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The Analysis of Secondary Emotion Toward Clothilde Destange’S Character in the Blonde Lady Novel by Maurice Leblanc
Jurnal Ilmu Budaya Vol. 3, No. 1, Januari 2019 e-ISSN 2549-7715 Hal: 62-75 THE ANALYSIS OF SECONDARY EMOTION TOWARD CLOTHILDE DESTANGE’S CHARACTER IN THE BLONDE LADY NOVEL BY MAURICE LEBLANC Monica Lusi, Singgih Daru Kuncara, Ririn Setyowati English Literature Department, Faculty of Cultural Sciences Mulawarman University Email: [email protected] ABSTRACT The study of emotion is interesting and unique to be understood and discussed. Moreover, analysis about emotion in the novel is challenging because it cannot be analyzed by facial expression of the character but based on the narration and the dialogue of the character. The purposes of this study are to analyze the secondary emotions and the factors that cause it toward Clotilde Destange’s Character in The Blonde Lady novel by Maurice LeBlanc. Ten Houten’s present theory from Plutchik about secondary emotion was suitable to be used as the theory to identify the secondary emotions that are appears in the Clotilde’s Character and the theory from Plutchik about emotion as a chain of event to examine the factors that cause secondary emotion of Clotilde’s character. The qualitative method was used to analyze the novel. This research uses sentences, pages, narration, dialogues, and paragraph that related to the secondary emotion in The Blonde Lady novels. The results of the study show that the secondary emotion appeared in the main female character. The study also was identified that the factors that cause the secondary emotion of Clotilde’s character is come from the stimulus event which followed by cognition, feeling states, overt behavior. -
American Masters 200 List Finaljan2014
Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON: -
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International Journal of Applied Linguistics & English Literature ISSN 2200-3592 (Print), ISSN 2200-3452 (Online) Vol. 6 No. 5; September 2017 Flourishing Creativity & Literacy Australian International Academic Centre, Australia Violence in Selected Fiction of Oates : A Zizekian Reading Yalda Mansouri Department of Foreign Languages, Isalmic Azad University, Central Tehran Branch, Tehran, Iran Farid Parvaneh (Corresponding author) Department of Humanities, Islamic Azad University, Qom Branch, Iran E-mail: [email protected] Received: 08-02-2017 Accepted: 28-04-2017 Advance Access Published: July 2017 Published: 01-09-2017 doi:10.7575/aiac.ijalel.v.6n.5p.113 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.6n.5p.113 Abstract Oates works have been analyzed in the light of violent literature all around the world; however, they are not scruntizied on account of Žižek’s outstanding ideas. Carrying out extensive research, the researcher highlights the positive outcome of Žižek’s “subjective violence”, “objective violence”, and “systemic violence” (Violence 2) in Oates’ Blonde, Black Water and Rape: A love story.This article argues that the common meaning of violence which according to Cambridge Advanced Learner’s Dictionary is “actions or words are intended to hurt people” is not holistically true about the violence portrayed by Oates in her fiction. She depicts that the violence can save one’s life. The reserach presents the idea that outcome of violence can be a means of success in Oates’ stories. Oates’ optimistic view toward violence and positive effects of violence in the life oppressed characters are presented in this article. The writer of this article has made an attempt to attest positive aftermath of violence and to highlight different sorts of violence in Oates’ fiction by referring to aforementioned Žižek’s ideas on violence. -
Joyce Carol Oates 16
JOYCE CAROL OATES 16. 6. 1938 Americká prozai čka, básní řka, dramati čka a kriti čka Joyce Carol Oatesová se narodila 16. června 1938 v dělnické rodin ě v Lockportu, ve stát ě New York. Její matka Carolina (rozená Bush) byla ženou v domácnosti, otec Frederic James Oates pracoval jako nástroja ř a konstruktér. Joyce byla nejstarší ze t ří d ětí – její bratr Fred junior se narodil v roce 1943 a sestra Lynn Ann v roce 1956 (je postižena autismem). Oatesová byla vychovávána jako katoli čka, nyní je ale ateistkou. D ětství prožila na rodinné farm ě svých prarodi čů nedaleko Erijského jezera blízko kanadských hranic (kraj Erie získal důležité místo v její románové i povídkové tvorb ě, kde ho nazývá „Eden County“). Velký vliv na ni měla babi čka z otcovy strany, Blanche Woodside, která byla vášnivou čtená řkou. Práv ě ona p řivedla Joyce k literatu ře (v ěnovala jí knihu Alenka v říši div ů od Lewise Carrolla, jež na ni hluboce zap ůsobila). Když ve svých čtrnácti letech dostala Joyce od babi čky psací stroj, za čala se v ěnovat psaní. Již v patnácti letech napsala sv ůj první román, vydavatelé ho však odmítli publikovat s tím, že je příliš depresivní. J. C. Oatesová chodila do stejné jednot řídky jako její matka. Poté navšt ěvovala v ětší p řím ěstské školy a následn ě studovala na st řední škole Williamsville South High School, kde pracovala pro školní noviny. Maturitní zkoušku složila v roce 1956. Díky tomu, že získala stipendium, za čala studovat angli čtinu na Syrakuské univerzit ě, kde absolvovala s vyznamenáním roku 1960. -
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses The Ritz-Carlton, New Orleans • March 10–13, 2011 • SCMS 2011 Letter from the President Welcome to New Orleans and the fabulous Ritz-Carlton Hotel! On behalf of the Board of Directors, I would like to extend my sincere thanks to our members, professional staff, and volunteers who have put enormous time and energy into making this conference a reality. This is my final conference as SCMS President, a position I have held for the past four years. Prior to my presidency, I served two years as President-Elect, and before that, three years as Treasurer. As I look forward to my new role as Past-President, I have begun to reflect on my near decade-long involvement with the administration of the Society. Needless to say, these years have been challenging, inspiring, and expansive. We have traveled to and met in numerous cities, including Atlanta, London, Minneapolis, Vancouver, Chicago, Philadelphia, and Los Angeles. We celebrated our 50th anniversary as a scholarly association. We planned but unfortunately were unable to hold our 2009 conference at Josai University in Tokyo. We mourned the untimely death of our colleague and President-Elect Anne Friedberg while honoring her distinguished contributions to our field. We planned, developed, and launched our new website and have undertaken an ambitious and wide-ranging strategic planning process so as to better position SCMS to serve its members and our discipline today and in the future. At one of our first strategic planning sessions, Justin Wyatt, our gifted and hardworking consultant, asked me to explain to the Board why I had become involved with the work of the Society in the first place. -
1998 Education
1998 Education JANUARY JUNE 11 Video: Alfred Steiglitz: Photographer 2–5 Workshop: Drawing for the Doubtful, Earnest Ward, artist 17 Teacher Workshop: The Art of Making Books 3 Video: Masters of Illusion 18 Gallery Talk: Arthur Dove’s Nature Abstraction, 10 Video: Cezanne: The Riddle of the Bathers Rose M. Glennon, Curator of Education 17 Video: Mondrian 25 Members Preview: O’Keeffe and Texas 21 Gallery Talk: Nature and Symbol: Impressionist and 26 Colloquium: The Making of the O’Keeffe and Texas Post-impressionism Prints from the McNay Collection, Exhibition, Sharyn Udall, Art Historian, William J. Chiego, Lyle Williams, Curator, Prints and Drawings Director, Rose M. Glennon, Curator of Education 22 Lecture and Members Preveiw: The Garden Setting: Nature Designed, Linda Hardberger, Curator of the Tobin FEBRUARY Collection of Theatre Arts 1 Video: Women in Art: O’Keeffe 24 Teacher Workshop: Arts in Education, Getty 8 Video: Georgia O’Keeffe: The Plains on Paper Education Institute 12 Gallery Talk: Arthur Dove, Georgia O’Keeffe and American Nature, Charles C. Eldredge, title? JULY 15 Video: Alfred Stieglitz: Photographer 7 Members Preview: Kent Rush Retrospective 21 Symposium: O’Keeffe in Texas 12 Gallery Talk: A Discourse on the Non-discursive, Kent Rush, artist MARCH 18 Performance: A Different Notion of Beautiful, Gemini Ink 1 Video: Women in Art: O’Keeffe 19 Performance: A Different Notion of Beautiful, Gemini Ink 8 Lunch and Lecture: A Photographic Affair: Stieglitz’s 26 Gallery Talk: Kent Rush Retrospective, Lyle Williams, Portraits -
Architectural Digest Mario Buatta
Interior designer Mario Buatta, circa 1976, seated in one of his Anglophile interiors. These days it is commonplace for design whipper- snappers to roll out books celebrating their latest interiors. But Mario Buatta, a premier American decorating talent who has been working since the late Mason, Christopher. Mario Buatta: Fifty Years of American Interior Decoration. Architectural Digest, September 30, 2013 1950s, has patiently waited until now to take the publishing plunge. “I wasn’t looking for more business,” the septuagenarian Prince of Chintz explains, “and I really wanted to do a complete volume and to make it personal, with pictures and stories of people I have worked with.” A hefty 432-page album with a glowing foreword by Architectural Digest's editor emeritus, Paige Rense Noland, and spirited text by Emily Evans Eerdmans, Mario Buatta: Fifty Years of American Interior Decoration (Rizzoli) traces its hero’s jubilant adaptation of English country-house style to an unlikely source: his Italian-American childhood on New York’s Staten Island, where he grew up as the elder son of society bandleader Phil Burton, né Felix Buatta. In a hilarious introductory essay, the designer recalls that he abhorred the sleek Art Deco interiors of his parents’ house and drove his mother, Olive, to distraction by bringing home dusty antiques. Luckily his stylish aunt Mary Mauro—an Auntie Mame type—encouraged him to forge a path that led him to Cooper Union in Manhattan and the Parsons School of Design’s European program. Buatta launched his firm in 1963 and over the years has attracted an impressive and startlingly loyal roster of moguls, society stalwarts, and celebrities, from Barbara Walters to Henry Ford II to Mariah Carey, whose glamorous New York triplex was *AD’*s November 2001 cover story as well as a one-hour special episode of MTV Cribs. -
Janet Fish: Master of Light and Shadow Now Through July 27, 2014 Welcome
Huntsville Museum of Art Summer 2014 artViews Janet Fish: Master of Light and Shadow Now through July 27, 2014 welcome Dear Museum Members, Museum Board of Directors Chairman: John Wynn t’s been said that each of us, at one time or another, Vice Chairman: Richard Crunkleton Iexperiences a “six degrees of separation” moment. In Secretary: Walter (Tod) Dodgen some cases it’s fewer than six degrees, and it can happen Treasurer: Charlie Bonner more than once. Dorothy Davidson Betsy Lowe As our summer season kicks into high gear with the Sarah Gessler David Nast Joyce Griffin Virgina Rice opening of two milestone exhibitions, Janet Fish: Master Patsy Haws Herman Stubbs of Light and Shadow and Al Hirschfeld: A Celebration Carole Jones of Hollywood and Broadway, I’m reminded that my encounters with both artists and their works are tied Foundation Board President: Bobby Bradley to two individuals that I’m proud to call my friends – Buddy Teich and the late Vice President: Dee Kowallik Elaine Kend. Our lives have crossed paths many times over the years, and nearly Secretary: Parke Keith each time it has led to something Heather Baker Blake Mitchell momentous. Dane Block Bronwen Murray I first became acquainted with Kerry Doran Melanie Murray Micah Fisher Shannon Raleigh Janet Fish and her visually energized Patrick Fleming Keyke Reed still life paintings when I curated Greg Gum Dianne Reynolds a show of hers at the Southern Tharon Honeycutt Mark Spencer Vermont Arts Center in the Rosemary Lee Dana Town Susan Linn Lori Webber summer of 1989. I have since had Michele Lucas Charlotte Wessel the good fortune to work with Janet Dabsey Maxwell on numerous occasions, and it is an Women’s Guild Officers honor for me to introduce one of President: Suzanne Barnes America’s most noted living artists President-elect: Sasha Sealy to the residents of Alabama. -
The Cooper Union for the Advancement of Science and Art Atcooper 2 | the Cooper Union for the Advancement of Science and Art
Winter 2008/09 The Cooper Union for the Advancement of Science and Art atCooper 2 | The Cooper Union for the Advancement of Science and Art Message from President George Campbell Jr. Union The Cooper Union has a history characterized by extraordinary At Cooper Union resilience. For almost 150 years, without ever charging tuition to a Winter 2008/09 single student, the college has successfully weathered the vagaries of political, economic and social upheaval. Once again, the institution Message from the President 2 is facing a major challenge. The severe downturn afflicting the glob- al economy has had a significant impact on every sector of American News Briefs 3 U.S. News & World Report Ranking economic activity, and higher education is no exception. All across Daniel and Joanna Rose Fund Gift the country, colleges and universities are grappling with the prospect Alumni Roof Terrace of diminished resources from two major sources of funds: endow- Urban Visionaries Benefit ment and contributions. Fortunately, The Cooper Union entered the In Memory of Louis Dorfsman (A’39) current economic slump in its best financial state in recent memory. Sue Ferguson Gussow (A’56): As a result of progress on our Master Plan in recent years, Cooper Architects Draw–Freeing the Hand Union ended fiscal year 2008 in June with the first balanced operat- ing budget in two decades and with a considerably strengthened Features 8 endowment. Due to the excellent work of the Investment Committee Azin Valy (AR’90) & Suzan Wines (AR’90): Simple Gestures of our Board of Trustees, our portfolio continues to outperform the Ryan (A’04) and Trevor Oakes (A’04): major indices, although that is of little solace in view of diminishing The Confluence of Art and Science returns. -
The Grotesque in the Fiction of Joyce Carol Oates
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1979 The Grotesque in the Fiction of Joyce Carol Oates Kathleen Burke Bloom Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Bloom, Kathleen Burke, "The Grotesque in the Fiction of Joyce Carol Oates" (1979). Master's Theses. 3012. https://ecommons.luc.edu/luc_theses/3012 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Kathleen Burke Bloom THE GROTESQUE IN THE FICTION OF JOYCE CAROL OATES by Kathleen Burke Bloom A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy March 1979 ACKNOWLEDGEMENTS I would like to thank Professors Thomas R. Gorman, James E. Rocks, and the late Stanley Clayes for their encouragement and advice. Special thanks go to Professor Bernard P. McElroy for so generously sharing his views on the grotesque, yet remaining open to my own. Without the safe harbors provided by my family, Professor Jean Hitzeman, O.P., and Father John F. Fahey, M.A., S.T.D., this voyage into the contemporary American nightmare would not have been possible. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Cormac Mccarthy
THE ROAD Cormac McCarthy PROSPECTUS SUNTUP EDITIONS 2 0 1 9 Boxwood Engraving by Richard Wagener THE ROAD | Cormac McCarthy THE ROAD By Cormac McCarthy With a New Introduction by Joyce Carol Oates Illustrations by Ryan Pancoast Wood engraving by Richard Wagener A novel that critics hailed as “heartbreaking” and “emotionally shattering,” The Road is one of the finest achievements in literature of the 21st century. Awarded the 2007 Pulitzer Prize for Fiction, The Road is a searing, post- apocalyptic novel about one father and son’s fight to survive as they walk through the desolate burned landscape of America. An unflinching meditation on the best and worst that humanity is capable of, The Road is a journey of two travelers devoid of hope but sustained by love. This edition features an exclusive introduction by Joyce Carol Oates. Oates is the author of over 40 novels, as well as several novellas, plays, short stories, poems, and nonfiction. She has been nominated for the Pulitzer Prize, and is the winner of the National Book Award, two O. Henry Awards, the National Humanities Medal, and the Jerusalem Prize. “When he woke in the woods in the dark and the cold of night he’d reach out to touch the child sleeping beside him. Nights dark beyond darkness and the days more gray each one than what had gone before.” — Cormac McCarthy, The Road Limited edition Lettered edition THE ROAD | Cormac McCarthy ABOUT THE EDITION This edition of The Road by Cormac McCarthy is limited to two hundred & seventy-six copies, and is presented in two states: Lettered and Limited.