9Ebruarg 15. 1949 Page 2 the BAPTIST HERALD

Total Page:16

File Type:pdf, Size:1020Kb

9Ebruarg 15. 1949 Page 2 the BAPTIST HERALD ,, "Jt 13 a WorlJ 0 /Snow anJ Skadow, a :befight to the Wearied Cye. Printed .111 U. S. A. 9ebruarg 15. 1949 Page 2 THE BAPTIST HERALD "YOUTH COMPASS TOPICS" THE BAPTIST HERALD for young people's meetings. Is P ublished Semi-monthly on March 16, 1949-" Great Bible Gems," the First an d F ifteenth of Each Month by Rev. J ohn K uehn, Cormac, On­ by the tario, Canada. R O G E R W ILLI AM S PRESS March 13, 1949 - "Youth Needs the Bible" by Rev. E d. McKernan 3734 P ayne Ave., Cleveland 14, Ohio Chicago, Illinois. ' Martin L. Leuschner , D. D., Editor Volume 27 February 15, 1949 No. 4 ENGAGEMENTS March 20, 1949 - "The Bible for De­ Rev. E. J. Baumgartner, Business Dr. William Kuhn BIBLE DAY, SUNDAY, votional Reading" by Rev. Arthur J . F ischer, McClusky, No. Dak. Sun day, Feb. 20 - 25th Anniver­ MARCH 13, 1949 Manager sary of the F irst Baptist Offerings for the Distribution March 27, 1949 - "Sir Wilfred Gren­ Chur ch, Elk Grove, Calif. fell" by Miss R uth T ipton, Brook ­ CONT~NT S of Bibles a nd Christian Litera ­ • Feb. 24- 27 - 60th Anniversary of ture. lyn, New York. AMONG OURSELVES the Calvary Baptist Church, "It's a World of Snow and Sha dow" . ....... Ewing Galloway . Cover Tacoma, Wash. Send for programs (if not r e­ On F riday, J anuary 14, the heads of the various cooperating· societies ceived) to Roger Williams Press, Denominational Reminders . 2 Rev. B . G. Dymmel CHANGES OF ADDRESS of the denomination met at the Forest Wednesday, Feb. 16 -Bethel Bap­ 3734 P ayne Ave., Clevela nd 14, Ohio. Rev. J . G. Benke P ark headq uarters to talk over m ut ­ " The Mizpah Benediction" . ... .. .... (Editorial ) ....... ... ....... 4 tist Church, Detroit, Mich. 302 So. Church Street ual plans and problems and to con­ S unday, Feb. 20 - Sheboygan, Wis. Watertown, Wisconsin. sider spiritual goals for the future of "Time to Clean Bouse" ... ....... .. .... Rev. Richard K . Mercer, Jr. 5 Thursday, Feb. 24 - Wom an's Mis­ our denominational enterprise. Sev­ sion ary Society, Forest P ark, T uesday and Wednesday, Feb. 22 Rev. Ja&ies Brygger eral goals were suggested and ap­ "The Youth Service P lan in Action ..... Rev. J . C. Gunst . .......... 6 Illinois. and 23-Bethel Baptist Church, George, Iowa. proved and will be presented to the B uffalo, N. Y. " Our Indian Mission Field" .. ..... .. .. .. Miss Cecilia Priebe . 8 Rev. J . C. Gunst Rev. William i.. Schoeffel General Council for final adoption. S unday, Feb . 20 - North F reedom, 1725 No. Burling St., T hey will receive empha tic attention " Christmas on the Montana Reserve" . .. .. Mr. Reinhard Neuman ...... 8 SP ECIAL DATES on the program of the next General Wisconsin. Chicago 14, Illinois. Feb. 27 to March 4 - P il'grim Bap­ February 13- 20 - Nationa l Youth Conference. They are bound to chal­ " Scripture Memorization in the Northwest" . Miss Anne Swain .. ...... .... 9 tist Church, Philadelphia, P a. Week Sponsored by the National Rev. H. Sellhorn lenge the spiritual life and t hought of (Leadership Training Course). Young People's and Sunday Marsh Court every church mem ber! These goals " The Touch of the Master's Band" .. Mr. Robert L. Langdon ... .. 10 Rev. Martin L. L euschner School Workers' Union. North Trail w ill succeed the Christian Achi eve­ m ent P lan a nd will be known as THE " Seminary Mid-Winter Holidays" .... Dr. T. W. Bender .. .......... 11 F riclay, Feb. 18 - Missionary Pic­ Friday, March 4 - Worldwide Day Sarasota, Florida. of Prayer for the Women's Mis­ CHRISTIAN LIFE P ROGRAM. Watch tures, Aplington, Iowa. Rev. L. H. Smith "What's H appening" ..... 12 siona ry Societies. for f ur ther announcem ents! Sunday, Feb. 20. - Temple Baptist 60 1 So. Federal Church, Buffalo, N. Y. Sunday, March 13 - Bible Day (Pro­ Denver 9, Colorado IN THIS ISSUE "The Pilgrim's Guide ................. .. .. Rev. Robert S. Bess . .. 13 Monday, Feb. 21 - Chapel Service gram s Prepared by Dr. T. W. and Missionary P ictures at Our Bender and Distributed by the Rev. William G. T row T he joys of Christmas still linger CLOUD ACROSS THE SUN .. .. .. ..... Cha pter T en . .... .. ...... 14 Seminary, Rochester, N. Y. Publication Society) . Elmo, K ansas. on! T her e are r eports about the Christmas holidays in this issue from Children's Page .... .. ..... ...... Edited by Mrs. George W. Zinz ...... 17 the Seminary, the Indian mission field Reports from the Field . 18 ...........................................- ....................................................................................................................................................................................................................... and our churches. The observance of Youth Week from Feb . 13 to 20 Obituaries ........ .. ..... ...... .. ......... .. ..... .... .. ............ 22 brings to mind the summer activities of students serving under the Youth Baptist Life Association .. ... ....... .... (Advertise men t ) .. ..... .. 24 Service Plan. The sermon by t he df.ttention Sunday Schoo/J f Rev. Richard K . Mercer, one of our -- new, youthful pastors, is a real ch al­ lenge. Miss Anne Swain reviews her Now is the time to think about the Easter program. A wealth o f p rogram material is work of Scripture m em orization among the children . T h is is a n um­ offered in: ber to warm your heart w ith mem­ ories and blessings! EASTER TREASURY No. 54 THE BAPTIST HERALD is a publication of t he North American Baptist General COMING A new 1949 booklet of Easter recitations, exercises, drills, dialogs, Conference with headquarters at 7308 Madison St., Forest P ark, Ill. • Come and See. This fine sermon SUBSCRIPTION P RICE : $2.00 a year t o any a cldress in the United States or tableaux, pantomimes, decorating suggestions, et c., for primaries, will introd uce the Rev. Erwin Koh­ juniors and seniors ............................. 35 cents per copy field, pastor of the Baptist Church at Canada - $1.60 a year for churches under the Club Plan - $2.25 a year to Wasco, California, to "Baptist Her- foreign countries. PARAMOUNT EASTER BOOK No. 12 ald" r eaders. CHANGE OF ADDRESS: Three weeks notice required for change of a ddress. Recitations, Exercises, Dialogs, Pantomimes, Acrostics, Readings, Palestine, the World's Powder Keg When ordering a change please furnish an address stencil impression from a Plays, Tableau, Drill and Songs. This Easter Book has everything - None can give a clearer and more recent issue if you can. Address changes cannot be m ade without the old one may wish for in preparing an Easter Service. Every number is intelligent picture of the problem of addr ess as well as the new one. Palestine in the light of God's Word entirely new Price 35 cents. than the Rev. Emil Gruen, a J ewish­ ADVERTISING RATES, $2.00 per inch, single column, 2 1/4 inches wide. EASTER PLAYS AND PAGEANTS Christian and a member of our Ever­ OBITUARY notices are accepted at 5 cents per line, set in six point type. green Church of Brooklyn, N. Y. Suggestions or sample copies gladly sent on request. Experiences Along the Trail - One ALL EDITORIAL correspondence is to be addressed to the Rev . Martin L. of our denominational evangelists, Leuschner , 7308 Madison St., Forest Park, Illinois. Rev. H . Palfenier, reports about his ALL BUSINESS correspondence is to be addressed to the R oger Williams experiences w ith Christ after the 3734 PAYNE AVENUE, CLEVELAND 14, OHIO Press, 3734 P ayne Ave., Cleveland 14, Ohio. lost and stirs the readers to remem­ ber "the first things" in t he Christian Entered as second-class matter J anuary 9, 1923, at the post 00 00 ..,. ...-e:... ............................... -...._ ..................._ ............................ .......................... o.. •··•"•··•··•··•"•"•"•··•-•.. •··•··•··•··• •· · • ··• ..•·· •··• •-•"•"•··•.. •··•··•··•··•··c...•o••••·.,,_·•··•· .... •~ ·•··o.. 1 task . office at Cleveland, Ohio, under the act of March 3, 1879. Page 4 THE BAPTIST HERALD February 15, 1949 Page 5 BIBLE TEXT "Humble yourselves therefore under the mighty hand of God, that he may exalt you in due time" (1 Peter 5:6). P ersonal humility comes before God's exaltation. Chri ~ ti an humility Time to Clean is the acknowledgement that all of life's attainments are by the grace of God. It is giving all honor to God, upon whom we are completely de­ pendent. It is easy to understand that God gives more .;race to such Wouse who are humble. But the proud want to g'lory in theit· efforts. They :·: Th Mizpah Benediction pat themselves on the back. But in ''T11 e d thee when we are absent reality, they make God their oppo­ "The individual Christian, yes, E LORD watch between me aMn . pah benediction! It is like n ent, for "God resisteth the proud." one f · the 12 My eye fell upon this verse of Scrip­ the Christian Church can march rom another" That IS of the immortal verses of ture (l Peter 5:6) j ust as I had fin ­ ahead with untold blessing, if St!ripta beautiful etchi~g framed byfi o~e spoken by Laban to Jacob ished a remarkable chapter in one of each of us would clean house and atter :: (Genesis 31:49). It betw:en them. It is the recently published books about wa~f f~~endship get right with God." ftenu Y had made a covenant ple's meetings as a prayer Aibert Schweitzer, the Christian doc­ t '- ently f young peo tor at Lambarene, Africa! Hi:. o be Used at the close o d that ought to cast its warm humility knows no bounds and con­ Sp. offered . It is a wor ltitua1 m unison. rves. stantly magnifies the Name of Christ. · glow d y of our 1 Oh, that we might be humble in that By REV. RICHARD K. MERCER, L upon every a d' t'on more closely.
Recommended publications
  • GÜNTER KONRAD Visual Artist 2 Contents
    GÜNTER KONRAD visual artist 2 contents CURRICULUM VITAE 4 milestones FRAGMENTS GET A NEW CODE 7 artist statement EDITIONS 8 collector‘s edition market edition commissioned artwork GENERAL CATALOG 14 covert and discovered history 01 - 197 2011 - 2017 All content and pictures by © Günter Konrad 2017. Except photographs page 5 by Arne Müseler, 80,81 by Jacob Pritchard. All art historical pictures are under public domain. 3 curriculum vitae BORN: 1976 in Leoben, Austria EDUCATION: 2001 - 2005 Multi Media Art, FH Salzburg DEGREE: Magister (FH) for artistic and creative professions CURRENT: Lives and works in Salzburg as a freelance artist milestones 1999 First exhibition in Leoben (Schwammerlturm) 2001 Experiments with décollages and spray paintings 2002 Cut-outs and rip-it-ups (Décollage) of billboards 2005 Photographic documentation of décollages 2006 Overpaintings of décollages 2007 Photographic documentation of urban fragments 2008 Décollage on furniture and lighting 2009 Photographic documentation of tags and urban inscriptions 2010 Combining décollages and art historical paintings 2011 First exhibition "covert and discovert history" in Graz (exhibition hall) 2012 And ongoing exhibitions and pop-ups in Vienna, Munich, Stuttgart, | Pörtschach, Wels, Mondsee, Leoben, Augsburg, Nürnberg, 2015 Purchase collection Spallart 2016 And ongoing commissioned artworks in Graz, Munich, New York City, Salzburg, Serfaus, Singapore, Vienna, Zirl 2017 Stuttgart, Innsbruck, Linz, Vienna, Klagenfurt, Graz, Salzburg and many others ... OTHERS: Exhibition at MAK Vienna Digital stage design, Schauspielhaus Salzburg Videoscreenings in Leipzig, Vienna, Salzburg, Graz, Cologne, Feldkirch Interactive Theater Performances, Vienna (Brut) and Salzburg (Schauspielhaus), organizer of Punk/Garage/Wave concerts... 4 5 6 fragments get a new code The best subversion is to disfigure codes instead of destroying them.
    [Show full text]
  • The Oral Histories of Three Retired African American
    THE ORAL HISTORIES OF THREE RETIRED AFRICAN AMERICAN SUPERINTENDENTS FROM GEORGIA by GARRICK ARION ASKEW (UNDER the Direction of Sally J. Zepeda) ABSTRACT This study included the oral histories of three retired African American superintendents who were natives of Georgia. The participants had professional careers that collectively spanned 54 years, beginning as teachers and moving into administrative positions including the superintendency. This study used archival documents, newspaper reports, and research and literature on segregation, desegregation, and career mobility to provide context for the participants’ oral histories. Three research questions guided the interviews for this study: 1. How did each of the participants first enter education? 2. How were the participants able to ascend to the superintendency in light of challenges that they faced as African American school administrators? 3. What was the experience of being an African American educator and school administrator in Georgia school districts? The data revealed common factors in the career experiences of the participants. Common factors included childhood mentoring in segregated K-12 schools, segregated schools as extended families, self image and life skills training, and academic preparation at Historically Black Colleges and Universities (HBCUs). Other common factors influencing the participants were professional mentoring at HBCUs, experiences with career mobility processes, school desegregation as the impetus for advancement, financial challenges of the superintendency,
    [Show full text]
  • The Walters Art Museum Year in Review July 1, 2013–June 30, 2014
    THE Walters ArT MUSEUM YEAR IN REVIEW JULY 1, 2013–June 30, 2014 CONTENTS LETTER FROM THE 50 Walters Women's Committee EXECUTIVE DIRECTOR 5 50th Anniversary Gift Donors 52 Recognition Gifts DEPUTY DIRECTORS' REPORTS 7 53 Endowment Gifts and Pledges 54 Named Endowment Funds EXHIBITIONS 13 13 Special Exhibitions VOLUNTEERS 57 14 Focus Exhibitions 57 Corporate Task Force 15 Off-Site Exhibitions 57 Planned Giving Advisory Council 16 Lenders to Walters Exhibitions 57 Walters Enthusiasts Steering Committee 16 Walters Loans to Exhibitions 57 William T. Walters Association 58 The Women's Committee ACQUISITIONS 19 59 Docents 19 Bequests 60 Interns 19 Gifts 60 Volunteers 23 Museum Purchases STAFF 63 STAFF RESEARCH 25 63 Executive Director's Office 25 Publications 63 Art and Program 26 Staff Research and 64 Museum Advancement Professional Activities 64 Administration and Operations DONORS 33 BOARD OF TRUSTEES 67 33 Government 33 Individual and Foundation Donors FINANCIAL STATEMENTS 69 43 Legacy Society 44 Gifts to the Annual Giving Campaign 46 Corporate Supporters 46 Matching Gift Partners 46 Special Project Support 47 Gala 2013 49 Gala 2013 Party 50 Art Blooms 2014 THE Walters ArT MUSEUM: YEAR IN REVIEW 2013–2014 3 Letter froM THE EXECUTIVE DIRECTOR This annual report represents the first full year of my than 69,000 students in the museum, to the increase tenure as the Executive Director of this great Museum. in numbers of objects available to global audiences on What an incredible privilege it has been to be among our Works of Art website. you, a community of people who care deeply about In this report you will notice the reorganization the Walters and who ardently believe that art muse- that I undertook in April 2014 in order to create cross- ums have a role in transforming society.
    [Show full text]
  • SPRING 2014 @Cantonmuseum News & Events from YOUR Canton Museum of Art
    SPRING 2014 @CantonMuseum News & Events from YOUR Canton Museum of Art Explore the Art Deco Ceramics of a Modern Master WAYLANDE GREGORY Symphony of Life: Does It Speak To You? Turning Wood / Earthly Creatures The Art of Erin Mulligan Reflections from Natural Beauty from George & Patricia Raeder Travel the Fanciful World of the The Permanent Collection Preview... The Shadows and Intrigue of Artist’s Fertile Mind Art Fraud Coming with Intent to Deceive 2014_CMA_Mag_Spring.indd 1 4/29/14 12:10 AM 2 SPRING 2014 2014_CMA_Mag_Spring.indd 2 4/29/14 12:10 AM CONTENTS Spring 2014 DEPARTMENTS 4 From the Executive Director 6 Heard in the Galleries 8 News @CantonMuseum 10 Education in Action 18 Explore & Enjoy More! Coming Events to Your Canton Museum of Art 19 News from The Permanent Collection FEATURED IN THE GALLERIES 20 May 1 – July 20, 2014 Museum Membership 12 22 Waylande Gregory Get Involved! Art Deco Ceramics and the Atomic Impulse CMA Volunteer & Museum Groups 14 23 Symphony of Life About Your Museum The Art of Erin Mulligan 15 Does It Speak To You? Reflections from The Permanent Collection 16 (Cover, Main) Salome, Waylande Gregory (American, 1905-1971), Turning Wood / Earthly Creatures ca. 1929, Glazed earthenware, 17" x 10" x 4" The Nature of George Raeder / Sculptures of Patricia Raeder Private Collection (Cover, Bottom Row) UPCOMING EXHIBITIONS & EVENTS Cosmos Umbilicus, Erin Mulligan, 2010, Oil on clay board, 14" x 11" On Loan from a Private Collection 17 The Art of the Forgery: Untitled (High Explosives), Clyde Singer (American, 1908-1999), 1950, Oil on masonite, 23" x 41" Inside the Shadows and Intrigue with Intent to Deceive Canton Museum of Art Collection Gift of Mr.
    [Show full text]
  • SEA 2003 Conference Program
    PROGRAM FOR THE THIRD BIENNIAL MEETING OF THE SOCIETY OF EARLY AMERICANISTS THE PROVIDENCE MARRIOTT, PROVIDENCE, RHODE ISLAND, 10-12 APRIL 2003 SEA OFFICERS President of the Society - Philip Gould Vice-President - Zabelle Stodola Exec. Coordinator - Dennis Moore Editor, SEA Newsletter - William Scheick Webmaster - Michael P. Clark Host, EARAM - Raymond Craig Founding President - Carla Mulford Past President - David S. Shields PROGRAM COMMITTEE Philip Gould (Chair), Brown University Martin Brueckner, University of Delaware Michelle Burnham, Santa Clara University Elizabeth Dillon, Yale University Jim Egan, Brown University Karen Kupperman, New York University John Saillant, Western Michigan University Ivy Schweitzer, Dartmouth College Leonard Tennenhouse, Brown University The SEA would like to thank the Office of the Provost at Brown University and the Gilder Lehrman Institute of American History for their financial support. THURSDAY, 10 APRIL Registration will occur throughout the day on Thursday. There will be a registration desk set up in the Lincoln Room, where there will also be book exhibits by The Scholar's Choice and The Omohundro Institute for Early American History and Culture All sessions will take place in the Providence Marriott. Room names are listed parenthetically after session titles. 8:30-9:30 AM (Grand Ballroom) 1. Welcome to the SEA. Address by Philip Gould, President, SEA. Session #1 9:30-11:00 AM 2. COLONIAL AMAZONIA: CULTURAL CONTACTS AND EUROPEAN NARRATIVES OF THE NEW WORLD (Reprisal) Chair, Kim Beauchesne, Harvard University "Colonial Amazonia: The Dual Frontier." Kim Beauchesne. "The Search for El Dorado in the Peruvian Amazonia of the 17th Century." Jose Antonio Mazzotti, Harvard University. "Food, Hunger and Discovery in the Relacion del nuevo descubrimento del famoso rio Grande de las Amazonas by Fray Gaspar de Carvajal." Juan Zevallos- Aguilar, Villanova University.
    [Show full text]
  • Harlem Renaissance
    Defining Moments The Harlem Renaissance Kevin Hillstrom P.O. Box 31-1640 Detroit, MI 48231 DM - Harlem 1/10/08 3:39 PM Page v Table of Contents Preface . .vii How to Use This Book . .xi NARRATIVE OVERVIEW Prologue . .3 Chapter One: Black America After Slavery . .7 Chapter Two: Beginnings of the Harlem Renaissance . .23 Chapter Three: Literature of the Harlem Renaissance . .39 Chapter Four: Music and Art of the Harlem Renaissance . .57 Chapter Five: The End of the Harlem Renaissance . .73 Chapter Six: The Legacy of the Harlem Renaissance . .85 BIOGRAPHIES Aaron Douglas (1899-1979) . .97 Painter and Illustrator of the Harlem Renaissance W.E.B. Du Bois (1868-1963) . .103 Author, Scholar, and Civil Rights Leader Duke Ellington (1899-1974) . .110 Composer, Pianist, and Leader of the Duke Ellington Orchestra Langston Hughes (1902-1967) . .115 Playwright, Novelist, and “Poet Laureate” of the Harlem Renaissance Zora Neale Hurston (1891-1960) . .121 Novelist and Southern Folklorist v DM - Harlem 1/10/08 3:39 PM Page vi Defining Moments: The Harlem Renaissance James Weldon Johnson (1871-1938) . .127 Author, Journalist, Lyricist, and Diplomat Who Served as Executive Secretary of the NAACP during the Renaissance Era Nella Larsen (1891-1964) . .134 Renaissance-Era Author of the Novels Quicksand and Passing Alain Locke (1885-1954) . .139 Scholar, Editor, and Supporter of the Harlem Renaissance Paul Robeson (1898-1976) . .143 Actor, Singer, Cultural Scholar, and Political Activist Bessie Smith (1894?-1937) . .150 Singer Known as “The Empress of the Blues” PRIMARY SOURCES W.E.B. DuBois Discusses Black Hopes and Dreams . .157 Alain Locke Describes the Emerging Black Culture in Harlem .
    [Show full text]
  • The Museum at Guild Hall & the Heckscher Museum Of
    Inside: Raleigh on Film; Bethune on Theatre; Behrens on Music; Seckel on the Cultural Scene; Hendler on the Long Island Art Scene; Wersal ‘Speaks Out’ on the Art vs. Craft Question; New Art Books; Short Fiction & Poetry; Extensive Calendar of Events…and more! ART TIMES Vol. 26 No. 4 January/February 2010 The Museum at Guild Hall & The Heckscher Museum of Art By GinGEr LEE HEndLEr who have a connection to our re- paints directly at the If yOu Have ever wandered gion.” The work newly acquired for seaside, recording through a gallery or museum wonder- this exhibit spans a variety of media the shifting of light ing about the behind the scenes pres- including paintings, prints, collage and atmosphere on ence — how the show was collected, and photographs. Some prominent surfaces she metic- mounted, spaced out, lighted, etc, you artists included in this show are ulously builds up may be thinking of the way an exhibit Robert Motherwell, fairfield Porter, with layers of gesso, is curated. and Jim Dine. Others, perhaps not as metallic pigments, How does a curator integrate well known, join the ranks of a highly encaustics and oils. so many disparate forms, genres, respected community. They will now The results border dimensions, and media into one be part of the collection that includes on the symphonic, cohesive exhibit? It occurs to me earlier east end residents, such as involving sky, sea, that every time I see a group show Thomas Moran and Childe Hassam. sun, clouds and ho- encompassing multiple artists and a Looking at the cast of characters rizon line without myriad of genres, I find myself won- we may initially be attracted to the the slightest trace dering about the curator’s intention.
    [Show full text]
  • K51652-Prelims 1..18
    Basic Critical Theory for Photographers Basic Critical Theory for Photographers Ashley la Grange AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO Focal Press is an imprint of Elsevier Focal Press An imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Drive, Burlington, MA 01803 First published 2005 Copyright ß 2005, Ashley la Grange. All rights reserved The right of Ashley la Grange to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (þ44) 1865 843830, fax (þ44) 1865 853333, e-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://www.elsevier.com), by selecting ‘Customer Support’ and then ‘Obtaining
    [Show full text]
  • Our Black América: Transnational Racial Identities in Twentieth-Century Cuba and Brazil Anne Marie Guarnera Arlington, VA Maste
    Our Black América: Transnational Racial Identities in Twentieth-Century Cuba and Brazil Anne Marie Guarnera Arlington, VA Master of Arts, University of Virginia, 2010 Bachelor of Arts, Bryn Mawr College, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Spanish, Italian and Portuguese University of Virginia May, 2017 Professor Gustavo Pellón Professor Eli Carter Professor Anne Garland Mahler Professor Brian Owensby Guarnera 2 Acknowledgements As the saying goes, “it takes a village to raise a child.” To raise two young children while writing a dissertation takes a veritable army. During the three years that I have chipped away at this project, my very own army of advisors, friends, and family members have encouraged and supported me, and I would like to recognize their important contributions to this project. My advisor, Gustavo Pellón, has believed in this project from the very beginning, and has devoted significant amounts of his time and energy to seeing it through. From helping me to secure funding for my archival research, to tutoring me in Cuban literature and history, to patiently entertaining my (many) questions about how to approach a project of this magnitude, he has been a constant source of support and encouragement to me. Professor Eli Carter has also been essential to this project, sharing with me his expertise in Brazilian culture and literature and providing me with feedback on my writing that has sharpened my skills both as a thinker and as a writer. Professor Brian Owensby’s seminar on historical method, which I took during my last semester of coursework at UVa, made me have second thoughts about not having pursued my PhD in History! I was privileged to learn from Professor Owensby about historical empathy, rigorous historical hermeneutics, and the strategic value of a footnote—all things that I have done my best to put to use in this dissertation.
    [Show full text]
  • The Miniature Room
    THE MINIATURE ROOM A Dissertation presented to the Faculty of the Graduate School University of Missouri‐Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by REBECCA DUNHAM Dr. Scott Cairns, Dissertation Supervisor MAY 2006 The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled THE MINIATURE ROOM Presented by Rebecca Dunham A candidate for the degree of Doctor of Philosophy And hereby certify that in their opinion it is worthy of acceptance. ________________________ Professor Scott Cairns ________________________ Professor Sherod Santos ________________________ Professor Frances Dickey ________________________ Professor Andrew Hoberek ________________________ Professor Patricia Crown ACKNOWLEDGEMENTS Grateful acknowledgment is made to the editors of the following journals in which several poems in this collection have previously appeared: AGNI: “A Leaf, A Hare” American Literary Review: “Yard Elegy” Analecta: “Poem in the Manner of Frida Kahlo” Bellingham Review: “Summer” Beloit Poetry Journal: “Galileo’s Daughter,” “The Tempest,” & “Catherine Blake” Blackbird: “Tableau” Borderlands: Texas Poetry Review: “All That Is” (as “Elegy I Do Not Wish to Write”) Crab Orchard Review: “Ontology of the Miniature Room” & “God Measuring the World with a Compass” Crazyhorse: “Phial” & “Extremity” Cream City Review: “Self‐Portrait as Miniature” Dogwood: “Black Frost” Elixir: “Detail” ii Gulf Coast: “Saint Anne to Her Daughter” & “Harem of Saint Marcia” Hawai’i Pacific Review: “The Soap Bubble” Indiana Review: “Box Series” Natural Bridge: “Ghazal in Minium” North American Review: “Oxidation” Sycamore Review: “Putting Him to Bed” Valparaiso Poetry Review: “Two Photographs.” I would also like to thank the Wisconsin Institute for Creative Writing for the generous support that enabled the writing of many of these poems.
    [Show full text]
  • ENTIRE AR 06 Wo STAFF.Qxd
    THE METROPOLITAN MUSEUM OF ART Annual Report for the Year 2005‒2006 The Metropolitan Museum of Art One Hundred Thirty-sixth Annual Report of the Trustees for the Fiscal Year July 1, 2005, through June 30, 2006 Presented to the Corporation of The Metropolitan Museum of Art November 14, 2006 The Board of Trustees November 1, 2006 Chairman Emily K. Rafferty Henry B. Schacht Philippe de Montebello By invitation Ex Officio James R. Houghton President, Oscar Tang Emily K. Rafferty Sally Minard James R. Houghton The Metropolitan Shelby White external affairs Philippe de Montebello Vice Chairmen Museum of Art By invitation Allan Weissglass Emily K. Rafferty S. Parker Gilbert Advisory John Beck Trustees Emeriti Mrs. Vincent Astor Peter Sacerdote Chairman By invitation Annette de la Renta James J. Ross Henry B. Schacht Leonore Annenberg Walter Burke legal Peter Lehrer Placido Arango Mrs. Henry J. Heinz II Conrad K. Harper Vice Chairman Robert Sanna Elective Trustees Mrs. Vincent Astor George B. Munroe Daniel Brodsky Chairman Richard V. Clarke Terence Whalen Mrs. Jackson Burke Robert M. Pennoyer Robert D. Joffe Term Ending September Jeffrey W. Greenberg Walter Burke E. John Rosenwald, Jr. George B. Munroe Ad Hoc Committee of 2007 Henry R. Kravis Richard V. Clarke Arthur Ochs Sulzberger Robert M. Pennoyer the Board of Trustees Susana Torruella Leval Jeffrey W. Greenberg Daniel P. Davison Jayne Wrightsman Frank E. Richardson fund for the met Samuel H. Lindenbaum Bonnie B. Himmelman Peter H. B. Frelinghuysen Malcolm H. Wiener James R. Houghton Henry R. Kravis Mrs. Henry J. Heinz II Ex Officio Joyce Frank Menschel Honorary Chairman Susana Torruella Leval Sir Joseph E.
    [Show full text]
  • 'An Ancient Tale New Told' Shakespeare's Use of Folk- AND
    ‘An ancient tale new told’ Shakespeare’s use of folk- and Fairy Tales as Sources for his Plays Submitted by Ciara Rawnsley BA (Hons) This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities The University of Western Australia Crawley, WA 6009 Australia August 2013 ABSTRACT hakespeare drew inspiration for his plays from a wealth of different sources, but the ones usually discussed are in written, literary forms which are still accessible: the chronicles of Holinshed and Plutarch’s The Lives of the Noble Greeks and Romans, Ovid’s Metamorphoses and popular romance, Italian novelle pre-eminently. What has long been neglected, however, is the abundance of traditional oral stories in circulation during Shakespeare’s youth: folk- and fairy tales in particular. This thesis aims to identify and explore Shakespeare’s reliance on this major, though largely unrecorded, well of inspiration, and argues that the playwright made frequent use of folktale plotlines, motifs, and figures in his plays, often superimposing several folk stories in one drama. This may partly explain why Shakespeare has so often been adapted for children, by writers from Charles and Mary Lamb to the present day. The thesis proposes, moreover, that Shakespeare not only drew on the narrative patterns and plots of folktales, but that he also utilised the powerful but latent emotional subtexts such tales encode. This is particularly evident in All’s Well That Ends Well and Cymbeline, the two plays discussed in detail, which have proved theatrically effective but have always puzzled critics, arguably because their links with folktales have not been investigated.
    [Show full text]