ECRE Vision Statement

Total Page:16

File Type:pdf, Size:1020Kb

ECRE Vision Statement Annual Report 2014 ECRE Mission Statement The European Council on Refugees and Exiles (ECRE) is a pan-European alliance of NGOs protecting and advancing the rights of refugees, asylum seekers and displaced persons. Our mission is to promote the establishment of fair and humane European asylum policies and practices in accordance with international human rights law. Working together with our members and partners to inform and persuade European authorities and the public, we monitor and denounce human rights violations while proposing and promoting fair and effective durable solutions. We accomplish our mission through research, advocacy and the sharing of knowledge and expertise. ECRE Vision Statement ECRE strives for a Europe that protects refugees, asylum seekers and displaced persons with dignity and respect. “Europe” refers to the broader geographic territory as well as “Europe” as an actor giving access to protection and providing assistance on its territory and outside. The term “protects” is defined in the broadest sense, to encompass access to asylum, legal and physical protection and integration. “Refugees, asylum seekers and displaced persons” to include all people seeking protection against their loss of rights due to displacement. Table of Contents Foreword ..................................................................................................................................................................................................................................... 4 Europe must be part of the solution to #HelpSyriasRefugees ����������������������������������������������������������������������������������������������������������������������������������������������������� 6 It’s life or death. Let’s choose life – ECRE on deaths in the Mediterranean and end of Operation Mare Nostrum ..................................................................... 9 AIDA Annual Report: fleeing war and persecution, forced to seek safety in a rickety boat ������������������������������������������������������������������������������������������������������� 11 ECRE calls for a system to allow positive decisions on asylum to be recognised across the EU ��������������������������������������������������������������������������������������������� 12 ECRE’s recommendations on the transposition of EU’s recast Asylum Procedures Directive �������������������������������������������������������������������������������������������������� 13 ECRE publishes practitioner’s tool on how the Charter of Fundamental Rights can be applied to asylum procedural law .........................................................................14 Disrupted Flight – Excessive red tape prevents refugees from reuniting with their family �������������������������������������������������������������������������������������������������������� 15 ECRE’s work with EASO and Frontex ��������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������� 16 Important cases ������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������������� 18 European Database of Asylum Law (EDAL).............................................................................................................................................................................. 20 Unaccompanied children face obstacles in accessing quality legal assistance ������������������������������������������������������������������������������������������������������������������������ 21 Dialogue on Migration and Asylum in Development (DOMAID) ................................................................................................................................................ 22 Forum Share, a Belgian Migrant-led platform............................................................................................................................................................................ 23 Actors of Protection and the Application of the Internal Protection Alternative (APAIPA) .......................................................................................................... 24 Strengthening the ELENA Network in 2014............................................................................................................................................................................... 27 ECRE Annual General Conference and UNHCR NGO Consultations ...................................................................................................................................... 29 ECRE’s Media Officer’s Network ............................................................................................................................................................................................... 30 ECRE Welcomes 3 new member organisations ........................................................................................................................................................................ 31 Our members in 2014 ................................................................................................................................................................................................................ 32 ECRE Staff 2014 ....................................................................................................................................................................................................................... 33 ECRE Finances 2014 ................................................................................................................................................................................................................ 34 ECRE’s partners ........................................................................................................................................................................................................................ 35 Photos credit: Page 8, Jodi Hilton | Page 16, Kris ECRE | Page 21, Leila Alaoui | Page 22, Klaus Bo Christensen | Page 23, Tanja Jørgensen Foreword “We fled to Turkey from Syria to get away from the war. When we were in Turkey, I wanted to find out how we can get to Sweden, Norway, Finland, countries that grant you asylum. I found out that it costs 10,000 Euro per person. There are four of us, so it would cost us 40,000 Euro. I don’t have that amount. Greece is just beside Turkey so we decided to try to go there. There were a lot of difficulties.” They told us there was an inflatable boat that can carry 20-30 people but they packed 80 people on Board. I paid 7,000 Euros for myself, my wife and kids. It would be possible for European countries to take Syrian refugees who are in Turkey, Jordan, Iraq, or the people in the camps. How could we get to Sweden? Legally it is difficult. There is no other way other than the illegal way. The illegal way is death, death, death, and huge amounts of money.” Zaina and Osama They are married with two children. They didn’t believe the war would reach Aleppo. The day the school in front of their home was bombed, they decided to flee to try to keep their family safe. In 2014, ECRE and its members put a great emphasis on giving voice to the difficulties faced by thousands of refugees who try to seek protection in Europe. Their experi- ences are quite simply nightmarish. Take the example of Farah in Lebanon whose children can’t go to school and must beg on the street to get money for rent and food; or Zaina and Osama who were beaten and robbed by smugglers trying to leave Greece, a European country; or Azmi, who risked his life by crossing the Mediterranean and was beaten in Italy because he didn’t want to give his fingerprints and is now in Belgium desperate to get his family to join him but without risking their lives. Europe’s policies, our policies, are forcing people to risk their lives. There are few possibilities to apply for protection or humanitarian visas in Member States’ embassies; complex family reunification requirements mean that those who have family in Europe cannot always be reunited with them; and Europe’s contribution to respond to the acute global resettlement needs remains poor in view of the needs. Left with no other option, refugees are forced to travel irregularly and at great peril. The rickety boats that people pay thousands to travel in often sink leaving people’s hopes and dreams of protection on the seabed. As if the lack of legal and safe routes were not enough, States are also employing deliberate deterrents to protection at Europe’s borders. The reinforced border controls and fences on the Greek and Turkish land borders have all but sealed the border for refugees. At the same time , allegations persist of refugees being illegally pushed back in particular at the Greek-Turkish and Bulgarian-Turkish borders. Such practices undermine the credibility of the EU’s common policy on asylum as a whole. All efforts must be undertaken to ensure that fundamental rights, in particular the right to asylum and the principle of non refoulement, are respected in practice at the EU’s borders so as to ensure that all protection claims are properly examined. We believe that Europe’s response can and must be much better. We will continue advocating not only for the creation of safe and legal means for refugees to access Europe, but also
Recommended publications
  • United Nations Educational, Scientific and Cultural Organization (UNESCO)
    United Nations Educational, Scientific and Cultural Organization UNESCO 2016 Cover The recent large-scale, systematic destruction and looting of cultural heritage has been the dominant theme at UNESCO throughout 2016. One of the Organization’s responses to these attacks on cultural heritage and cultural pluralism is the #Unite4Heritage campaign, a global movement that calls on everyone to harvest the power of culture to bring people together and to celebrate the places, objects and cultural traditions that make the world such a rich and vibrant place. This image produced for the campaign combines past and present, with the head of Buddha Shakyamuni and the face of an Erbore tribe warrior from Ethiopia. © Public Domain LACMA - Los Angeles County Museum of Art/Rod Waddington Published in 2017 by the United Nations Educational, Scientific and Cultural Organization (UNESCO). 7, place de Fontenoy, 75352 Paris 07 SP, France © UNESCO 2017 This publication is available in Open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). The present license applies exclusively to the text content of this publication and to images whose copyright belongs to UNESCO. By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms-use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries.
    [Show full text]
  • Leila Alaoui
    SOME ARE BORN GREAT, SOME ACHIEVE TODAY IN QUOTE GREATNESS, AND SOME HAVE GREAT- 392 1701 1895 2016 HISTORY OF THE NESS THRUST UPON THEM. Roman Emperor William Penn pre- German physicist Wilhelm Röntgen Republican Donald Trump is elected DAY Theodosius declares sents Charter of produces and detects electromagnet- President of the United States of Amer- WILLIAM SHAKESPEARE Christian religion the Privileges ic radiation in a wavelength range to- ica, defeating democrat Hillary Clinton, FRIDAY NOVEMBER 8, 2019 state religion day known as X-rays or Röntgen rays who received 2.9 million more votes FRAMES STEP UP Leila Alaoui: A voice for the voiceless The breakdancers of Kabul: Afghan A Madrid exhibition youth busting offers an in- depth look moves at the late Moroccan A Madrid exhibition offers an in- photographer’s depth look at the late Moroccan chronicles of photographer’s chronicles of “disappearing “disappearing traditions” An Afghan breakdancer strikes a pose during a practice session traditions” AFP | Kabul The cultural centre is one of the few places in the Afghan capital where the n the land of suicide bombings, bur- mixed-gender Top Step crew are able to qas, and unending war, a group of practise and feel relatively safe, Lomani IAfghans have turned to breakdanc- says. But even here there are risks. ing for stress relief and self-expression Just five years ago, the centre was at- -- even as fears the Taliban could yet re- tacked by the Taliban as it hosted a play Leila Alaoui’s photos at the exhibition in Madrid turn to power fuel worries of a renewed about suicide bombings, where Lomani crackdown on the arts.
    [Show full text]
  • Middle East Regional Migration Trends August
    AUGUST/SEPTEMBER - 2016 AUGUST/SEPTEMBER - 2016 This summary is produced by DRC Middle East and North Africa (MENA) regional office. It covers inter and intra-regional displacement and displacement induced mobility drawing widely from available sources in the region. Given the complex migration trends taking place in the Middle East, this summary is intended to give a consolidated snapshot of mixed migration in the region. (Syria, Jordan, Lebanon, Turkey, Iraq). A note on terminology: Throughout this report the term migrant/refugee is used for all persons involved in mixed migration flows (including asylum seekers, trafficked persons, migrants, refugees) with the exception of Syrians who are recognised as persons in need of international protection. If the group mentioned refers only to refugees or asylum seekers or trafficked persons or migrants it will be clearly stated. Cover Photo Credit: Darashakran Refugee Camp for Syrian refugees in Erbil, Iraq. Photo by: Noe Falk Refugee children in Qushtapa camp, Kurdish Region, Iraq. Photo by Klaus Bo Chris Iraqtensen 2 SUMMARY OF REGIONAL MIGRATION TRENDS MIDDLE EAST SUMMARY OF REGIONAL MIGRATION TRENDS MIDDLE EAST 3 AUGUST/SEPTEMBER - 2016 AUGUST/SEPTEMBER - 2016 SYRIA Syrian Refugees: The ongoing conflict in Syria, now in its sixth year, continues to displace Eastern Mediterranean Route: Use of the Eastern Mediterranean route to Europe has thousands of Syrians both within and outside of the country. As of 30 September, 2016 decreased dramatically in comparison to 2015, despite the 6,527 arrivals by sea in Greece UNHCR had registered a total of 4,779,568 Syrian refugees in neighbouring countries and from August 1 to September 30.
    [Show full text]
  • Leila Alaouila Revue Leila Alaouila Revue La Revue Summary Leila Alaoui Sommaire
    06672287552 LEILA ALAOUILA REVUE LEILA ALAOUILA REVUE LA REVUE SUMMARY LEILA ALAOUI SOMMAIRE 006 JE ME SOUVIENS I REMEMBER par/by Jack Lang 009 AUTOPSIE DE L’ABSENCE AN AUTOPSY OF ABSENCE par/by Serge Lutens 011 LA TRAVERSÉE D’UN REGARD CAPTURED WITH A LOOK par/by Jean-Luc Monterosso 014 À PROPOS D’UNE PHOTOGRAPHIE ABOUT A PICTURE par/by Fouad Elkoury 017 APERÇU BIOGRAPHIQUE BIOGRAPHICAL OVERVIEW Directeur de la publication 025 PHOTOGRAPHIE DE REPORTAGE Publishing director Philippe Heullant REPORTAGE PHOTOGRAPHY Rédacteur en chef 026 NATREEN, NO PASARA Editor in chief Guillaume de Sardes NATREEN, NO PASARA par/by Bruno Rotival [email protected] 047 VIDÉO Directeur artistique Creative director VIDEO Piero Brogi [email protected] 048 CROSSING, UNE INDIVISIBLE HUMANITÉ Traduction CROSSING, AN EPIPHANY OF FACES par/by Simon Njami Translation Jennie Allen 054 L’ÎLE DU DIABLE, UNE ŒUVRE INACHEVÉE Photo de couverture DEVIL’S ISLAND, AN UNFINISHED PIECE par/by Lara Milosevic Cover Photo Les Marocains 063 PHOTOGRAPHIE PLASTICIENNE © Leila Alaoui CONCEPTUAL PHOTOGRAPHY Publicité Advertising 064 LES MAROCAINS, LEILA ALAOUI OU L’ÉPIPHANIE DES VISAGES Tél. : +33 (0)6 72 28 75 52 LES MAROCAINS, LEILA ALAOUI: AN EPIPHANY OF FACES par/by Guillaume de Sardes Impression Printer 090 MADE IN INDIA, RENDRE SINGULIER L’ANONYME D’Auria Printing (TE) Italie MADE IN INDIA, MAKING THE UNKNOWN EXCEPTIONAL par/by Paul Ardenne Edité par 110 BIOGRAPHIE DES AUTEURS Published by EPCH AUTHORS BIOGRAPHIES 10, boulevard de Port-Royal 75005 Paris 111 REMERCIEMENTS France Dépôt légal à parution ACKNOWLEDGMENT 2 • LEILA ALAOUI, LA REVUE LEILA ALAOUI, LA REVUE • 3 ZOOM HERVÉ KOUBI PHOTOS : © FRÉDÉRIQUE CALLOCH LANGUE FRANÇAISE ET COOPÉRATION COOPÉRATION CULTURELLE BOYS DON’T CRY ÉDUCATIVE AU MAROC La coopération culturelle entre la France et Présent sur l’ensemble du territoire marocai, le Maroc est ancienne, riche et d’une grande l’Institut français du Maroc accueille toute vitalité.
    [Show full text]
  • Press Kit 2019
    17th International Film Festival and Forum on Human Rights FIFDH Geneva 8-17 March 2019 : superposition.info : © Getty Images - Zuko Wonderfull Sikhafungana / graphisme / Sikhafungana Wonderfull - Zuko Images : © Getty photo www.fifdh.org Press Kit 2019 SOMMAIRE 3 The Forum 16 Juries 19 Prizes 20 Films 34 Around a Film 37 Events 42 Meet Our Guests 44 Greater Geneva and Western Switzerland 50 Young Audience 51 Théâtre 52 Partner Events 55 Educational Programme 58 Special Jurys 59 A Welcoming Event From Refugees in Geneva 61 Exhibitions 64 Team 66 Lieux 69 Pratical Informations THE FORUM Opening Speech: Accountability for Human Rights Friday 8 March – 18:00 - Espace Pitoëff - Théâtre Dr. Chaloka Beyani, Former UN Special Rapporteur on the Human Rights of Internally Displaced Persons and Professor of International Law and Human Rights at the London School of Economics, will give us some keys to understanding some of today’s burning issues: the rise of populism and of inequality, the questioning of multilateral institutions such as the UN Human Rights Council, protracted conflicts, as well as the prospects for resistance. Dr. Chaloka Beyani will provide an overview of the political, security, identity and social challenges that face us by focusing on these main fault lines, with an emphasis on migrations. Introduction: • Catherine-Lune Grayson, Policy advisor, CICR Speech: • Dr. Chaloka Beyani, Former UN Special Rapporteur on the Human Rights of Internally Displaced Persons, Professor at the London School of Economics On Their Shoulders: The Life of Women Defending Human Rights Friday 8 March – 20:00 - Espace Pitoëff - Théâtre Co-presented with Amnesty International Switzerland, European Parliament, the University of Geneva’s Bureau de l’Egalité and the International Service for Human Rights Advocating for one’s own rights, supporting a cause or exposing injustice: an essential but exhausting and challenging task, even more so as a woman.
    [Show full text]
  • Laurine Rousselet Et Leïla Alaoui : Entre Culture De Soi Et Culture De L’Autre
    Guetemme, Geneviève. « Laurine Rousselet et Leïla Alaoui : entre culture de soi et culture de l’autre. » Crossings in Women’s Writing in French in the Twenty-First Century, Crossways Journal, N°3.1 (2019) Laurine Rousselet et Leïla Alaoui : entre culture de soi et culture de l’autre Geneviève Guetemme Université d’Orléans France Dans un monde contemporain de plus en plus mobile et globalisé, nombreux sont les auteurs qui voyagent, croisent les références culturelles et écrivent dans d’autres langues. Ces pratiques inclusives dépassent les frontières géographiques, textuelles, linguistiques et culturelles. Elles sont au cœur du travail de deux femmes qui commencent à se faire connaître dans les années 2000. La première est la poétesse française Laurine Rousselet. Née à Dreux en 1974, elle a longtemps vécu à Paris, puis à Brest. Elle habite maintenant Angoulême. La deuxième est la photographe franco-marocaine Leïla Alaoui, née en 1982 à Paris et qui vivait entre Marrakech, Paris et Beyrouth. Blessée le 15 janvier 2016 lors de l’attaque terroriste d’Ouagadougou, où elle se trouvait en mission pour Amnesty International, elle succombe à ses blessures trois jours plus tard. Elle travaillait alors à une série de portraits de femmes qui défendaient le droit des femmes au Burkina Faso. Les œuvres respectives de Rousselet et d’Alaoui nous invitent à circuler entre les deux bords (Nord et Sud) de la Méditerranée et à considérer, chez ces deux artistes de la même génération, l’exploration d’une frontière géographique et symbolique prenant des formes visuelles et verbales très différentes. Leurs points de vue seront principalement analysés à partir du recueil bilingue français-arabe de Rousselet Mémoire de sel (2004) et de la grande série photographique d’Alaoui intitulée Les Marocains (2014).
    [Show full text]
  • When We Spoke to Leila Alaoui on Tackling Taboos in Art | Morocco News | Al Jazeera
    6/25/2020 When we spoke to Leila Alaoui on tackling taboos in art | Morocco News | Al Jazeera NEWS / MOROCCO When we spoke to Leila Alaoui on tackling taboos in art Before her death, the French-Moroccan artist spoke to Al Jazeera about migration, racism and identity in her work. by Nahrain Al-Mousawi 19 Jul 2015 'Art plays an important role in reflecting and questioning our societies,' Alaoui said [Courtesy Leila Alaoui] NOTE: Leila Alaoui died while on assignment for Amnesty International in Burkina Faso on January 19, 2016 after she was severly wounded in a January 15 al-Qaeda attack on Splendid hotel and nearby Cappuccino Cafe. Her death brings the death toll from the attacks to 30 people. Al Jazeera interviewed Alaoui in July 2015. https://www.aljazeera.com/news/2015/06/qa-tackling-taboos-morocco-art-scene-150616085103979.html 1/7 6/25/2020 When we spoke to Leila Alaoui on tackling taboos in art | Morocco News | Al Jazeera Marrakech, Morocco - Morocco's location on the Mediterranean Sea has made it a departure point for undocumented migrants in Africa hoping to cross to Europe. These dangerous journeys have resulted in many migrants drowning and the Mediterranean earning the morbid nickname of "the sea cemetery", with a recent incident claiming 800 victims . Some who do not cross opt to settle instead in Morocco, where they have reportedly experienced abuse from the local population. Moroccan-French photographer and video artist Leila Alaoui has attempted to tackle such issues through her art. At the Traces of the Future exhibit at the Marrakech Museum of Photography and Visual Arts, which runs until September, Alaoui's video installation Crossings showcases testimonies of sub-Saharan migrants against the backdrop of the Mediterranean.
    [Show full text]
  • Leila Alaoui
    @muntref @muntref www.untref.edu.ar/muntref www.untref.edu.ar/muntref /muntref LEILA ALAOUI Migrantes 9 DE MARZO Martes a domingos, de 11:00 a 20:00 hs. Entrada gratuita AL 3 DE JUNIO SEDE HOTEL DE INMIGRANTES: Av. Antártida Argentina (entre Dirección Nacional de Migraciones y Buquebus), Puerto Madero. Travesías [Crossings] 2013 Videoinstalación 6’ 55 “ “Era una artista radiante. Luchó para de- señalara su prima Yalda Alaoui en el diario volver la vida a la sociedad del olvido, a las británico The Independent. personas sin hogar, a los migrantes, con la Entre tanto, el escritor francomarroquí fotografía como su única arma. Ella fue una Tahar Ben Jelloun escribía perplejo: “Ni su corresponsal de la paz”, escribía Jack Lang, talento, ni su inteligencia, ni su sensibilidad, presidente del Instituto del Mundo Árabe, ni su belleza la han protegido. Leila Alaoui ante la noticia de la muerte de Leila Alaoui [fue] una artista apasionada que sabía des- durante el atentado en Burkina Faso en cubrir lo real detrás de la apariencia, mostrar enero de 2016. el esplendor de un cuerpo detrás del velo de Leila, cuyo trabajo conocíamos y a quien los prejuicios”. invitamos a integrar con su obra la muestra Desde la Universidad Nacional de Tres Migraciones (en el) arte contemporáneo, al de Febrero lamentamos su ausencia, y con llegar al MUNTREF inundó en un instante el ella la persistencia de la violencia en todas espacio con su vitalidad. Con gran entusias- sus diversas formas, esas ante las que ella mo recorrió el extenso corredor del tercer –como tantos otros– trató de revertir a través piso del Hotel de Inmigrantes mientras decía: de su trabajo produciendo una obra en la “¡Me encanta formar parte de esta mues- que arte y vida se implicaron de manera tra en la que, además del interés del tema inescindible.
    [Show full text]
  • LEILA ALAOUI Je Te Pardonne
    Via del Castello 11, San Gimignano (SI), Italia tel. +390577943134 | [email protected] | www.galleriacontinua.com LEILA ALAOUI Je te pardonne Opening: Saturday February 18th 2017, Via del Castello 11, 6pm-midnight Until 23.04.2017, Monday–Sunday, 10am–1pm, 2–7pm Galleria Continua is honoured No Pasara, Alaoui’s first photographic to present, for the first project, is the leitmotif of the show. A time in San Gimignano, a solo kind of manifesto of her commitment, exhibition by the French- this series of shots, a mix of colour and black and white photos, reveals Moroccan photographer and the multiple faces of Moroccan video artist Leila Alaoui. The youth in search of a ticket to show comprises photographs Europe, candidates for an uncertain from various series of the exile and somehow lost in their own artist’s work, so viewers can country. A humble portraitist, Alaoui fully appreciate the humanistic observed and listened to them, commitment displayed by Alaoui picking up her camera only after she had spent time with and talked to throughout her life. them. Her wish was to understand as much as possible about the lives, The exhibition opens with a text, “Je te pardonne” (‘I forgive you’), dreams and mirages of the so-called written by the artist’s sister, Harragas (literally, “those who burn Yasmina. Imagining the words Leila [borders]”), and what prompts them might have said to her murderer, to abandon their homeland. Crossings this deeply moving letter gives us is a portrait of the migrants of sub- a glimpse of the artist’s sensibility Saharan Africa, and an expression of in the face of the social realities her encounter with them.
    [Show full text]
  • Amnesty Photographer Leila Alaoui Killed in Burkina Faso Al-Qaeda Attack – British Journal of Photography 5/11/17, 12:26 PM
    Amnesty photographer Leila Alaoui killed in Burkina Faso al-Qaeda attack – British Journal of Photography 5/11/17, 12:26 PM British Journal of Photography NEWS, PHOTOJOURNALISM Published on 19 January 2016 Amnesty photographer Leila Alaoui killed in Burkina Faso al- Qaeda attack Written by Tom Seymour Image © Leila Alaoui http://www.bjp-online.com/2016/01/amnesty-photographer-leila-alaoui-killed-in-burkina-faso-al-qaeda-attack/ Page 1 of 15 Amnesty photographer Leila Alaoui killed in Burkina Faso al-Qaeda attack – British Journal of Photography 5/11/17, 12:26 PM Working on assignment for Amnesty International, the celebrated photographer was fatally injured during an al-Qaeda attack on an international hotel in Ougadougou, Burkina Faso, on Friday. Leila Alaoui, the 33-year-old French-Moroccan photographer, died last night as a result of injuries sustained during Friday’s al-Qaeda terrorist attack in Burkina Faso, along with her driver, Mahamadi Ouédraogo, a father of four. Alaoui was working on assignment on women’s rights issues for Amnesty International. The human rights organisation and French culture and communications minister Fleur Pellerin both con!rmed her death this morning. Talking to BJP this morning, Yves Traore, Director of Amnesty International Burkina Faso, paid tribute to them both. “Leila was an extraordinary young woman,” Traore said of Alaoui. “We wanted to work with her because of her talent, and her passion for helping women, girls and marginalised people tell their own stories and claim their rights. As a strong woman herself, she wanted to show women as authors of their own destiny, not as victims.
    [Show full text]
  • International Migration 2020 Highlights (ST/ESA/SER.A/452)
    International Migration 2020 Highlights United Nations Department of Economic and Social Affairs, Population Division The Department of Economic and Social Affairs of the United Nations Secretariat is a vital interface between global policies in the economic, social and environmental spheres and national action. The Department works in three main interlinked areas: (i) it compiles, generates and analyses a wide range of economic, social and environmental data and information on which States Members of the United Nations draw to review common problems and take stock of policy options; (ii) it facilitates the negotiations of Member States in many intergovernmental bodies on joint courses of action to address ongoing or emerging global challenges; and (iii) it advises interested Governments on the ways and means of translating policy frameworks developed in United Nations conferences and summits into programmes at the country level and, through technical assistance, helps build national capacities. The Population Division of the Department of Economic and Social Affairs provides the international community with timely and accessible population data and analysis of population trends and development outcomes for all countries and areas of the world. To this end, the Division undertakes regular studies of population size and characteristics and of all three components of population change (fertility, mortality and migration). Founded in 1946, the Population Division provides substantive support on population and development issues to the United Nations General Assembly, the Economic and Social Council and the Commission on Population and Development. The Population Division also leads or participates in various interagency coordination mechanisms of the United Nations system. It also contributes to strengthening the capacity of Member States to monitor population trends and to address current and emerging population issues.
    [Show full text]
  • Education Guide
    EDUCATION GUIDE STATELESSVIEWS OF GLOBAL MIGRATION JANUARY 24– MARCH 31, 2019 Omar Imam This guide serves as an educational supplement to the exhibition STATELESS: VIEWS OF GLOBAL Untitled (Found myself in narrow places), from MIGRATION and contains information about the works on view, questions for looking and the Live, Love, Refugee discussion, and suggested readings. series, 2015 You may download this guide from the museum’s website at mocp.org/education/resources-for-educators To schedule a free docent-led tour, please complete the form here: mocp.org/education/exhibition-tours The MoCP is supported by Columbia College Chicago, the MoCP Advisory Board, the Museum Council, individuals, and private and corporate foundations. This exhibition is generously sponsored by The Andy Warhol Foundation for the Visual Arts, the Art Dealers Association Foundation, the Illinois Arts Council Agency, the City of Chicago’s Department of Cultural Affairs and Special Events (DCASE), and the Efroymson Family Fund. Community partners forStateless: Views of Global Migration include Heartland Alliance and the Transatlantic Refugee Resettlement Network. 1 TABLE OF CONTENTS Introduction .................................................................................................... 3 Artists WEST GALLERY Fidencio Fifield-Perez ................................................................... 4 Tomas van Houtryve ..................................................................... 6 EAST GALLERY Shimon Attie ................................................................................
    [Show full text]