War in Middle Earth Instruction Manual

Total Page:16

File Type:pdf, Size:1020Kb

War in Middle Earth Instruction Manual INSTRUCTION MANUAL VlIIGIH IllASTfRTRONIC Ih'TL lHC. 1&001 CowIn, 1rfI ..... C.I. 12114. Ttl. (l1~) 8lH710 INTRODUCTION Tm-ee Rings for the Elwn-kings under the sky, Seven [or the Dwar/-Lords in their halls o/Stone, Nine Jor Mortal Men doomed to die, One/or the Dark Lord on bis dark UJronc In the Land ofMordorwbere tbeSbadows fie. One Ring to nile them aJ~ One Ringjind them, One Ring 10 bring tbem all and ill the darkness bind them 111 tbe land of MordoT where tbe Shadollis lie. Tht: Wiz;Lrd Gandalf the Grey has identified the ring bequeathed to Frodo Haggins hy his Uncle Bilbo. who hr(lughl it back from an adventure long ago. as being "'1lle One Ring~. forged by Sauron, (he Dark Lord, it is verrpowerful and very evil. It conUins much of Sauron's power - with it he would defeat all his enemies and SUbjugate the whole of Middle Earth. Were it to be destroyoo he would be defeated. Though it would be possible 10 use it against Sauron. it would then corrupt the wielder, turning him into a n~w Dark Lord. Because of the magical nature of the Ring, it can only be destroyed by I>t!ing thrown into the Cracks of Doom, where it was forged. This is the mouth of the volcano MI. Doom in thecentr~ ofSauron·s kingdom of Mordor far to the South East. PLAYINGTHEGAME There arc:: three leyels: FuU map Ic\'1::1 Thisshows you the:: whole ofMidd1c: Earth, with forces shown as dots, good in blue, t:\'i! in red, neutral in grecn. Campaign le\'e1 Detailed map of part of Middle Earth: this will scroll if pointer is mOl'cd to an edge:. Characters are shown as figures, armies as badges. This is the level all commands arc given on. Animation kvcl Full animation of characters. Used for encounters. To move up a It:vcl, use the map icon. To move down a level, sela:t the: magnifying glass, position it over the area you W3fl1, and press fire:. Speed The game will run at threesJXed.s: nonnal, hasty and very hasty. To change ~d,sdcct the hourglass icon then click on the option you want. Movement You can only command charactC'fS or groups that:an: active, shown flashing on the campaign map. Select the: arrow Icon, position it over the force to be ordc:rnI, and press fire. A window will be opened listing the units in the force - ifrou onlywant some to respond. click on their names. 'lllL"tl move: the :mow to die dcstiruu.ion you wam and press fire to set. They will then pIOa!ed to mrn't: dlc:re at their own pace, finding die best route around obstacles mat they can. Encounters You will often be told offriendly encounters. Sdect HGo ThereH to hear dleiradvice. This will automatically takt: you to tht: animation Ievt:l. When characters meet, or (orces meet commanders, they may follow or continue on their way: It. windowwlll open in the top right~sdcct the option you want. Jfthey follow they will become a single (()fct':. To see who is in such a force just click on it. This will open a window listing those present. Those following a leader will be shown slightly indented. Combat Combat ocl..'Urs when t:nt:my forces meet. You can ignore this and accept the result, or go there and have some influence on the baule.1his opensacombat window, listing all units on both sidcs. Every friendly unit involved in battlc has four options: Charge Move into combat Engage Fight where you arc Withdraw Move out of combat. but stay cloSt:; you may rejoin combat later Retreat Lt!a\"t: tht: scene ofbatth.:; you cannot retum. These arc: indicated by a grid of squares, with the selected options shown filled. To change options, juSt point at me appropriate square and press fire. The color in which a Character·s name appears indicates his health during me battlc. Initially, names arc shown in black (healthy) lettering, turning red when the character is , ,,,,ounded and grey when he diC5. Fon:cs do not get wounded, but when finally destroyed me unifs name u; shown in gn,-, To find the status of any character or force~ outside combat, click on the character and then on the status icon. Objects You will find objects to aid you in your quest. Some of these strengthen your charactel'!i; others can be used to mobilize the nations of the ~. 10 manipubtc objects }'Qu mUSt be on the animation level. Select the provisions icon (a gauntlet grasping aflask). then the options you require. Saved Games Tosaveor load a game go to the full map level and open the archive menu. then select the option rou want. LOADING TIlE GAME If you tuve two drives, in.-.err diSk I into main drive and disk 2 inm your second drive. If you only have one drive, insert disk t into the drive. You will be prompted IOchange the disk regularly throughout the game. AMIGA Insert Kidcstart DiSk if required. At the request for a Workbench disk, insert program disk(s). ATARIST Make sure that the disk drivc(s) is(are) SWitched on. Insert program disk(s). Switch the computer on. IBM PC's and Compatibles Boot DOS from another disk. Insert program diSk(s). At theA> prompt, type START and prc:ss RF.11JRN. APPLEDGS Insen Disk 1 into the dri\'eand tum on the computer. When the desktop appears,launch War in Middle Earth by clicking on itwith your mouse. When prompted. eject disk I and insert disk 2, 4 Travel withlhe I'dJowshipofthe Ring through Middle Earth. Thestarlinggroupconsi.~ts of Frodo, his servant Sam Ganget:, and his friend Pippin. Hdp them fmd and gather more members inlO Ihe parly, 10 prOlect the Ring BeHer. Do nOI delay. Sauron is already amassing his forces of w,uo. lie: knows the Ring still exists and is looking for it. He has Learned of the Ring's location, and has begun 10 lake interesl in M Hobbits and thdr "Shire • Even without the One Ring he L~ a powerful opponent. He has armies ofOrcs and evil men at his command. And 10 dohis spying he has the Black Riders. 'Incse nine WI"""J.ilhs, also known as Na:l!gul, arc each controlled by It:SScr rings. Even now they are heading for me Shire searching for the rung and asking after Mr. Baggin~. Your first lask is 10 guide the l'el lo~hip safely to Rivcndell. The Nazgul will close in, and you must a\"oid mern at all costs. You mustlcave the Shire along The Great East Road. head past Bree and on to Rh'endellon the edgeoflhe Misty Mountains. Then with the aid of the companions you will find there, rou must head South 10 Mordor and Mt. Doom. You are heading into the vcry heartofSauron's power, so he prepared 10 face mortal danger at every slep. In addilion to Sauron's forces. you will also be assailed by thOM: oflhe Wizard SatUrnan. Though he was originally the leader of the Council of Wizards opposing Sauron, he has been corrupted. Hehasraised an army ofOrcs and Dunlendings and he too is looking for [he Ring. for he heLieves he can use it to control Middle Earth. You will need tn. rnohi1i7-C the natkm5 of thC \1;bit. the mcn of Dale, Goodor and Rohan, [he Elves of wrien and Mirkwood and thc Dwarves ofEtebor and the Iron Hills, or me forces of evil will win hy force of arms before you can destroy the Ring. To do this you must find objecls of power and present them to thdr kings. Listen to the- words of the wise to discovcr the whereabouts of these objccts. !fan), of the forces for good which you control can gel the Ring to MI. Doom, you will win. If the forces oft:vil obtain the Ring and take il hack to Barad·DUr, Sauron'sstronghold in Ihe heart of Mordor, you wiJIlose. , HARD DISK INS'LULATION Ar.UGA Create 1l direclOry ()n your hard drive: then copy all files from the game disk to that director)". Usc the assign command 10 instruct yOUt system to access this directory whenc:vcr a drh'c :I: or b: request is mad... EXAMPLE: L cd hd: 2, makcdir WIME 3. Insert \l;':lr in Middle: Earth progr.un disk A 4. copy dfO: hd:wimt: all 5, Insert War in Middle Earth pfORram disk Band repeat su:p 4. 6. assign A: hd:WIME 7. assign S, hd:WIME 8. cd hd:wimc 9. c:xc:cute sfStartup-sc:quc:m:c: ATARI ST Creatc three subdirectories ul1ed: WIMERESI WIMERES2 WIMERES3 COP)' All files from Disk 1 to W IMERESl, Disk 2 to WIMERES2. Disk 3 to WIMERES 3. To load the program. change to the WIMERESI directory then DoubJc-Click on the Command.Prg icon. IBM and Comp:ulbles At the C> prompt create a sub-directory Ihen copr all files from Ihe program disks (() [hal suh·direClOry. EXAMPLE: I. MD \VIME (RETURN) 2. COPY A:'" C: \ WIME (do this for all disks) 10 play Ihe game from tht: C> prompt. tlrsl change to Ihe. WIME direclory. EXAMPLE: CD \ W IME Then Iype START (RETURN) and the program wil11oad. win. However, with a game oflhis complexity, it is impossible to give a single strategy that will work, or indeed to say that any smttegy Is doomed to failure.
Recommended publications
  • The Lord of the Rings: the Card Game Scenarios, a Select Few Are Only Intended for Use When Playing the Scenarios Presented in the Hobbit Saga Expansions
    The Hobbit: On the Doorstep features new cards that players may use to customize their decks when playing the scenarios in The Hobbit Saga Expansions. While most of the included player cards are fully compatible with all published The Lord of the Rings: The Card Game scenarios, a select few are only intended for use when playing the scenarios presented in The Hobbit Saga Expansions. Component Overview ™ The Hobbit: On the Doorstep includes the following components: - This rules insert - 165 cards, consisting of: - 5 Hero Cards “He was trembling with fear, but his little face was set and grim. Already he was a very different hobbit from the one - 45 Player Cards that had run out without a pocket-handkerchief from Bag- - 102 Encounter Cards End long ago. He had not had a pocket-handkerchief for ages. He loosened his dagger in its sheath, tightened his - 13 Quest Cards belt, and went on.” There is an online tutorial for the game available at –J.R.R. Tolkien, The Hobbit http://www.fantasyflightgames.com/lotr-tutorial You can enter and track your plays and scores of these scenarios and others online through The Lord of the Welcome to The Hobbit: On the Doorstep, the second and Rings: The Card Game Quest Log at http://www. final part of The Hobbit Saga Expansion for The Lord of the fantasyflightgames.com/lotr-questlog. Rings: The Card Game! Unlike other The Lord of the Rings: The Card Game expansions, which explore new adventures set in Middle- Saga Expansion Player Cards earth, the Saga Expansions give players the opportunity to directly participate in, or even recreate, the narrative events All of the player cards in this saga expansion are fully described in the classic novels written by J.R.R.
    [Show full text]
  • The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J.
    [Show full text]
  • JRR Tolkien's Sub-Creations of Evil
    Volume 36 Number 1 Article 7 10-15-2017 ‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil Richard Angelo Bergen University of British Columbia Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Bergen, Richard Angelo (2017) "‘A Warp of Horror’: J.R.R. Tolkien’s Sub-creations of Evil," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 1 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol36/iss1/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Considers Tolkien’s skilled evocation of evil and the way he manages to hold Augustinian and Manichean conceptions of evil in balance, particularly in his depiction of orcs. Additional Keywords Augustine, St.—Concept of evil; Evil, Nature of, in J.R.R.
    [Show full text]
  • Sulphur Isotope Geochemistry of the Ores and Country Rocks at the Almadcn Mercury Deposit, Ciudad Real, Spain*
    Gemhimrca 0 Comochmica Acln Vol. 56, pp. 3765-3780 OOl6-7037/92/$5.00 + 00 Copyright 0 1992 PerpamonPress Ltd. Printed tn U.S.A. Sulphur isotope geochemistry of the ores and country rocks at the AlmadCn mercury deposit, Ciudad Real, Spain* FRANCIS SAUP~~and MICHEL ARNOLD Centre de Recherches Pstrographiques et GCochimiques, BP 20, 54501 Vandoeuvre-l&s-NancyCedex. France (Received June 7, 1991: accepted in revised form April 15, 1992) Abst~ct-Seventy-four new S isotope analyses of ore minerals and country rocks are given for the Hg deposit of Almad&. The spread of the cinnabar &34Sis narrow within each of the three orebodies, but the 634S average values differ sufficiently between them (mean 634S: San Nicolas = 0.2 rt I. l%, San Francisco = 8.1 + 0.7%0, San Pedro = 5.9 f 1.0%0) to indicate three different mineralization episodes and possibly processes. The unweighted mean for all cinnabar samples is 5.6%0 and the S source is considered to be the host-rocks, either the Footwall Shales (634S = 5.5%0) or the spilites (S34S = 5.1 rt 1.3%0). For geometric and chronologic reasons, the former seem the best potential source. However, the high ?js4S values of the San Francisco cinnabar cannot be explained without addition of heavy S from reduction of seawater sulphate. Orderly distributions ofthe 634Svalues are observed in all three orebodies: ( 1) their increase from the stratigraphic bottom to the top in the San Pedro orebody is explained by a Rayleigh process, and (2) the maxima in the centres of the San Francisco and San Nicolas orebodies are explained by mixing of the S transporting hydrothermal fluids with seawater within the sediments.
    [Show full text]
  • Tolkien Encyclopedia
    Tolkien Encyclopedia The Accursed • Oromë • Uldor Algund Adanedhel • A member of the Guar-waith. • Túrin Almarian Adurant • The daughter of Vëantur, husband of • A tributary of Gelion. Meneldur, and mother of Anardil, Ailinel, and Almiel. Aegnor • Elvish son of Finarfin. Almiel • Called: Egnor • A daughter of Meneldur and Almarian. Aelin-uial Alqualondë • The Twilight Meres • The mansions of Olwë in Aman. • Called: The Haven of Swans. Aerandir • A mariner who sailed with Eärendil to Aman Aman. • Home of the Valar. Across the Outer Sea from Arda Aerin • Called: The Land of Aman, the Blessed • A relative of Húrin. The wife of Brodda, an Realm, the Guarded Realm Easterling. The daughter of Indor. Amlach The After-born • The son of Imlach. • Men Amon Ereb The Aftercomers • A hill in Ossiriand where Denethor died • Men during the First Battle of the Wars of Beleriand. Agarwaen • Túrin Amon Ethir • A hill raised by Finrod in front of Aglon Nargothrond. • Himlad • Called: The Spyhill Ailinel Amon Gwareth • A daughter of Meneldur and Almarian, the • A mountain in Tumladen. wife of Orchaldor, and mother of Soronto. Amon Obel Ainairos • A mountain in Brethil. • An Elf of Alqualondë who stirred up the Valar against Melkor. Amon Rûdh • Mîm’s home in the west of Doriath. The Ainu of Evil • Called: Sharbhund, the Bald Hill, Bar-en- • Melkor Danwedh, the House of Ransom, Echad i Sedryn, Camp of the Faithful Alcarinquë and Elemmírë • Stars Amras • Elvish son of Fëanor. Aldarion • Anardil Amrod • Elvish son of Fëanor. Aldaron Tolkien Encyclopedia Anadûnê Anduin the Great • Andor • A river in Arda Anardil Andúnië • The son of Meneldur and Almarian.
    [Show full text]
  • Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>
    Volume 15 Number 3 Article 1 Spring 3-15-1989 Tolkien's Creative Technique: Beowulf and The Hobbit Bonniejean Christensen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christensen, Bonniejean (1989) "Tolkien's Creative Technique: Beowulf and The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Asserts that “The Hobbit, differing greatly in tone, is nonetheless a retelling of the incidents that comprise the plot and the digressions in both parts of Beowulf.” However, his retelling is from a Christian point of view. Additional Keywords Beowulf—Influence on The Hobbit; olkien,T J.R.R.
    [Show full text]
  • Nordic Roots in Tolkien's Writings Mr
    Nordic Roots in Tolkien's Writings Mr. Rayan Akbari & Dr. Sayyed Rahim Moosavinia Associate Professor of English Literature Faculty of Letters and Humanities Shahid Chamran University of Ahvaz Ahwaz, Khuzestan, Iran Introduction The social cataloguing website, Goodreads, in accord with Amazon, ranks The Lord of the Rings as the third best-selling book of all time, and The Hobbit as the fourth. This statistic is also confirmed by Facebook's 2014 data analysis of over 130,000 accounts for finding the top 100 most popular books. Sophie Hinger believes that this success stems from Tolkien's different attitude towards his writing. She suggests that Tolkien has pictured "Middle-earth as a mythological version of Europe, rather than creating a new and separate world as many fantasy authors after him did" (3). Her view is perhaps shared by many of the scholars who are searching for the outside influences of Tolkien's works. So far, as different sources as Celtic, Anglo-Saxon, Viking, Old Norse, Finnish, Arthurian, and biblical have been suggested by scholars like Thomas, Atherton, Hinger, Birkett, Tarkka, and Carpenter. Yet, the Nordic side of the argument seems to be better recognized. Many articles and books have established their aim to find these Nordic references; still, none seems to consider Scandinavia as a concrete place. Therefore, articles on different aspects of the culture like the mythology, literature, and specific people, like Vikings, and Finnish are popular in Tolkien studies. The present paper, however, does not discriminate between the different aspects of the concept; therefore, words like Norse, Nordic, Icelandic, Northern, and Scandinavian have all been used by the researchers to refer to the same thing, meaning the culture and literature of the Northern Germanic people.
    [Show full text]
  • © 2019 C.Wilhelm
    © 2019 C.Wilhelm Questions About THE HOBBIT The Unexpected Journey, Movie 1, 2012 Name ________________________________ Date _____________ 1. Who was telling (writing) the story in the movie? _______________________________________________ _______________________________________________ 2. What happened to ruin the peaceful, prosperous Lonely Mountain and the Mines of Moria? _______________________________________________ _______________________________________________ 3. Why do the Dwarves want their ancestral home back? _______________________________________________ _______________________________________________ 4. Why does Thorin especially want to fight the pale Orc? _______________________________________________ _______________________________________________ 5. How does Bilbo Baggins become involved in the quest to enter Lonely Mountain? _______________________________________________ _______________________________________________ 6. Why does the company need Bilbo’s help? _______________________________________________ _______________________________________________ 7. Which groups in the story especially love food? _______________________________________________ _______________________________________________ Page 1 © 2019 C.Wilhelm THE HOBBIT questions continued Name ________________________________ Date _____________ 8. Do the Dwarves have good table manners? Explain. _______________________________________________ _______________________________________________ 9. Did you notice the map in the beginning of the story? Is
    [Show full text]
  • Myth, Fantasy and Fairy-Story in Tolkien's Middle-Earth Buveneswary
    MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH Malaya BUVENESWARY VATHEMURTHYof DEPARTMENT OF ENGLISH FACULTY OF ARTS & SOCIAL SCIENCES UNIVERSITY MALAYA University2016 MYTH, FANTASY AND FAIRY-STORY IN TOLKIEN’S MIDDLE-EARTH BUVENESWARY VATHEMURTHYMalaya of DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY MALAYA KUALA LUMPUR University2016 Abstract This dissertation explores J.R.R. Tolkien’s ideas and beliefs on myth, fantasy and fairy story and their roles in portraying good and evil in his famous works. Indeed, many authors and critics such as Bradley J. Birzer, Patrick Curry, Joseph Pearce, Ursula Le Guin, and Jay Richards have researched Tolkien based on this connection. They have worked on the nature of good and evil in his stories, the relevance of Tolkien in contemporary society, and the importance of myth and fantasy. However, my original contribution would be to examine the pivotal roles of myth, fantasy and fairy story as a combined whole and to demonstrate that they depend on one another to convey truths about good and evil. This research is aimed at showing that Middle-earth evolves from a combination of these three genres. This is made evident by the way Tolkien crafted his lecture On Fairy Stories for a presentation at the AndrewMalaya Lang lecture at the University of St Andrews in 1939. This dissertation then examines Tolkien’s own definitions of myth, fantasy and fairy stories and his extensiveof research on these “old-fashioned” or forgotten genres. He believed they could provide a cure for the moral and human degradation triggered by modernism.
    [Show full text]
  • Applying Anthropology to Fantasy: a Structural Analysis Of
    APPLYING ANTHROPOLOGY TO FANTASY: A STRUCTURAL ANALYSIS OF THE LORD OF THE RINGS By Christina C. Estep B.A., University of Mary Washington, 2010 A thesis submitted to the Department of Anthropology College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2014 © 2014 Christina C. Estep The thesis of Christina C. Estep is approved: ____________________________________________ _________________ Margaret W. Huber, Ph.D., Committee Member Date ____________________________________________ _________________ Kristina Killgrove, Ph.D., Committee Member Date ____________________________________________ _________________ John E. Worth, Ph.D., Committee Member Date ____________________________________________ _________________ Robert C. Philen, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First and foremost, I would like to recognize my thesis committee, Dr. Robert Philen, Dr. Kristina Killgrove, Dr. John Worth, and Dr. Margaret Huber, for taking the time and effort to help me with not only my thesis, but my academic endeavors. Without these individuals, I would not be where I am now or possess the knowledge that I now have. Secondly, I want thank my parents, Bonnie and Carl Estep. Despite their hardships in life, my parents have supported me through every decision I have made, encouraged me to pursue a higher degree, and were always there to cheer me on when times were tough. Finally, I want to acknowledge my husband Brian, who has been my rock during the most stressful of times.
    [Show full text]
  • Readers' Guide
    Readers’ Guide for by J.R.R. Tolkien ABOUT THE BOOK Bilbo Baggins is a hobbit— a hairy-footed race of diminutive peoples in J.R.R. Tolkien’s imaginary world of Middle-earth — and the protagonist of The Hobbit (full title: The Hobbit or There and Back Again), Tolkien’s fantasy novel for children first published in 1937. Bilbo enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. He does not seek out excitement or adventure. But his contentment is dis- turbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum, and entwine his fate with armies of goblins, elves, men and dwarves. He also discovers he’s more mischievous, sneaky and clever than he ever thought possible, and on his adventure, he finds the courage and strength to do the most surprising things. The plot of The Hobbit, and the circumstances and background of magic ring, later become central to the events of Tolkien’s more adult fantasy sequel, The Lord of the Rings. “One of the best children’s books of this century.” — W. H. AUDEN “One of the most freshly original and delightfully imaginative books for children that have appeared in many a long day .
    [Show full text]
  • The Geology of Middle-Earth
    Volume 21 Number 2 Article 50 Winter 10-15-1996 The Geology of Middle-earth William Antony Swithin Sarjeant Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Sarjeant, William Antony Swithin (1996) "The Geology of Middle-earth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 50. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/50 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A preliminary reconstruction of the geology of Middle-earth is attempted, utilizing data presented in text, maps and illustrations by its arch-explorer J.R.R. Tolkien. The tectonic reconstruction is developed from earlier findings yb R.C. Reynolds (1974). Six plates are now recognized, whose motions and collisions have created the mountains of Middle-earth and the rift structure down which the River Anduin flows.
    [Show full text]