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ARENA Annual Report 2019
ARENA Centre for European Studies University of Oslo Annual report 2019 Introduction ARENA Centre for European Studies is an internationally renowned research centre at the University of Oslo. We conduct theoretically oriented and empirically informed basic research on the dynamics of the evolving European political order. This report provides a comprehensive overview of our ongoing projects, publications and events. 2019 marked ARENA’s 25th anniversary and 25 years since the introduction of the EEA Agreement, a period in which ARENA’s research has shaped both the public and scholarly debate in the field of European studies. This was emphasised at the ARENA anniversary conference by Minister of Foreign Affairs Ine Eriksen Søreide, who congratulated ARENA on its long-time contribution, and underlined the continued need to raise awareness and knowledge about European integration for the future. In 2019 ARENA took on, for the fifth time, the coordinator role on an extensive EU project. EU Differentiation, Dominance and Democracy (EU3D) project members from ARENA will work together with academic partners across Europe to provide new insights on the democratic potentials and pitfalls of differentiation in today’s EU. The project’s kick-off conference in Rome brought together more than 50 participants to discuss differentiation in Europe. ARENA’s many other projects ensured an active year for researchers and staff. GLOBUS organised study tours to China and Russia with partners, policy makers and stakeholder to discuss the EU’s role in the world. PLATO held a fourth PhD School on preliminary project findings. ARENA researchers continued to publish research with top tier academic journals and publishers. -
0 Titelei LIBRI NIGRI Bd 24 DONSKIS
Leonidas Donskis Fifty Letters from the Troubled Modern World LIBRI NIGRI 24 Edited by Hans Rainer Sepp Editorial Board Suzi Adams · Adelaide │ Babette Babich · New York │ Kimberly Baltzer-Jaray · Waterloo, Ontario │ Damir Barbarić · Zagreb │ Marcus Brainard · London │ Martin Cajthaml · Olomouc │ Mauro Carbone · Lyon │ Chan Fai Cheung · Hong Kong │ Cristian Ciocan · Bucure şti │ Ion Copoeru · Cluj-Napoca │ Renato Cristin · Trieste │ Riccardo Dottori · Roma │ Eddo Evink · Groningen │ Matthias Flatscher · Wien │ Dimitri Ginev · Sofia │ Jean-Christophe Goddard · Toulouse │ Andrzej Gniazdowski · Warszawa │ Ludger Hagedorn · Wien │ Terri J. Hennings · Freiburg │ Seongha Hong · Jeollabukdo │ Felipe Johnson · Santiago de Chile │ René Kaufmann · Dresden │ Vakhtang Kebuladze · Kyjiw │ Dean Komel · Ljubljana │ Pavlos Kontos · Patras │ Kwok-ying Lau · Hong Kong │ Mette Lebech · Maynooth │ Nam-In Lee · Seoul │ Balázs Mezei · Budapest │ Monika Małek · Wrocław │ Viktor Molchanov · Moskwa │ Liangkang Ni · Guanghzou │ Cathrin Nielsen · Frankfurt am Main │ Ashraf Noor · Jerusalem │ Ka rel Novotný · Praha │ Luis Román Rabanaque · Buenos Aires │ Gian Maria Raimondi · Pisa │ Rosemary Rizo-Patrón de Lerner · Lima │ Kiyoshi Sakai · Tokyo │ Javier San Martín · Madrid │ Alexander Schnell · Paris │ Marcia Schuback · Stockholm │ Agustín Serrano de Haro · Madrid │ Tatiana Shchyttsova · Vilnius │ Olga Shparaga · Minsk │ Michael Staudigl · Wien │ Georg Stenger · Wien │ Silvia Stoller · Wien │ Ananta Sukla · Cuttack │ Toru Tani · Kyoto │ Detlef Thiel · Wiesbaden │ Lubica Ucnik · Perth │ Pol Vandevelde · Milwaukee │ Chung-chi Yu · Kaohsiung │ Antonio Zirion · México City – Morelia. The libri nigri series will be edited at the Central-European Institute of Philosophy, Prague. www.sif-praha.cz Leonidas Donskis Fifty Letters from the Troubled Modern World A Philosophical-Political Diary 2009–2012 Verlag Traugott Bautz GmbH Bibliografische Information der Deutschen Nationalbibliothek Die deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie. -
9914396.PDF (12.18Mb)
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fece, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, b^inning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Ifigher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnaticn Compare 300 North Zeeb Road, Aim Arbor NO 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages with indistinct print. Pages were microfilmed as received. This reproduction is the best copy available UMI THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A CONDUCTOR’S GUIDE TO THREE SACRED CHORAL/ ORCHESTRAL WORKS BY ANTONIO CALDARA: Magnificat in C. -
John III Sobieski at Vienna
John III Sobieski at Vienna John III Sobieski at Vienna Lesson plan (Polish) Lesson plan (English) Bibliografia: [w:] Jan III Sobieski, List do królowej Marii Kazimiery, oprac. Leszek Kukulski, red. , wybór , Warszawa 1962. John III Sobieski at Vienna John III Sobieski’s entry to Vienna Source: Wjazd Jana III Sobieskiego do Wiednia, domena publiczna. Link to the lesson You will learn where from and why did Ottoman Turks come to Europe; what is the history of Polish and Turkish relations in the 17th century; who was John III Sobieski and what are his merits for Poland; what is the history of the victory of Polish army – battle of Vienna of 1683. Nagranie dostępne na portalu epodreczniki.pl Since the 14th century the Ottoman Empire (the name comes from Osman – tribe leader from the medieval times) had been creating with conquests a great empire encompassing wide territories of Asia Minor, Middle East, North Africa and Europe. In Europe almost the whole Balkan Peninsula was under the sultan (Turkish ruler). The Turks threatened Poland and the Habsburg monarchy (Austria). Transylvania, Wallachia and Moldova (duchies which are parts of present‐day Romania and Moldova) were a bone of contention. In 1683 Vienna, the capital of Austria, was besieged by the Turkish army. Polish king John III Sobieski concluded an alliance with the emperor Leopold I. United Polish and German armies under the command of the Polish monarch came to the relief of Austrian capital. On 12th September 1683 there was a great battle of Vienna where John III magnificently defeated Turks. Polish mercenaries (Hussars) and artillery had the key role there. -
LE19 - a Turning of the Tide? Report of Local Elections in Northern Ireland, 2019
#LE19 - a turning of the tide? Report of local elections in Northern Ireland, 2019 Whitten, L. (2019). #LE19 - a turning of the tide? Report of local elections in Northern Ireland, 2019. Irish Political Studies, 35(1), 61-79. https://doi.org/10.1080/07907184.2019.1651294 Published in: Irish Political Studies Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2019 Political Studies Association of Ireland.. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:29. Sep. 2021 #LE19 – a turning of the tide? Report of Local Elections in Northern Ireland, 2019 Lisa Claire Whitten1 Queen’s University Belfast Abstract Otherwise routine local elections in Northern Ireland on 2 May 2019 were bestowed unusual significance by exceptional circumstance. -
Franz Schubert: Inside, out (Mus 7903)
FRANZ SCHUBERT: INSIDE, OUT (MUS 7903) LOUISIANA STATE UNIVERSITY, COLLEGE OF MUSIC & DRAMATIC ARTS FALL 2017 instructor Dr. Blake Howe ([email protected]) M&DA 274 meetings Thursdays, 2:00–4:50 M&DA 273 office hours Fridays, 9:30–10:30 prerequisite Students must have passed either the Music History Diagnostic Exam or MUS 3710. Blake Howe / Franz Schubert – Syllabus / 2 GENERAL INFORMATION COURSE DESCRIPTION This course surveys the life, works, and times of Franz Schubert (1797–1828), one of the most important composers of the nineteenth century. We begin by attempting to understand Schubert’s character and temperament, his life in a politically turbulent city, the social and cultural institutions that sponsored his musical career, and the circles of friends who supported and inspired his artistic vision. We turn to his compositions: the influence of predecessors and contemporaries (idols and rivals) on his early works, his revolutionary approach to poetry and song, the cultivation of expression and subjectivity in his instrumental works, and his audacious harmonic and formal practices. And we conclude with a consideration of Schubert’s legacy: the ever-changing nature of his posthumous reception, his impact on subsequent composers, and the ways in which modern composers have sought to retool, revise, and refinish his music. COURSE MATERIALS Reading assignments will be posted on Moodle or held on reserve in the music library. Listening assignments will link to Naxos Music Library, available through the music library and remotely accessible to any LSU student. There is no required textbook for the course. However, the following texts are recommended for reference purposes: Otto E. -
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature
Folklore and the Construction of National Identity in Nineteenth Century Russian Literature Jessika Aguilar Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy In the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Jessika Aguilar All rights reserved Table of Contents 1. Introduction……………………………………………………………………………..…..1 2. Alexander Pushkin: Folklore without the Folk……………………………….20 3. Nikolai Gogol: Folklore and the Fragmentation of Authorship……….54 4. Vladimir Dahl: The Folk Speak………………………………………………..........84 5. Conclusion……………………………………………………………………………........116 6. Bibliography………………………………………………………………………………122 i Introduction In his “Literary Reveries” of 1834 Vissarion Belinsky proclaimed, “we have no literature” (Belinskii PSS I:22). Belinsky was in good company with his assessment. Such sentiments are rife in the critical essays and articles of the first third of the nineteenth century. A decade earlier, Aleksandr Bestuzhev had declared that, “we have a criticism but no literature” (Leighton, Romantic Criticism 67). Several years before that, Pyotr Vyazemsky voiced a similar opinion in his article on Pushkin’s Captive of the Caucasus : “A Russian language exists, but a literature, the worthy expression of a mighty and virile people, does not yet exist!” (Leighton, Romantic Criticism 48). These histrionic claims are evidence of Russian intellectuals’ growing apprehension that there was nothing Russian about the literature produced in Russia. There was a prevailing belief that -
Harvard Ukrainian Studies
HARVARD UKRAINIAN STUDIES Volume V Number 3 September 1981 : ‘: : : Ukrainian Research Institute Harvard University Cambridge, Massachusetts Copyright 1981, by the President and Fellows of Harvard College All rights reserved ISSN 0363-5570 Published by the Ukrainian Research Institute of Harvard University, Cambridge, Massachusetts, U.S.A. Printed by the Harvard University Printing Office Typography by Brevis Press, Cheshire, Conn. CONTENTS ARTICLES Intolerance and Foreign Intervention in Early Eighteenth- Century Poland-Lithuania 283 L. R. LEWITFER The Political Reversals of Jurij Nemyry 306 JANUSZ TAZBIR The Staging of Plays at the Kiev Mohyla Academy in the Seventeenth and Eighteenth Centuries 320 PAULINA LEWIN DOCUMENTS Ukrainian Hetmans’ Universaly 1678-1727 at the Lilly Library of Indiana University 335 BOHDAN A. STRUMINSKY NOTES AND COMMENT A Note on the Relationship of the Byxovec Chronicle to the Galician-Volhynian Chronicle 351 GEORGE A. PERFECKY The Origin of Taras Triasylo 354 GEORGE GAJECKY DISCUSSION Observations on the Problem of "Historical" and "Non- historical" Nations 358 IVAN L. RUDNYFSKY Some Further Observations on "Non-historical" Nations and "Incomplete" Literatures: A Reply 369 GEORGE 6. GRABOWICZ REVIEWS Bohdan S. Wynar, Doctoral Dissertations on Ukrainian Topics in English Prepared during the Years 1928-1978; Christine L. Gehrt Wynar, The Ukrainian American Index: The Ukrainian Weekly 1978 and 1979 Patricia Polansky 389 Leopold H. Haimson, ed., The Politics of Rural Russia: 1 905-1914 Bohdan Chomiak 390 Seppo Zetterberg, Die Liga der Fremdvölker Russlands, 1916-1918 Lawrence Wolff 393 Roy A. Medvedev, The October Revolution, trans. George Saunders R. C. Elwood 396 R. W. Davies, The Industrialization of Soviet Russia, vol. -
Military Crimea
OSCE UNITED NATIONS NAVY NAVY UNITED STATES STATES UNITED INTERNATIONAL LAW LAW INTERNATIONAL MILITARY HUMANITARIAN RUSSIA Issue 1 (23), 2021 GENEVA CONVENTION ANNEXATION CRIMEANDEOCCUPATION TATARS UKRAINE OCCUPATION OCCUPATION CRIMEAN PLATFORMC R RIGHTS IHUMAN M E A BLACK SEA UA: Ukraine Analytica · 1 (23), 2021 • CRIMEAN PLATFORM • TEMPORARY OCCUPATION • INTERNATIONAL REACTION 1 BOARD OF ADVISERS Dr. Dimitar Bechev (Bulgaria, Director of the European Policy Institute) Issue 1 (23), 2021 Dr. Iulian Chifu Analysis and Early Warning Center) (Romania, Director of the Conflict Crimea Amb., Dr. Sergiy Korsunsky (Ukraine, Ambassador Extraordinary and Plenipotentionary of Ukraine to Japan) Editors Dr. Igor Koval (Ukraine, Odesa City Council) Dr. Hanna Shelest Dr. Mykola Kapitonenko Marcel Röthig (Germany, Director of the Representation of the Friedrich Ebert Foundation in Ukraine) Publisher: Published by NGO “Promotion of Intercultural James Nixey (United Kingdom, Head of the Russia and Eurasia Programme at Chatham House, the Cooperation” (Ukraine), Centre of International Royal Institute of International Affairs) of the Representation of the Friedrich Ebert Studies (Ukraine), with the financial support (Slovakia, Ambassador Foundation in Ukraine, the Black Sea Trust. Dr. Róbert Ondrejcsák Extraordinary and Plenipotentiary of Slovak Republic to the United Kingdom of Great Britain UA: Ukraine Analytica and Northern Ireland) analytical journal in English on International is the first Ukrainian Relations, Politics and Economics. The journal Amb., -
Crimea and the Kremlin: from Plan “A” to Plan “B”
Crimea and the Kremlin: From Plan “A” to Plan “B” Translated by Arch Tait March 2015 This article is published in English by The Henry Jackson Society by arrangement with Radio Free Europe / Radio Liberty. CRIMEA AND THE KREMLIN: FROM PLAN “A” TO PLAN “B” 1 Reconstructing events in east Ukraine and the rationale behind them. On 15 March, Crimea marked the first anniversary of the referendum on whether it wanted to be incorporated as Part of Russia. Shortly before,Vladimir Putin signed a decree instituting a new national holiday: SPecial OPerations Forces Day. This is to be celebrated on 27 February, the day in 2014 when the “little green men” embarked on their oPeration to seize key facilities in Crimea. The day before the announcement, Russian television aired a film titled “Crimea: the Path Back to the Homeland”, in which Putin describes taking the decision to begin the oPeration to annex the Peninsula. For all that, certain details about the oPeration and the Russian president’s motives remain obscure. We could do worse than get the answer to the question of why Putin decided to seize Crimea from the horse’s mouth, from Putin’s own sPeeches. He had listed his grievances at some length in a sPeech in the Kremlin on 18 March 2014. Not for the first time, he blamed the United States for “destroying the world order” and, in his view, stage-managing a whole succession of “coloured” revolutions. His main comPlaint was about NATO’s eastward expansion, “moving uP military infrastructure to our borders.” Because of this, he argued, “we have every reason to believe that the notorious Policy of containment of Russia, Pursued in the eighteenth, nineteenth, and twentieth centuries, continues to this day. -
Key Findings
Briefing Paper Released on: 31 March 2021 ENFORCED DISAPPEARANCES IN THE AUTONOMOUS REPUBLIC OF CRIMEA AND THE CITY OF SEVASTOPOL, UKRAINE, TEMPORARILY OCCUPIED BY THE RUSSIAN FEDERATION KEY FINDINGS 1. Since the beginning of the occupation of the Autonomous Republic of Crimea and the city of Sevastopol, Ukraine, (“Crimea”) in 2014,1 OHCHR has documented 43 cases of enforced disappearances in Crimea; 2. These mostly took the form of abductions and kidnappings and the victims consist of 39 men and 4 women; 3. The first documented enforced disappearance took place on 3 March 2014 and the most recent on 23 May 2018; 4. Out of the 43 victims of enforced disappearances, 11 persons (all men) remain missing and one man remains in detention; 5. Alleged perpetrators comprised militia groups, such as the Crimean self-defense and Cossack groups; agents of the Russian Federal Security Service; and other law enforcement authorities, including the Crimean police. 6. Perpetrators have used torture and ill-treatment to force victims to self-incriminate or testify against others, as well as retaliation for their political affiliation or position; 7. No individual has been prosecuted in relation to any of the enforced disappearances, as well as torture and ill-treatment, documented by OHCHR. 1 For an overview of applicable bodies of international human rights law and international humanitarian law in Crimea, see OHCHR, “Situation of human rights in temporarily occupied Autonomous Republic of Crimea and the city of Sevastopol (Ukraine)” (hereinafter “OHCHR first report on Crimea”), paras. 36-45, available at www.ohchr.org/Documents/Countries/UA/Crimea2014_2017_EN.pdf. -
Where Words Leave Off, Music Begins”
CG1009 Degree Project, Bachelor, Classical Music, 15 credits 2017 Degree of Bachelor in Music Department of Classical Music Supervisor: David Thyrén Examiner: Peter Berlind Carlson Philip Sherman ”Where words leave off, music begins” A comparison of how Henry Purcell and Franz Schubert convey text through their music in the compositions Music for a while and Erlkönig Skriftlig reflektion inom självständigt, konstnärligt arbete Inspelning av det självständiga, konstnärliga arbetet finns dokumenterat i det tryckta exemplaret av denna text på KMH:s bibliotek. Summary ”The singer is always working through a text that in some way or another inspired the vocal line and its texture,” wrote American pianist, pedagogue, and author Thomas Grubb. But exactly how does a text inspire a composer to create this synergy between words and music? During the course of my studies at the Royal College of Music in Stockholm, I gradually began to deepen my knowledge and awareness of Henry Purcell and Franz Schubert. I was at once astounded by their ability to seemlessly amalgamate the chosen texts to their music, and decided that this connection required greater research. The purpose of this study was thus to gain a deeper understanding of how Purcell and Schubert approached the relationship between text and music by studying the two pieces Music for a while and Erlkönig. I also wished to discover any similarities and differences between the composers’ approaches to word painting, in addition to discerning the role of the accompaniment to further illustrate the narrative. I began by reading literature about the two composers as well as John Dryden and Johann Wolfgang von Goethe, the poets whose texts were set to music.