A Re-Examination of the Orthodoxy of Euripides
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The Morals, Vol. 2 [1878]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Plutarch, The Morals, vol. 2 [1878] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. LIBERTY FUND, INC. -
Lucan's Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek a Dissertation Submitted in Partial Fulf
Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Catherine Connors, Chair Alain Gowing Stephen Hinds Program Authorized to Offer Degree: Classics © Copyright 2014 Laura Zientek University of Washington Abstract Lucan’s Natural Questions: Landscape and Geography in the Bellum Civile Laura Zientek Chair of the Supervisory Committee: Professor Catherine Connors Department of Classics This dissertation is an analysis of the role of landscape and the natural world in Lucan’s Bellum Civile. I investigate digressions and excurses on mountains, rivers, and certain myths associated aetiologically with the land, and demonstrate how Stoic physics and cosmology – in particular the concepts of cosmic (dis)order, collapse, and conflagration – play a role in the way Lucan writes about the landscape in the context of a civil war poem. Building on previous analyses of the Bellum Civile that provide background on its literary context (Ahl, 1976), on Lucan’s poetic technique (Masters, 1992), and on landscape in Roman literature (Spencer, 2010), I approach Lucan’s depiction of the natural world by focusing on the mutual effect of humanity and landscape on each other. Thus, hardships posed by the land against characters like Caesar and Cato, gloomy and threatening atmospheres, and dangerous or unusual weather phenomena all have places in my study. I also explore how Lucan’s landscapes engage with the tropes of the locus amoenus or horridus (Schiesaro, 2006) and elements of the sublime (Day, 2013). -
Pausanias' Description of Greece
BONN'S CLASSICAL LIBRARY. PAUSANIAS' DESCRIPTION OF GREECE. PAUSANIAS' TRANSLATED INTO ENGLISH \VITTI NOTES AXD IXDEX BY ARTHUR RICHARD SHILLETO, M.A., Soiiii'tinie Scholar of Trinity L'olltge, Cambridge. VOLUME IT. " ni <le Fnusnnias cst un homme (jui ne mnnquo ni de bon sens inoins a st-s tlioux." hnniie t'oi. inais i}iii rn>it ou au voudrait croire ( 'HAMTAiiNT. : ftEOROE BELL AND SONS. YOUK STIIKKT. COVKNT (iAKDKX. 188t). CHISWICK PRESS \ C. WHITTINGHAM AND CO., TOOKS COURT, CHANCEKV LANE. fA LC >. iV \Q V.2- CONTEXTS. PAGE Book VII. ACHAIA 1 VIII. ARCADIA .61 IX. BtEOTIA 151 -'19 X. PHOCIS . ERRATA. " " " Volume I. Page 8, line 37, for Atte read Attes." As vii. 17. 2<i. (Catullus' Aft is.) ' " Page 150, line '22, for Auxesias" read Anxesia." A.-> ii. 32. " " Page 165, lines 12, 17, 24, for Philhammon read " Philanimon.'' " " '' Page 191, line 4, for Tamagra read Tanagra." " " Pa ire 215, linu 35, for Ye now enter" read Enter ye now." ' " li I'aijf -J27, line 5, for the Little Iliad read The Little Iliad.'- " " " Page ^S9, line 18, for the Babylonians read Babylon.'' " 7 ' Volume II. Page 61, last line, for earth' read Earth." " Page 1)5, line 9, tor "Can-lira'" read Camirus." ' ; " " v 1'age 1 69, line 1 , for and read for. line 2, for "other kinds of flutes "read "other thites.'' ;< " " Page 201, line 9. for Lacenian read Laeonian." " " " line 10, for Chilon read Cliilo." As iii. 1H. Pago 264, " " ' Page 2G8, Note, for I iad read Iliad." PAUSANIAS. BOOK VII. ACIIAIA. -
The Temple Classics
THE TEMPLE CLASSICS Edited by W. H. D. ROUSE M.A. First iss_t *f titis Edition, J898 ; R#printtd t908 , 191o PRINTZD IN OJUgAT BH|TAIN In compliance with eurre,lt copyright law, the Univer- sity of Minnesota Bindery produced this facsimile on permanent-durable paper to replace the irreparably deteriorated original volume owned by the University Library. 1988 TO THE MOST HIGH AND MIGHTV PRINCESS ELIZABETH By the Grace of God, of F.mghmd, France, It_ Ireland Queen, Defender of the Fltith, etc. U_DER hope of your Highness' gracious and accus- To the . tomed favour, I have presumed to present here wiaeamd _unto your Majesty, Plutarch's Lives translated, as virtuo,,- • a book fit to be protected by your Highness, and Queea -meet to be set forth in English--for who is , fitter to give countenance to so many great states, - than such an high and mighty Princess ._ who is fitter to revive the dead memory of their _', fame, than she that beareth the lively image of ...their vertues ? who is fitter to authorise a work _of so great learning and wisedom, than she whom all do honour as the Muse of the world ? Therefore I humbly beseech your Majesty, to -_suffer the simpleness of my translation, to be covered under the ampleness of your Highness' pro- _gtecfion. For, most gracious Sovereign, though _-this book be no book for your Majesty's self, =who are meeter to be the chief stone, than a '_student therein, and can better understand it in Greek, than any man can make in English: ' U;k_. -
The Court of Comedy
7KH&RXUWRI&RPHG\ :LOIUHG(0DMRU 3XEOLVKHGE\7KH2KLR6WDWH8QLYHUVLW\3UHVV :LOIUHG(0DMRU 7KH&RXUWRI&RPHG\$ULVWRSKDQHV5KHWRULFDQG'HPRFUDF\LQ)LIWK&HQWXU\$WKHQV &ROXPEXV7KH2KLR6WDWH8QLYHUVLW\3UHVV 3URMHFW086( :HE)HEKWWSPXVHMKXHGX For additional information about this book http://muse.jhu.edu/books/9780814271070 Access provided by your local institution (11 May 2015 11:54 GMT) ···2 Old Comedy and Proto-Rhetoric in Athens before 425 B.C.E. The Age of Pericles TOpicaL AND HISTOricaL SCOPE The historical range for this study in general is the fifth century down to 404 b.c.e., the year of Athens’ surrender to Sparta at the end of the Pelopon- nesian War and the year of the encore performance of Aristophanes’ Frogs. The following year saw the reconstitution of the Athenian democracy, and subsequent comedy sees changes in form and topic; thus the fourth century merits a separate study utilizing criteria appropriate to the times and generic differences.1 The aim of the current chapter is to survey and analyze evidence for comedy’s reaction to proto-rhetorical and linguistic phenomena in Ath- ens prior to 425 b.c.e. It is impossible to marshal all the relevant evidence and be absolutely strict about chronological borders. All evidence from com- edy during this period is fragmentary, and while a number of fragments can be roughly assigned to the fifth century, it is frequently impossible to determine whether they originated before or after 425. By default this float- ing material will be cited in this chapter. In addition, several authors have careers that span both sides of the 425 divide, and again it is not always, or often, possible to place fragments within their career. -
Early Greece
chapter one EARLY GREECE 776–480 BCE ✦ A Millennium of Greek Love ✦ In all history, no society has aroused the same enthusiasm as ancient Greece. This is a truism, yet the fact remains incontestable. Greek achievements in literature, art, and architecture set norms for the Western world for two thousand years. When we think, we still employ the intellectual categories its philosophers and scientists devised. By resisting Persian might, Greece made Europe possible. In politics, democracy was a Greek invention. Though women and slaves failed to share the benefits of freedom and equality, it was these ideals that ultimately called into question their own exclusions. Above all, the Greeks charm us by their sociability, their lively openness to ideas, and their liberality of spirit. Civilization, already millennia old in Egypt, Sumer, India, and China, took a vast leap forward under the stimulus of the Greek experiment. Yet there was one aspect of Greek life that students of antiquity long chose to consign to the category of the “unmentionable.” In E. M. Forster’s novel Maurice, the Cambridge translation class is routinely cautioned, “Omit: a reference to the unspeakable vice of the Greeks.”1 The novel is set in 1910, but four decades later a scholar of repute could still remark, “This aspect of Greek morals is an extraordinary one, into which, for the sake of our equa- nimity, it is unprofitable to pry too closely.”2 And indeed, despite the impor- tance of the subject, no book on Greek homosexuality was circulated openly in English until 1978. Christian Europe, from the fourth century onward, regarded same-sex relations as anathema, and its nations competed in devis- ing punishments for “unnatural” crimes. -
Classical Memories/Modern Identities Paul Allen Miller and Richard H
CLASSICAL MEMORIES/MODERN IDENTITIES Paul Allen Miller and Richard H. Armstrong, Series Editors All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. Ancient Sex New Essays EDITED BY RUBY BLONDELL AND KIRK ORMAND THE OHIO STATE UNIVERSITY PRESS • COLUMBUS All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. Copyright © 2015 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Ancient sex : new essays / edited by Ruby Blondell and Kirk Ormand. — 1 Edition. pages cm — (Classical memories/modern identities) Includes bibliographical references and index. ISBN 978-0-8142-1283-7 (cloth : alk. paper) 1. Sex customs—Greece—History. 2. Sex customs—Rome—History. 3. Gender identity in literature. 4. Sex in literature. 5. Homosexuality—Greece—History. I. Blondell, Ruby, 1954– editor. II. Ormand, Kirk, 1962– editor. III. Series: Classical memories/modern identities. HQ13.A53 2015 306.7609495—dc23 2015003866 Cover design by Regina Starace Text design by Juliet Williams Type set in Adobe Garamond Pro Printed by Thomson-Shore, Inc. Cover image: Bonnassieux, Jean-Marie B., Amor clipping his wings. 1842. Close-up. Marble statue, 145 x 67 x 41 cm. ML135;RF161. Photo: Christian Jean. Musée du Louvre © RMN-Grand Palais / Art Resource, NY Bryan E. Burns, “Sculpting Antinous” was originally published in Helios 35, no. 2 (Fall 2008). Reprinted with permission. The paper used in this publication meets the minimum requirements of the American Na- tional Standard for Information Sciences—Permanence of Paper for Printed Library Materials. -
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth and Fourth Centuries BC Edmund Stewart Abstract This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performance context. As a result, it has become all the more important to establish both when and how tragedy first became popular across the Greek world. This study aims to provide detailed answers to these questions. In doing so, the thesis challenges the prevailing assumption that tragedy was, in its origins, an exclusively Athenian cultural product, and that its ‘export’ outside Attica only occurred at a later period. Instead, I argue that the dissemination of tragedy took place simultaneously with its development and growth at Athens. We will see, through an examination of both the material and literary evidence, that non-Athenian Greeks were aware of the works of Athenian tragedians from at least the first half of the fifth century. In order to explain how this came about, I suggest that tragic playwrights should be seen in the context of the ancient tradition of wandering poets, and that travel was a usual and even necessary part of a poet’s work. I consider the evidence for the travels of Athenian and non-Athenian poets, as well as actors, and examine their motives for travelling and their activities on the road. In doing so, I attempt to reconstruct, as far as possible, the circuit of festivals and patrons, on which both tragedians and other poetic professionals moved. -
Ancient Art and Its Remains: Or a Manual of the Archaeology Of
2. - ANCIENT ART AND ITS REMAINS; MANUAL OF THE ARCHEOLOGY OF ART. BY C. 0. M"LLER, Author of " The Histovy and Antiquitiesof the Doric Race." " A Scientific S\-stem of Mvthologv,"'"Src iW EDITION -WITH Nl'MEROUS ADDITIONS BY F. (I.WELCKER. TRANSLATED FROM THE GERMAN BY JOHN LEITCH. LONDON: A. FULLARTON AND CO., NEWGATE STREET. 185U. kdinburgh: FCLLVRTOX AX,. MACNAB, PRIXTERS, LEITH WALK. DEDICATED THE RIGHT HOJiOURABLE SIR ROBERT PEEL, BART., M.P., SINCERE ADMIRATION HIS VIRTUES AND TALENTS, THE TRANSLATOR. 8530"6 TRANSLATOR'S PREFACE I have entleavoure"! to much In tlii" Translation avoid, as as pos-sible, the introduction of new words; but, in the original, various with technical terms occur, which, notwithstanding their novelty to the English reader, I could not dispense; because their rejection in sacrifice of would occasion, some measure, a sense, or a disturb-ance the of the system pursued by author, " as in Tectonics and A)'chitectonics for example. I may also mention the word scalpture. in in It is not, 1 believe, use our language, but as scalptiiradesignates branch of ancient I did hesitate a particular art, not to Anglicise it. It be also to that the may proper explain, throughout work a dis-tinction and is kept up between column jyillctr,the fonuer denoting the circular supporting member of the diflerent orders of architec-ture, the latter the square pier. The words formative and 2}iastic, convertible likewise, are employed as epithets, except in a few in-stances where the latter is used in its original and more restricted its sense; in these, however, meaning may be discovered from the context. -
Greek Mythology Link (Complete Collection)
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of -
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth
Wandering Poets and the Dissemination of Greek Tragedy in the Fifth and Fourth Centuries BC Edmund Stewart Abstract This work is the first full-length study of the dissemination of Greek tragedy in the earliest period of the history of drama. In recent years, especially with the growth of reception studies, scholars have become increasingly interested in studying drama outside its fifth century Athenian performance context. As a result, it has become all the more important to establish both when and how tragedy first became popular across the Greek world. This study aims to provide detailed answers to these questions. In doing so, the thesis challenges the prevailing assumption that tragedy was, in its origins, an exclusively Athenian cultural product, and that its „export‟ outside Attica only occurred at a later period. Instead, I argue that the dissemination of tragedy took place simultaneously with its development and growth at Athens. We will see, through an examination of both the material and literary evidence, that non-Athenian Greeks were aware of the works of Athenian tragedians from at least the first half of the fifth century. In order to explain how this came about, I suggest that tragic playwrights should be seen in the context of the ancient tradition of wandering poets, and that travel was a usual and even necessary part of a poet‟s work. I consider the evidence for the travels of Athenian and non-Athenian poets, as well as actors, and examine their motives for travelling and their activities on the road. In doing so, I attempt to reconstruct, as far as possible, the circuit of festivals and patrons, on which both tragedians and other poetic professionals moved. -
Popular Attitudes to Judicial Activity in the Age of Aristophanes
Popular Attitudes to Judicial Activity in the Age of Aristophanes Angus Julian Dewar Crichton PhD Thesis University College London ProQuest Number: 10017252 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017252 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The aim of the thesis is to understand popular attitudes in Athens to judicial activity in the late fifth and early fourth centuries, the period in which Aristophanes wrote and performed his plays. Within the Aristophanic world, characters are frequently portrayed as engaging in litigation and jury service. Moreover, this portrayal of judicial activity is decidedly ambivalent, with the comic hero often fleeing from judicial activity into a fantastical paradise within which judicial activity is consciously banished. And yet as the play continues, judicial activity often resurfaces within the fantastical paradise. These on-stage images of judicial activity are compared with portraits which litigants paint of themselves and their opponents in the Attic Orators. Litigants characteristically present themselves as inexperienced and reluctant to engage in judicial activity, while portraying their opponents as experienced to the point of sycophancy.