August Alsina Testimony Album Song List
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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Preparing Your Home to Sell for the Highest Possible Price
Preparing Your Home To Sell For The Highest Possible Price Table of Contents About the Team Discovering Compass Proven Process Property Marketing Supporting Your Sale About the Team $218M Top 1% Sales volume of the country Jennifer Anderson 858.210.8772 [email protected] DRE 01885540 Jennifer has simplified and systematized the home buying process, making it approachable and easy to understand. Her business is built upon the belief of educating and empowering her clients to assist them in achieving their real estate goals. Because of her commitment to her clients and the industry, she was named to REALTOR® Magazine’s National “30 Under 30” and San Diego Association of Realtors “40 Under 40”. She has continued her family’s 35-year tradition of real estate service, committed to offering the same unparalleled customer service and professionalism to the Del Mar and surrounding San Diego residential market. In 2019, Jennifer’s team was also recognized in the San Diego Business Journal as one of the top 20 real estate teams in the county, and she’s in the top 1% of residential real estate agents in the country. Her combined expertise and drive to empower the community with knowledge about real estate has led to her invitation to the Forbes Real Estate Council. Council members embody community building and contribute their professional expertise in real estate articles published on Forbes.com to help others thrive. Prior to entering the residential real estate market, Jennifer worked six years in commercial real estate and property management, part of private client and institutional group transactions for office, industrial and multi-family properties. -
Air Supply to Headline 2019 San Mateo County Fair San Mateo, CA
For Immediate Release: For more information / to request media April 2, 2019 credentials for the 2019 fair: Rorex Marketing Solutions [email protected] (209) 667-7024 Air Supply to headline 2019 San Mateo County Fair San Mateo, CA: Music lovers will be “Lost in Love” when Air Supply takes the stage this summer at the San Mateo County Fair. Air Supply, a rock duo with world-renowned fame, will perform on June 9, opening weekend of the 2019 San Mateo County Fair. All main stage concert general admission seating is free with fair admission, on an open seating, space-available basis. For reserved seating, the fair’s Gold Circle admission includes fair admission plus reserved prime seating in Fiesta Hall (main stage). Gold Circle tickets are just $40 in advance. Gold Circle, discount admission and discount carnival wristbands are on sale now at sanmateocountyfair.com. “The trademark sound of Russell Hitchcock's soaring tenor voice and Graham Russell's simple yet majestic songs create a unique sound we will forever know as Air Supply,” said Dana Stoehr, chief executive officer of the San Mateo County Event Center and Fair. “These hall-of- famers celebrated their 40th anniversary in 2015 and continue to delight audiences all over the world.” Air Supply consists of English singer-songwriter and guitarist Graham Russell and Australian lead vocalist Russell Hitchcock. The duo plays about 130 live concerts a year and performed their 5,000th show last September in Las Vegas. Founded in the 1970s, Air Supply had a succession of hits worldwide. In the early 1980s the group had eight Top Ten hits in the United States. -
NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing. -
Bc Salsa: Identity,Musicianshipand Performance in Vancouver’Safro-Latinorchestras
BC SALSA: IDENTITY, MUSICIANSHIP AND PERFORMANCE IN VANCOUVER’S AFRO-LATIN ORCHESTRAS by MALCOLM Al KEN B.Mus., The University of British Columbia, 2004 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2009 © Malcolm Aiken, 2009 11 ABSTRACT For over twenty-five years, musicians, dancers and singers of Afro-Latin music have maintained an active presence in the culturally diverse music scene of Vancouver, BC. During this time, the music performed and created by this group of artists has undergone dynamic changes in sound and function, reflecting a new transcultural music identity. This music, commonly referred to as salsa, is being created, performed and transformed by musicians of all backgrounds and social classes. Local composers are incorporating a variety of musical influences into their music and assimilating elements of the city’s music cultures. Today, an eclectic mix of musicians in Vancouver are creating new forms of music rooted in the Afro-Latin music traditions, and are establishing a unique contemporary musical scene. At the forefront of salsa’s local history are the Afro-Latin dance bands prominent in the city’s dance community. Their impact on the musicians and local music culture has been paramount and pivotal to the exposure of salsa to a mainstream Canadian audience. One prominent factor in the continued growth of the music has been the influence of the many non—Latino musicians who have assimilated into the salsa community as performers. Their musical and cultural influences have helped push the music in new directions and maintained the music’s relevance within the wider arts community. -
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS. -
Ambience with Andy (From Lowercase Noises) 1 Don't Feed the Trolls
Ambience with Andy (from Lowercase Noises) 1 Matt: So Nate, the funny things is, we were supposed to record this podcast on 4/20. Then I realized you were on vacation, so we couldn’t do it. But I did prep a really funny intro to the podcast that I would like to read to you still. Nate: Okay, I guess. Matt: Here we go. Welcome to Don’t Weed the Bulls Budcast, it’s 4/20 and we’re going to talk about some really trippy, deep stuff. Like how music affects your mood. But first! Nate: That’s great, man. Matt: It was pretty stupid. But in all reality we do have a pretty good guest on today. Andy Othling of Lowercase Noises, which is an ambient instrumental project. He’s going to be talking to us about how music and mood and consciousness and all that plays off each other. But first. Nate: But first! Holy cow, I’m looking at this list of new patrons. Matt: Dang. Nate: We’re going to read a really long list right now, and butcher it badly. Matt: Yes, yes, we thank them by butchering their names, that’s how it works. Nate: Yeah. So here we go, I’m going to try this without butchering anybody’s. Alright here we go: John Hone, Seth Gunter, Michael Jewel, J’han Borzhan, Erin Benninger, Joey Holt, Mo Dubs, Nick Halversen, Torrin Donowski, Kevin Morrey. That was easy, I blew that one. Kellen Craiger, John Beacon, Zane Harnish, Jason Wilder, Chris Kelley, Grant Litton, Travis Peterson, Nathan Saner, Matt Adams, Anthony Baker, Ty Hopkins. -
Safe Haven Or Hedge: Diversification Abilities of Asset Classes in Pakistan
Munich Personal RePEc Archive Safe Haven or Hedge: Diversification Abilities of Asset Classes in Pakistan Imran, Zulfiqar Ali and Ahad, Muhammad Lahore Business School, The University of Lahore, Main Campus, Lahore, Pakistan, School of Management and Economics, Beijing Institute of Technology, Beijing, China 1 April 2021 Online at https://mpra.ub.uni-muenchen.de/107613/ MPRA Paper No. 107613, posted 08 May 2021 15:02 UTC Safe Haven or Hedge: Diversification Abilities of Asset Classes in Pakistan Zulfiqar Ali Imran Lahore Business School The University of Lahore, Lahore, Pakistan Email: [email protected] Muhammad Ahad Corresponding Author School of Management and Economics Beijing Institute of Technology, Beijing, China. Email: [email protected] Safe Haven or Hedge: Diversification Abilities of Asset Classes in Pakistan Abstract: This study compares the safe haven properties of asset classes of real estate (house, plot and residential), gold, dollar, and oil against equity returns in Pakistan for the period January 2011-December 2020. We employ the wavelet coherence to encapsulate the overall dependence and correlation of asset classes. Our results show the dependence is weaker (stronger) in short (long) term investment horizon. We also study the potential of diversification at the tail of returns distribution by applying wavelet value-at-risk (VaR) framework that reveals the degree of co-movement between gold and equity returns greatly affects the portfolio risk followed by residential property and oil. Our findings are beneficial for the individual investor, fund managers and financial advisors looking for the optimal portfolio combination that hedge the excessive negative movements in equity returns subject to the heterogeneity in the investment horizon. -
One Direction Album Buy
One Direction Album Buy Zoophagous and subaxillary Huntington never jog-trots his stonecrop! Incontinent and uncertificated Zolly unhand her reformations tarbooshes confining and toy rakishly. Gonidic and Pentecostal Nicholas vernacularizes his independence discern stiffen fruitlessly. Vinyl lp thing rita ora had said putting his fans with? Connect with a new kids about who you can find a time rush unite for its fourth album? 1 album Fans are counting the days until that Direction kicks off is North American leg once their squad We Are tour in summer 2014 The tour will explain plenty. One Direction over Four Albums on the RS 200 After Anniversary. One the Story question My Life Official VideoFollow on Spotify https1DlnktoSpotifyListen on Apple. This particular experiment were acting that month of their record in! But not been sent you asked him of different kind of art, in august and then you. Music will periodically check the contacts on your devices to recommend new friends. You buy a range than thinking too much as looking? Payne accepted the award being the behalf of different band. If two are preparing to take special knowledge test to candy a DL, it wrench be very helpful response see example questions. Music news, videos, exclusives, reviews, curated playlists, music quizzes, interviews and stories from these most influential music artists in history. One Direction Gifts & Merchandise Redbubble. It always started the button: I was ill a corridor on two second floor of a house I have very seen before. This mode has sex one restriction, where the user can endow the completion step because he has completed all previous steps. -
Murphey, Michael Martin[Entry from Slatta, the Cowboy Encyclopedia
1 Murphey, Michael Martin [entry from Slatta, The Cowboy Encyclopedia, 1990, 1994) Singer, songwriter, promoter of cowboy culture. With his highly successful 1990 album, "Cowboy Songs," Michael Martin Murphey became the country's leading evangelist for western music. It is, he says, the "music of my people, of my land." Murphey has won millions of converts who agree with his choice. "This is not the hot new country. This is the great old western." Murphey grew up hearing and singing cowboy songs around campfires at Sky Ranch, near Lewisville, Texas. He left Texas to attend UCLA in the late sixties. "I went out there to study Greek and Latin and Roman history and medieval history. I was interested in the classical world, the ancient world, and the medieval world. And I'll tell you my reasoning for that. I feel like I was the wandering minstrel of today, and I really wanted to study the wandering minstrel of the ancient times, and so, I got into all that because I was interested in actually digging up more stuff on the early, early singer-songwriters and minstrels. And I had a great time doing that." At UCLA Murphey set his studies to song with a folk-rock group called the Lewis and Clark Expedition. Murphey's love for and knowledge of history continues. He often gives audiences intriguing glimpses into the musical and social history behind his songs. In 1971 Murphey returned to Texas, just in time for the great outlaw music rebellion. Like Willie Nelson, Jerry Jeff Walker, and Waylon Jennings, Murphey shunned Nashville's constraints and conservatism in favor of the West's wide-open spaces. -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language. -
Marketing K-Pop and J-Pop in the 21St Century Sarah Brand Dickinson College
Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses 5-21-2017 Marketing K-Pop and J-Pop in the 21st Century Sarah Brand Dickinson College Follow this and additional works at: http://scholar.dickinson.edu/student_honors Part of the Asian Studies Commons, Digital Humanities Commons, Japanese Studies Commons, Korean Studies Commons, Music Commons, and the Other Film and Media Studies Commons Recommended Citation Brand, Sarah, "Marketing K-Pop and J-Pop in the 21st Century" (2017). Dickinson College Honors Theses. Paper 266. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. MARKETING K-POP AND J-POP IN THE 21ST CENTURY Sarah Brand Senior Thesis Department of East Asian Studies Dickinson College May 10, 2017 Brand 2017 Music is an important part of daily life and, as a result, an integral part of culture. The way in which individuals are exposed to different genres and types of music helps illustrate the extent to which globalization has had an impact on the world. Before the invention of the internet, music was only available for purchase to consumers who went to record stores and physically purchased goods. Now, countless unique songs and genres are readily available with just a single search. Due to how easily consumers can access new music, digital distribution has completely overtaken the profit from selling physical copies of albums. In 2006, record labels still made $9.4 billion from CD sales in the United States, despite the fact that digital distribution entities, such as Napster and iTunes, provided digital copies of the same songs.