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Dedicated to the Filipino Martial Arts and the Culture of the Philippines Vol 7 No 5 2010 Contents FMAdigest Publishers Desk Publisher Grandmaster Gonzalez of Decuerdas Eskrima 2 Steven K. Dowd - Reflection of Grandmaster Gonzalez and DeCuerdas Eskrima - Respect FMAdigest Representatives An Interview with Adam James 9 Marc Lawrence Types of Arnis de Mano 15 In Search of Filipino Martial Arts 19 Farewell, Grandmaster Ben T. Largusa (1926 - 2010) 27 Remembered, Master Christopher Ricketts (1955 - 2010) 31 Great Grandmaster Ernesto Presas (1945 - 2010) 33 FMA Past Events 35 Voices of the Masters: Warrior Arts of the Philippines 40 Contributors Jeff Finder Mike Cardenas Ron Saturno Emmanuel Querubin Marc Lawrence Zena Sultana Babao M & M Productions

The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the pub- The articles are the prop- lisher or editor. erty of the author’s that wrote them We solicit comments and/or suggestions. Articles are also welcome. and cannot be used without the The authors and publisher of this online magazine are not responsible permission of the author. for any injury, which may result from following the instructions contained in the The FMAdigest is the magazine. Before embarking on any of the physical activates described in the property of Steven K. Dowd and is magazine, the reader should consult his or her physician for advice regarding for the promulgation and promo- their individual suitability for performing such activity. tion of the Filipino martial arts and the Philippines. The information in the FMAdigest is a compilation of many sources. If there NO issue can be printed is any misinformation or information that is not given the proper credit, please and Sold for Monies, without the contact us. express permission of the Owner FMAdigest 1297 Eider Circle Fallon, NV 89406 and Publisher Steven K. Dowd. (775) 423-3253 [email protected] Publishers Desk

Kumusta The FMAdigest thought to put this extra regular issue out for the end of the year clean up of last articles. First is Grandmaster Art Gonzalez and the Decuerdas - Diestro Fighting System who is one of the most secretive of the major Escrima lineages in Stockton, California and has laid low long enough and is ready to come out and share his knowledge with practitioners. Adam James the most senior student of Leo Fong discusses with the FMAdigest how it is to train with Leo Fong and how the Filipino martial arts has been intertwined with Leo Fongs art of Wei Kuen Do. Emmanuel Querubin discusses the types of Arnis de Mano, how this may bring about a strong basic concept to the Filipino Martial Arts Education for all practitioners to benefit in teaching new, present, and up- dating experienced students. Marc Lawrence took a trip to Hawaii to search and meet Filipino martial artists, what he has put together are practitioners that answered the call to present a little bit about their art. The passing of Grandmaster Ben Largusa and Master Christopher Ricketts just days apart from each other at the beginning of October is a great loss to the Filipino martial arts community. Zena Babao talks about some of the past experiences of Grandmaster Ben Largusa and the FMAdigest has taken some of the experiences of Master Christopher Ricketts as told to us. Also to mention it would be good to download Vol7 No1 and read the interview that David Foggie contributed to the FMAdigest, it is very interesting. Great Grandmaster Ernesto Presas passing away is another great name in the Filipino martial arts and will be missed by many. There were only a couple past events that were written up and passed along to the FMAdigest. However there were quite a few events that went on in September and October, but no one contributed any information on them. As you will notice there are no columns in this issue, since it was decided to put this issue out in such a short time. However visit the FMA Pulse (www.FMAPulse.com) and you will find the most up-to-date news and MyFMA.net (www.MyFMA.net) to see what everyone is talking about.

Maraming Salamat Po Grandmaster Art Gonzalez and the Decuerdas - Diestro Fighting System By Jeff Finder Historic Photos Providerd By: James Muro

Some people have a commanding the most influential manongs to es- presence. When they walk into a tablish and propagate the Filipino room people notice them. Arthur martial arts here in America. Ca- Gonzalez has that kind of effect, bales and Tenio had great respect moving easily with deliberate for each other, and in fact Serrada purpose. This is no coincidence, is one of the 18 arts studied by for Arthur is the Grandmaster of Tenio in creating his Decuerdas Decuerdas Escrima and the Decu- system. erdas-Diestro Fighting System, While the two styles are until recently the most secretive considered by some to be “brother of the major Escrima lineages in arts”, sharing the same numbering Stockton, California. system and emphasizing com- Escrima is deeply embed- pactness and efficiency of move- ded in the roots of the Stockton ment, Decuerdas is even more fang and disarm the opponent. Not community. Art Gonzalez remi- direct than Serrada. This is an art incidentally, the tip of the defend- nisces about the time as a teen- designed to kill quickly, whether er’s stick might end up embedded ager when he bought a martial art one-on-one or against multiple in the throat of the attacker off of magazine, and to his amazement opponents, so situational aware- the same move. realized that two of the Masters ness is important. This is why fast, One feature of Decuerdas featured in it worked for his father, simple counters are emphasized is the way in which they break who was a farm contractor. Those as one cannot waste time squar- down timing and rhythm into one, two men were Angel Cabales ing off against one person in such two or three beat drills. A one-beat of Serrada, and Gilbert Tenio of an encounter. The fastest disarm might be an intercepting punch, Decuerdas, recognized as two of is a strike, allowing one to finish where the move is both offensive or move on, and drills are and defensive at the same time. devised to teach position- A two-beat could be a parry and ing within the flow of punch combination, while a three- multiple person attacks. beat will be the familiar Filipino These are practiced under martial arts troika of parry/grab/ a variety of environmental strike. There is even a zero-beat conditions to better pre- timing, which simply evades and pare students for possible strike, completely bypassing the real-world encounters. opponent’s attempted attack. Movements are While outsiders think of extremely simple yet dev- Filipino martial arts in terms of the astatingly effective. For stick, Decuerdas is indeed a com- example, an outside de- plete art. Besides the single stick, fense with a stick against it has a strong emphasis on espada a number one strike could y daga. Training also encompasses be a simple shift offline, use of knife, sword, shield, spear accompanied by a single and flexible weapons. Empty hand powerful strike downward techniques are taught for the street, Gilbert Tenio and Art Gonzalez to immediately kill the 2 particularly against armed assault, one’s boundaries. Clarity comes when one may not have a weapon from understanding concepts of one’s own available. Watching and underlying principles, creat- Grandmaster Gonzalez in motion ing infinite possibilities rather reminds me strongly at times of top than a finite set of techniques. Kenpo/Kajukenbo practitioners, Art Gonzalez trained then a moment later has me think- under both Grandmaster Gilbert ing of Silat. Tenio and his designated suc- Though the art is designed cessor John Eliab for 22 years. for deadly encounters, Grand- Arthur describes them as having master Gonzalez emphasizes the very different temperaments. philosophy that having the power Gilbert, he says, was very rough, to kill allows one the capacity to be someone who delighted in dem- compassionate as well. Since every onstrating the effective power Grandmaster Tenio, Art Gonzalez, hit targets either muscles, joints of his art. John Eliab, on the other and John Eliab or organs, it is just as important hand, was more refined and articu- to know how to fix the effects of late, and was responsible for help- for which he alone is responsible. strikes, locks, chokes and throws ing develop the style into a more His promotion was not as how to apply them in the first systematized teaching methodol- without some controversy. Due to place, and so Decuerdas is deeply ogy. Art was also exposed to many Decuerdas’ underground nature, versed in the Filipino healing art of of the old Eskrimadors whose Art Gonzalez was not well known. Hilot. Conversely, familiarity with names have been lost in the mists Besides Decuerdas, Stockton has human anatomy through studying of time, who lived in the Stockton multiple schools of Bahalana and healing techniques makes fighting area and were invited by Gilbert Serrada, as well as mixed systems skills that much more dangerous. Tenio to visit his academy to share like Dentoy Revillar’s SLD (which Beyond the physical as- their skills and experiences with stands for Serrada, Largo Mano pects, Decuerdas also takes into his students. and Decuerdas) and Carlito Bon- account the psychological effects After John Eliab died sud- joc’s Mata Sa Bagyo. There are of combat on both the practitioner denly in the early 1990’s, Tenio probably more Escrimadors per and opponent. The Grandmaster stepped up Arthur’s training since capita in the region around Stock- is strongly aware of the need for he was next in line in the system, ton than anywhere else outside of mental toughness and clarity. He grooming him to take over instruc- the Philippines, and close attention espouses always training under tion and to perpetuate this art. is paid by that Filipino martial arts duress, meaning to learn to main- Now Gilbert Tenio did have a son, community to those who would tain composure even while pushing Richard, to whom he left Decuer- stand out. It is still a place where das as a family lineage. However, the only rank truly recognized is for personal reasons Richard de- earned out on the floor or in the ferred taking on this responsibility street, and Arthur has had his share and so he retired, formally signing of both kinds of challenges. The over the grandmastership to Arthur results, though, have only elevated Gonzalez, who accepted with two his standing as one of the elite in conditions of his own: First, that such a Darwinian environment. the son can reclaim the position as There are a few, unfortu- head of the system if he so wishes, nately, who have chosen to play and the second is that Arthur could the game the modern way, anony- add “Diestro” to the name of his mously challenging his rank from school. In this way he still teaches behind their computer keyboard. Tenio’s Decuerdas, while anything However, those who know his he wishes to experiment or play history and have seen the signed with falls under a separate heading documents attesting to his position 3 will agree that Arthur Gonzalez is offering is nothing less than a emotional content. wins that battle too. One testament complete and comprehensive sys- Grandmaster Gonzalez has to this acceptance has been his tem with a strong fighting lineage, taught military and law enforce- participation in the three Grand- presented by a masterful teacher. ment through his L.E.M.A.C. master Seminars offered in Stock- Having first seen him teach in program (Law Enforcement Mar- ton in 2006, ‘07 and ‘08, where he public at Bruce Juchnik’s 2010 tial Arts Combatives), as well taught alongside Serrada’s Vincent Gathering in Sacramento, then as courses for civilians such as Cabales and Bahalana’s Tony later at a private class near Lodi, Women’s Elite Survival Tactics Somera. I’ve been impressed by his ability (W.E.S.T), Fast Assault Survival Today the Grandmaster to convey underlying principles Tactics (F.A.S.T) and a tactical feels the time is right to bring as well as in-depth details of edged weapon course. his art into the public. What he techniques with both clarity and

concepts rather than systematic techniques. Having briefly dabbled in other arts during my youth, this unorthodox teaching method or style was not considered the norm for me. Sometimes I wondered if he wasn’t simply honing his skills on his students by using us as guinea pigs and beating the hell out of us in order to perfect movements or test theories. Training was much more difficult back in the day and it wasn’t unusual to come home with bruises and welts from hours of arduous training. Mr. Gonzalez was also less ap- proachable. It took nearly year and half before he actually started calling me by name. If he needed L - R: Master Instructor Daniel Siazon, Grandmaster Art Gonzalez, me for something he would simply Guro Mike Cardenas, Master Instructor Jorge Magana. say “you come here”, or the same In back is student Travis Pond phrase in Spanish. Due to the brutality of our training we rarely Reflection of Grandmaster Gonzalez and DeCuerdas Eskrima kept students long enough to By Guro Mike Cardenas - www.dsdo.org remember their names. I suspect this is one reason we are a small I have been a student of class out of the park and recreation yet close knit group. Grandmaster Grandmaster Gonzalez and a prac- building at Scribley Park in Stock- Gonzalez claims he is a kinder titioner of DeCuerdas for nearly ton. instructor now and I would have to 14 years. I was first introduced When he started teach- agree with him. to Grandmaster Gonzalez by my ing out of the on an old Renbukai It wasn’t too long ago that good friend Jorge Magana, who Karate Dojo in North Stockton I I finally realized what my instruc- recently and deservingly received finally became a student of his. I tor was trying to accomplish and the rank of Master Instructors. At can still remember coming home instill in his students. He wanted first I used to just visit and watch frustrated that our instructor would to create thinkers, and not typical as Grandmaster Gonzalez taught spend so much time teaching us martial artist who rely on struc- 4 tured movements to respond to an instructor. I believe DeCuerdas in my mental development. I was attack. can only truly be appreciated by, never one to take on challenges or DeCuerdas is a reactive art, an individuals who have studied in take risks in life or strive to better with devastating simplicity in mo- more traditional systems. myself. DeCuerdas gave me the tion. Every DeCuerdas movement DeCuerdas also has a courage to return to college after has a distinct purpose, to either im- way of drawing in instructors of dropping out and it increased my mediately disable your attacker or other systems who realize that this self esteem. I am not sure how you set him up for an additional barrage method of instruction is the holy- thank a man that has been this in- of strikes. I can attest that due to grail they had been searching for. I fluential in my life. DeCuerdas will our conceptual way of thinking we for one am truly grateful that I was always be a well-rounded art that can easily blend into other systems introduced to “Artudo” and that can blend to any situation or adapt and hold our own. Artudo, as I now I have been given a skill that not to any enemies’ fighting style. It fondly refer to him, has opened my many people have. DeCuerdas has is an evolving art that can change eyes to martial arts like no other truly changed my life and helped with the times or remain the same.

Respect possesses real genius. One need Gilbert’s system. Manong Gilbert By Ron Saturno only spend a few minutes watch- made sure that his students were My boss had a tail. Trailing ing him wield a knife expertly to capable of dissecting other systems behind him was a large Hispanic figure this point out. He jinxes left in order to discover weaknesses. male. He was thirtyish with in- with the hand really meaning to Manong Gilbert made his students quisitive eyes and a large frame... go right. He comes forward really fully capable of being able to think maybe a little overweight, but meaning to go back. He does ev- with a mathematical and vice-like mostly he was new meat. Was he erything with frightening precision precision. The stick-men were how the kind of guy who could pull his and élan, not just for a big man but Art began thinking out his teach- weight on some hard jobs at the for any man. ing regimen. Thousands of little plant or was he the kind of guy Over the past twenty-five men later I can honestly say that who would leave you hanging on years or so of knowing Art there he really and truly has thought out the back shifts by not showing up, are just too many stories to repeat his system. Although some of his forcing you to do a twelve hour which many would find interest- system was given to him, he used shift. These were the things I really ing. He can draw a mean stick- what was good for him and happily cared about. man for one. On the back shifts cast off the rest. He really did not talk to away from the prying eyes of Manong Gilbert Tenio me for the first few days but he the bosses he would spend hours is probably the least known of had an annoying habit of catching between his tasks drawing little the “Stockton Trio”, those being me practicing with my balisong. stick-men doing things. These lit- Manong Cabales, Manong Giron Was he the kind of guy who would tle men had volumes of notes writ- and Manong Tenio. But regardless tell the boss? These were my first ten by them telling various arcane of this fact, he was truly one of the few days of knowing Grandmaster tidbits about what they were doing most capable of the three. A top Arthur Gonzales. We went on to and the whys. I soon figured out student of all three, Master Dentoy work together for fifteen years at that they were evil little men doing Revillar, is said to have told a few the plant. We had kids, divorces, evil things to other little stick-men, closest to him that he places Ser- trials and tribulations over the from these little men came the rada Escrima of Manong Cabales ensuing years. I eventually left the heart of his formulation of his ver- over Manong Giron’s system, job behind but took our friendship sion of DeCuerdas Escrima. but puts DeCuerdas Escrima of with us. I’m not saying that his sys- Manong Tenio on top of the three. Grandmaster Gonzales puts tem does not follow the teachings I don’t repeat this to start any on a good show of humility. He is of the late and great Great Grand- controversy, just to put into per- a large man trying to convince you master Gilbert Tenio. More im- spective the high regard in which that he is not a fox. He is sly and portantly, these little men mapped DeCuerdas Escrima is held. I am a out the very heart of Manong Serrada man, and although I may 5 not fully agree, I will say that the DeCuerdas Escrima as practiced by Art is fully combat effective and would be another art I would have been happy to have learned. Besides Serrada, it is one that would be trusted by me to take into battle. In other words, Art does DeCuerdas very well and would be one of the very few men walking the streets of Stockton who could break me into a sweat knowing he was coming to do me harm. Art, I love you man, but I have mojo for you! It is a SIG P220 in .45 with 1100fps. Corbon bullets which will do harm to any Escri- mador... even you! Now many might ask what the hell is a respected Ser- rada Master having to resort to a Gilbert Tenio, Wally Jay, Chow Hoon gun to stop another Escrimador? Well, this last bit of information is probably the most important about my friend. You cut him and you are going to have to kill him. He ranks as one of the few who is a GrandmasterTenio and John Eliab real Escrimador here in Stockton. Sometimes here in Stockton we talk too much. Art is not one of the talkers and I love him for it. This is probably why we are still friends. I know that if we were to ever get physical neither one of us would walk away that day. If anyone wishes to learn a combat art from a combative man, this is one of the men to learn from. I fully and comfortably recommend Art for training and I do not recommend lightly. Please seek out my friend when you are ready willing and able to really become combat effective. This is the mantra of Stockton, California Escrimadors: Is he combat effective? Well... Arturo... in a word YOU are. James Muro and Art Gonzalez 6 Assisting Grandmaster Art Gonzalez in demonstrating techniques is Master Instructor Jorge Magana

7 Grandmaster Gonzalez can be contacted at: Email: [email protected] (209) 263-5801

A date to circle on your calendar! A two-day DeCuerdas camp is planned for April 2nd and 3rd, 2011, at a country retreat in northern California. Hosted by Grandmaster Arthur Gonzalez and Professor James Muro, it is open to anyone, beginners or experienced alike, who are interested in learning more about this system of Eskrima. Look for updated informationat www.decuerdas.com, or www.decuerdas.com contact Grandmaster Gonzalez through the contact information above.

www.stickman-escrima.com The Original Hi-Impact Sticks, Staffs and Training Knives ~ Since 1986 ~ Designed by a martial artist for martial artists

8 Rainbow Warrior Martial Arts was Founded in 1998 by actor, writer and martial arts expert Adam James, an instructor of Wei Kuen Do, Escrima, Kempo, Karate, Kung Fu, Jujitsu, Mauy Thai Kickboxing, Boxing, Wrestling, Kenjutsu and Kobudo (weapons). Adam’s mentor is Leo Fong, action film star, writer, director, Black Belt Hall of Fame member, Bruce Lee’s friend and training partner and author of numerous books including the brand new book “Beyond Kung Fu”. Adam will be the successor for Grandmaster Leo Fong in the styles of Wei Kuen Do, Modern Escrima, and Chi Fung and holds the highest black belt possible in Hawaii Shin Kan Okinawan Kempo Karate under Professor Michael Dela Vega. Adam is also the creator of the Martial Arts Conditioning Specialist Certification for the National Col- lege of Exercise Professionals and is certified for the NationalAcademy of Sports Medicine, USA Gymnastics and Hawaii Special Olympics. He specializes in martial arts conditioning, power lifting, Olympic lifting, plyo- metrics, speed and power training, gymnastics, sport specific training, running technique, flexibility training (basic to advanced stretching) and mental fitness/sports psychology (meditation, positive affirmations, visualiza- tion, psychoneuroimmunology and peak performance). As an actor, Adam performed in the films “Under Siege” with Steven Seagal and “Steal Big/Steal Little” with Andy Garcia, and has worked as a martial arts film consultant and fight choreographer.

An Interview with Adam James Senior Student of Leo Fong of Wei Kuen Do

FMAdigest: Adam can you tell us FMAdigest: Can you give an about when and how you met Leo overall view on Wei Kuen Do? The Fong? principles of the art? Adam James: I first met Leo at the Adam James: Leo created Wei Warner Center Club in Woodland Kuen Do in the early 1970s and Hills, California in 1993. I had wrote a book on it in 1976 called moved to the mainland to open “Wei Kuen Do: the Psycho-Dy- schools for the Hawaii Shin Kan namic Art of Free Fighting.” In the Okinawan Kempo Karate Dojo and book, he describes the physical, pursue my career goals as a writer mental and spiritual aspects of the and actor. I was working at the style and shows how to integrate Warner Center Club as a personal boxing punches, Korean style trainer and teaching martial arts. kicking and grappling with an When Leo and I met, we immedi- emphasis on mobile, free fighting. ately hit it off and became friends It was one of the first books ever and develop your inner self. Then, as well as business associates. written on an eclectic approach to over the last ten years Leo has We started working on a televi- the martial arts - however, it is not developed an amazing set of com- sion show concept and producing just a system based on combining binations and training drills after a the show. Then over the years we different techniques but rather how spiritual experience that changed started training together and I’ve to blend them together into one the course of his life. During this been very fortunate to assist him in complete approach. Wei Kuen Do time, he and I were training on an the changes and developments he’s means “the Way of the Integrated almost daily basis and each time made to his original style of Wei Fist” and this is the key to style – we would get together, he would Kuen Do as well as the creation of to truly integrate the techniques have a new combination or subtle his new style Chi Fung. adjustment to work on. Over these 9 years, the combination sets were fighting approach of boxing, by all of the movements are based created and perfected. his friend Bruce Lee and the prin- on circular motion and this builds FMAdigest: Leo Fong created the ciples of Jeet Kune Do and also by the energy and power of the tech- five sets of combinations for Wei his experience in the Filipino mar- niques. Kuen Do called - The Angles of tial arts. In particular, his friend - The Trapping Combinations: Attack, The Circles of Destruction, Angel Cabales had a big influence These combinations are based on The Trapping Combinations, The on the creation of the new Wei the opponent’s attempt to block Quick Counters and The Faking Kuen Do combinations because the core attacks and then to use the Combinations. Can you break- Leo was very impressed by the principles of Wing Chun and Jeet down the theory behind each set of way that Angel had organized the Kune Do trapping. However, we combinations and how each would combinations for his style of Ser- don’t attempt to overly grab and be a factor in its use as a fighting rada Escrima. Angel had all of his get caught up in trying to control tool? techniques and combinations orga- the opponent’s arms and instead Adam James: All of the sets nized in sets of twelve and Leo de- we trap with a boxing structure. consist on 10 combinations that signed his in sets of ten. Also, the We use a “touch and go” approach work cohesively with each other V-step that Angel taught Leo is the that leads us to the next strike - in as well as the other sets. When basis for the footwork in all of the essence it’s “trapping without trap- Leo created the combinations, he new combinations as well as the ping” because we don’t grab the had just retired from his career as quick, light free fighting footwork opponent. of boxing. In addition, the strikes a minister and during this time, he - The Quick Counters: The Coun- went through a spiritual experi- are based on the natural response of fighters and the possible ways ters are combinations that we use ence that gave him a new perspec- based off the opponent’s attack and tive. He now had the free time that they will attempt to block and counter certain attacks. lead to specific quick strikes. In es- to sit and contemplate his life’s sence, these are the basis for coun- journey in the martial arts and the - The Angles of Attack: The An- ter fighting and they are extremely techniques that were truly effec- gles of Attack are the foundation effective against an aggressive op- tive. As I previously mentioned, he for Wei Kuen Do and all of the ponent. All of these combinations had created the style of Wei Kuen basic strikes are contained within contain the V-step, quick footwork Do back in the 1970s but now he these combinations. They are and Angles of Attack strikes. had the opportunity to crystallize primarily the offensive techniques his thoughts and perfect the tech- but they can be executed from a - The Faking Combinations: The niques. He was inspired by the free variety of defensive deflections. Faking Combinations, as well as the new sets of combinations called - The Circles of Destruction: the Expressions, the Double Strikes These combinations are the foun- and the Footwork Angles are all for dation for the defensive fighting the fourth stage of development. skills and contain the core of the We start with 1- Developing the Angles of Attack strikes based Tools, then 2- Polishing the Tools, off of specific deflections. In Wei next comes 3- Dissolving the Tools Kuen Do, we don’t believe in and finally we reach 4- Expressing blocking hard but rather in using the Tools. All of the advanced com- parries to deflect and diffuse the binations will come naturally and opponent’s attack. It’s like the spontaneously after the practitioner saying to use four ounces of pres- has trained at the Angles of Attack, sure to stop four thousand pounds Circles of Destruction, Traps, and of force. In many ways, Wei Kuen Counters Do is like Aikido with striking - we strive to use the opponent’s FMAdigest: Can you give some aggression against them. Also, insight on how it is to train with the name contains circle because Leo Fong? Adam James: Wei Kuen Do is a 10 process of personal development Freedom. The core skills of Wei cussed, Wei Kuen Do is deeply and every person is different. Kuen Do are simple but take great influenced by the Filipino martial When we train someone we devotion to go to a higher level of arts - from the V-step footwork, work with them on an individual ability. They are the basic strikes to the emphasis on a flow of basis - to see where they are at of boxing - the jab, hook, cross techniques as introduced to Leo currently, what are their personal and upper cut as well as the light, by Remy Presas the Founder of strengths and what is the area that quick and explosive footwork he Modern Arnis and also the organi- they can improve upon the most. has gleamed from Boxing, Kung zation of the curriculum based on Ultimately, we work on the inner Fu, JKD and the Filipino martial Angel’s Serrada Escrima. In addi- self - to develop relaxed focus and arts. Also, there are kicks, joint tion, while the strikes are gleamed the ability to remain calm, com- locks, chokes, etc but the most im- from boxing, Wei Kuen Do is not posed and extremely effective. portant skill is relaxed focus - the a sport martial art and like the As we’ve already dis- ability to move quickly and adjust Filipino martial arts, it is a combat cussed, Wei Kuen Do is a free to the opponent. Wei Kuen Do art for street self-defense. The jab fighting style that combines box- can also be defined as the Art of we execute has the same elusive, ing punches, street fighting kicks, Detachment, which has physical, spontaneous, non telegraphic and and grappling techniques with a mental and spiritual implications. explosiveness as the boxing jab, foundation based on the energy of We believe in keeping but we can perform it as a finger Kung Fu, the footwork of Escrima distance physically and moving jab to the eyes and like a knife and the principles of Jeet Kune laterally to create angles and strik- it can be lethal. Therefore, our Do. This unique system combines ing opportunities. We also believe approach is to maintain distance the energetic training approach of in remaining mentally detached and use our skills to inflict serious Kung Fu with the physical struc- from the feeling of anger and stay- damage rather than get caught up ture and spontaneous explosiveness ing poised. And finally we believe in grabbing and getting entangled of western boxing. in remaining spiritually detached with our opponent. It is also why Also, Leo has taken the from the material world and keep- we have a strong ethical and moral principles of his friend Bruce Lee’s ing ourselves focused on God and foundation for the art and we teach Jeet Kune Do and given them new the higher calling. in side by side with the philosophy life and energy. He has gone deeper FMAdigest: What is the connec- and principles of character devel- into these principles and created tion between the Filipino martial opment. specific combinations and tech- arts and Wei Kuen Do? What is In regards to Modern Es- niques that allow the practitioner to Leo Fong’s stick and knife fighting crima, Leo created his own per- bring these skills to full develop- system Modern Escrima? sonal weapons style by blended the ment. We work on the four stages Adam James: As we’ve dis- free fighting approach of Wei Kuen of martial arts skill: Do to the stick and knife fighting 1: Developing the tools techniques he learned from Remy (learning the techniques), Presas’s Modern Arnis and Angel 2: Polishing the tools (per- Cabales’s Serrada Escrima. Leo’s fecting the techniques), Modern Escrima has its own 12 3: Dissolving the tools Strikes and a system of Coun- (eliminating rudimentary ters similar to those in Serrada execution of the techniques), Escirma but it’s performed with and finally a short strike delivery and with a 4: Expressing the tools free fighting approach - it’s very (spontaneous and natural similar to boxing with sticks. execution of the techniques). We don’t emphasize a specific To accomplish this, positioning of hands or feet, but we’ve created the Five F’s instead we focus on quickness for training - Form, Foot- and hitting the target. The end work, Flow, Feeling and result is a weapons system that 11 perfectly complements the founda- a book. The main character of my tion of Wei Kuen Do and the free story was a Vietnam Veteran and fighting philosophy. martial arts expert and I wanted FMAdigest: How did you get to get back into my training to do started in martial arts? Who was research. I reconnected with my your first teacher? friend Scott and he told me that I Adam James: There are there had to come train with this amaz- people that stand out in my mar- ing martial arts instructor he was tial arts journey. First there is my met. The school is called Hawaii father, David James and then my Shin Kan Okinawan Kempo original sensei in Hawaii Michael Karate and the Founder is Sensei Dela Vega, and now Leo Fong, my Michael Dela Vega. Sensei Mike friend and mentor who has assisted is a descendent of Chojun Miyagi me to reach even higher levels. and learned the Miyagi family sys- I was born in the New York City tem of Okinawan Kempo growing area and then moved to Hawaii up. He also trained in the original when I was nine years old. My Kajukenbo School in the Palama father had been an officer in the settlement under Joe Emperado, Navy and he taught me the prin- the younger brother of Adriano ciples of the US military. Then, Emperado, one of the five original perado would say - “practice was growing up in Hawaii, I trained founders of the Kajukenbo system. not over until there was blood on in a variety of martial arts and I Now, the story behind Kajukenbo the floor”. At the time, Mike was a was fortunate to learn from many is very interesting - in many ways teenager and he went down to the excellent martial artists. My close it is the first mixed martial arts but school with his close friend Ken- friend Scott Morimoto was the it was designed as a style strictly neth Funakoshi, who was a relative personal assistant to a man named for combat and street fighting situ- of Gichin Funakoshi, the founder Mito Uehara, who had owned ations. There were five top martial of Shotokan Karate. Because of Black Belt Magazine and O’Hara arts experts in Hawaii who were their family history, the boys were Publications before retiring to all close friends but came from allowed to join the school and were Hawaii. Mito had worked closely different styles. They decided to part of that first generation of stu- with Bruce Lee on several books train together and combine their dents. Later, Sensei Mike decided and he would give Scott copies of techniques. One was an expert in to enlist in the US Army and was them. We studied the books and Karate, another in Judo/Jujitsu, accepted into the officers training we were all deeply inspired and Emperado was the Kenpo master program. He then went to Vietnam influenced by Bruce. I also learned of the group and there was also and became a long-range recog- the principles of martial arts great- one from Kung Fu also known nizance officer. He spent his time ness through other endeavors like as Chinese Boxing. They would there venturing into enemy territo- playing team sports, Hawaiian cul- explore the different possibilities ry to gather information and call in ture, military history and just being of how the different styles would air strikes. Sensei Mike would train in the ocean and land of Hawaii. attack and defend each other and everyday and make his men train I played multiple sports in high they looked for the best tech- with him before they would set out school but I showed the most po- niques. on their missions. He was asked to tential in football and was offered The final outcome was teach the Green Berets and other a scholarship to Northwestern a hybrid system called Ka (for Special Forces units in martial arts University in the Chicago area. Al- Karate) - Ju (for Judo/Jujitsu) - and at one point was asked to train though many people told me that Ken (for Kenpo) - Bo (for Chinese an entire base of soldiers. Then, I would go on to play in the NFL, Boxing). Anyway, Sensei Mike he returned to Hawaii and offi- I didn’t stay at Northwestern and joined the school during the early cially opened the Hawaii Shin Kan left during my junior year to go days when no women or children Okinawan Kempo Karate Dojo but back to Hawaii to focus on writing were allowed to train and Em- he often points out that the school 12 originally started in the jungles and ing through functional resistance 2 - To always maintain proper battlefields of Vietnam. training. conduct, good manners, dignity, Now, I’ve been training I chose the name Rainbow humility and honestly towards oth- with Leo Fong, who has become Warrior because of my roots in ers, my close friend and mentor. Also Hawaii and in recognition of all of 3 - To seek self-awareness aim- while growing up in Hawaii, I the great martial artists that came ing towards self-perfection of the trained in a variety of martial arts from Hawaii. However, I also Mind, Body and Spirit, including Karate, Judo, Sumo, chose it because of the legend of 4 - To always maintain strong Aikido, Muay Thai, and various the Rainbow Warrior that exists in will-power, strength, courage and styles of Kung Fu, as well as west- several numerous Native Ameri- self-confidence and ern wrestling and western boxing. can cultures. 5 - To always have unwavering Now that I’m living in Los An- It’s an amazing fact that faith in ourselves and God, our geles, I’ve had the honor to know this legend can be found indepen- Heavenly Father. He’s an amazing personally and professionally many dently in several different tribes man and has had a huge impact on of the greatest martial artists in and yet there are phenomenal my life. the world such as Kam Yuen, Bill similarities. The legend is that Then, with Leo, he’s also Ryusaki, Sid Campbell, Tadashi there will come a time when the simply incredible and has become Yamashita, Bob Wall, Gene LeBell earth will be sick and that the my friend and mentor. Leo infuses and many others. animals will be dying. Then there Wei Kuen Do and everything he FMAdigest: Now you have your will appear the Rainbow War- does with faith in God and Sports own business and website Rainbow rior - that people of all colors and Psychology. In fact, Leo shared Warrior Martial Arts (www.rain- faiths will unite and rise to meet with me an experience that he had bowwarriormartialarts.com). Can the challenges with dignity, humil- with Bruce Lee that changed his you describe what it is about and ity, honesty, caring, sharing, and life and then, this in turn has im- what the program or program’s respect. The first Greenpeace ship pacted me. Leo told me that when consists of? was called the Rainbow Warrior he met Bruce, he was already Adam James: Rainbow Warrior and it sailed to end whale hunting an accomplished boxer, having Martial Arts is my own personal and nuclear testing. boxed in the Golden Gloves and expression of martial arts wisdom FMAdigest: How have your AAU Championships, and was and is a culmination and continu- teachers influenced you? still boxing with the Sacramento ation of my martial arts journey. Adam James: I’ve been very State Boxing team. He was also Our mission statement is building blessed to be able to train with training in a variety of martial arts bridges and aiming for excellence Sensei Mike Dela Vega back in styles - he had a black belt in Moo in the martial arts and the world. Hawaii and now to be working Duk Kwan/Tang Soo Do, he was We bring people together through with Leo - they are both very reli- training in Judo/Jujitsu, training in private lessons, seminars, consulta- gious men and they are both great Choy Lay Fut Kung Fu with Low tion, writing and film. Our motto is martial artists. With Sensei Mike, Bun, in Sil Lum (Shaolin) Kung that no matter what your goal, style the entire basis for Hawaii Shin Fu with T.Y. Wong and also train- or experience we can assist you to Kan is the Development of the ing with Bruce and Jimmy Lee reach your full potential. We teach Mind, Body and Spirit Through in Wing Chun Kung Fu and the the progressive training system of Positive Mental Attitude and Faith beginnings of Jeet Kune Do. Then Wei Kuen Do that I helped create in God. He created five Dojo Kuns one evening, Leo and Bruce were and perfect with Leo Fong as well that are very unique and special. hanging out together and Bruce as the martial arts styles of Kempo, Actually, he always says that he asked Leo, “Why are you run- Karate, Jujitsu, Kung Fu, Muay didn’t create them but rather that ning all over town training in all Thai Kickboxing, boxing, wres- they are from the Bible. of these styles?” Leo replied, “I’m tling, Escrima, Kobudo, Chi Fung They are: looking for the ultimate.” And and JKD principles. I also include 1 - To always have a Positive Bruce said, “The Ultimate is inside mental fitness training/sports psy- Mental Attitude in everything that of you.” Immediately, Leo felt a chology and martial arts condition- we say and do, moment of inspiration because it 13 reminded him of the verse in the how to know your own truth. now the trapping from Wing Chun Bible that “The Kingdom of God Bruce also went on to explain the that was all a man needs. These is within you.” The philosophical physical aspects of his view and words influenced Leo’s life journey implications were grand because that Leo had the ultimate already. as a man, a minister and obviously it suggested that the knowledge Bruce said that with the boxing as a martial artist and then in turn of martial arts are inherently and skills Leo already possessed and this has been a lantern to my path. intuitively inside you and that the kicks of the Korean style, the another person cannot teach you grappling from Judo/Jujitsu and Photos of Adam James Provided by Jose Fraguas of Masters Magazine

Currently, Adam is available providing private lessons for clients at their home or business.

www.rainbowwarriormartialarts.com (818) 269-4548 Email

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Types ofBy EmmanuelArnis Querubin de Mano

Presently, there are typically two garnering as many trophies and trying to knock the @#$%&* of classifications of Arnis de Mano. medals as they can. These are the other guy. The contemporary, and the classi- normally commercial schools. The least talked about type cal. The contemporary may be “Sports Arnis” is an at- of Arnis de Mano, is the “Esoteric” sub-classified as “Combat Arnis” tempt to keep alive the “live type. This type is also governed by and “Sport Arnis.” On the other blade” encounters of yesteryears. the three aspects of art, science and hand, the classical may be sub- But because these confrontations sport, but with the added aspect of divided into “Traditional” and the are against the law and against “spiritualism.” “Esoteric.” survival instincts, padded sticks In the olden days, this type Whatever the classification and protective gear have taken the of Arnis was probably the only is, they are all bound together by place of live blades in an “all-out type that was commonly practiced three common aspects: part art, survival of the fittest” contests. with all the combative aspects. part science, and part sports. With Although the techniques Before the coming of the Span- the advent of the Mataw-Guro and strategies may be the same as iards, the country, that is now the Association, hopefully it will now contemporary Arnis, the ideals of Philippines, was a nature-worship- also be bound as Filipino Martial classical Arnis de Mano are ping pagan country. Every family Arts Education. However, each entirely different. has its own talisman or charm, type can still be differentiated by The “traditional” Arnis de which avert evil and bring good the priority, and purpose of train- Mano is part art, part science, and fortune, magical and miraculous ing. part sports. As an art, Arnis de powers. The anting-anting or There are schools of Arnis Mano is a dance form that is agimat came in different forms, de Mano that concentrate in teach- uniquely Filipino. Watching a shapes and size. The oracion ing the art mainly as a means of skilled Arnisador perform the (incantations) also came in differ- defense and as a combative art, techniques of abecedario and other ent languages or sounds. With the such as in police agencies and the strategies accompanied by music Christianization of the Philippines, military. The emphasis of their is like watching birds in formation the culture, beliefs and the agimat training is in the combat aspects of while in flight. The graceful took on a different character. The Arnis. These schools do not engage transition from one motion to most common agimat or anting- much in “scoring points” and another is both natural and ener- anting came in the form of the winning trophies or medals. To getic. Style and form in traditional crucifix, the rosary or the scapular. them, Arnis de Mano is 100% Arnis de Mano, is just as impor- Spanish and Latin became the strategy of neutralizing the oppo- tant as speed and power, perhaps most common incantation or nent in an exponential rate to even more. To achieve style and oracion. Arnisadors do not go to a counteract and eliminate the threat. form every movement must be possible confrontation without And then, there are schools governed, by the laws of physics their agimat and their oracion. In the priority of which is to broaden and motion. During Arnis gather- fact, they do not step out of their their base of following and income ings and events, practitioner of homes without uttering some by winning trophies and medals in traditional Arnis will demonstrate magical words or rubbing their competitions. They may be classi- their art, rather than compete in agimat. As the Filipinos were fied, as the Sports Arnis Schools. tournaments. To them displaying converted to Christianity, they To these schools, the gauge of the grace and beauty of Arnis is slowly transitioned their pagan whether the school is good or not, like displaying the beauty of a practices and started basing it more is by the number of tournaments painting or architecture. To them on their newfound religion. The they win. To them, Arnis de Mano beauty in the execution of a prayers in Latin or Spanish of “Our is 100% “scoring points” and strategy, is more of a sports than Father,” “Hail Mary” and “Glory

15 be”, became the most common behind a tree, and watch Lolo Jimmy Galez, for the first time. His oracion. The crucifix or the scapu- Andres performed some ceremoni- demeanor and mannerisms sug- lar of the Virgin Mary, hanging on als. All of a sudden Lolo Andres gested that he is a practitioner of the neck, became the most com- started swinging his tungkli “Esoteric Arnis.” Having learned mon anting-anting. against what may have been an But there were still those opponent, but whom I cannot see. who hanged on to the old tradition The “fight” against the “spirit and have not “Christianized” their warrior” went on for minutes then anting-anting and oracion. Most of hours. I strained to see if he really these were the manggamot (heal- has an opponent, but in the dim ers), arbularyo (herbalist) and the light of the moon all I can see was hilot (bone-setter). And not sur- Lolo Andres. Finally, after several prising, those who practice the hours, at the break of dawn, Lolo “healing” arts, are also adept in the Andres started for home. As he “killing” arts. Could have this been passed me half-crouched next to a Chinese influence? In China, the tree half awake and half before learning the “killing” arts, asleep, all he said was “kaya pala” one must have trained in the (no wonder). When I got home, “healing” arts. my aunts and uncles scolded me Jimmy Galez In the 1950’s, while vaca- and said what I did was very my lesson with the incident with tioning in my mom’s province of dangerous for me and for Lolo Lolo Andres I was cautious with Bauan, Batangas, I heard that it Andres. They said that Lolo my dealings with Jimmy Galez. was time for my Lolo Andres, the Andres had a very hard time One time, I attended a local manggamot to fight the because he was “carrying me on martial arts tournament in Baguio “spirit warriors,” to restore the his shoulders.” They also said that City, where Jimmy Galez was also vitality of his healing powers and the “spirit warriors” could have a guest. Jimmy demonstrated his his fighting skill. Lolo Andres did killed me or Lolo Andres. But I brand of Arnis. With flowing long this every Good Friday midnight, was not afraid. I had my own hair, facial hair and an ornate in a “secret” place hidden from anting-anting crucifix hanging on gown-like cassock, his moves view and away from prying eyes. my neck and I have recited my reminded me of Lolo Andres when It was claimed that he has done oracion. I was even boasting that he was supposed to be fighting this since he was a child when he my God was stronger and more “spirit Warriors.” During the break, was first initiated in the mysteries powerful, than all the “spirit Jimmy and I had a friendly conver- of the esoteric. When his father warriors,” which I cannot see. sation. He confided that he is passed away it was rumored that After that incident Lolo indeed an “initiated member of his father passed on to him his Andres refused to teach me any- “Esoteric Arnis” and in fact has anting-anting. Following in the more except the first technique he just came back from his mountain footsteps of his late father, he taught me and since then he has training to energize and revitalize became the barrio manggamot not spoken to me until he passed not only his skill but also his (healer). Another trade he inherited away. Lolo Andres supposedly agimat. When I told him that most from his father was selling mos- passed his anting- anting to his in the martial arts circle consider quito nets and mats, where he son, but his son never became a him too eccentric, and was not learned and became an expert in successful healer because he considered a serious martial artist, the use of the tungkli or pingga, a indulged too much in alcohol and he just smiled. When he asked me 4 to 6 foot flat pole made of bahi died at an early age, not amount- what I think of him, I just smiled in (iron wood). ing to anything like his late father. return. Interestingly, those who did On the night of the ritual, I To this day, I never understood not consider Jimmy Galez a serious sneaked out of the house to follow what the “big deal” was in what I martial artist avoid crossing his Lolo Andres, without telling did. path. A serious martial artist or not, anybody. From a distance I hid In the early 1960’s, I met

16 Jimmy Galez is a well-trained and and rocks while dancing and when he won the regional tourna- highly skilled confident but humble chanting their “secret prayers.” I ment and was selected to represent individual. examined the feet and body of the region during the First Philip- The height of the mistrust these devotees after the ritual but pines International Karate Champi- in anting-anting and “Esoteric none of them even showed traces onships. When he did not make it Arnis,” came in the mid 1960’s, of being burned, injured or even to the national team which will when the Lapiang Malaya, headed discomfort. Although there were represent the Philippines in the by Valentin delos Santos, was marks of the stakes, there was no Third World Karate Champion- massacred by the military and wound or blood. Then I remem- ships, Glaraga set aside his Karate police who responded to suppress bered some devotees in the Philip- training and concentrated in Arnis their “uprising.” Armed only with pines, who are “crucified” on de Mano, moving from one prov- bolos and their anting-anting, the Good Friday, as a form of pen- ince to another, in search of more Lapiang Malaya were no match ance. To this day I have kept an knowledge. He came under the against M16’s and 45 caliber open mind about things that I tutelage of several Arnis teachers. bullets. After this incident, the cannot explain and it has helped He became “initiated in the Eso- belief in anting-anting and oracion, me, not only in the martial arts but teric art,” and learned to distin- although still practiced, became in life in general. guish the “Esoteric” masters from less vocal. Practitioners of “Eso- In the early 1970’s, I met a the “non-esoteric” masters. As his teric Arnis” shied away for fear of promising young Karate practitio- involvement with the masters of being ostracized. ner from Negros Oriental, named the “Esoteric” art went deeper and In 1967-1968, I was com- Inocencio Glaraga. While giving a deeper, his “conversion to eccen- missioned to be the Head Foreign seminar, Glaraga tried to pick tricity” also went deeper and Instructor of the Karate Associa- Louelle Lledo and my brain. deeper. He started wearing cloth- tion of Malaysia. During a Chinese Louelle and I called him “eager ing that was out of the ordinary. He Festival I watched a group doing beaver” because he will not leave wore beads and necklaces, which what they call “Spirit Kung Fu,” us alone. He tagged along wher- were “blessed” to insure his safety. Bystanders who were supposed to ever we went, volunteering him- He uttered oraciones in language be ignorant in Kung Fu all of a self as our guide in exchange for that only he can understand. Every sudden will fall into a trance and lessons. His perseverance paid off so often he will go up in the be transformed into Kung Fu mountains by himself, hike for masters when “Spirit Warriors” miles and fast for days He claims possess their body. They start this ritual energizes and invigo- doing Kung Fu exercises and rates him. Without even food or maneuvers for hours. Then as water, he tries to live off nature. sudden as their transformation into He has not cut his hair for years. Kung Fu masters, they will return He talked about books and writ- to normal “without any memory of ings that only the “initiated” can their experience.” While watching understand. them I was reminded of Lolo In the 1980’s, Ciok (as he Andres and Jimmy Galez. I went became known), joined Louelle back to our gym with doubts about Lledo who was teaching at the NBI what I just witnessed. I wanted to Training Academy. They trained dismiss it as a fake ritual, but that together and developed the Amara same day I also watched fire-walk- rapillon and other Amara maneu- ing while devotees carried about vers and techniques, which was 100 pounds of icons of their gods supposed to have come from the supported by stakes that penetrate “Book of Amara-tan,” or the book their bodies. It took these devotees of the “root knowledge.” The more than 10 minutes to traverse swooshing of Ciok’s sticks earned the over 20 feet long burning coal Inocencio Glaraga him the nickname “Singing Sticks 17 of Ciok.”Like Jimmy Galez, Ciok almost 30 years. was not taken seriously in the Finally in 2010, the martial arts circle. But nobody can Mataw-guro Association was deny that Ciok is a walking ency- formed. Two organizational clopedia of Arnis knowledge. meetings were held to solidify the The 1980’s marked the association, one was held in proliferation of Arnis schools and Quezon City, Philippines and systems and titles of all sort. another in New Jersey, USA. On Louelle and Ciok toyed with the October 3, 2010, the charter was idea of unification under one officially signed and submitted for umbrella organization (like the registration, with the Securities Philippine Karate Association) and and Exchange Commission and standardization of techniques as the Intellectual Properties Office. Filipino Martial Arts Education. With standardization and unifica- They even coined the term Mataw- tion in their program, will the Guro from mataas ang tanaw na Mataw-Guro Association herald guro (teacher of high standard). the demise of “Esoteric Arnis?” But it remained just an idea, for

www.FMAPulse.com The mission of the FMA Pulse to help promote, educate and serve as a resource for the current and new generation of FMA enthusiasts. The team at FMAPulse.com is presenting Filipino martial arts to the world via the internet using Web 2.0 technology. Users can interact with one another in a setting much like Myspace or Facebook, only that we are focused primarily on the Filipino martial arts. This on-line community will give users around the world the ability to share, learn, teach and stay current with what’s going on in the world of the Filipino martial arts. Not only will this online social network cater to practicing Filipino martial arts students and instructors, but also to anyone interested in learning about the Filipino martial arts and culture. Aside from connecting people together, FMAPulse.com will be offering viewers their own personal blog, articles, up- coming Filipino martial arts events and monthly video or audio pod-casts of different Filipino martial arts instructors and their respective styles. This will give viewers a chance to get to know these leading Filipino martial arts instructors and their styles on a more in-depth level. We at FMAPulse.com invite you to participate, share your views and ideas so we can all unite to help further promote the Filipino martial arts in a positive way across the globe. Sincerely, The FMA Pulse Team

18 In Search of Filipino Martial Arts By Marc Lawrence

Over the years I have heard folks say this place or that has good Filipino martial arts. I have read many posts about this place and that place having good Filipino martial arts that we call Arnis Eskrima or Kali, both here in the US and abroad , but that leaves me wondering where someone can find good Filipino martial arts. In my travels I found that where you have sizable Filipino population, there are Filipino martial arts. I have found pockets in Florida, Hawaii, Nevada, Southern and Northern California. I have heard of pockets back east and down in Texas and up in Washington. I know that there are places overseas like Mexico, Saudi Arabia, one of my students found it in Indonesia, another one found it in Hong Kong. If you start with the Philippines as the center, then we would be out on the edge or as you would call it the Frontier. These teachers have to be bold to be out to the edges of the Frontier to go there. The fact being, that there are other fighting arts that those Eskrimador’s are running into and having to face. Welcome to a brave new world. This article is about one of those places on the frontier that we call Hawaii.

Filipino martial arts in Hawaii 2010 Hawaii is almost legendary in its history of Filipino martial arts here in the USA. Back in the days of Hawaii being a territory, there were No-gear Eskrima matches that were finally banned due to the brutality of the fights. There were actual deaths that occurred from some of these fights. Most people don’t know this but Filipi- nos have lived in Hawaii for over 100 years. The Filipinos of Hawaii strength against the Sugar Com- land and built the church which came to work in the early 1900s in pany bosses who would try a play still hosts a Eskrima group today, the plantations of sugar, then cof- the different immigrant groups Below this church, is a garden fee and latter pineapple. With the against each other. Each plantation area with a statue honoring Master Manong’s came the Arts we call had only one meeting hall which Mancado and his work. Below the Eskrima, Arnis or Kali. These were meant everyone went to birthdays, church in bottom of the valley are brave men that came as pioneers in wedding, dances and other so- two houses side by side. These to a new territory of the US. They cial events together. That forged houses are connected to make a came as 1 year contract workers- the spirit of working and getting courtyard inside. This court yard in Sacadas as they were called and together and getting along with quite famous locally, as it was the then some stayed to raise fami- everyone. This led to organization local Eskrimador’s meeting and lies. These brave men and women of labor unions. According to local practicing place in the Kalihi Val- came from the islands of Luzon oral history every Filipino Camp ley. Many well know Eskrimadors and Cebu. There were Ilocano, had a council of Eskrimador’s. went there and played to keep their Cebuano and Tagalog all throw One of the well know skills sharp and share their knowl- together in the Filipino Camps by groups was the Mancado Council edge. the Sugar companies. The Sugar that formed around Master Manca- Most people I met called Company bosses thought that all do, who supported who supported their art either Eskrima or Kali as Filipinos were the same. Many of the early days of the organized part of their name. Every school the old Eskrimador’s organized labor movement, and who bought I heard about and visited trains in in camps and formed councils for 19 a park or on rainy days go inside Downtown Branch of the Pedoy School of Escrima a church meeting hall or community center or someone’s garage. in the Kalihi Valley I found that both Chinese and Filipino schools have operated this way since their beginning in Hawaii. Because I was there to visit my family on the island, I did not get time to meet with all of the groups there but I did meet with a number of them. One of the things that I was most impressed with was the number teachers and students that had been training in Eskrima for years. I met Eskrima practitioners who have been training for 20, 30, 40, and 50 or more years. All of them are still training every day! One group House in Kalihi valley were all the old Eskrimadors used to meet and play I talked with joked with me about how their youngest instructor was The Pedoy School of Es- for 10 years with Bakitan Eduardo only practicing 20 years. One of crima teaches the Derobio style in Pedoy and finally 10 years with the unusual things about Eskrima the Kalihi Valley and is one of the Grandmaster Tyrone Takahashi. in Hawaii is the terminology, I am oldest Escrima Schools on Oahu. Not many Masters have been with used to using Visayan terms or The downtown branch of the Pe- one family style for 40 years. English terms as that was the way doy School of Escrima began and Under Great Grandmaster I was taught, but there terminology still trains at the Master Moncado Braulio Pedoy, the training was for Filipino martial arts is a mixed Church grounds in the garden so intense only adult males were Ilocano, Tagalog, Cebuano and area. When it rains the group goes able to handle the training meth- English. Considering the history of inside the church meeting hall. ods. Then when his son took over, the camps it was not surprising. The Pedoy School was founded by Bakitan Eduardo Pedoy’s vision There are quite a number Braulio Tomada Pedoy in 1963. was to not only to teach men to of Eskrima groups around island Over 2,000 students have passed fight, but to start teaching children of O’ahu, but due to my schedule through the main and downtown at age 6 and his vision was to train I was only able to meet up with branches of the schools. The women to be instructors. Great four Eskrima groups and these downtown branch is run by First Grandmaster Braulio use to say, were: Pedoy’s Derobio Eskrima of Instructor Leslie Largo and Mas- “That the girls were as good as the Kalihi Valley, OLA’A-NALO ter Carlton Kramer. Leslie intro- the boys in Escrima in the Philip- Eskrima, Mamilias Eskrima and duced Escrima to Master Carlton pines.” Fathers taught their daugh- Del Mar Eskrima. back in 1971. Leslie and Carlton ters in case their village was raided worked together and it was Leslie by another village or Island. In the who said for him to come and try old days men from a village would it. Carlton was told on his first get killed and the women and class by Batikan Eddie Pedoy that children were placed in slavery. “there are no observers” and he So it was important that the girls was handed a stick to start train- knew how to fight for themselves, ing. That was 40 years ago! He their families and for their village. started training with Great Grand- Great Grandmaster Braulio said to master Braulio and stay with him Carlton that the weapon was the for 20 years, and then he trained equalizer and that the Escrimadoras 20 School of Escrima has instructors ranza/Sayaw or forms are done by that have been teaching for 40-50 all students with one and two bolos years! Also Chief Instructor Peter or machetes. Small and Chief Instructor Knut I asked Master Carlton how Peacock have been with them for many counters did they have and 38 years. he replied 1728, 12 times 12 times Great Grandmaster Pedoy 12 counters that Great Grand- said to Carlton that Derobio is over master Braulio had taught him. 2,000 years old and means to flow The basic system is a 12 counter with the force and to always move system to represent the 12 apostles in on the opponent. Great Grand- of Christ according to Master master Braulio Pedoy was a spiri- Carlton. One change from training tual man and he shared this with that Master Carlton shared with me his students. Prayer and salutations was the 6 and 7 thrust to eyes were are given at the beginning and dropped to throat and chest for ending of each class. In the class safety reason because of too many the students have principles shared eye injuries in the early 1970s. with them. Pedoy’s principles were The Kalihi Valley branch Harmony, Humanity, Humbleness, is done as non-profit club and all Master Carlton Kramer and Wisdom. money from donations is given to The basics of Derobio the church that hosts the classes. in the Philippines were absolutely Escrima lessons includes one stick, The club works hard to give op- fantastic and could hold their own two sticks, staffs, knives, one bolo portunities to students in lower against any male! and two bolos. Sinawali with of- income areas that otherwise would Great Grandmaster Braulio fense and defense is also taught. not have the opportunity to train in Pedoy was the first Escrima Master Derobio’s defense always forms a the art. in Hawaii to teach non-Filipinos cross, Great Grandmaster Braulio Visitors are always wel- Escrima. Carlton told me that other said that the sign of the cross will comed, but you will be asked to Masters criticized Braulio for open- protect you, place your founda- grab a stick and line up. ing up the art to other races, but tion on Derobio but also learn the Classes are held on Tuesday and his only response is that “All men inside styles, because to be good, Thursday at 6-8pm at the Master are equal under God”. Today the you need to know the outside and Moncado Church. downtown branch of the Pedoy inside methods of fighting. Cal-

For more information about classes contact Master Carlton Kramer at: [email protected]

21 Ola’a-Nalo Jungle Style Eskrima of Hawaii

this level of training. Heavy spar- when sparring in timed matches. ring and/or tournament fighting is The marks or cuts are counted up; optional but encouraged. Rough if you receive too many points you terrain jungle combat is practiced. are disqualified. It is better to give The Eskrimador must learn how than receive. to use the jungle terrain to his or Master Ron shared with her fighting advantage. Weapons me his thoughts on spirituality and utilized in this open training are healing. As a traditional Filipino various length daggers and ma- martial arts instructor he believes chetes. Firearms familiarization the martial and healing arts are is encouraged. Ron’s shared his parallel pathways; they follow martial philosophy with me, which the same path and you must study Ola’a-Nalo Eskrima is a is: Survival is always my first both. In addition to instructor cer- weapons based martial art that concern. He said his purpose in tificates in Eskrima, Ron also holds draws influences from the various teaching the Filipino martial arts a 2nd degree in Reiki (traditional martial arts of the Pacific Basin. A is to pass on the teachings that he Usui method) and has trained in new student must first become pro- learned from his master and share the healing disciplines of Hilot and ficient in the basic movements of his own martial techniques and life Magnetic Therapies. He said that Derobio Escrima before advancing experiences that he has acquired in many of his instructors and stu- to the terrain blade fighting move- 30 years of training in the Filipino dents also practice the healing arts ments of Jungle Style. martial arts and 60+ years of liv- and he has a strong opinion that as Master Ron explained ing in the Pacific basin and around in Yin and Yang, positive and nega- to me that in Jungle Style they the planet. tive, balance is essential for har- utilize the Cinco Teros, “5 strikes”. Over the past 30 years mony. He feels it is essential that a Focus is on direct movements, many people have come through person should master not only the direct counters, and direct dis- his classes and he has therefore martial arts but the healing arts as arms, believing if it take more than cross-trained in several styles of well. 3 moves it is too many. Bladed Filipino martial arts as well as techniques are learned. Light to several other martial arts. medium sparring is required in His primary focus in martial training has always been: “will the movement work in actual combat”. These many years of training have led to the development of the (SPKF) Sure Point Knife Fighting System. The SPKF tournament scoring method is based upon the number of ink marks or “cuts” one receives

The Ola’a-Nalo Eskrima Honolulu branch trains at the Old Stadium Park, which is located at the corner of S. King and Isenberg streets. Classes are held on Tuesday and Thursdays 6:30-8:30pm and most Saturdays 2-4pm. Ola’a-Nalo Eskrima also has branch schools in Maui, New York, Washington D.C. and Iowa. Their web address is www.olaa- Senior Master Ron England naloeskrima.com and they can also be found on Face Book.

22 Mamalias Kali of O’ahu This article is based upon my interview members of Mamalias Kali, Richard Bulacan, Grandmaster and other historical data bases.

The beginning of Mamalias Kali begins with Francisco “Frank” Padilla Mamalias, who was born on the island of Kauai and raised there. His father Pedro was one of the original 15 Sakadas or Fili- pino contract labors who came to Hawaii at the beginning of the last century. Pedro came from the Visayan Island of Cebu to islands of Hawaii. Frank Mamalias was raised in the Plantation lifestyle. Plantation life was hard, harder than most people imagined and has been described as “being and the Mamalias style of Kali motion which can be refined once cast to the edge of the earth”. This patterned off of the Doce Pares the basic motion is learned. The was the frontier out on the islands! system. In his passing in May of movements are done first with The workers were paid 10 cents an 2006 he was listed as Grand Mas- the stick, then empty hands, then hour and Frank watched for years ter Martial Artist. stick and empty hands, then blade as his father worked hard in the But his style did end and blade with empty hands, then fields. Frank helped his family by there… He passed his art on to empty hands verses weapons. The working part time in the fields as someone that he treated like a son. Mamalias style also has a very child while going to school. Frank met a young man named spiritual/mystic side as well. There Frank learned as a young Richard “Bula” Cordeino Bulacan is healing-Hilot training as well as man to operate heavy equipment, whom he took under his wing and the spiritual training as part of the which paid better, and by doing taught him his art. Bula inherited style. that it later allowed him to have the art upon the passing of Frank Bula a retired fireman, shot at becoming a manager on Mamalias. This art is known as shared with me that he had many a plantation. According to local Kaliradman which according to times is his life his protection kept history Francisco “Frank” Padilla local history is the original Doce him safe in dangerous situations Mamalias also was a well known Pares. The basic style that was in his work. Bula said that his Kali Eskrimador as was his father. shared with me was a two-weapon training helps create a mindset to Frank’s mother, Gertrude was a system, like short sword and learn other things in life, as the art Hilot or a healer in the camp. Frank dagger in length, using figure-8 teaches you to break things down Mamalias trained with his father motions, circular motions, linear to its smallest unit to learn them. as well as other masters. He had motions with ½ beat and quarter This group accepts mem- 14 masters that he trained with, the beat strikes. They use a 1 block for bers by invitation and recommen- most probably being with Grand- 1 strike with two counter strikes. dation only. The group votes on master Floro Villabrille. Frank had Bula said that he was taught that if membership and you must be at a simple motto that he lived by they strike at you that you should least 20 years old to join. This they which was “Never give up hope”. be able to hit them 9 times. feel has to do with maturity of a Frank was also known as This style has many lay- person. This group wishes to keep a traditional musician who played ers, 12 from each angle. This style the old ways alive for the next ukulele and the mandolin. He used uses dance or Sayaw as part of generation. his life experiences to mold him- its training to teach at each level. self and founded what is referred They use the Sayaw to teach the 23 Del Mar School of Martial Arts of Hawaii

The Del Mar School of war, he was made to care for the Martial Arts was founded as a sick. This allowed him access to school by Grandmaster Mike quinine to help fight his malaria Del Mar in Hawaii. The Del Mar and access to people outside the Eskrima is based upon the Del Mar camp as he was assigned with oth- family style and on Grandmaster ers to get supplies for the Imperial Mike Del Mar’s life experiences. Japanese guards. It was there at The Del Mar family has quite a the venders that he met his future history with both the Philippines wife. With her and others help he and Hawaii. Mike Del Mar is sec- was able escape the Prison Camp. ond oldest of a family of eight. He Susing Del Mar joined the guerilla shared this story with me. resistance and used his skill and It started back with his fa- leadership as an Eskrimador to ther, Jesus “Susing” Del Mar who fight the Imperial Japanese. Mike part of the Original Doce Pares in Del Mar told me that his father 1939. Susing Del Mar was also had a price on his head, being a military man serving in the Phil- leader of a resistance group dur- ippine Scouts. He fought against ing the war. He said that he and The Del Mar family im- the Imperial Army of Japan with his brother were born in a bamboo migrated to the Hawaiian island his fellow soldiers in December hut. Mike was born in 1945 in the of Oahu in 1949. From there they 1941. They held out at Corregidor back country of Bohol. He said went to Onomea Camp on the Hilo until the spring of 1942. He and that his mother had no mid-wife side of the Big Island (Hawaii). the others were forced to surrender to help with the birth and that she This was a Sugar Plantation with to Imperial Japanese Army. They had to use a strip of green Bamboo all kinds of different peoples. Mike were marched in the infamous to cut his umbilical cord. said at first his father had a hard Battan Death March where he was Mike said his brother had time living around the Japanese be- prisoner of war in Camp O Don- memories of hiding in caves from cause of the war. Mike said as kid nell. Japanese. His brother used to talk growing up in the Camp he got into While he was prisoner of about them when they were grow- fights with other kids. Mike said ing up. Mike said that his mother that living the camps taught him carried machine gun on her while how to get along with everybody he was in a basket on her back. as the camp only had one commu- He said that his father instructed nity meeting hall that everybody his mother to keep three bullets had to share. for themselves in case they were Mike said that his father captured so as to keep her and Susing loved the chicken fights and the children from being tortured boxing. Mike said his father taught to death to get information about him empty hands versus knife Susing’s whereabouts. Susing’s first. He said that he was helping wife was afraid of snakes and his father with the chickens and there were many snakes in those was using a knife, when his father caves. To this day Mike said his said try and cut him with the knife. mother still hates snakes. The Mike said that he said no and his family against terrible odds sur- dad said if he did not he would get vived the war and Susing Del Mar a beating, so Mike tried to cut his served as one of General Douglas dad as instructed. Mike said next MacArthur’s body guards upon his thing he knew the knife was fly- return with the allied forces.

24 ing one way and he disarmed and knocked down. That was his first introduction to the Filipino martial arts. Mike said that his father would tie each of the boy’s hands together and have them try and cut each other with the knives for training. Mike told me that he trained with his dad until high school and at the end of high school he joined the service as a Marine. He said he did two tours in Vietnam in 1965 and 1966. He said that he came back to the islands and then went to college. He said that he went back into the USMC; after that enlistment he got out and joined the Hawaiian Air National Guard. He stayed in the Air Force Grandmaster Mike Del Mar and Master Lawrence until he retired. Now Mike Del Mike Del Mar’s travels in Hawaii, Because of all of these life Mar’s training did not stop as he he came across an old Eskrimador experiences Mike Del Mar orga- went off to fight in the war. He whom he was introduced to as nized Del Mar Eskrima-Kali. It continued his training in the Fili- Manoy Godoy. Manoy Godoy’s uses long 36-40 inch stick, medi- pino martial arts after meeting with style was called Toledo Style and um length 29-30 inch sticks, 18-20 a well known Eskrimador. It was was a long range style. Manoy inch short Serrada length sticks us- set up through Josephine “Joey” in Godoy taught Mike his methods of ing single stick double stick, blade 1974. He was introduced to Ray- long range fighting. and empty hands. Because Grand- mond Tobosa and was accepted as Because of Mike Del master Mike Del Mar’s father was student. Mike said that he trained Mar’s involvement with many a boxer in the Philippines and in with Master Tabosa until he passed Filipino martial arts groups he Hawaii in early days in Camps, away. Mike also trained with helped start a number of Organi- the empty hand fighting is quite Maestra Josephine “Joey” Mica, zations. He started the Filipino good. I can personally vouch for who later became his wife. Grand- Martial Arts Society of Hawaii Grandmaster Mike Del Mar’s stick master Mike Del Mar and Maestra and help host the first Solo Baston and blade work as well as I had Joey Del Mar are a teaching couple tournament in 1997. He helped the pleasure of working out for an who have continuously taught their found HOPE- Hawaiian Organiza- afternoon with him in Waipahu. style for many years. tion of Pilipino Eskrima. He and One more thing that I It was Master Tabosa who his wife’s school were one of four found out in my visit with Grand- encouraged Mike to go the main- founding schools. master Mike Del Mar is that he land and train in Eskrima in Stock- Grandmaster Mike Del is quite talented craftsmen with ton. Mike trained with Masters Mar’s instructors started the Sa- wood. As woodworker myself, Dentoy Revillar, Ramiro Estrelia, manahan tournament in 2008 and I know a good finish carpenter Gilbert Tenio, and Professor John it was held on Oahu. It is the only and craftsman when I see one. He Eliab Sr. Mike spoke highly of Pro- one, that uses an electronic scor- showed me some of his work and fessor Eliab and told about being ing system which is shown in real it was some of the finest I have at the seminar when the Professor time. It is Grandmaster Mike Del seen. He told me that he enjoyed had his heart attack and died. Mike Mar’s hope that one day this type making weapons and training with said that he did CPR on his friend of tournament will be used widely them like I do. and teacher at that seminar. In and become part of the Olympics. 25 For more information and to train with him at his school: Del Mar School Filipino Martial Arts Kali-Escrima 528 Ihe St., Honolulu, HI. 96817 (808) 723-2792 Website: escrima.freeservers.com/delmar Email: [email protected]

Maestra Joey Del Mar School Eskrima Academy of Hawaii

Not many women are Mas- career with martial arts enthusi- ters in a Filipino martial arts style. asts at the Waialua Gym on Oahu. Maestra Joey Del Mar has been Maestra Joey Del Mar did not there and done it. While I was in limit herself but continued training Hawaii I heard stories about her with other Eskrima Masters. skill and tenacity as a fighter from Maestra Joey Del Mar was men that she fought as well as instrumental in spear-heading and other who were witness to some instructing Eskrima as a subject intense matches. Here is some class for adults and children in background about her. community and school programs Maestra Joey Del Mar was throughout Oahu in Campbell born in Honolulu, Hawaii. She High School, Kaiulani Elemen- was raised in Waiahole Valley, in tary and Intermediate School’s Kaneohe, Hawaii. This place was Law Enforcement Program, known as the resting place of the Kalihi Community Service Center, Alii or Royalty of the Hawaiian Windward Oahu Community Key Monarchy. Her grandmother and Project Program in Kahaluu and great grandmother were Eskrima- the Leeward Community College. doras also. Her training started in Maestra del Mar’s enthusiasm for I can toward the continuity of its High School from her aunt who Eskrima extended to California philosophies and mastery. was student of Professor Chow. in Alameda. She helped establish Maestra del Mar and her Maestra Joey Del Mar trained branches of the Tobosa School of students have performed demon- in the self defense techniques of Kali thus introducing this art to strations for community festivals, Kajukenbo Karate in Hawaii and other martial arts enthusiasts. martial arts conventions, beauty California. She was introduced Maestra del Mar firmly pageants, and martial arts pro- to Eskrima when introduced to states “I have always been an grams, throughout the State of Master Raymond Tobosa. In 1974, advocate of Filipino cultural per- Hawaii, California, Idaho, and three years after attaining her petuity and when I learned of my Nevada. esteemed title of Maestra or In- heritage in the Filipino martial art structress, she began her teaching of Eskrima/Kali, I vowed to do all

Maestra Joey Del Mar’s classes are held in Aiea, Hawaii. Contact Information: Email [email protected] (808) 381-5539 26 Grandmaster Ben Largusa (1926 - 2010) Farewell, Ben T. Largusa FMA Legend and Kali Grandmaster By Zena Sultana Babao “To live in the hearts we leave behind is not to die.”- Thomas Campbell “Death leaves a heartache no one can heal, Love leaves a memory no one can steal.” - Author Unknown

Grandmaster Largusa is from the Army in 1951, he re- widely regarded as the final word turned to Kauai, and with the on this devastating and deadly blessings of his instructor Master method of combat. Kali is a Agustin, he was accepted as a system so unique that it is said to student of Grandmaster Villabrille. be the source of all Eskrima styles. At the age of 25, Largusa It could also be the only martial trained one-on-one for seven arts system in the Philippines and consecutive years with Villabrille, the United States where there is who was still in his prime then at one Grandmaster and one Master 39 years old. At the onset of his at any given time. In other systems training, Grandmaster Villabrille it is a common practice that there had him promise to never teach are several Masters, Grandmasters anyone else the art of Kali. At the and even Great Grandmasters at time, few people had ever heard of Kali Grandmaster Ben T. the same time. this deadly art because it was a Largusa - a Filipino martial arts The very first Grandmaster closely-guarded secret that was legend and one of the greatest in Kali was no other than Grand- passed only from teacher to stu- martial artists in the world – has master Floro Villabrille, the dent and from father to son. left the narrow bonds of earth to Philippines’ most revered fighter As his years of training touch the face of God! and champion of numerous stick- with Villabrille progressed, Lar- Grandmaster Largusa fighting death matches. It is from gusa realized that what he was passed away at age 84 early Sun- the Patriarch of Kali himself that learning was primarily comprised day morning, October 3, 2010, in Grandmaster Largusa learned a of fighting techniques and theory, his home in Kauai, Hawaii. A unique blend of deadly and devas- and that he could not teach the high-ranking yet truly humble tating methods, strategies and system the way it was taught to martial artist, a husband, father and techniques in martial arts. him. So he broke down step-by- grandfather, he was preceded in Grandmaster Largusa was step and move-by-move – Grand- death by his sons Lance and Layne, born in Kauai in 1926 where his master Villabrille’s complete and is survived by his wife Philom- parents immigrated to from Car- system. ena, daughter Lois, and sons Jerry car, Cebu, Philippines. Although In recognition, the Kali and Lindsey. he started his Filipino martial arts Patriarch gave Ben T. Largusa a His passing is a great loss training from his father, his first signed legal document designating to the Filipino martial arts world! Eskrima instructor was a Master him the sole heir to the Villabrille Grandmaster Largusa was the head Agustin. His training with Agustin method and the title of Tuhan of Kali - an ancient but existing ended when he joined the U.S. (Master). Largusa was also autho- martial arts system. It is so effec- Army in 1945 during World War rized to add his name to Vil- tive in combat that during Spain’s II. labrille’s system of martial arts, conquest of the Philippines some While in the Army, Lar- hence it is widely known today as: Southern Philippine tribes had gusa trained in several fighting Villabrille-Largusa Kali System. successfully resisted the armored systems that also included Judo When Grandmaster Vil- might of the Spaniards for nearly and boxing. Upon his discharge labrille passed away in March 8, four centuries. 27 1992, Tuhan Largusa automati- Also in attendance were numerous or cell phones yet. His plea fell on cally became the second grand- martial artists from around the deaf ears because he noticed the master of the Villabrille-Largusa world, including the legendary flashing lights of several cameras, Kali System. Upon assuming the Bruce Lee, Dan Inosanto and so he had to cut short his presenta- mantle of leadership, Grandmaster Jhoon Rhee. tion. Largusa was duty-bound to also On the eve of this event, The great Ed Parker was a select who among the officially Parker gathered the top instructors martial artist with an open mind. designated Kali guros (instructors) of the various martial arts inside a Even way before the 1964 Karate will be the next in line. hotel ballroom. Every instructor Championships, Parker wanted to Guro/Professor Mel Lopez was given a chance to present the know more about the art of Kali. of San Francisco was Grandmaster principles and theories of their Largusa explained to him that Kali Lagusa’s choice! With Largusa’s particular system. Ben Largusa is not just about stick-fighting, and demise, Grandmaster Mel Lopez is was among those presenters. he proceeded to show Parker the third grandmaster of the Vil- Parker decided that Bruce empty-hand movements and labrille-Largusa Kali System. Lee would be the last to present. techniques. Parker was very im- Largusa moved to San While giving the values of his pressed and decided that he and Francisco from Kauai when he Gung-fu system, Bruce Lee felt he Largusa get together more often. was around 32 or 35 because was talking above the heads of the Parker loved the Kali movements Grandmaster Villabrille told him to people present. Most of the other and footwork. They had another train and spar with opponents of martial arts instructors were even friend, a Choy Li Fut practitioner, different styles. Once in the Bay baffled of what Lee was talking on these get-togethers. When Area, he met people from different about. Parker decided to put on his fa- Karate and Kung-Fu styles. He When Lee saw what was mous Karate Internationals, he was invited to spar with practitio- happening, he made eye contact asked Largusa to demonstrate. ners of Choy Li Fut, Wing Chun, with most of the instructors pres- A few weeks after the and Praying Mantis. Because he ent and pointedly commented, “It Karate Internationals, Parker could easily handle the fighters, seems that most of you have no received a phone call from William everyone thought that he trained in idea of what I’m talking about. It Dozier, the producer of the “Bat- kung-fu, although he didn’t. looks like Ben Largusa is the only man” TV series. Ed Parker had a Villabrille’s system gave him the one who understands.” lot of friends in Hollywood and facility to effectively deal with On the day of the Interna- was teaching martial arts to some other martial arts styles. tionals, both Bruce Lee and Ben of the top people in the industry. I have heard that one of Largusa were introduced to the Dozier was then planning to Largusa’s constant sparring part- American public for the very first produce a new action TV series ners was a Kung Fu Sifu who time! called “The Green Hornet.” He claimed to be a practitioner of the On stage, Bruce Lee asked Parker’s assistance to help “Hundred Elephant” style. Said demonstrated his modified form of him search for a real martial artist Sifu tried numerous times to Wing Chun Gung Fu, the precur- to play the role of Kato, the Green penetrate Largusa’s defenses but sor to Jeet Kune Do, as well as Hornet’s sidekick. failed. Like a master chess player, Lee’s very well publicized, power- Parker called up Largusa Largusa was always many moves ful two-inch punch. Largusa, on and told him that Hollywood ahead of the sifu’s planned attacks. the other hand, demonstrated needed a person for that role, and Grandmaster Ben Largusa sparring using Eskrima sticks with he thought of two people - Ben was the first man to bring and his brother, Dominador Largusa, Largusa and Bruce Lee. But he introduce Kali into the United as his partner. decided to offer the part to Largusa States public arena. He gave Prior to their performance, first and Bruce second. Largusa America its first demonstration of Largusa asked the audience to told him that he truly appreciated Kali in 1964 at the Ed Parker refrain from taking any still photos the offer but that he couldn’t International Karate Champion- or home-movie pictures. At that answer right then; he needed time ships in Long Beach, California. time there were no video cameras to think. A few days later, he called 28 Parker back and declined the offer. “Conveyance of Life Interest”, San Diego Taliba (News) which I Parker was disappointed that he which gave Largusa the exclusive edited. didn’t accept, but he understood. right, license and authority to use The last time we saw So Parker said, “I’ll have to call the name of Floro Villabrille Grandmaster Largusa was in Los Bruce Lee.” And the rest is history. School of Kali in perpetuating and Angeles in June 18, 1993 at the Everyone who knew promoting the Kali system. Al- very memorable event called “The Grandmaster Ben Largusa knows though there were others who City of Los Angeles Honors the that he is a very humble man. He trained under Villabrille, it was Living Treasures of the Filipino never dreamed of using his martial Largusa who was chosen by Martial Arts.” I remember that arts knowledge as a way to gain Villabrille to be his successor. It among the Filipino martial arts fame, fortune and glory. was such an honor and a privilege legends present, aside from Grand- I and my husband first met for me to meet Grandmaster master Largusa, were the late this great yet humble man, who Villabrille in person! I wrote about Grandmaster Leo Giron, the late describes himself as “just a man of him, and other Filipino martial Grandmaster Sam Tendencia, the Kali” back in 1976 in one of the artists, in some newspapers and late Senior Guro Lucky Lucaylu- Filipino martial arts events in Los magazines I write for through the cay, Grandmaster Richard Bustillo, Angeles. We were introduced to years. One of these papers was the Guro Dan Inosanto, and Professor him by our very good friend and kumpadre Dan Inosanto, another martial arts legend, who is the godfather of our youngest son, Kris. And then in 1978, Largusa made my husband a Kali Guro when his U.S. navy ship made a port visit to San Francisco. Before we changed our martial arts school to “Babao Arnis” we called it “Kali Academy of San Diego.” At the “Living Treasures of the Filipino Martial Arts” grand event in Los Angeles, In 1981, at a very special California in 1993 attended by Filipino martial artists from all over the United ceremony in Kauai which we States. attended, Grandmaster Villabrille presented then Tuhan Largusa the

Grandmaster Largusa holding the “San Diego Taliba Grandmaster Largusa with the Award of (News)” which Zena edited at that time Recognition as an FMA Living Treasure

29 Kali heirarchy, seated L to R: Grandmaster Floro Villabrille, Kali Patriarch; Grandmaster Ben Largusa, Villabrille’s successor; and Grandmaster Mel Lopez, Largusa’s successor.

Greg Lontayao. drums, the gong and the kulintang up to the audiences’ depth of When not practicing martial (Philippine musical instruments) knowledge of Philippine martial arts, Grandmaster Ben Largusa’s can only be appreciated by a arts or Philippine history to actu- main hobby was playing his guitar. knowledgeable Kali practitioner ally perceive these moves. He was always on the look-out for who could use these musical beat Grandmaster Ben T. Largusa - a good guitar player or instructor and tempo as tools in sophisticated you are gone but not forgotten. You from whom he could learn more. fighting moves. have left a lasting legacy to us all His refined ear for music was Until now there are folk in the Martial Arts world! You will probably inspired by Grandmaster dances in the Southern part of the forever be loved and revered! Rest Villabrille who taught him the Philippines where the dancers’ in peace with the Lord!! musical rhythm of Kali. The fluid movements are actually various beats and tempo of the camouflaged fighting moves. It’s

Visit the official website of the Villabrille-Largusa Kali System and the Kali Association of America www.villabrillelargusakali.com

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30 Master Christopher Ricketts (1955 - 2010) “A Pioneer in Full-Contact Fighting in the Philippines” A pioneer in full-contact still in Manila. Christopher Rick- fighting in the Philippines, Master etts was 13 years old at the time Christopher Ricketts is known for and witnessed Dr. Lengson teach- his high emphasis on intensive ba- ing Remy Presas, while also train- sic training and regular full-contact ing at the school. Also Christopher sparring. Training with Topher, as Ricketts trained under Jimmy he is better known, is a demanding Galis, who was instructing a style and challenging process. Seeming- called ‘Spinx’ (Spanish/English) ly tireless, given a chance, he will in name, but was a Filipino martial teach and train for hours on end, art. leaving his students exhausted, Creation of Bakbakan but definitely fulfilled and raring and Master Christopher Ricketts to fight. One of the original five It was when Master Rey Galang as the Chief Instructor, Bakbakan pillars of Kali Ilustrisimo, Master returned from Australia, in a dis- International was formed. Ricketts has produced numerous cussion with Christopher Ricketts, Master Christopher Rick- champions in the Filipino fighting that a name was needed for their etts has been in San Diego Califor- arts, full-contact karate, and kick- brotherhood for he wished to go nia relocating from the Philippines. boxing. international in promoting the His main goal was to share and In 1963 Ricketts started Filipino martial arts. So it was a spread the art of Ilustrisimo Kali. his training in the martial arts with friend of Christopher’s who sug- In the Philippines Master Rick- karate, when he met Dr. Guel- gested since they liked sparring etts made a living in teaching, but lermo Lengson, then the Presi- so much that they should call the found that here in America that it dent of the Karate Federation of Organization Bakbakan. At the was a different situation and until the Philippines, who was also an same time Master Rey Galang also he could form a base of students Arnis practitioner and was the one had also been thinking of the name in San Diego he had to take on a that actually taught Remy Presas Bakbakan Group. And so with regular job to make ends meet. Sinawali, when Remy Presas was Master Rey Galang as the Director

Last ‘Masters’ group picture with Edgar Sulite taken March 15, 1997 Topher Ricketts training with Tony Diego, Edgar Sulite, Topher Ricketts, Rey Galang and Alex Co Grandmaster Ilustrisimo Photo by Steve Tarani 31 Master Ricketts was an excel- ous champions in the lent teacher, in that he broke the Filipino fighting arts, movements down with explana- full-contact karate, tion, giving insight to each theory and kickboxing. of movement. A pioneer in full- Master Rick- contact fighting in the Philippines, etts also offered Master Christopher Ricketts was training in boxing, known for his high emphasis on experienced while in intensive basic training and regular the Philippines. He full-contact sparring. Training with trained Peter Sescon a Christopher, was a demanding and flyweight and number challenging process. Seemingly one contender in the tireless, given a chance, he would Philippines, and Junior Bantam- teach and train for hours on end, weight, Dodong Santa Iglesia and leaving his students exhausted, Salbador Darlo. but definitely fulfilled and raring Master Ricketts will be to fight. One of the original five missed greatly; a true professional pillars of Kali Ilustrisimo, Master practitioner of the Filipino martial Ricketts has produced numer- arts.

Learn more about Bakbakan in a past Special Edition Click Here

Read an excellent interview with Master Ricketts by David Foggie in FMAdigest Vol7 No1 Click Here

The following people are recognized by the Ricketts Family and are among the guardians of Master To- pher’s legacy. They fully support Master Topher’s sons who are his rightful heirs in preserving and propagating the late Master’s interpretation of Kali Ilustrisimo. Mauro Marchiori (USA) John Jacobo (USA) Dino Flores (USA) Rick Alexander (USA) David Foggie (Australia) Viko Perrine (Australia) In time an updated list will be featured on www.ilustrisimo-usa.com

32 Great Grandmaster Ernesto Presas [1945 - 2010] Kombatan

Ernesto Amador Presas, Sr. it either. Because his knowledge was born in May of 1945 in the was not limited only to combat coastal fishing village of Hinigaran with weapons, Presas also bested in Negros Occidental. His father karate practitioners while fighting José Bonco Presas, a renowned barehanded, including one oppo- Arnis fighter in the area, began nent who fell into the river the two teaching Ernesto the fundamen- were struggling near after Presas tals of Arnis at the age of eight. A pounded him with hard punches capable learner, he mastered his and kicks. These battles, he would lessons well and soon expanded his later divulge, formed an important martial arts education to include facet in the development of his the study of Judo, Jujitsu, Karate, comprehensive fighting system. and eventually Kendo. In 1972, Presas secured In the time-tested custom teaching positions as a physical foam sticks later developed in the of Arnis practitioners of that era, education instructor at the Univer- U.S. for training and tournaments Presas trained intensely and fought sity of Santo Tomas, the Univer- would never gain popularity in the many challenge matches against sity of the Philippines, Far Eastern Philippines). Instruction on anyo other practitioners. One memorable University, the Lyceum of the (forms) and practice with bladed encounter in 1970 saw him facing Philippines, and Central Colleges weapons were largely conducted an Arnis fighter from the Manila of the Philippines. He also began on a one-on-one basis because of suburb of Paranaque, who wanted teaching Arnis at military and law spaces limitations and for safety to test the skills of the upstart who enforcement institutions includ- reasons. had just moved to the city from ing the Philippine National Police In addition to the Arnis a rural area. The two fought in Academy, the Far Eastern Military classes, students could learn; the middle of a rice paddy, where Academy, the General Headquar- JKA-line Shotokan Karate, Ju- lateral movement was severely ters Military Police Academy, jitsu throwing and locking skills, limited, and falling into thigh-deep and the Officer’s Schools for the Okinawan weaponry (tonfa, bo, mud was a distinct possibility. Philippine Army and Air Force. nunchaku and sai), as well as They began with a trial to see who During those formative Kendo. (There exists today, par- could disarm the other of his stick. days, the Arjuken Karate Associa- ticularly in Australia and Canada, Using his complete knowledge tion held classes from Monday a system known as Arjuken karate, of levers and disarming methods, through Saturday and also held popularized by early Presas stu- Presas successfully took the other special events and demonstrations dents). Presas was a firm advocate fighter’s stick away in two suc- on Sundays. Arnis classes featured of cross-training, as he believed cessive clashes. Not satisfied with basic training in groups, with stu- that this better prepared the student this turn of events, the other fighter dents executing blocking, striking, to deal with the greatest variety of insisted on an all-out skirmish. Pre- and disarming techniques with sin- possible attacks and weapons. Ex- sas went on to disarm his foe once gle or double sticks. Sparring was ponents of other martial arts could again and delivered a rain of blows practiced both with and without often be seen visiting, observ- that knocked his opponent into the the use of protective equipment ing and practicing alongside the mud. such as headgear, body armor and school’s regular students. Other fights would follow, gloves. Equipment allowed stu- Great Grandmaster Pre- with the frequent condition that the dents to make hard contact, while sas will greatly missed by all and other fighter was always the chal- sparring unprotected called for remembered for his contributions lenger - Presas did not seek con- more controlled action as only rat- to the Filipino martial arts. flict, but never backed down from tan sticks were available (the soft, 33 Learn More about Great Grandmaster Ernesto Presas and his art of Kombaton

Click Here

847 Hamilton Ave. Waterbury, CT 06706 (203) 596-9073 [email protected] TraditionalFilipinoWeapons.com

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MyFMA.net - The best source of Filipino Martial Arts information on the internet featuring photos, videos, events, chat, blogs, and forums! MyFMA.net seeks to bring together Filipino Martial Arts practitioners from around the world in a thriving online community. This network of mutual respect and camaraderie is open to everyone that wishes to share their love and passion for the Filipino Martial Arts. Sincerely, John R. Malmo

34 FMA Past Events

Philippine American Expo 2010 September 18 - 19, 2010 Los Angeles Convention Center, Los Angeles CA.

The event kicked off Saturday with the Filipino Americans of greater Los Angeles, San Bernardino, Orange and Riverside county. The event was a celebration of the 25th year of continuous success of hosting the expo which helps the people to introduce new products, businesses and the recognition of people who help the community in various ways and to discover talented Filipino Americans. The organizer was Ms. Awee Abayari of Tri Me- dia Groups and Company that owns several businesses throughout the United States. The Philippine martial arts that is widely known as Arnis, Kali, Eskrima was the high- light of the event which the groups of Filipino martial arts practitioners participated and received recognitions.

People checking the Filipino martial arts products of Roiles Gears Ltd the manufacture and supplier of the Best Filipino products with it comes to martial arts.

Members of PAKAMUT /FMA group under Grandmaster Felix Roiles received awards of recognitions in promoting the Filipino martial arts during the event followed with a explosive demonstration of the different Filipino martial arts groups. 35 5th Annual MARPPIO Michigan Modern Arnis Seminar September 18 - 19, 2010 Guro Ben Harrison

This year’s Modern Arnis against stick. seminar with Mataas na Guro Dr. Next was Palis -Palis, with Remy P. Presas was held at the disarms and trapping with sticks, Choi Kwang Do Academy in Shel- and Single Sinawali with tusok. by Township, Michigan. A Special The day finished with Guro Ben thanks to Jose Soriano Jr. Sensei of Harrison teaching variations on the Michigan Aikido and Choi Kwang 5-6-7 knife drill. Good fundamen- Do for allowing us the opportunity tals and introduction to the art of www.modernarnis.com to present the Filipino Martial Art Modern Arnis. of Modern Arnis. Sunday was a faster paced angles of attacks with variations. Many new students were day, beginning with Visidario Also, a demonstration of Choi present this year and new Instruc- empty hand block, check and Kwang Do by Christina Boles and tors were on hand to experience counter drill with trapping and Richard Boyles shared the “Brain the Filipino Martial Arts. Among locking and takedowns. Went into Gym” concepts used for motivat- those Instructors were Master stick disarms from strikes #1-#3, ing and helping ADD and ADHD Thorton Kelly and Kum Cha Kelly stick versus stick and empty hand kids at his school. of Tiger Chungs Tae Kwon Do of versus stick. Dr. Presas had the All in all, we had a great Clinton Township, Jose Soriano Jr. students circle and each student, time and getting insight into the Sensei, James Soriano, Mr. Rich- one by one, attacked the person in Filipino Martial Art of Modern ard Boles and Christina Boles of the middle, who then applied the Arnis. We are already looking for- Choi Kwang Do of Shelby Town- takedown that was just taught. ward to next year’s seminar with ship. Michigan Modern Arnis In- Dr. Presas. Michigan Modern Arnis In- structors were given time to share structors were also represented by their expertise of Modern Arnis Guro Kathleen Enal, Guro Allen with the students. Guro Kathleen Henton, Guro Krista Harrison and Enal taught basic Sumbrada, stick versus stick, knife versus knife and empty hand versus knife. Guro Krista Harrison taught some variations of disarms #1-#3. Finally, Guro Ben Harrison taught basic sword disarms from the #1 and #2 striking positions using two hands. The Seminar participants were also treated to Guro Ben Harrison. techniques of Saturday started out with “Filipino” Aikido by learning some basic strikes, stick Jose Soriano Jr. Sensei to stick, blocking and striking 1-4. of Michigan Aikido. We then moved into trapping and We were shown redi- locking from the #1 and #2 strikes. rection techniques and Then, we moved into empty hand takedowns from three 36 September 18, 2010

September 19, 2010

Michigan Modern Arnis Schools Guro Ben Harrison Michigan Modern Arnis, 11860 Wheaton Drive, Sterling Heights, MI 48313 (586) 739-0497 - Email: [email protected] / Website: www.michiganmodernarnis.com Master Thorton Kelly Tiger Chungs Tae Kwon Do, 36543 Gratiot, Clinton Township, MI 48035 (586) 778-1505 - Email: [email protected] / Website: www.tigerchungs.com Sensei Jose Soriano Jr. Michigan Aikido, 51500 Schoenherr, Shelby Township, MI 48315 (248) 730-4566 - Email: [email protected] / Website: www.aikidomi.com

37 5th Arizona FMA Friendship Gathering October 23 and 24, 2010 Margaret T. Hance Park, Phoenix, AZ. By Michael Butz

It’s been a week since the surprise for me. The annual Fili- 5th Gathering and I find myself pino martial arts gathering, was at- sitting in front of the computer tended by numerous people of dif- staring at a blank “page”, unable ferent schools, something of which to pull out of my mind what I wish I appreciated. We were graced by to see on the screen. Normally, I the presence of Master Sam Buot just give a black and white outline of Balintawak fame. He was dem- of the gathering. I list the instruc- onstrating the basic strikes, blocks tors and their respective styles, and counters of Balintawak, and give “Thank you’s” to any special the Filipino martial arts I wanted to guests that may have shown up learn for some time now. Through and then summarize what went on patient trial and error I managed to during the event. learn some of Balintawak’s basics So I’m surfing the ‘net Master Ron Saturno - Hilot to take a break from my literary ordeal and I find a post in one that’s fine, but wouldn’t it of the online forums I happen to be nicer to be a surgeon?” frequent. It’s written by Mr. James With diagrams and demon- Laforteza, a resident of Phoenix, strations on a live person, AZ. I have reprinted it here, with he showed that by attacking his permission: certain “healing points” in the body, one can knockout, “A wonderful thing… disarm, or render someone Just wanted to share that I utterly defenseless. I was recently attended two days worth just amazed on Master Sat- of Filipino martial arts seminars urno’s speed and accuracy. and training that improved my Later on that seminar, he Master Sam Buot of Balintawak “skills” a thousand fold. Truth-be- went through some basic Serrada told, it’s one of the best weekends movements that are proven ef- and was very satisfied by it. After a I’ve ever had with the Filipino quick lunch, Master Ron Saturno martial arts. again applied his Serrada knowl- Last Saturday, I at- edge and expertise and demon- tended a seminar being held strated a variety of blocks and here in Arizona by Master attacks that [were] both simple, Ron Saturno, of Serrada fame. yet highly effective. It was truly His seminar was about Hilot a great day. (acupressure and pressure I can honestly say that I points) and the applications learned a lot about the Filipino of it in the Filipino martial martial arts those past few days. arts. He was explaining how Master Ron even said that I was doing well and that I should keep through learning even basic Master Ron Saturno - Serrada aspects of Hilot, one can be a up my pursuit of learning Ser- much better striker than someone fective in a situation where you rada (I dream of becoming a good who does not know. He said and I needed to take someone out fast. Serrada student). I give thanks to quote, “You can be a butcher and Sunday was even more of a Mike Butz who helped set up these

38 wonderful events (thanks for tak- Thank you, Master Sam Buot and Master Ron Saturno for your ing care of my elbow and the hit- time, your openness and your passion for teaching the Filipino martial ting lessons), the Inayan students arts. Thank you to everyone who attended the Gathering. A special thank that came all the way down from you to Master Gilbert Cordoncillo and Mr. Moses Quintero from Sali- San Jose, thanks for playing with nas, CA. and Mr. Hai Phan and Ms. Leticia Trejo from San Jose, CA. for me and most of all, everyone who going out of your respective ways to attend the event. Thank you, James, participated in the gathering. We for your informative and inspirational post. To paraphrase what you said may all be different, but we were at the end - We may practice different styles but we were all just Filipino all united that day. It’s a wonderful martial artists that day. This is exactly the spirit behind the Gathering. thing. James”

Michael Butz Kada Anan Eskrima/Arizona Buffalo Black Brotherhood www.KadaAnanEskrima.com

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39 Voices of the Masters: Warrior Arts of the Philippines Taking a comprehensive comic, a bestseller on look at an entire martial art and the iTunes. culture and tradition behind it is a Hufana has created daunting task. Punong Guro the first of what will be- Myrlino P. Hufana decided to take come a series of Filipino on the challenge when one of his Martial Arts instructional students, independent filmmaker applications that are now Barclay Powers approached available at the iTunes App Hufana in early 2010 about travel- Store entitled: Weapon ing to the Philippines to meet with Arts 1: Filipino Combat and film several highly respected Stick Fighting. masters. By March 2010, Hufana Hufana has also and a film crew had arrived in the been propagating the Philippines, ready to document the Filipino martial arts through rich history and the promising seminars around the United future of the Filipino martial arts States for nearly 15 years, with Voices of the Masters: War- as well as teaching Filipino rior Arts of the Philippines. martial arts at his school, The Voices of the Masters the Bellevue Martial Arts project came together much faster Academy, located in Belle- than most films, thanks to a sup- vue, Wash. Hufana is portive community - the Hufana currently teaching more Traditional Arnis (HTAI) family than 75 students in Wash- filming from morning until night and a passionate film crew. ington State alone. most of the days we were there,” At the time, Hufana was Brett McGinnis of McGinnis said. also working with Powers on Wenatchee, Wash.-based M & M Although the political another film titled Killing the Productions flew to the Philippines environment in the Philippines has Buddha: The Lost Secret of Im- to film Voices of the Masters. been somewhat shaky in the recent mortality. Hufana is also featured “What I liked about making Voices past, McGinnis said he felt safe in the Killing the Buddha motion of the Masters was that this project and appreciated by the local people was about preserving a culture and for the work the Voices of the not simply selling a product,” Masters crew was doing. McGinnis said. “I usually felt very wel- The purpose of Voices of come. I believe the Filipino people the Masters is to propagate, pro- really appreciated the work we mote, and preserve the Filipino were doing to preserve their martial arts. No films of this scale history. I met several government or quality have been made before officials during my stay and never and as many grandmasters age, the noticed any volatile environments importance and urgency of record- at any time. When we were in ing their unique styles became Mindanao we had a Strike Force clear, Hufana said. Team escort us through the jungles The trip to the Philippines and anytime we were out of ‘safe was over 6,500 miles, and the zones’. Traveling with guys carry- grueling schedule did not slow ing machine guns and rocket down once the plane touched the launchers was definitely a little ground. “We were in the Philip- unnerving but they were a great Punong Guro Myrlino P. Hufana pines filming for three long weeks, group,” McGinnis said.

40 Grandmaster Jerry dela Cruz Grandmaster Bob Pepino teaching at the Arnis Village Grandmaster Rodrigo Maranga Instructor of the Cebu SWAT and son Rico

The honorable mission of them all and we are proud of them experience just by being a local. the film helped the film crew feel all,” he said. Your traveling experience is safe and welcome in the Philip- Filipino martial arts enthu- greatly enhanced when you are pines. Hufana, his family, and the siasts have previously been able to with someone that is from the area. HTAI community are hoping that find content on their sport in He knew where and where not to Voices of the Masters will help several books, short films, and go,” McGinnis said. increase awareness of the martial magazines. However, Voices of the Hufana agreed with art and sport both in the Philip- Masters is the first feature-length McGinnis, saying everyone in- pines and around the world. Arnis film to chronicle all of this, bring- volved in making and acting in recently became the national sport ing together a wide variety of Voices of the Masters is passionate and martial art of the Philippines, styles, practitioners, and philoso- about the propagation and preser- so now is the perfect time for a phies. vation of FMA traditions and film like Voices of the Masters, McGinnis, while not a techniques. As the Filipino martial Hufana said. The film seeks to martial artist himself, said he arts gains popularity around the promote the Filipino martial arts as gained an appreciation for the world, it is important to understand a whole, and not one particular history and culture of the Filipino the traditions and cultures behind person or organization. “We want- martial arts. He said that traveling the combat art, Hufana said, and ed to represent the whole Filipino all over the Philippine Islands with that is a main goal of the Voices of martial arts and promote the entire Hufana gave him and the crew an the Masters project. umbrella of the art. We respect insider’s look into Filipino martial Also involved in Voices of arts culture. the Masters are Hufana’s two “Myrlino is a children and longtime students: Filipino martial arts Michael Hufana, 22, and Lizelle celebrity so we got Hufana, 21. Both Michael and access to places and Lizelle are instructors at the Belle- people a normal tourist vue Martial Arts Academy and are would never see. He is a featured in Voices of the Masters. humble guy and he Hufana and his children are really poured his heart excited about the opportunity to into this film project. I show their combat art to those with respect the fact he cares an interest in martial arts, as well so much about it. It was as expose the Filipino martial arts to people who may be unfamiliar Butterfly knife maker in the legendary town of easy for me to want to Balisong, Batangas do the same. I know with the sport. Michael wants Myrlino enriched the Filipinos to see Voices of the 41 Masters: “I think that Filipinos are of Michael Hufana, saying obligated to know about our that while many short videos national martial art; Japan has have been made showing Karate, Korea has Taekwondo, Filipino martial arts tech- Filipino martial arts is our sport niques and styles, most are and our art,” he said. Michael and made by amateur filmmakers Lizelle both cited connecting with and lack the quality neces- their Filipino culture as a major sary to bring the Filipino part of their interest in pursuing martial arts to a large audi- the Filipino martial arts (both are ence. Everyone involved in first degree black belts in HTAI filming and producing Voices Arnis and third degree black belts of the Masters believes they VOTM Film Crew in Traditional Taekwondo). have created a film that pays Paul Quinn and Brett McGinnis Lizelle feels that an often- respect to all aspects and styles of of promoting open communication, overlooked group in the world of the Filipino martial arts and appreciation, and respect between martial arts can benefit from honors the Grandmasters and leaders in order to develop a seeing the movie and learning Masters. stronger Filipino martial arts about the Filipino martial arts. “I Something viewers from around the world. However, think that women can really gain a the United States may notice while Hufana said a unified association lot from seeing the movie and from watching Voices of the Masters is seems unlikely because of the getting involved in the Filipino the attitudes of the masters. “I was temperament, nature, pride, cul- martial arts. It’s great for building amazed at how humble the masters ture, and tradition of the Filipinos. confidence and discipline,” she were. Americans beat their chest Hufana remains positive about the said. when they are good at something. future of the Filipino martial arts, “This is the first time the Filipinos sometimes are somewhat and his hope is reinforced by the Filipino martial arts, has been in a reserved about their success and Voices of the Masters project. The well-produced movie,” Michael accomplishments,” McGinnis goal of the movie and the WF- said. “I think Voices of the Masters commented. “I never turned down MAA is to encourage a brother- will really do a great job with a local beer with an FMA Mas- hood between leaders and practi- letting people know that the ter.” tioners of all styles of the Filipino Philippines have a martial art, Hufana started the World martial arts, not to homogenize the too.” Filipino Martial Arts Association combat art or to say that one McGinnis shares the views (WFMAA) in 2003 with the goal system is the best.

Voices of the Masters is the first feature-length film that captures the magic of the Filipino Martial Arts. The film will be available for purchase as a download, on DVD, and Pay-Per-View. Learn more about the film and where to see it at: VoicesoftheMasters.com

42 FMAdigest Note: Voices of the Masters (Warrior Arts of the Philippines) is the new wave in learning about the Filipino martial arts. The FMAdigest has been a source of the Filipino martial arts for the last 7 years in it promotion and promulgation of the Filipino martial arts and the Philippine culture. However in the publishing of Voices of the Masters the promotion and promulgation of the Filipino martial arts and the Philippine culture reaches beyond what anyone can read. To actually, being able to see and hear what the Masters of the Filipino martial arts in their own cultural setting are saying and feeling that they are right there in front of you is to say the least inspiring, motivating, and brings reality to the forefront. The DVD Voices of the Masters has been put together in a most professional manner; not only bring forth information in general about the Masters interviewed and their styles, but also there is a sense of a VoicesoftheMasters.com personal touch as if you are right there with them hearing from them personally their thoughts and fully understanding the attitude for the love of the Filipino martial arts that they have trained, taught and promoted throughout their lives. It is most highly recommended to obtain this DVD and experience this awe-inspiring reality that has brought the Masters of the Philip- pines to you in a manner that one will not forget. There has not been any documentary that can compare with Voices of the Masters DVD. Punong Guro Myrlino P. Hufana along with his crew has done an exceptional job in bring forth this most outstanding documentary and it is hoped that he will bring forth more in the future.

43 15205 Crenshaw Gardena, CA, 90249 (310) 961-1266 The South Bay Filipino Mar- tial Arts Club is a Filipino-American Barangay (Village). If you are Fili- pino, Filipino-American, Filipino-Ha- waiian, Mesteso/Mestesa, Filipino by Marriage, or if you just love all things Filipino you will find our village/club quite welcoming. Our purpose is to ensure that the Filipino American Communities of South Bay of Southern California does not forget its heritage of the traditional fighting arts know as Arnis, Eskrima, Kali of the Philippines. We teach Men’s, Women’s and Children’s classes. We actively support and participate in tournaments. We teach from a street and tournament perspective. We host seminars and support community events. There is a limited number of children’s scholarship available upon application.

www.southbayfmaclub.com

Email [email protected]

44 Speak Up - Speak Out If you haven’t visited the FMA Forum yet, go and sign up at www.fmaforum.org. See you there!

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45 The FMAdigest has been designed to provide access to articles, information, events, news, seminars, techniques, etc… pertinent to the Filipino Martial Arts and the Philippines. The Filipino Martial Arts Digest besides providing information on Filipino martial arts has an online digest which you can subscribe too for Free and comes out quarterly, also with Special Edi- tions that are on particular systems or styles, and Special Issues on events of the Filipino martial arts. Do not miss out! Download past issues and subscribe today so not to miss future issues.

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