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L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie. -
Air Supply to Headline 2019 San Mateo County Fair San Mateo, CA
For Immediate Release: For more information / to request media April 2, 2019 credentials for the 2019 fair: Rorex Marketing Solutions [email protected] (209) 667-7024 Air Supply to headline 2019 San Mateo County Fair San Mateo, CA: Music lovers will be “Lost in Love” when Air Supply takes the stage this summer at the San Mateo County Fair. Air Supply, a rock duo with world-renowned fame, will perform on June 9, opening weekend of the 2019 San Mateo County Fair. All main stage concert general admission seating is free with fair admission, on an open seating, space-available basis. For reserved seating, the fair’s Gold Circle admission includes fair admission plus reserved prime seating in Fiesta Hall (main stage). Gold Circle tickets are just $40 in advance. Gold Circle, discount admission and discount carnival wristbands are on sale now at sanmateocountyfair.com. “The trademark sound of Russell Hitchcock's soaring tenor voice and Graham Russell's simple yet majestic songs create a unique sound we will forever know as Air Supply,” said Dana Stoehr, chief executive officer of the San Mateo County Event Center and Fair. “These hall-of- famers celebrated their 40th anniversary in 2015 and continue to delight audiences all over the world.” Air Supply consists of English singer-songwriter and guitarist Graham Russell and Australian lead vocalist Russell Hitchcock. The duo plays about 130 live concerts a year and performed their 5,000th show last September in Las Vegas. Founded in the 1970s, Air Supply had a succession of hits worldwide. In the early 1980s the group had eight Top Ten hits in the United States. -
Ontong Java and Kerguelen Plateaux: Cretaceous Icelands?
Journal of the Geological Society, London, Vol. 152, 1995, pp. 1047-1052, 4 figs. Printed in Northern Ireland Ontong Java and Kerguelen Plateaux: Cretaceous Icelands? M. F. COFFIN & L.M. GAHAGAN Institute for Geophysics, The University of Texas at Austin, 8701 North Mopac Expressway, Austin, Texas 78759-8397, USA Abstract: Together with Iceland, the two giant oceanic plateaux, Ontong Java in the western Pacific and Kerguelen/Broken Ridge in the Indian Ocean, are accumulations of mafic igneous rock which were not formed by 'normal' seafloor spreading. We compare published geochronological, crustal structure, and subsidence results with tectonic fabric highlighted in new satellite-derived free-air gravity data from the three igneous provinces, and conclude that existing evidence weighs lightly against the Ontong Java and Kerguelen plateaux originating at a seafloor spreading centre. Keywords: Iceland, Ontong Java Plateau, Kerguelen Plateau, plumes, hot spots. The two giant oceanic plateaux, Ontong Java in the western Age constraints Pacific, and Kerguelen in the south-central Indian Ocean (Fig. 1), and Iceland are among the best-studied examples of The vast bulk of crust in the ocean basins is dated using large-scale mafic magmatism not resulting solely from magnetic anomalies created by the interplay between the 'normal' seafloor spreading. Analogues on the continents, seafloor spreading process and the alternating polarity of the continental flood basalts, are demonstrably not created by Earth's magnetic field. Mesozoic and Cenozoic marine seafloor spreading, although controversy persists as to magnetic anomalies, summarized globally by Cande et al. whether or not lithospheric extension must precede their (1989), are most commonly tied to geological time through emplacement. -
NEW MUSIC on COMPACT DISC 4/16/04 – 8/31/04 Amnesia
NEW MUSIC ON COMPACT DISC 4/16/04 – 8/31/04 Amnesia / Richard Thompson. AVRDM3225 Flashback / 38 Special. AVRDM3226 Ear-resistible / the Temptations. AVRDM3227 Koko Taylor. AVRDM3228 Like never before / Taj Mahal. AVRDM3229 Super hits of the '80s. AVRDM3230 Is this it / the Strokes. AVRDM3231 As time goes by : great love songs of the century / Ettore Stratta & his orchestra. AVRDM3232 Tiny music-- : songs from the Vatican gift shop / Stone Temple Pilots. AVRDM3233 Numbers : a Pythagorean theory tale / Cat Stevens. AVRDM3234 Back to earth / Cat Stevens. AVRDM3235 Izitso / Cat Stevens. AVRDM3236 Vertical man / Ringo Starr. AVRDM3237 Live in New York City / Bruce Springsteen & the E Street Band. AVRDM3238 Dusty in Memphis / Dusty Springfield. AVRDM3239 I'll be around : and other hits. AVRDM3240 No one does it better / SoulDecision. AVRDM3241 Doin' something / Soulive. AVRDM3242 The very thought of you: the Decca years, 1951-1957 /Jeri Southern. AVRDM3243 Mighty love / Spinners. AVRDM3244 Candy from a stranger / Soul Asylum. AVRDM3245 Gone again / Patti Smith. AVRDM3246 Gung ho / Patti Smith. AVRDM3247 Freak show / Silverchair. AVRDM3248 '60s rock. The beat goes on. AVRDM3249 ‘60s rock. The beat goes on. AVRDM3250 Frank Sinatra sings his greatest hits / Frank Sinatra. AVRDM3251 The essence of Frank Sinatra / Frank Sinatra. AVRDM3252 Learn to croon / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3253 It's all so new / Frank Sinatra & Tommy Dorsey and his orchestra. AVRDM3254 Film noir / Carly Simon. AVRDM3255 '70s radio hits. Volume 4. AVRDM3256 '70s radio hits. Volume 3. AVRV3257 '70s radio hits. Volume 1. AVRDM3258 Sentimental favorites. AVRDM3259 The very best of Neil Sedaka. AVRDM3260 Every day I have the blues / Jimmy Rushing. -
Connecting the Deep Earth and the Atmosphere
In Mantle Convection and Surface Expression (Cottaar, S. et al., eds.) AGU Monograph 2020 (in press) Connecting the Deep Earth and the Atmosphere Trond H. Torsvik1,2, Henrik H. Svensen1, Bernhard Steinberger3,1, Dana L. Royer4, Dougal A. Jerram1,5,6, Morgan T. Jones1 & Mathew Domeier1 1Centre for Earth Evolution and Dynamics (CEED), University of Oslo, 0315 Oslo, Norway; 2School of Geosciences, University of Witwatersrand, Johannesburg 2050, South Africa; 3Helmholtz Centre Potsdam, GFZ, Telegrafenberg, 14473 Potsdam, Germany; 4Department of Earth and Environmental Sciences, Wesleyan University, Middletown, Connecticut 06459, USA; 5DougalEARTH Ltd.1, Solihull, UK; 6Visiting Fellow, Earth, Environmental and Biological Sciences, Queensland University of Technology, Brisbane, Queensland, Australia. Abstract Most hotspots, kimberlites, and large igneous provinces (LIPs) are sourced by plumes that rise from the margins of two large low shear-wave velocity provinces in the lowermost mantle. These thermochemical provinces have likely been quasi-stable for hundreds of millions, perhaps billions of years, and plume heads rise through the mantle in about 30 Myr or less. LIPs provide a direct link between the deep Earth and the atmosphere but environmental consequences depend on both their volumes and the composition of the crustal rocks they are emplaced through. LIP activity can alter the plate tectonic setting by creating and modifying plate boundaries and hence changing the paleogeography and its long-term forcing on climate. Extensive blankets of LIP-lava on the Earth’s surface can also enhance silicate weathering and potentially lead to CO2 drawdown (cooling), but we find no clear relationship between LIPs and post-emplacement variation in atmospheric CO2 proxies on very long (>10 Myrs) time- scales. -
Lost Spoiler Practices: Online Interaction As Social Participation
. Volume 11, Issue 2 November 2014 Lost spoiler practices: Online interaction as social participation Ödül Gürsimsek and Kirsten Drotner Institute for the Study of CultureMedia Studies, University of Southern Denmark Abstract: The American television network ABC’s serialized drama Lost (2004-10) is a key example of recent media culture where both viewers and producers utilize a range of digital media tools to advance the narrative: producers through transmedia storytelling strategies and the creation of complex narratives, and viewers through tracing, dismantling – and sometimes questioning – content in order to create coherent meanings in the maze of narratives. Online audiences, such as spoiler communities, may uncover components of transmedia storytelling, discuss their validity and enhance them with individual and collective content production, thus negotiating purposes and interpretive practices with producers and amongst themselves. Through critical discourse analysis of key instances where the Lost community collaborates over resources beyond the official Lost transmedia narratives, this article argues and documents that interactions between Lost audiences and producers operate as forms of social participation when spoiler-seeking audiences work to unravel, challenge and predict the narrative while the producers seek to orchestrate transmedia storytelling experiences. Our results serve as a sobering empirical critique of the more celebratory claims made about the emancipatory potentials of participatory online practices. Keywords: -
Steve Discog Long
Artist Title Label Function A-ha The Sun Always Shines On TV Warner Additional Production, Mixing A-ha Train of Thought WEA Int. Remixing Alice Cooper Trash Epic Mixing Alice Cooper Life and Crimes Of Alice Cooper (4 CD set) Rhino Mixing Alphaville Afternoons In Utopia Atlantic Producer Alphaville Singles Collection Atlantic Producer, Mixing Alphaville First Harvest: The Best Of Alphaville 1984-1992 WEA Producer, Remixing Alphaville Alphaville Amiga Producer Anderson/Bruford/Wakeman/Howe Anderson Bruford Wakeman Howe Arista Mixing Anderson/Bruford/Wakeman/Howe Brother Of Mine (#1) Arista Mixing Anderson/Bruford/Wakeman/Howe Brother Of Mine (#2) Atlantic Mixing Anderson/Bruford/Wakeman/Howe Order Of The Universe Arista Mixing Anderson/Bruford/Wakeman/Howe Quartet (I'm Alive) Atlantic Mixing Animotion I Engineer Mercury Mixing Anthrax Persistence Of Time Megaforce/Island Mixing Anthrax Attack of the Killer B's (Clean) Island Mixing Anthrax Attack of the Killer B's Island Mixing Anthrax Anthrax Live: The Island Years Island Producer, Mixing Anthrax N.F.V.:Oidivnikufesin (Clean) Polygram Engineer Anthrax Return Of The Killer A's: The Best Of Anthrax Beyond Mixing Anthrax Universal Masters Collection Island Mixing Anthrax Anthrology: No Hit Wonders 1985-1991 Island Mixing Anthrax Got The Time (Picture disc) Island/Megaforce Mixing APB Something to Believe In Link Producer Apollonia The Same Dream Warner Remixing Aretha Franklin Who's Zooming Who Arista Additional Production, Mixing Aretha Franklin Aint Nobody Ever Loved You Arista Remixing -
Future Accreted Terranes: a Compilation of Island Arcs, Oceanic Plateaus, Submarine Ridges, Seamounts, and Continental Fragments” by J
Open Access Solid Earth Discuss., 6, C1212–C1222, 2014 www.solid-earth-discuss.net/6/C1212/2014/ Solid Earth © Author(s) 2014. This work is distributed under Discussions the Creative Commons Attribute 3.0 License. Interactive comment on “Future accreted terranes: a compilation of island arcs, oceanic plateaus, submarine ridges, seamounts, and continental fragments” by J. L. Tetreault and S. J. H. Buiter J. L. Tetreault and S. J. H. Buiter [email protected] Received and published: 30 October 2014 Response to Review C472: M. Pubellier I thank M. Pubellier for his in-depth review; the suggestions are very constructive and have truly improved the manuscript. I will first reply to the review letter below, and then to points in the supplement that need further explanation/discussion. Otherwise, if the point is not addressed, it has simply been corrected. In the review letter, the reviewer writes: I agree with most of the results presented in this paper but I regret a bit that the empha- C1212 sis was a bit too much on ancient examples (except the Solomon Islands and Taiwan that has been just mentioned). The authors could give more attention to the recent examples such as Southeast Asia. I have suggested some examples (which of course are those I know well) for reference; but there are others. I am sorry to have put some references of papers for which I participated but it is just for the sake of discussion. I think some examples of recent tectonics bring elements in this interesting discussion. The reviewer comments that my paper is quite heavy on ancient examples of accreted terranes, and I admit, now looking back on my review, that it was done so, albeit sub- consciously. -
Nouveautés - Mai 2019
Nouveautés - mai 2019 Animation adultes Ile aux chiens (L') (Isle of dogs) Fiction / Animation adultes Durée : 102mn Allemagne - Etats-Unis / 2018 Scénario : Wes Anderson Origine : histoire originale de Wes Anderson, De : Wes Anderson Roman Coppola, Jason Schwartzman et Kunichi Nomura Producteur : Wes Anderson, Jeremy Dawson, Scott Rudin Directeur photo : Tristan Oliver Décorateur : Adam Stockhausen, Paul Harrod Compositeur : Alexandre Desplat Langues : Français, Langues originales : Anglais, Japonais Anglais Sous-titres : Français Récompenses : Écran : 16/9 Son : Dolby Digital 5.1 Prix du jury au Festival 2 cinéma de Valenciennes, France, 2018 Ours d'Argent du meilleur réalisateur à la Berlinale, Allemagne, 2018 Support : DVD Résumé : En raison d'une épidémie de grippe canine, le maire de Megasaki ordonne la mise en quarantaine de tous les chiens de la ville, envoyés sur une île qui devient alors l'Ile aux Chiens. Le jeune Atari, 12 ans, vole un avion et se rend sur l'île pour rechercher son fidèle compagnon, Spots. Aidé par une bande de cinq chiens intrépides et attachants, il découvre une conspiration qui menace la ville. Critique presse : « De fait, ce film virtuose d'animation stop-motion (...) reflète l'habituelle maniaquerie ébouriffante du réalisateur, mais s'étoffe tout à la fois d'une poignante épopée picaresque, d'un brûlot politique, et d'un manifeste antispéciste où les chiens se taillent la part du lion. » Libération - La Rédaction « Un conte dont la splendeur et le foisonnement esthétiques n'ont d'égal que la férocité politique. » CinemaTeaser - Aurélien Allin « Par son sujet, « L'île aux chiens » promet d'être un classique de poche - comme une version « bonza? de l'art d'Anderson -, un vertige du cinéma en miniature, patiemment taillé. -
CHAPTER 2 Aseismic Ridges of the Northeastern Indian Ocean
CHAPTER 2 Aseismic ridges of the northeastern Indian Ocean 2.1 Evolution of the Indian Ocean 2.2 Major Aseismic Ridges 2.2.1 The Ninetyeast Ridge 2.2.2 The Chagos-Laccadive Ridge 2.2.3 The 85°E Ridge 2.2.4 The Comorin Ridge 2.2.5 The Broken Ridge 2.3 Other Major Structural Features 2.3.1 The Kerguelen Plateau 2.3.2 The Elan Bank 2.3.3 The Afanasy Nikitin seamount Chapter 2 Aseismic ridges of the northeastern Indian Ocean 2.1 Evolution of the Indian Ocean The initiation of the Indian Ocean commenced with the breakup of the Gondwanaland super-continent into two groups of continental masses during the Mesozoic period (Norton and Sclater, 1979). The first split of the Gondwanaland may possibly have associated with the Karoo mega-plume (Lawver and Gahagan, 1998). Followed by this rifting phase, during the late Jurassic, the Mozambique and Somali basins have formed by seafloor spreading activity of series of east-west trending ridge segments. Thus, the Gondwanaland super-continent divided into western and eastern continental blocks. The Western Gondwanaland consisted of Africa, Arabia and South America, whereas the East Gondwanaland consisted of Antarctica, Australia, New Zeeland, Seychelles, Madagascar and India-Sri Lanka (Figure 2.1). After initial break-up, the East Gondwanaland moved southwards from the West Gondwanaland and led to gradual enlargement of the intervening seaways between them (Bhattacharya and Chaubey, 2001). Both West and East Gondwanaland masses have further sub-divided during the Cretaceous period. Approximate reconstructions of continental masses of the Gondwanaland from Jurassic to Present illustrating the aforesaid rifting events are shown in Figure 2.1 (Royer et al., 1992). -
The Korean Wave 2007
THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2007 THE KOREAN WAVE AS VIEWED THROUGH THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS This booklet is a collection of 65 articles selected by Korean Cultural Service New York from articles on Korean culture by The New York Times in 2007. THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2007 First edition, March 2008 Edited & published by Korean Cultural Service New York 460 Park Avenue, 6th Floor, New York, NY 10022 Tel: 212 759 9550 Fax: 212 688 8640 Website: http://www.koreanculture.org E-mail: [email protected] Copyright©2008 by Korean Cultural Service New York All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. From the New York Times © 2007 The New York Times All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of the Material without express written permission is prohibited. Cover & text design by Jisook Byun Printing & binding by Karis Graphic Corp. Printed in New York Korean Cultural Service New York CONTENTS FOREWORD DANCE&THEATER The Korean Wave and American Views of Korea, Yesterday and Today 008 KO–ryO DANCE Theater 081 The Korean Wave: Last Year, Twenty–five Years Ago 012 A Contest for the World, Led by South Koreans 082 With Crews, And Zoos, A B–Boy World 084 MOVIES Jump 087 Tazza 017 FILM 018 FOOD It Came From the River, Hungry for Humans (Burp) 019 Koreans Share Their Secret for Chicken With a Crunch 089 Asian–American Theaters Plan New Festival 021 Heated Competition. -
The Kerguelen Plateau and Broken Ridge, Southern Indian Ocean
EPSL ELSEVIER Earth and Planetary Science Letters 176 (2000) 73-89 — www.elsevier.com/locate/epsl Origin and evolution of a submarine large igneous province: the Kerguelen Plateau and Broken Ridge, southern Indian Ocean F.A. Freya’*, M.F. Coffinb, P.J. Wallace0, D. Weisd, X. Zhaoe, S.W. Wise Jr.f, V. Wähnertg, D.A.H. Teagleh, P.J. Saccocia1, D.N. Reuschf M.S. Pringlek, K.E. Nicolaysena, C.R. Neal1, R.D. Müllerm, C.L. Moore11, J.J. Mahoney0, L. Keszthelyip, H. Inokuchiq, R.A. Duncanr, H. Deliuss, J.E. Damuthf D. Damascenod, H.K. Coxallu, M.K. Borrev, F. Boehmw, J. Barlingx, N.T. Arndty, M. Antretter2 a Deptartment of Earth, Atmospheric and Planetary Sciences, Massachusetts Institute of Technology, 77 Massachusetts Ave., Cambridge, M A 02139, USA b Institute for Geophysics, University o f Texas at Austin, 4412 Spicewood Springs Road, Bldg. 600, Austin, T X 78759-8500, USA c Ocean Drilling Program, Texas A and M University, 1000 Discovery Drive, College Station, T X 77845, USA d Dépt. des Sciences de la Terre et de L ’Environnement, Université Libre de Bruxelles, C.P. 160102, Avenue F.D. Roosevelt 50, Bruxelles 1050, Belgium e Institute of Tectonics and Earth Sciences Department, University of California, 1156 High Street, Santa Cruz, CA 95064, USA f Department o f Geology, 4100, Florida State University, Carr away Bldg., Tallahassee, FL 32306-4100, USA g Museum für Naturkunde, Institut für Paläontologie, Invalidenstr. 43, Berlin 10115, Germany h School of Ocean and Earth Science, Southampton Oceanography Centre, University of Southampton,