Hebraic Aspects of the Renaissance Brill’S Series in Jewish Studies

Total Page:16

File Type:pdf, Size:1020Kb

Hebraic Aspects of the Renaissance Brill’S Series in Jewish Studies Hebraic Aspects of the Renaissance Brill’s Series in Jewish Studies Series Editor David S. Katz VOLUME 45 Hebraic Aspects of the Renaissance Sources and Encounters Edited by Ilana Zinguer, Abraham Melamed, and Zur Shalev LEIDEN • BOSTON 2011 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Hebraic aspects of the Renaissance : sources and encounters / edited by Ilana Zinguer, Abraham Melamed, and Zur Shalev. p. cm. — (Brill’s series in Jewish studies) This volume presents a selection of papers from the international conference Hebraic Aspects of the Renaissance (University of Haifa, May, 2009). Includes bibliographical references and index. ISBN 978-90-04-21255-8 (hardback : alk. paper) 1. Renaissance—Congresses. 2. Civilization, Modern—Jewish inÁuences—Congresses. 3. Cabala and Christianity—Italy—Congresses. 4. Christian Hebraists—Europe—History—Congresses. 5. Jewish philosophy—History—Congresses. 6. Christianity and other religions—Judaism—Congresses. 7. Judaism—Relations—Christianity—Congresses. I. Zinguer, Ilana. II. Melamed, Avraham. III. Shalev, Zur, 1967– CB367.H43 2011 940.2’1—dc23 2011023046 ISSN 0926-2261 ISBN 978 90 04 21255 8 Copyright 2011 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. V ACKNOWLEDGEMENTS For their generous support of the conference and subsequent preparation of the book we are grateful to the following bodies and institutions: University of Haifa: President, Rector, Research Authority, Faculty of the Humanities, Posen Research Forum, Sir Isaac and Lady Edith Wolfson Chair in Jewish Thought and Heritage, Center for the Study of Jewish Culture, Centre de Civilisation Française, Association for Medieval and Renaissance Studies. Yad Hanadiv, Jerusalem The Shalem Center, Jerusalem Institut Français at the French Embassy French Consul in Haifa We would also like to thank Simon Cook, Michael Margulis, and Annette Shahar for their dedicated editorial work. Finally, for their selfless support through various stages of the project, special mention is due to Tamy Lavyel, Aharon Refter, and other staff members at the Faculty of the Humanities, University of Haifa. VII TABLE OF CONTENTS List of Participants .............................................................................. IX List of Figures ........................................................................................ X Foreword .............................................................................................. XI Zur Shalev Introductions 1 - Abraham Melamed ......................................................................... 1 2 – Ilana Zinguer ................................................................................. 7 Part I – Kabbalah and Mysticism Giulio Camillo’s Memory Theatre and the Kabbalah ............................ 14 Lina Bolzoni Entering the Labyrinth: On the Hebraic and Kabbalistic Universe of Egidio da Viterbo ................................................................................... 27 Daniel Stein-Kokin Whither Kabbalah? Giovanni Pico della Mirandola, Kabbalah, and the Disputations against Judicial Astrology ................................... 43 Sheila J. Rabin Part II – Philosophy and the Humanities A - The Abravanel A Paradigm in Isaac Abravanel's Encounter with Renaissance Culture .............................................................................. 54 Cédric Cohen Skalli Leone Ebreo’s Dialoghi d’amore as a Pivotal Document of Jewish- Christian Relations in Renaissance Rome ............................................. 62 James Nelson Novoa B - Philosophical Aspects The Immortality of the Soul and Opening Up to the Christian World: A Chapter in Early Modern Jewish-Italian Literature ........................... 80 Alessandro Guetta Authority vs. Authenticity. The Leiden Debate on Bible and Hebrew (1575-1650) ......................................................................116 Arthur Eyffinger VIII C - Conversos, Language and Baroque e e De la pureté de sang aux XV et XVI siècles ........................................ 138 Annie Molinié et Béatrice Perez L'implicite à propos des Juifs de Rome ............................................... 154 Ilana Zinguer Vers une sémiotique du Judaïsme à l'âge baroque ............................... 164 Georges Molinié D - Literature Moses Zacuto Poet of Kabbalah .......................................................... 170 Dvora Bregman Le Rôle de la poésie Hébraïque dans l’enseignement de Charles Utenhove .............................................................................................. 182 Philip Ford E - Hebraism and Geographical Thought The Role of Early Renaissance Geographical Discoveries in Yohanan Alemanno's Messianic Thought ....................................... 192 Fabrizio Lelli Kabbale et cosmographie, de Guillaume Postel à Jacques d'Auzoles-Lapeyre ............................................................................... 211 Frank Lestringant Conclusion Race, Antisemitism and the Renaissance in Fascist Italy .................... 236 David Baum General Bibliography ........................................................................ 251 Index ................................................................................................... 276 Figures ................................................................................................ 292 IX LIST OF PARTICIPANTS 1 – David Baum, West Texas State 2 – Lina Bolzoni, Scuola Normale di Pisa 3 – Dvora Bregman, Ben Gurion University 4 – Cédric Cohen Skalli, University of Haifa 5 – Arthur Eyffinger, Huygens Institute 6 – Philip Ford, University of Cambridge 7 – Alessandro Guetta, INALCO Paris 8 – Fabrizio Lelli, University of Lecce 9 – Frank Lestringant, Sorbonne Paris IV 10 – Abraham Melamed, University of Haifa 11 – Annie Molinié, Sorbonne Paris IV 12 – Georges Molinié, Sorbonne Paris IV 13 – James Nelson Novoa, Villanova University 14 – Béatrice Perez, Université de Rennes 2 15 – Sheila J. Rabin, St Peter's College 16 – Zur Shalev, University of Haifa 17 – Daniel Stein-Kokin, University of Greifswald 18 – Ilana Zinguer, University of Haifa X LIST OF FIGURES Figure 1. Giulio Camillo, Idea del theatro, Florence, Lorenzo Torrentino, 1550. Figure 2. Interpretation of “Lucrezia”, in Giulio Camillo, Opere,Venice, Domenico Farri, 1579, p. 307. Figure 3. The tabernacle and its vessels, the Land of Israel, Jericho as labyrinth. Rome, Biblioteca Angelica, Ms. Or 72, fol. 6v. Figure 4. Jericho as Labyrinth, close-up. Rome, Biblioteca Angelica, Ms. Or 72, fol. 6v. Figure 5. “Fratris Aegidii Viterbiensis Liber Leonis X Munus” (“A Book of Friar Egidio da Viterbo, the gift of Leo X”). Rome, Biblioteca Angelica, Ms. Or 72, fol. 7r. XI FOREWORD Recent scholarship on Renaissance culture has emphasized the role of cross-cultural exchange in the shaping and transformation of European knowledge and arts. Indeed, some have even questioned the model of adjacent well-defined cultural blocks and a peripheral contact zone, and doubted the utility of too sharply contrasting the European and non- European. To better understand the early modern world they propose, instead, a continuum, marked by connectedness and a permanent flow of goods, artifacts and ideas. The present book profits from and extends this literature by exploring the complex interactions of Jewish and Hebraic culture with the Christian Renaissance world from the fifteenth to the seventeenth century. The cross-cultural encounter between Jews and Christians during this period has been studied by more than a few eminent scholars, from Cassuto and Roth onwards. However, the Jewish reception of humanism and Renaissance culture is still a puzzling question for scholars, as well as the Hebraic or Jewish inspiration of many aspects of the Renaissance. We felt a need for more research which would shed new light on these subjects, both by excavating new or little- known documents, and by examining familiar issues using new insights and methods, such as print culture and the history of the book, antiquarian culture, and the formation of identity – areas which in recent scholarship have greatly contributed to our conceptualization of the Renaissance. A series of successful panels in Renaissance Society of America annual meetings (organized by Prof. Zinguer) eventually led to a highly successful international conference held in Haifa and wholly dedicated to the subject (May 2009). The conference yielded a rich and innovative group of papers that forms the core of this book. Substantially developed and revised, papers in the present collection offer both an overview of the field and a varied series of detailed case-studies, touching on philosophy, education, geography and travel literature, poetry, Kabbalah, biblical scholarship, religious identity, and modern historiography. We hope that
Recommended publications
  • Introduction: Love, the Book Market, and the Popularization of Romance
    Notes Introduction: Love, the Book Market, and the Popularization of Romance 1. “Maxume autem admonendus est, quantus sit furor amoris. omni- bus enim ex animi perturbationibus est profecto nulla vehemen- tior, . perturbatio ipsa mentis in amore foeda per se est.” Cicero, Tusculan Dispuations. Book 4.35. My translation. 2. Jacques Ferrand, A Treatise on Lovesickness, ed. and trans. Donald A. Beecher and Massimo Ciavolella (Syracuse, NY: Syracuse University Press, 1990), 217. 3. “Non si trovara in Venere, & Cupido che ordinatamente senza confusione parlasse.” Mario Equicola, De Natura d’amore (Venice, 1536), sig. I6v. My translation. 4. A song with this title was written by Boudleaux Bryant in 1960 and was recorded by the Everly Brothers, Roy Orbison, Gram Parsons, Nazareth, and others, with great commercial success. 5. Thomas M. D. Lewis, Fari Amini, and Richard Lannon, A General Theory of Love (New York: Random House, 2000), viii. This book, coauthored by three psychiatrists, argues that “new research in brain function has proven that love is a human necessity” (Publishers Weekly review). 6. Jacques Ferrand, Erotomania, or a treatise discoursing of the essence, causes, symptomes, prognosticks, and the cure of love, or erotique mel- ancholy, trans. Edmund Chilmead (Oxford, 1640), sig. B6r–B7r. 7. David Cressy, Birth, Marriage and Death: Ritual, Religion and the Life-Cycle in Tudor and Stuart England (New York: Oxford University Press, 1997). Guido Ruggiero, Binding Passions: Tales of Magic, Marriage, and Power at the End of the Renaissance (New York: Oxford University Press, 1993). 8. Alan Bray, The Friend (Chicago: Chicago University Press, 2003). Gail Paster, Katherine Rowe, and Mary Floyd-Wilson, eds., Reading the Early Modern Passions: Essays in the Cultural History of Emotion (Philadelphia, PA: University of Pennsylvania Press, 2004).
    [Show full text]
  • Humanism and Spanish Literary Patronage at the Roman Curia: the Role of the Cardinal of Santa Croce, Bernardino López De Carvajal (1456–1523)
    2017 IV Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456–1523) Marta Albalá Pelegrín Article: Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523) Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523)1 Marta Albalá Pelegrín Abstract: This article aims to analyze the role of Bernardino López de Carvajal (1456 Plasencia-1523 Rome) as a literary patron, namely his contributions to humanism in Rome and to Spanish letters, in the period that has been loosely identified as Spanish Rome. Carvajal held the dignities of orator continuus of Isabella of Castile and Ferdinand of Aragon, titular cardinal of Santa Croce in Gerusalemme, and Latin Patriarch of Jerusalem, and was even elected antipope with the name of Martin VI in the Conciliabulum of Pisa (1511) against Julius II. He belonged to the avant-garde of humanists devoted to creating a body of Neo-Latin and Spanish literature that would both foster the Spanish presence at Rome and leave a mark on the Spanish literary canon. He sponsored a considerable body of works that celebrated the deeds of the Catholic Kings and those of the Great Captain, Gonzalo Fernández de Córdoba. He also commissioned literary translations, and was involved in the production of theatrical pieces, such as those of Bartolomé Torres Naharro. Key Words: Benardino López de Carvajal; Literary Patronage; Catholic Kings; Erasmus; Bartolomé Torres Naharro; Gonzalo Fernández de Córdoba.
    [Show full text]
  • Leon Battista Alberti
    THE HARVARD UNIVERSITY CENTER FOR ITALIAN RENAISSANCE STUDIES VILLA I TATTI Via di Vincigliata 26, 50135 Florence, Italy VOLUME 25 E-mail: [email protected] / Web: http://www.itatti.ita a a Tel: +39 055 603 251 / Fax: +39 055 603 383 AUTUMN 2005 From Joseph Connors: Letter from Florence From Katharine Park: he verve of every new Fellow who he last time I spent a full semester at walked into my office in September, I Tatti was in the spring of 2001. It T This year we have two T the abundant vendemmia, the large was as a Visiting Professor, and my Letters from Florence. number of families and children: all these husband Martin Brody and I spent a Director Joseph Connors was on were good omens. And indeed it has been splendid six months in the Villa Papiniana sabbatical for the second semester a year of extraordinary sparkle. The bonds composing a piano trio (in his case) and during which time Katharine Park, among Fellows were reinforced at the finishing up the research on a book on Zemurray Stone Radcliffe Professor outset by several trips, first to Orvieto, the medieval and Renaissance origins of of the History of Science and of the where we were guided by the great human dissection (in mine). Like so Studies of Women, Gender, and expert on the cathedral, Lucio Riccetti many who have worked at I Tatti, we Sexuality came to Florence from (VIT’91); and another to Milan, where were overwhelmed by the beauty of the Harvard as Acting Director. Matteo Ceriana guided us place, impressed by its through the exhibition on Fra scholarly resources, and Carnevale, which he had helped stimulated by the company to organize along with Keith and conversation.
    [Show full text]
  • BOOKS from the LIBRARY of the EARLS of MACCLESFIELD
    BOOKS from the LIBRARY of THE EARLS OF MACCLESFIELD CATALOGUE 1440 MAGGS BROS. LTD. Books from the Library of The Earls of Macclesfield Item 14, Artemidorus [4to]. Item 111, Hexham [folio]. CATALOGUE 1440 MAGGS BROS. LTD. 2010 Item 195, Schreyer [8vo]. Item 211, del Torre [4to]. Front cover illustration: The arms of the first Earl of Macclesfield taken from an armorial head-piece to the dedication of Xenophon Cyropaedia ed. T. Hutchinson, Oxford, 1727. BOOKS FROM THE LIBRARY OF THE EARLS OF MACCLESFIELD AT SHIRBURN CASTLE This selection of 240 items from the Macclesfield of languages. The works are almost all new to the Library formerly at Shirburn Castle near Watlington, market, Maggs having been privileged to have MAGGS BROS LTD Oxfordshire, mirrors the multiform interests of the received the remainder of the library not previously 50 Berkeley Square library, encompassing classical texts, works on the consigned for sale. The books, which are mostly non- military arts, a (very) few works of a scientific nature, English, range from one very uncommon incunable London W1J 5BA works of more modern literature and history, some to a few printed in the eighteenth century, but most collections of emblems, and some items on the study are of the sixteenth and seventeenth centuries. Telephone 020 7493 7160 Fax 020 7499 2007 5 Email [email protected] 1 ABARBANEL, Isaac. Don Yitzhaq with loss of page numbers, modern half calf. [email protected] Abravani’el... & R. Mosis Alschechi Venice: M.A. Barboni, 1690 £2000 comment. in Esaiae prophetiam 30 [actually This work, clearly meant for those members of the Isaiah 52 v.
    [Show full text]
  • The Evolution of Landscape in Venetian Painting, 1475-1525
    THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters.
    [Show full text]
  • Profiling Women in Sixteenth-Century Italian
    BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and
    [Show full text]
  • Ruth Kelso Bibliography.Txt Ruth Kelso's Doctrine of the English Gentleman in the Sixteenth Century BIBLIOGRAPHY
    Ruth Kelso Bibliography.txt Ruth Kelso's Doctrine of the English Gentleman in the Sixteenth Century BIBLIOGRAPHY To show how frequently issues and themes of moral philosophy spring up in Ruth Kelso's bibliography, I identified key words and then searched for them in the bibliograpy. In the following list, the numbers in parantheses refer to the number of times the word or phrase was mentioned in the bibliography. If you want to find the words in the bibliography, please use the search feature of this PDF file. INDEX: | Academia_d'Urbino+(1)| Academici+(1)| academie+(1)| active+(1)| affections+(1)| agricoltura+(1) | amante+(2)| amata+(1)| ambassadeur+(1)| ambassador+(1)| amicitia+(1)| amico+(1) | ammaestramento+(1)| amministratione+(1)| amor_platonico+(1)| amore_humano+(1)| amore+(13) | amori_humani+(1)| amoribus+(1)| amorosa+(1)| amorosi+(1)| amorous+(1)| amour+(2)| angling+(1) | anthropologia+(1)| Anti_duel+(2)| antiquis_auctoribus+(1)| antiquus+(1)| Aphorismes+(1) | apodemica+(1)| apprentiship+(1)| arboribus+(1)| archerie+(2)| ARETINO+(1)| ARIOSTO+(1) | Aristotele+(1)| Aristotelis+(1)| Aristotile+(1)| arithmeticke+(1) | arithmetike+(1)| armas+(4)| arme+(3)| armes+(6)| armis+(1)| armoiries+(1)| armorial+(1) | armorie+(2)| armories+(1)| Armorum_emblemata+(1)| armorum+(1)| armory+(1)| army+(1) | arte_di_scrimia+(1)| artes+(1)| arti_liberali+(1)| Artis_historicae+(1)| astronomie+(1) | auncientS+(1)| autobiography+(1)| Avertimenti_morali+(1)| ballarino+(1)| ballo+(1) | Basilikon_doron+(1)| batailes+(1)| batailles+(1)| beatitudine_humana+(1)|
    [Show full text]
  • 20. Bibliography 389–416 DB 432012
    Bibliography Manuscripts Antigini, Giuliano. Cronaca 1384–1504. Ferrara, Biblioteca Comunale Ariostea, MS Classe I, 757. Azzari, Fulvio. Croniche di Reggio Lepido originale secondo le vite de’ suoi vescovi. Modena, Biblioteca Estense, no further details; a seventeenth-century copy is in Reggio, Biblioteca Panizzi, MS Reggiani C 44. Brancati, Giovanni. Oratio habita Neapoli in nuptiis Helionorae regis Ferdinandi filiae anno 1473 die 23 mense Mai. Valencia, Biblioteca Universitaria, MS cod. 774, ff. 25v−42v. Calcagnini, Teophilo. Letter to Ercole d’Este, Rome, 7 June 1473. Padua, Biblioteca Universitaria, MS 342, ff. 54v–59r. Caleffini, Ugo. Annals of Ferrara, 1471–1483, copied in 1581 by Giulio Mosto, and continued by Girolamo Merenda, in his own hand, down to 1534. London, British Library, MS Add. 22324. Carbone, Ludovico. Epithalamium Neapoli actum in divam leonoram Aragonensem et dvum Herculem estensem. London, British Library, MS Add. 20794, ff. 1r−30r. Cornazzano, Antonio. Rime. Modena, Biblioteca estense universitaria, MS Ital. 177 (formerly α.I.6.21). ———. Del modo di reggere e di regnare. New York, Pierpont Morgan Library, MS MS M 0731. Equicola, Mario di Alveto. Annali della città di Ferrara raccolti da Mario Equicola di Alveto ad annum 1559. Ferrara, Biblioteca Comunale Ariostea, MS Classe II, 355. ———. Genealogia degli Signori Estensi […] composto da Mario Equicola dell’anno MDXVI. London, British Library, MS Add. 22330 Genealogia Estense. The manuscript consists of two fragments, one in Modena, Biblioteca Estense Universitaria, MS Ita. 720 (formerly α.L.5.16), the other in Rome, Biblioteca Nazionale Centrale, MS Vittorio Emanuele 293. For a facsimile of the whole and commentary, see Genealogia dei Principe d’Este, ed.
    [Show full text]
  • Una Direttrice Per La Diffusione Delle Culture Iberiche in Italia
    Mezzogiorno aragonese e settentrione cortigiano: una direttrice per la diffusione delle culture iberiche in Italia Jacopo Gesiot (Università degli studi di Udine) Abstract Questo lavoro si propone di ricostruire un ipotetico tracciato di diffusione della cultura iberica in Italia, principiato a partire dal prestigioso catalizzatore della corte aragonese di Napoli, e via via ramificatosi attraverso i centri dell’Italia padana a cavallo tra Quattro e Cinquecento. Visti i primi contatti a opera di mercenari, studenti ed ecclesiastici, si passa a studiare la fioritura della cultura plurilingue raccolta attorno ad Alfonso di Trastámara nel quadro della rete di relazioni, soprattutto matrimoniali, intessute con le corti settentrionali. Sulla scorta dei vari accasamenti, a cui si somma quello splendido di Lucrezia Borgia con Alfonso d’Este, si spargono attraverso la penisola intrattenitori e artisti di diversa qualità, interpreti di una letteratura, talvolta estemporanea, che finisce per interessare pure intellettuali di peso, come il Bembo e l’Equicola, arbitri di una cultura cortigiana che, ai suoi margini, si apre alle novità originate nella Penisola iberica. Al termine di questo excursus, interrotto con l’incoronazione bolognese di Carlo V, si raccolgono i segnali di un’assimilazione ormai compiuta, e, come si suggerisce nell’ultima sezione, sfociata nei primi accenni di un’operazione critica e di sistemazione, parallela al recupero delle lettere provenzali, che provvederà le condizioni per i primi passi della romanistica cinquecentesca. Parole chiave: Italia e Spagna, relazioni culturali, Napoli aragonese, Gonzaga, Este. The present work aims to reconstruct an hypothetical blueprint of the spread of Iberian culture in Italy, which gradually extended to the centers of Northern Italy between the 15th and the 16th centuries, since the settling of the Aragonese court in Naples.
    [Show full text]
  • Look at the Studiolo of Isabella
    C LO S A E LOOK AT THE STUDIOLO OF ISABELLA D’ E S T E Samantha Wexler tudioli and cabinets of curiosity were very popular for the powerful and affluent of the Renaissance who desired to showcase collections of rare and unusual objects. These studioli were intimate places for private contemplation that also served to exhibit inner worthiness and refined taste, and they have long been regarded as one of the greatest inventions of the Renaissance.1 The conventions of display at work in these studioli originated from the display of holy relics in churches. Studioli, however, would include objects that were clearly less divine in nature, including rare and often valuable curios, precious gems, ostrich eggs and even crocodiles.2 The shift in these types of collections from religious institutes to the domestic sphere is indicative of studioli being the domain of the influential, the powerful and the wealthy of the time. A studiolo was intended and designed as a secular space devoted primarily to scholarly and humanistic activities such as reading and contemplation. These activities also expanded their purpose to serve as a bridge between the secular and the sacred , since they shared parallels with the cells of the scriptoria used by monks when they created illuminated manuscripts. Giovanni Pico della Mirandola, a Renaissance philosopher and humanist, stated: “[T]hrough study 100 101 and contemplation, a scholar might find union with God.”3 In which included the many influential members of her own family.10 1434, Leon Battista Alberti described the studiolo as: “[A] sanctum Isabella d’Este was born in 1474 to Ercole d’Este, the Duke of sanctorium that only the head of the household [can] enter.”4 Thus, Ferrara, and Elenora of Aragon, the daughter of King Ferdinand I of the owner of a studiolo becomes a creator who shapes an external Naples, in the city of Ferrara.
    [Show full text]
  • Gendered Perspectives on Marriage in Renaissance Italy
    UNIVERSITY OF CALIFORNIA Los Angeles Joyful Miss: Gendered Perspectives on Marriage in Renaissance Italy A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Italian by Melina Rae Madrigal 2013 ii iii ABSTRACT OF THE DISSERTATION: Joyful Miss: Gendered Perspectives on Marriage in Renaissance Italy by Melina Rae Madrigal Doctor of Philosophy in Italian University of California, Los Angeles, 2013 Professor Massimo Ciavolella, Chair My dissertation investigates the convoluted layers comprising profeminist and misogynist precepts through the optic of marriage during the Renaissance period, particularly the Cinque- and early Seicento. My specific intention is to overturn some commonly held beliefs about each respective ideology and in the process unveil how tightly woven together they are, for their divergences are transparent but their points of convergence and overlap are less so. In fact, while many studies, such as Pamela Benson’s The Invention of the Renaissance Woman, seek to underline the misogyny penetrating works commonly held as profeminist, my scholarship instead locates some very concrete marks of profeminism locatable in works commonly held as misogynist. My chapter on Giovanni Della Casa’s An uxor sit ducenda (Se s’abbia da prender iv moglie) is a prime example: his reputation as a steadfast misogynist precedes him, but his text on whether or not marriage is useful actually enlists logic that speaks to the profeminist cause, adopting misogamist arguments that simultaneously criticize social treatment of women and indirectly promote levels of emancipation for them. While works like Benson’s provide useful insight into the lives of Renaissance Italians, I would argue my work brings an innovative and much-needed perspective to understanding gender studies in the early modern period.
    [Show full text]
  • Washington, DC 22–24 March 2012 Leonardo Da Vinci, Ginevra De’ Benci, Ca
    The Renaissance Society of America Annual Meeting Program and Abstract Book Washington, DC 22–24 March 2012 Leonardo da Vinci, Ginevra de’ Benci, ca. 1474/78. Alisa Mellon Bruce Fund. Image courtesy of the National Gallery of Art, Washington. Contents The indexes in this book refer to five-digit panel numbers, not page numbers. Panels on Thursday have panel numbers that begin with the number 1; panels on Friday begin with the number 2; and pan- els on Saturday begin with the number 3. The black tabs on each page of the full program are an additional navigational aid: they pro- vide the date and time of the panels. RSA Executive Board.......................................................................5 Acknowledgments.............................................................................6 Book Exhibition and Registration ...................................................10 Business Meetings...........................................................................11 Plenaries, Awards, and Special Events.............................................12 Program Summary Thursday.................................................................................16 Friday.....................................................................................25 Saturday..................................................................................32 Full program with abstracts Thursday 8:30–10:00.......................................................................41 10:15–11:45.....................................................................74
    [Show full text]