Nixe on the River Felix Paul Grève in Bonn (1898-1901)
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Jewish Fates: Richard Fuchs and Karl Wolfskehl
Jewish Fates: Richard Fuchs and Karl Wolfskehl By Friedrich Voit After three years of providing a varied programme of theatre, opera, concerts and lectures the Jüdische Kulturbund in Deutschland (Jewish cultural League in Germany) invited the leaders of its branches to a national conference in Berlin for stocktaking and planning of the future direction of the League. The Kulturbund was founded in 1933, a few months after the Nazi regime had come to power which began to purge the theatres, orchestras and other cultural institution from their „non-Arian‟ Jewish members. Almost overnight hundreds of Jewish actors, singers, musicians etc. found themselves without employment. Two of them having been dismissed from their positions at the operatic stages in Berlin, the production assistant Kurt Baumann and the conductor Kurt Singer, proposed a new organisation serving the Jewish community in Berlin and other major cities where most of the Jewish minority lived. They realized that the roughly 175.000 Jews, most of them well educated and with an active interest in the arts, would provide a big enough audience to support their own cultural institutions (theatre, opera, and orchestras). More importantly they also gained the support of the Nazi authorities, especially of Hans Hinkel, the newly appointed head of the Prussian Theatre commission. Such an institution suited the Nazis for several reasons: The regime would be able to exploit the organization in international propaganda by citing it as evidence that Jews were not being mistreated; it could -
The Dalhousie Review
The Dalhousie Review CONTENTS OF VOLUME XLIII HALIFAX, N. S. PuBLISHED QUARTERLY BY THE. REVIEW PuBLISHING Co., LIMITED HALIFAX, NovA ScoTIA, CANADA ANNUAL SUBSCRIPTION $4.00 CONTENTS OF VOLUME XLIII ARTICLES ARTHos, JoHN. Ruskin and Tolstoy: "The Dignity of Man" ... 5 BEcK, J. M. The Election of 1963 and National Unity 143 BENNET, C. L. An Unpublished Manuscript of the First Canadian Novelist ... 317 Bosl\IAJIAN , HAIG A. A Rhetorical Approach to the Communist Manifesto ... 457 BowLING, LAWRENCE EDWARD. William Faulkner: The Importance of Love. 474 BuRCHILL, C. S. History as Prophecy 333 CHJTTICK, V.L.O. Angry Young Poet of the Thirties ... 85 CooK, RICHARD I. Defoe and Swift: Contrasts in Satire ..... ....... ... 28 DEVEREUX, E. J. Early Printing in Newfoundland 57 DE ZwiGER, FRED. A Paradise for the Insane .. 490 DooLEY, D. J. The Suspension of Disbelief: Greene's Burnt-Out Case ... ... .... ... 343 FERGUssoN, CHARLES BRUCE. The Martello Tower at Halifax ... 212 GARRARD, J. G. Anti-Stalinism and the Liberal Trend in Soviet Literature .. 179 HARPER, J. RussELL. Pegi Nicol MacLeod: A Maritime Artist .... 40 HERTZMAN, LEwJs. The Sad Demise of History: Social Studies in the Alberta Schools 512 HYATT, A. M. J. The King-Byng Episode: A Footnote to History 469 KINGSTON , F. T EMPLE. The Law of Nature and the Natural Law ... 220 KuucH, }INDRA . N. F . S. Grundtvig and the Folk High Schools. 67 LEE, M. OwEN. Tragic Relief in Comedy: A Dimension in Plautus and Terence .. 365 MAcLEAN, GuY. No Man's Land: the Oder-Neisse Line . 76 McEwEN, J. M. Canadians at Westminster, 1900-1950 . -
Spring 2015 Special Section: the Modernist Short Story, and Varia
Journal of the Short Story in English Les Cahiers de la nouvelle 64 | Spring 2015 Special Section: The Modernist Short Story, and Varia The Tales of Frederick Philip Grove Andrew James Electronic version URL: http://journals.openedition.org/jsse/1569 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 March 2015 ISBN: 978-2-7535-5056-8 ISSN: 0294-04442 Electronic reference Andrew James, « The Tales of Frederick Philip Grove », Journal of the Short Story in English [Online], 64 | Spring 2015, Online since 01 March 2017, connection on 03 December 2020. URL : http:// journals.openedition.org/jsse/1569 This text was automatically generated on 3 December 2020. © All rights reserved The Tales of Frederick Philip Grove 1 The Tales of Frederick Philip Grove Andrew James 1 The twenty-three stories in the original version of Frederick Philip Grove’s Tales from the Margin comprise a cycle: characters recur and the locale is limited to Saskatchewan, Manitoba, and Alberta: the Canadian Prairies. This paper will examine how our perception of Grove’s cycle alters when the stories are viewed as tales. This is the label the author preferred. As he explained in his essay “The Novel,” while the short story deals with characters and incidents “excised” from the “social body” (It Needs to Be Said 120), the tale is concerned with the “border-provinces of human life” or life “on the margin.” Because tales belong to the oral tradition, the style of oration and identity of the teller are also important. Chaucer democratized tales by proving that anyone, irrespective of economic class or educational background, could tell a tale so long as it had sustaining interest to command an audience; Poe used the genre as an invitation to a fantastic, psychologically layered fictional world; and Washington Irving employed narrators who were dramatic figures in their own right, filtering his tales through them (Fallon xvii). -
Frederick Philip Grove/Felix Paul Greve Like the Face of Europe, My
Emanuel Schmidt (Johanneum) Frederick Philip Grove/Felix Paul Greve Like the face of Europe, my memory is a palimpsest on which writing has overlaid writing – F.P.G. Frederick Philip Grove/Felix Paul Greve gilt wegen seiner umfangreichen, stilsicheren und äußerst lebendigen, realistischen Erzählweise als einer der wichtigsten kanadischen Schriftsteller von Prärie-Romanen. Er gewann 1947 den kanadischen Literaturpreis, den Governor General`s Award, für seine Autobiographie „In Search of Myself“ (1946), in der er seine westpreußische Herkunft und Bildungsstation Hamburg in die Legende umwandelt mit seinen britisch-schwedischen Eltern Europa als große Bildungsreise durchwandert zu haben, bevor er nach Kanada auswanderte. Die ehrenvolle Lorne Pierce Medaille hat er schon im Jahre 1934 für seine Prärie-Romane erhalten. Er wurde 1941 Mitglied der kanadischen Akademie der Wissenschaften, der Royal Society of Canada und erhielt zweimal den Titel eines Ehrendoktors von zwei kanadischen Universitäten. Seine literarischen Tätigkeiten erhielten vielfältige öffentliche Anerkennung: In den 1960er und 70er Jahren wurden seine Romane für Literaturkurse in ganz Kanada genutzt und die Schüler in den Schulen lernten die Geschichte ihrer kanadischen Vorfahren durch die Pflichtlektüre Groves kennen. Trotz dieser vielen Ehren und unermüdlicher Übersetzertätigkeiten litt er aber auch in Kanada unter akutem Geldmangel. Der am 14. Februar 1879 in Radomno (ehemals Westpreußen, heute Polen) geborene Sohn von Eduard und Bertha Greve wurde ursprünglich als Felix Paul Greve bekannt. Nach einem Aufenthalt als Gutsverwalter in Pommern nahm die Familie 1881 ihren Wohnsitz in Hamburg an. Die Eltern trennten sich ein Jahr später und der dreijährige Felix Paul lebte nun mit seiner älteren Schwester bei seiner Mutter, die eine Pension führte. -
The Blue Rider
THE BLUE RIDER 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 1 222.04.132.04.13 111:091:09 2 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 2 222.04.132.04.13 111:091:09 HELMUT FRIEDEL ANNEGRET HOBERG THE BLUE RIDER IN THE LENBACHHAUS, MUNICH PRESTEL Munich London New York 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 3 222.04.132.04.13 111:091:09 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 4 222.04.132.04.13 111:091:09 CONTENTS Preface 7 Helmut Friedel 10 How the Blue Rider Came to the Lenbachhaus Annegret Hoberg 21 The Blue Rider – History and Ideas Plates 75 with commentaries by Annegret Hoberg WASSILY KANDINSKY (1–39) 76 FRANZ MARC (40 – 58) 156 GABRIELE MÜNTER (59–74) 196 AUGUST MACKE (75 – 88) 230 ROBERT DELAUNAY (89 – 90) 260 HEINRICH CAMPENDONK (91–92) 266 ALEXEI JAWLENSKY (93 –106) 272 MARIANNE VON WEREFKIN (107–109) 302 ALBERT BLOCH (110) 310 VLADIMIR BURLIUK (111) 314 ADRIAAN KORTEWEG (112 –113) 318 ALFRED KUBIN (114 –118) 324 PAUL KLEE (119 –132) 336 Bibliography 368 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 5 222.04.132.04.13 111:091:09 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 6 222.04.132.04.13 111:091:09 PREFACE 7 The Blue Rider (Der Blaue Reiter), the artists’ group formed by such important fi gures as Wassily Kandinsky, Franz Marc, Gabriele Münter, August Macke, Alexei Jawlensky, and Paul Klee, had a momentous and far-reaching impact on the art of the twentieth century not only in the art city Munich, but internationally as well. Their very particular kind of intensely colorful, expressive paint- ing, using a dense formal idiom that was moving toward abstraction, was based on a unique spiritual approach that opened up completely new possibilities for expression, ranging in style from a height- ened realism to abstraction. -
Und Klee (Geb
2 ÄUSS e R e Be RÜHRUNGS p UN k T e : Ge G e NS ei T i G e Ei NSCH ä T z UNG UN d Ke NNTN i SNAHM e 6 Rilke (geb. 4. 12. 1875 in Prag) und Klee (geb. 18. 12. 1879 in Bern) kamen 1915 während des Krieges in München in näheren Kontakt miteinander, vermutlich im Kreis um den Dichter und Philosophen sowie Stefan George-Anhänger Karl Wolfs- kehl.7 6 Spannend wäre auch ein Vergleich ihrer Biographien, für die hier nicht genügend Raum ist. Ihrer beider Leben weist Ähnlichkeiten auf, die über das übliche Maß von Zeitgenos- senschaft und ähnlicher Profession hinausgehen: Beide sind im Dezember geboren, beide wählen, aus dem Ausland stammend (Österreich/Tschechien bzw. Schweiz), München als Ausgangspunkt für ihre künstlerische Entwicklung, Rilke kommt 1896 in die Stadt, Klee zwei Jahre darauf, 1898. Rilke heiratet 1901, Klee verlobt sich im Jahr darauf, beide haben ein Kind (in der Einstellung zur Familie unterscheiden sie sich jedoch krass: Während Rilke sich schon nach einem Jahr von seiner Familie wieder trennt, benutzt Klee die Bürgerlich- keit der Ehe als Schutzschild, betreut die ersten Jahre als malender Hausmann den Sohn, während seine Frau mit Klavierstunden Geld verdient). Beide sind von der Kunst Cezan- nes sehr beeindruckt, Rilke 1907, Klee 1909. Beide reisen nach Kairuan, wieder ist Rilke der frühere (1910/11, Klee 1914). Beide lesen mit großer Zustimmung Worringers Buch ‚Abstraktion und Einfühlung‘ (1908 erschienen), sie bewegen sich in München in densel- ben geistigen Kreisen, haben gemeinsame Bekannte (z.B. Hausenstein, Wolfskehl). Beide schließlich sterben in der Schweiz, die sie als Exil und Heimat wählen an einer seltenen Autoimmunkrankheit (Rilke 1926 mit 51 Jahren an Blutkrebs, Klee 1940 mit 60 Jahren an Sklerodermie, wobei die Art der Krankheit ein Spiegel ihrer jeweiligen Lebensführung ist: die Exaltiertheit des Gefühls bei Rilke, die Zurücknahme und Verschlossenheit des Gefühls bei Klee). -
Frederick Philip Grove's Search for Identity
De Leo: Reinventing the Self 211 Reinventing the Self in the Canadian Multicultural Space(s): Frederick Philip Grove’s Search for Identity Rocco De Leo University of Salerno _____________________________________ Abstract: Space crucially influences how individuals who live (in) it construct their personal identities. This issue has been fundamental to the making of contemporary Canadian culture: by looking at or imagining their place, Canadian authors become the writers of two homelands who find their space in the global cross-border English-speaking culture as well as in the Canadian multi-ethnic or post-ethnic society. These authors become mapmakers as they introduce new sources of thought into a different space, and try to find their Self from a culture they have left behind. This essay takes into consideration the figure of Frederick Philip Grove, a cultivated European immigrant who left Berlin in 1909 to start a new life in North America and became a well-known Canadian fiction writer. The paper will concentrate on how he explored Western prairie pioneer life and its vibrant multi-cultural communities, and to what extent the Canadian natural and cultural realm Grove inhabited continuously influenced the definition of individuality he captures in his autobiography In Search of Myself (1946). Keywords: space; Canada; landscape; experience; autobiography; fiction. Author contact: [email protected] _____________________________________ Nearly thirty years ago, in a brief note called The Grove Enigma Resolved and published in the Queen’s Quarterly magazine, Douglas Spettigue announced his discovery that before 1909 the Canadian writer Frederick Philip Grove was the German translator and author Felix Paul Greve, who was born in Radomno, on the Polish-Prussian border on February 14th, 1879. -
Martha Ostenso's Wild Geese and Mazo De La Roche's Jalna
Document généré le 30 sept. 2021 02:22 Studies in Canadian Literature / Études en littérature canadienne The Sensations of the 1920s: Martha Ostenso’s Wild Geese and Mazo de la Roche’s Jalna Faye Hammill Volume 28, numéro 2, fall 2003 Résumé de l'article Martha Ostenso's Wild Geese and Mazo de la Roche's Jalna were both URI : https://id.erudit.org/iderudit/scl28_2art04 prize-winning, wildly successful novels, in the United States as well as in Canada, but each received a rather different critical response in this country. Aller au sommaire du numéro Jalna's suggestive anti-Americanism and its explicit British loyalism was evidently to be preferred over Wild Geese's more ambiguously North American (as opposed to what was then considered distinctly Canadian) aesthetic. This is Éditeur(s) despite its easy fit into T.D. Maclulich's classification as a Canadian "Northern" fiction (a tradition which includes Frederick Philip Grove, Ernest Buckler, The University of New Brunswick Sinclair Ross, and others). As well, the intense and often violent eroticism of Ostenso's novel was more difficult for critics of the 1920s to tolerate than was ISSN the coy sexiness of Jalna. Although little critical attention has been paid to either author in recent years, Ostenso's literary reputation appears to have 0380-6995 (imprimé) surpassed de la Roche's. 1718-7850 (numérique) Découvrir la revue Citer cet article Hammill, F. (2003). The Sensations of the 1920s:: Martha Ostenso’s Wild Geese and Mazo de la Roche’s Jalna. Studies in Canadian Literature / Études en littérature canadienne, 28(2), 74–97. -
The Literary Criticism of Ludwig Klages and The
Thr L,j1tr.r ,y Çnu~-.m 9' l.ill\lw141 x.t.8" ..,4 '/l.r Kl"I" k'-"1to " " t.o'..WU...U9'1 t• o.... ~,. 11!: IMM&M A llthic<l·b). l,)rdl• 0.t St.Ill""" 1>lll J'lllJ,.,,,., or Ot.g/Jfh .11111 G.:niwM r111~. vr.1 . .o. No. 1 u·.. -. 1t 111. pp. 91·13e l'ublhlu•d by• u ..1 ......... 1iy o1' mi~-. "-• THE LITERARY CRITICI SM OF LUDWIG KLAGES AND THE KLAGES SCHOOL AN INTRODUCTION TO BIOCENTRIC T HOUGHT I. INTRODUCTION The elevation of Ludwig Klages to a position of importance in German literary criticism and the infusion of his polemics into the field of literature give rise to questions which urgently invite discussion. Widely known as a graphologist and psycholo gist, and since 1929 as a philosopher, his literary credo has been little recognized and less respected in the past. Yet its main touchstones, often indispensable members of his psychology and philosophy, have been accessible for many years. It is pro posed, in this paper, to give a short exposition of the philosophie premises whicb cannot be divorced from Klages' view of poetry and of poets and writers, to trace briefly the steps by which his literary criticism appears to bave evolved, and to inquire into his standards, if standards there be. It will be necessary to show how completely antagonistic bis outlook on life is to all and any forms of humanism, how unreservedly he identifies himself with German romanticism, and finally, how Klages and his followers have influenced contemporary literary criticism in Germany. -
1881 the Greve Family Settled in Hamburg Easter 1886 Enrolled In
Chronology A FELIX PAUL GREVE IN EUROPE February 14, 1879 Birth of Felix Paul Berthold Friedrich Greve 1881 The Greve family settled in Hamburg Easter 1886 Enrolled in Realschule St Pauli in Hamburg Easter 1895 Graduated from Realschule St Pauli and enrolled in the Realgym- nasium der Johanneum in Hamburg February 2, 1898 Passed' Entlassungsprufung' (school final examination) Fall 1898 Enrolled in the University of Bonn December 1900 Withdrew from the University 1901-2 In Munich: travelled extensively - Rome, Paris, Berlin, and Palermo 1902 Published Wanderungen (verse), Helena und Damon (verse drama), and Lehren und Spruche von Oskar Wilde (compilation) 1903 Published Oscar Wilde ( essay) and Randarabesken zu Oscar Wilde ( essay) May 29, 1903 Sentenced to one year's imprisonment in Bonn Summer 1904 Visited Andre Gide in Paris; Married(?) Frau Else Hildegard (nee Ploetz) Endell 1905 In Wollerau, Switzerland; published Fanny Essler (novel) 1906 Settled in Berlin; published Maurermeister /hies Haus (novel) 1907 Published(?) Der Heimliche Adel (comedy) July 1, 1908 Travelled(?) in Scandinavia September 1909 Disappeared; allegedly committed suicide B FREDERICK PHILIP GROVE IN CANADA 1912-29: /n Manitoba December 1912 Arrived in Winnipeg, Manitoba January to June 1913 Taught in Haskett xxviii Chronology Summer 1913 Attended Normal School in Morden September 1913 Became Principal of the Intermediate School in Winkler August 2, 1914 Married Catherine Wiens July 1915 Began teaching in the High School in Virden August 5, 1915 Daughter, Phyllis -
Autobiography in Frederick Philip Grove's Settlers Ofthe Marsh Lorne
Autobiography in Frederick Philip Grove's Settlers ofthe Marsh by Lorne Lulashnyk A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Master of Arts Department of English University of Manitoba Winnipeg, Manitoba September,2003 THE UNTVERSITY OF MAI\IITOBA FACT]LTY OF GRADUATE STUDIES ' ìt**** COPYRIGHT PERMISSION Autobiography in Frederick Philip Grove's settlers of the Mørsh BY Lorne Lulashnyk A ThesislPracticum submitted to the Facuþ of Graduate Studies of The University of Manitoba in partial fulfillment of the requirenent of the degree of MASTER OF ARTS Lorne Lulashnyk @ 2003 PermÍssion has been granted to the Library of the University of Manitoba to lend or sell copies of this thesisþracticum, to the National Library of Canada to microfilm this thesis and to lend or sell copies of the film, and to University Microfilns fnc. to publish an abstract of this thesisþracticum. This reproduction or copy of this thesis has been made available by authority of the copyright owner soleþ for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright ownõr. I believe I have hidden myself fairly well - ISM383 ABSTRACT The purpose of this thesis is to demonstrate that Frederick Philip Grove's Settlers of the Marsh is constructed around an autobiographical set of facts. The events described in the novel relate to actual events, people and places from his own tife so that it becomes possible to document the genesis of Settlers which operates as a novel but also as a disguised autobiography. -
The Baroness Elsa Von Freytag-Loringhoven's New York
UNIVERSITY OF CINCINNATI Date:_May 17, 2006_______ I, _Jaime L.M. Thompson___________________________________, hereby submit this work as part of the requirements for the degree of: Master of Arts in: Art History It is entitled: “A Wild Apparition Liberated from constraint”: The Baroness Elsa von Freytag-Loringhoven’s New York Dada Street Performances and Costume Art of 1913-1923 This work and its defense approved by: Chair: Dr. Theresa Leininger-Miller___ Dr. Joan Seeman Robinson_______ Dr. Kimberly Paice___________ _______________________________ _______________________________ “A Wild Apparition Liberated from Constraint”: The Baroness Elsa von Freytag-Loringhoven’s New York Dada Street Performances and Costume Art of 1913-1923 A thesis submitted to the Art History Faculty of the College of Design, Architecture, Art, and Planning University of Cincinnati In candidacy for the degree of Master of Arts in Art History Jaime L.M. Thompson May 2006 Thesis Chair: Dr. Theresa Leininger-Miller Abstract After eighty years of obscurity the German Baroness Elsa von Freytag-Loringhoven (1874-1927) has reemerged as a valuable subject of study. The Baroness was an artist and a writer whose media included poetry, collage, sculpture, performance and costume art. In chapter one I firmly establish the Baroness’s position as a Dada artist through examining her shared connections with the emergence of European Dada. In final chapters I will examine the most under-examined aspect of the Baroness’s various mediums—her performance and costume art. In the second chapter I will explore the Baroness’s work utilizing performative and feminist theories in relation to Marcel Duchamp’s female alter ego Rrose Sélavy.