit „§“ bezeichnet. Ergänzerstimmen (Spalte „Erg“) gibt es in vielen Fällen für „kleines“ und für „großes“ Orchester (Abkürzung: K bzw. G). Normalerweise besteht das „kleine Orchester“ aus Piano-Direktion, Violine-Dir. (doppelt), Violine II, Viola, Cello, Kontrabaß, Flöte, Oboe, Klarinette I und II, Fagott, Horn I und II, Trompete I und II, Posaune und Schlagzeug. -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
Catalogue of New, Original & Cheap Editions of Imported and Domestic
OF f • • • • 1J5W, ORIGINAL, AND CHEAP EDITIONS 01\ - --............. --- MERCHANDISE OF EVERY DESCHIPTION. Imported Strings, Etc., of all IHnds. 0-- ___• ~ ........ _~__ Ntw York: . JOB & ENKE, 15 BIBLE HOUSE (ASTOR PLACE), OPPOSITE COOPER INSTITUTE, BET. 3D AND 4TH A YEs. 1S74. --~~----- - L .JOHN Ross 01; eoMPANY, PRINTERS, 27 ROSE ST., NEW YORK.. ~- I~DEX:_ -.- llIUSIO. PA.GE Songs for One Voice, with accompaniment of Piano, . 3 Songs for more than One Voice, with accompaniment of Piano, . 9 Choruses, 1., II., . 10 Songs for ORe Voice, with accompaniment of Piano and Cello' (or Violin), 10 Songs with accompaniment of Orchestra, 11 Vocal Methods and Exercises, 11 ~-- I. PIANO SOLOS. a) Symphonies, Concertos, Sonatas,' Fantasi:1s, Varia tions, Transcriptions, etc., . 11 b) Overtures, . 3() c) Dances and Marches, 37 d) Potpourris, 41 e) Etudes,. .. ... 43 f) OpeNS, Oratorios, Cantatas, etc., in complete Piano Score, without words, 44 g) Do., with words, . .. 4.~ h) I.-}'lethods. n.-Studies and Exercises, 47 II. PIANO, 4 HANDS. a) Symphonies, Sonatas, etc., 48 b) Overtures, . 53 c) Dances and Marches, 54 d) Potpourris, . 55 e) Operas, Oratorios, Cantatas, etc., in complete Piano Score,. .'58 f) Studies and Exercises, 58 III. 2 Pianos, 4 Hands, . 58 IV. 2 Pianos, 6 Hands, . 59 V. 2 Pianos, 8 Hands,. 60 VI. Duos for Piano and Violin, 60 VII. Duos for Piano and Oello, 64 VIII. Duos for Piano and Flute, . 67 IX. Trios for Piano, Violin, and Cello, 69 X. Trios for Piano and 2 Violins, . .. 70 XI. Quartets for Piano, 4 Hands, Violin and Cello, 70 XII. -
1848 Revolution Academy Concerts, See Vienna Philharmonic
Cambridge University Press 978-1-107-02268-3 - The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity Zoë Alexis Lang Index More information Index 1848 Revolution, see Austria: 1848 Bach, David Josef, 41 Revolution Bach, Johann Sebastian, 91 , 95 , 176 Concerto for Two Violins, 91 , 176 Academy concerts, see Vienna Philharmonic: Bad Ischl, 151 Academy concerts Barcelona, 133 , 134 Adolf Luser Verlag, 102 Bauer, Julius, 169 Agee, James, 149 Bavaria, 5 , 93 , 96 “alte Steffl ,” 34 Becker, Alfred Julius, 90 Amon, Franz, 20 Beethoven, Ludwig van, 3 , 42 , 88 , 91 , 92 , An der schönen blauen Donau , see Strauss, 133 , 134 , 177 , 189 Johann, Jr.: Blue Danube, The Serenade in D major (op. 25), 134 An der schönen blauen Donau (fi lm), 63 Symphony no. 7, 189 Anderson, Benedict, 39 Triple Concerto, 91 , 177 Anzengruber, Ludwig, 56 Beller, Steven, 109 Apollosaal, 16 Bellini, Vincenzo, 99 Arbeiter-Sinfonie-Konzert, see Workers’ Berg, Alban, 111 , 134 , 136 , 139 Symphony Concert Association Bergland Verlag, 105 Arbeiter-Zeitung , 126 , 127 Berlin, 3 , 36 , 66 , 90 , 121 , 126 , 127 , 132 , Athenaion Verlag, 98 1 3 9 , 1 4 9 Austria, 70 Berliner Tagblatt , 121 1848 Revolution, 26 , 28 , 30–32 , 47 , 53 Berlioz, Hector, 18 , 20 Anschluss, 3 , 72 , 75 , 122 , 123 , 127 , Bernhard, Thomas, 164 131 , 147 Bertolucci, Bernardo, 130 , 131 Austrofascism, 73 , 140–141 Bienenfeld, Elsa, 169 , 171 Catholicism, 3 , 5 , 38 , 112 , 139 , 141 Bilse, Benjamin, 12 Christian Social Party, 5 , 38 , 138 Bismarck, Otto von, 3 civil war (1934), 73 , 141 Bizet, Georges, 89 , 91 , 176 dialect, 3 , 56 L’Arlésienne (Suite No. -
Programme.Pdf
Konzertprogramme des Orchesters der Wiener Netze zurück bis 1923: das konzert 2019 20. März 2019 VHS-Zentrum Floridsdorf Admiral Stosch - Marsch Carl Latann L´ Arlesienne, Bühnenmusik Georges Bizet Der Student geht vorbei Juliu Cesar Ibanez Am Donaustrand, Walzer Sigmund Suchy Csárdásfürstin, Potpourri Imre Kálmán Floridsdorf - Marsch Sigmund Suchy Mars de Medici, Marsch Johan Wichers O Vitinho, marcha chula Francisco Marques Neto Wo die Wolga fließt, Potpourri Hans Kolditz Vajnorska Polka Karol Padivy Colonel Bogey, Marsch Frederick J. Ricketts Textilakov, Marsch Karol Padivy Bis bald auf Wiederseh´n Wenzel Zittner das konzert 2018 14. April 2018 VHS-Zentrum Floridsdorf Prelude aus "Te Deum" Marc A. Charpentier Regina Ouvertüre Gioacchino Rossini Winter aus "Vier Jahreszeiten", op. 8 Antonio Vivaldi Rosen aus dem Süden, Walzer op. 388 Johann Strauss Bitte schön, Polka francaise op. 372 Johann Strauss Der Vogelhändler, Potpourri Carl Zeller Triglav Marsch op. 72 Julius Fucik Harry Potter, Filmmusik John Williams Westside Story, Potpourri Leonard Bernstein Mixed Pickles Max Leemann Maxglaner Zigeunermarsch Tobias Reiser Für Österreichs Ehr´ Marsch Josef Lassletzberger Böhmische Musikanten, Polka Rudolf Lamp Dort tanzt Lulu, Walzer Will Meisel Faszination Blasmusik 22. Oktober 2017 Konzerthaus Triglav, Marsch op. 72 Julius Fucik Verträumte Melodien, Potpourri Hans Kolditz Tanzen möcht´ ich, Walzer Imre Kálmán das konzert 2017 22. April 2017 VHS-Zentrum Floridsdorf Abendgebet aus "Nachtlager in Granada" Conradin Kreutzer Eine Nacht in Venedig, Ouvertüre Johann Strauss Stephanie Gavotte, op. 312 Alphons Czibulka Erinnerung an Franz Schubert, Potpourri Johann Kliment Das liegt bei uns im Blut, Polka mazur op. 374 Carl M. Ziehrer Loreley-Rhein - Klänge, Walzer op. 154 Johann Strauss, Vater Per aspera ad astra, Marsch Ernst Urbach Khevenhüller Marsch Anton Fridrich The lion sleeps tonight Weiss / Creatore / Kampstra Fernando / Thank you for the music Benny Anderson / Björn Ulvaeus Persischer Marsch, op. -
Gramophone Record Catalogue 1899
HOUSES OF PARLIAMENT. TALKING RECORDS-(continued). HAWTHORNE. DIALOGUES BY Mr. A. Messrs. BIRCHMORE & MORTON ioii Nursery Rhymes III. (Moore & Burgess Minstrels). ioi6 Ravings of John McCullocn. 1000 Three Hard Questions. 1020 The Lock of Hair. 1002 Minstrel Dialogue. TERRELL AND PARKHAM. 1037 A very much Married Man. ioo3 Virginia Camp Meeting. Mr. R. G. KNOWLES. 104 A Cook's Tour. The Order the Bath. 1004 Casey's Address to the G.A.R. 1056 of 1014 Nursery Rhymes II. 1057 A Honeymoon Trip. ST. PAUL'S, LONDON. A special feature in our Catalogue is the selection of Sacred Songs, rendered by well known Oratorio Singers. Mr. WILLS PAGE. 2765. Be thou Faithful (St. Paul), 2769. Every Valley (Messiah). Mr. G. H. SNAZELLE. 2772. Is not His Word? (Elijah). 2773" Why do the Nations? (Messiah). We draw would also attention to the rendering by Canon Barker of : - io79. The Lord's Prayer and the 23rd Psalm. 3 CANTERBURY CATHEDRAL. When the Gramophone first began to be known in England, we had amongst our records many selections of a sacred nature, which were of American origin. There are now on our Eng-hs/ Catalogue records of the same nature-hymns sung by choir with organ accompaniment. 4501. Abide with Me. 4503. Rock of Ages. 4502. The Church's One Foundation. 4504. 0 Paradise. ý.. 4505. Hark ! the Herald Angels sing. Also the same class of selection reproduced with bells, and "church scenes " which include bells, organ and choir. These last you will find under the " Miscellaneous " heading, and they are numbered as follows :- 0250. -
Vienna Philharmonic Orchestra New Year's
Information Booklet Vienna Philharmonic New Year’s Concert 2019 INFORMATION BOOKLET VIENNA PHILHARMONIC ORCHESTRA NEW YEAR’S CONCERT 2019 01.01.2019 LIVE FROM THE WIENER MUSIKVEREIN VIENNA PHILHARMONIC ORCHESTRA CONDUCTOR: CHRISTIAN THIELEMANN 1 Information Booklet Vienna Philharmonic New Year’s Concert 2019 PRESS RELEASE Year after year, the New Year’s Concert allows the Vienna Philharmonic to present itself as Austria's most important musical ambassador. Their traditional greeting to the world is born of a spirit of hope, friendship and peace. January 1st 2019 marks 60 years that ORF will have been accompanying this "Concert of Concerts" with its television cameras. In fact, the programme is now broadcasted in almost 100 countries worldwide. A historical journey through time documenting the extent to which the broadcast has changed over the years, "Prelude to the New Year's Concert", will be shown at 10:40 on ORF2. Once again there will be a New Year’s Concert newcomer: German conductor Christian Thielemann. His engagement at the New Year’s Concert has long been anticipated by the music world, having been connected musically to the Vienna Philharmonic since 2000 and having often conducted at the Vienna State Opera. As chief conductor of the Sächsischen Staatskapelle Orchestra, Christian Thielemann has performed many concerts in Austria, not least in Salzburg, where he has been artistic director of the Easter Festival since 2013. ’Kapellmeister’ Thielemann (who prefers not to be referred to as Maestro) is very familiar with the music of the Strauss dynasty and the world of operetta. Nevertheless, his interpretation of this music especially at the New Year’s Concert represents a new level of achievement for him. -
Pflichtstücke Für Die Jahre 1964 Bis 2010
Verzeichnis der Pflichtstücke Quelle: Fachzeitschrift "Österreichische Blasmusik" ab Ausgabe März 1968 (Schriftleiter: Prof. Karl Moser/Prof. Fritz Jurman/Elmar Mattweber/Kurt Böhler/Gerhard Imre) Erhoben und zusammengestellt von Konsulent Ernst Bahn (Kategorie J-Jugend/A-sehr leicht/B-leicht/C-mittelschwierig/D-schwierig/E-sehr schwierig) Jahr Stufe Titel Komponist Arrangeur Verlag Quelle 1964 A Serenata seriosa Lotterer Gustav ------------------------- Schulz OÖBV/Info Zeman 1964 B Kleine Bläserstudie Bourgeois Karl ------------------------- Husadel OÖBV/Info Zeman 1964 C Festliche Musik Löffler Edmund ------------------------- Halter OÖBV/Info Zeman 1964 D Notturno Huber Paul ------------------------- Milgra OÖBV/Info Zeman 1965 A Hymne Huber Paul ------------------------- Milgra OÖBV/Info Zeman 1965 B Tänzerische Spielmusik Haase-Altendorf Hellmut ------------------------- Grosch OÖBV/Info Zeman 1965 C Capriccio Hartwig Hans ------------------------- Schulz OÖBV/Info Zeman 1965 D Aufschwung Haase-Altendorf Hellmut ------------------------- Helbling OÖBV/Info Zeman 1966 A Aus dem Schwarzwald - 1. Satz Hasselmann Viktor ------------------------- Helbling OÖBV/Info Zeman 1966 B Aus dem Schwarzwald - 3. Satz Hasselmann Viktor ------------------------- Helbling OÖBV/Info Zeman 1966 C Schattenspiel König Herbert ------------------------- Grosch OÖBV/Info Zeman 1966 D Musica brevis Richter-Herf Franz Topf Rudolf Helbling OÖBV/Info Zeman 1967 A Bürgermeistermarsch Gruner Ernst ------------------------- Grosch OÖBV/Info Zeman 1967 B Traumreise