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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
The Persistence of Patriarchy Operation Yewtree and the Return to 1970S Feminism
The persistence of patriarchy Operation Yewtree and the return to 1970s feminism Victoria Browne On 30 May 2014 a conference was held in London the workings of male power, privilege, domination to discuss the work and legacy of Kate Millett, an and violence, but which has become something of American feminist who rose to prominence follow- an embarrassment or anachronism within contem- ing the publication of Sexual Politics in 1970, and her porary feminism. In light of the current sex abuse appearance on the cover of Time magazine later that scandals (and the continuing prevalence of sexual year.1 Elsewhere in London, on the same day of the violence against women and children), I propose conference, popular entertainer Rolf Harris was in that feminists engage in a strategic reappraisal of Southwark Crown Court being tried on twelve counts ‘patriarchy’, to recover a political interpretation of of indecent assault between 1968 and 1986. The trial sexual violence/abuse in terms of structural male was an outcome of ‘Operation Yewtree’, the police power, rather than individual aberration or an ‘abuse investigation tasked in 2012 with gathering evidence of power’ in more general terms. of ‘historic sex abuse’, in the wake of numerous alle- gations that various media personalities and stars of Returning to ‘1970s feminism’ the ‘light entertainment’ world engaged in regular Over the past decade or so, there has been an increas- sexual harassment and abuse of women and children ing level of interest among Anglo-American academic throughout their careers in the 1970s and 1980s. feminists in how ‘1970s’ or ‘second-wave’ feminism It is an interesting piece of timing: whilst a group is remembered (or forgotten) in mainstream public of feminist theorists and activists were gathered discourse, and within feminist discourse itself. -
Sweet at Top of the Pops
1-4-71: Presenter: Tony Blackburn (Wiped) THE SWEET – Funny Funny ELVIS PRESLEY – There Goes My Everything (video) JIMMY RUFFIN – Let’s Say Goodbye Tomorrow CLODAGH RODGERS – Jack In The Box (video) FAME & PRICE TOGETHER – Rosetta CCS – Walkin’ (video) (danced to by Pan’s People) THE FANTASTICS – Something Old, Something New (crowd dancing) (and charts) YES – Yours Is No Disgrace T-REX – Hot Love ® HOT CHOCOLATE – You Could Have Been A Lady (crowd dancing) (and credits) ........................................................................................................................................................ THIS EDITION OF TOTP IS NO LONGER IN THE BBC ARCHIVE, HOWEVER THE DAY BEFORE THE BAND RECORDED A SHOW FOR TOPPOP AT BELLEVIEW STUDIOS IN AMSTERDAM, WEARING THE SAME STAGE OUTFITS THAT THEY HAD EARLIER WORN ON “LIFT OFF”, AND THAT THEY WOULD WEAR THE FOLLOWING DAY ON TOTP. THIS IS THE EARLIEST PICTURE I HAVE OF A TV APPEARANCE. 8-4-71: Presenter: Jimmy Savile (Wiped) THE SWEET – Funny Funny ANDY WILLIAMS – (Where Do I Begin) Love Story (video) RAY STEVENS – Bridget The Midget DAVE & ANSIL COLLINS – Double Barrel (video) PENTANGLE – Light Flight JOHN LENNON & THE PLASTIC ONO BAND – Power To The People (crowd dancing) (and charts) SEALS & CROFT – Ridin’ Thumb YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Everything's All Right YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Superstar T-REX – Hot Love ® DIANA ROSS – Remember Me (crowd dancing) (and credits) ......................................................................................................................................................... -
Police Witch-Hunt of the High and Mighty Continues
7/18/2017 Police Witch-Hunt Of The High And Mighty Continues The Latest News NEWS ENTERTAINMENT HEALTH SCIENCE POLITICS FOOD TECH Search Home / Featured / Police Witch-Hunt Of The High And Mighty Continues Police Witch-Hunt Of The High And Mighty Continues RECENT POSTS CRIME FEATURED NEWS By Alexander Baron 7 Steps to Writing an Awesome Business School Essay Bacteria Powered Solar Cell Makes Clean Energy Zika Virus Associated With New Type Of Brain Disease Pertussis (Whooping Cough) Immunisation Prole Raised Using Mice To Predict Zika Infection In People 5 0 1 0 0 0 0 0 11 5 0 SHARES a d y n f h k m The Sunday tabloids contained reports that the homes of Leon Brittan and Lord Bramall have been searched in connection with allegations of historical sexual abuse. If the name of the latter is not familiar to you, he is Britain’s most decorated soldier. He is also 91 years old and a veteran of the Second World War. Leon Brittan was of course best known as Home Secretary under Margaret Thatcher; he died in January this year, and like Jimmy Savile that made him fair game for any lowlife who crawled out of the woodwork, the gutter or the sewer to besmirch his good name, although in Brittan’s case the accusers appear to have crawled out of the local booby hatch. The rumours about Leon Brittan actually began way back in the 1980s. If you were around then, you may have heard that he had been arrested in Brighton for sexually abusing a child but had been released after a phone call to one of his protectors in high places. -
Why Doesn't Anybody Write Anything About Glam Rock?
WHY DOESN'T ANYBODY WRITE ANYTHING ABOUT GLAM ROCK? Jon Stratton In discussions of post-war British youth cultures glam rock gets very little attention. For example, in their seminal work on British youth cultural forms, Hall et al (1976:54), make only one passing reference to this subculture. In a list of subcultural possessions and objects they refer to: '... the glitter costumes of the Bowrieites ... .' Similarly, Brake (l980:80) in his outlines of British post-war youth cultures gives the culture half a page while skinheads get two pages and rockers one page. Hebdige, (1979) in Subculture: the meaning of style, does spend about two and a half pages looking at glam rock but most of this space is taken up with an analysis of the images of David Bowie. Hebdige writes of Bowie that: Certainly Bowie's position was devoid of any obvious political or counter-cultural significance ... (l979:6l). And Bowie's meta-message was escape — from class, from sex, from obvious commitment — into a fantasy past ... or a science-fiction future (1979:61). What is confusing for Hebdige about glam rock soon becomes clear: In glam-rock, at least amongst those artists placed, like Bowie and Roxy Music, at the more sophisticated end of the glitter spectrum, the subversive emphasis was shifted away from class and youth onto sexuality and gender-typing (1979:61-2). On the one hand, Hebdige can write so much about Bowie because glam rock's presentation of image as image lends itself to Hebdige's dominant semiotic method of analyzing cultural texts. -
MUSIC WEEK JUNE 28, 1975 D D D C 0 L\ Re N C D Fs>
MUSIC WEEK JUNE 28, 1975 D D D C 0 l\ re n c D fS> c m -■ i n .•'■•.V f/ % i Slade were in Dublin for Slade in Flame, which opened at seven cinemas. They attended the film at the Plaza. It will be screened in 78 cinemas throughout Ireland. OSLO - Norwegian pop musicians seldom build any kind of name or From left: John Woods, managing director, Polydor Ireland, Dave Hill, Michael Verrecchia of M. Verrecchia & Sons, reputation outside their own country. Occasionally a singer or group juke box operators. Tommy Stewart of Avenue Records, Thomas Street, Don Powell, Jimmy Lea, Noddy Holder. might get a hit in the Danish or Swedish charts. But only one band, made up mostly of Norwegians, Titanic, has enjoyed any kind of international success or career, and that only after years of working outside Norway. Working - and struggling. Cistlibar song contest However during Polydor International's latest a&r "workshop" held in Oslo, representatives from 20 countries had a chance to meet entries is July 4. and hear leading Norwegian group Popol Ace. The five-strong band The writers of the 27 songs to go r'" has been on the fringe of the international scene for several years, in October forward to the preliminary finals, to and Frank Zappa was highly impressed with the group sound and THE TENTH Castlebar International be judged during the first three days performance during one of his visits to Norway. Song Contest will be staged from of the contest, will be announced Now Polydor International is planning a big promotional drive to October 6-10. -
The World According to Noddy: Life Lessons Learned in and out of Rock & Roll Pdf
FREE THE WORLD ACCORDING TO NODDY: LIFE LESSONS LEARNED IN AND OUT OF ROCK & ROLL PDF Noddy Holder | 256 pages | 01 Jul 2015 | Little, Brown Book Group | 9781472119674 | English | London, United Kingdom Noddy Holder (Author of The World According To Noddy) What makes Noddy Holder tick? Told in his own inimitable style, Noddy shares insider accounts of. Told in his own inimitable style, Noddy shares insider accounts of his days on the road, along with a healthy dose of celebrity gossip, and leaves no stone unturned as he expounds on some of his favourite subjects — fame, friendship and fatherhood, the perils of social media and the modern age, not to mention what it would be like if he ruled the world. From his early days on The World According to Noddy: Life Lessons Learned in and Out of Rock & Roll West Midlands beat scene, including a stint as a roadie for Robert Plant, Noddy charts his rise from skinhead stomper to international pop-star, statesman, playboy, male model and philosopher, and of course one of the most integral parts of a Great British Christmas. Witty, wise and tremendously funny, this is Noddy Holder at his glittering best. Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Told in his own inimitable style, Noddy shares insider accounts of What makes Noddy Holder tick? Get A Copy. -
Another Rock and Roll Christmas Tab Chords and Lyrics by Gary Glitter
http://www.learn-classic-rock-songs.com Another Rock And Roll Christmas Tab Chords And Lyrics By Gary Glitter Intro – G-D-G-D-G-D-G-D G C Light the lights - ring the chimes - Come on in, it's party time D G Raise a glass for Auld Langs zine - Come on, rock it up for all mankind C It's good to see - friends I know - Kissing under the mistletoe D I love to hear the children sing - It looks like Santa's gonna bring G Em C D Another rock and roll Christmas - Another Christmas rock and roll C D Presents hanging from the tree - You'll never guess what you've got from me G Em C D Another rock and roll Christmas - Another Christmas rock and roll C D We better hold each other tight - You never know it might snow tonight G C Guys and girls - stay up late - So excited they can't wait D G Let there be - peace on earth - Come on rock and roll for all your worth C We're gonna laugh - we're gonna sing - We're gonna make the rafters ring D I'll pull my - let me be - The silver star upon your tree G Em C D Another rock and roll Christmas - Another Christmas rock and roll C D All dressed up so here we go - Do I hear sleigh bells in the snow? G Em C D Another rock and roll Christmas - Another Christmas rock and roll http://www.learn-classic-rock-songs.com http://www.learn-classic-rock-songs.com C D Tonight old santa never never stops - He rocks around the chimney tops Em D And you'll be rockin' - in your stockin' - When you see your big surprise Em D Cause you'll be rockin' - in your stockin - You won't believe your big blue eyes G C Come on in join the -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era. -
1. Rush - Tom Sawyer 2
1. Rush - Tom Sawyer 2. Black Sabbath - Iron Man 3. Def Leppard - Photograph 4. Guns N Roses - November Rain 5. Led Zeppelin - Stairway to Heaven 6. AC/DC - Highway To Hell 7. Aerosmith - Sweet Emotion 8. Metallica - Enter Sandman 9. Nirvana - All Apologies 10. Black Sabbath - War Pigs 11. Guns N Roses - Paradise City 12. Tom Petty - Refugee 13. Journey - Wheel In The Sky 14. Led Zeppelin - Kashmir 15. Jimi Hendrix - All Along The Watchtower 16. ZZ Top - La Grange 17. Pink Floyd - Another Brick In The Wall 18. Black Sabbath - Paranoid 19. Soundgarden - Black Hole Sun 20. Motley Crue - Home Sweet Home 21. Derek & The Dominoes - Layla 22. Rush - The Spirit Of Radio 23. Led Zeppelin - Rock And Roll 24. The Who - Baba O Riley 25. Foreigner - Hot Blooded 26. Lynyrd Skynyrd - Freebird 27. ZZ Top - Cheap Sunglasses 28. Pearl Jam - Alive 29. Dio - Rainbow In The Dark 30. Deep Purple - Smoke On The Water 31. Nirvana - In Bloom 32. Jimi Hendrix - Voodoo Child (Slight Return) 33. Billy Squier - In The Dark 34. Pink Floyd - Wish You Were Here 35. Rush - Working Man 36. Led Zeppelin - Whole Lotta Love 37. Black Sabbath - NIB 38. Foghat - Slow Ride 39. Def Leppard - Armageddon It 40. Boston - More Than A Feeling 41. AC/DC - Dirty Deeds Done Dirt Cheap 42. Ozzy Osbourne - Crazy Train 43. Aerosmith - Walk This Way 44. Led Zeppelin - Dazed & Confused 45. Def Leppard - Rock Of Ages 46. Ozzy Osbourne - No More Tears 47. Eric Clapton - Cocaine 48. Ted Nugent - Stranglehold 49. Aerosmith - Dream On 50. Van Halen - Eruption / You Really Got Me 51.