Planning Your Album from Beginning to End
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Accessible Information Working Group
Make it Easy: A guide to preparing Easy to Read Information These guidelines were prepared by the Accessible Information Working Group: Rozanne Barrow, Maura Bolger, Frances Casey, Sarah Cronin, Teresa Gadd, Karen Henderson, Aine Ní Aileagáin, Stephanie O'Connor, Deirdre O‟Donoghue, Adeline Quinn and Grainne Tinney. The group would like to sincerely thank Michael Foley, who edited this guide. The group would also like to thank Linda Ryan for her artwork on the cover of this guide. Thanks to the following organisations, groups and individuals for their time, advice and support: Ability West Beaumont Hospital St Michaels House HSE Disability Services Inclusion Ireland Brothers of Charity SE Stewarts Care Prosper Fingal Cheeverstown The National Federation of Voluntary Bodies 2 Make it Easy: A guide to preparing Easy to Read Information Table of Contents Table of Contents ............................................................................................ 3 Foreword ......................................................................................................... 4 Introduction ...................................................................................................... 5 Section 1: Principles of making Easy to Read....................................................7 Section 2: Using Easy to Read .................................................................... ..10 Section 3: Preparing Easy to Read documents ............................................. 13 Section 4: Writing Easy to Read ................................................................... -
A Case Study of the Timberland Corporation Jesse Levin
University of Richmond UR Scholarship Repository Honors Theses Student Research 1998 Transforming corporations to transform society : a case study of the Timberland Corporation Jesse Levin Follow this and additional works at: https://scholarship.richmond.edu/honors-theses Part of the Leadership Studies Commons Recommended Citation Levin, Jesse, "Transforming corporations to transform society : a case study of the Timberland Corporation" (1998). Honors Theses. 1259. https://scholarship.richmond.edu/honors-theses/1259 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. j UNIVERSITYOF RICHMOND LIBRARIES i 111111111~1mn~~~,~~m1rrn11 Transforming Corporations to Transform Society: A Case Study of the Timberland Corporation By Jesse Levin Jessica Horan Senior Project Jepson School of Leadership Studies University of Richmond Richmond, Virginia May,1998 Transforming Corporations to Transform Society: A Case Study of The Timberland Corporation By Jesse Levin Jessica Horan Senior Project Jepson School of Leadership Studies University of Richmond Richmond, Virginia May 1998 Table of Contents I. Introduction 2 II. Literature Review 5 Historical Perspective 6 Economic Perspective 9 The Emergence of Social Enterprise 12 The Timberland Example 17 A Framework for Social Enterprise 18 III. Methodology 23 Limitations 30 IV. Results 33 Sample Group 36 Question 1. 37 Does Timberland's approach to capacity building facilitate multiple levels of transformation? If so, how? Question 2. 40 If Timberland effects internal transformation, does this change the external environment? If so, how? Question 3. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Tion on the Internet. but Convincing Fans to Actually Buy Their Music Is
FEBRUARY 2005 OK Go records its While on tour in Toronto with the Kaiser Chiefs, the members of OK Go- second album, lead singer/guitarist Damian Kulash, bassist Tim Nordwind, drummer Dan "Oh No," in Malmö, Konopka and guitar/keyboard player Andy Ross -give a video copy of a Sweden, with dance routine for the song "A Million Ways" from their new album to a fan. Tore Johansson. They had teamed with Kulash's sister Trish Sie, a former professional ballroom dancer, to choreograph the number and intended to perform the dance at the end of live shows. In mid -May, the band had filmed one of the rehearsal sessions in the backyard of Kulash's Los Angeles home. OCTOBER 25 2005 The "A Million . Ways" video is featured on VH1's "Best Week Ever" as online views top 1 million. A week later, the band and a Running handful of its fans perform the dance on The band performs "A Million Ways" on "The Tonight Show With Jay "Good Morning Leno," kicking off a media blitz in connection with the album release America," and "A in which they next do the song Sept. 9 on "Mad TV." But despite the Million Ways" tops surging viewership for "A Million Ways," the video is never formally MTVu's countdown Start submitted to MTV or VH1. "We never got a giant push from them to show "The OK Go Jogs Some Serious Digital Sales On Back Of Web Buzz BY BRIAN GARRITY play it. There was just all this hoopla around the Internet activity," says Dean's List." Rick Krim, executive VP of music and talent for VH1. -
Khalid Releases “Otw” Feat. Ty Dolla $Ign & 6Lack Today—Click Here to Listen Khalid Nominated for Five 2018 Billboard
KHALID RELEASES “OTW” FEAT. TY DOLLA $IGN & 6LACK TODAY—CLICK HERE TO LISTEN KHALID NOMINATED FOR FIVE 2018 BILLBOARD MUSIC AWARDS (Los Angeles, CA)—Today, Multi-platinum global superstar Khalid releases a brand-new track entitled “OTW” featuring Ty Dolla $ign and 6lack. The song is available now at all digital retail providers via Right Hand Music Group/RCA Records. Click HERE to listen. This past Tuesday, Khalid appeared on the Today Show (Click HERE) to announce the 2018 Billboard Music Award nominations for which he has been nominated for five awards including Top New Artist, Top R&B Artist, Top R&B Male Artist, Top R&B Album for American Teen, and Top R&B Song for “Young Dumb & Broke.” Khalid’s most recent release “Love Lies” with Keep Cool/RCA Records’ Normani is off to an explosive start having debuted at #43 on the Billboard Hot 100 and it has already received over 200 million streams worldwide since its release on February 14th. The track, which was just certified GOLD by the RIAA, is garnering critical acclaim with MTV calling it “a match made in musical heaven” and The FADER calling it a “slow-burning R&B ballad”. Since its release, the track has racked up over 150 million streams on Spotify alone, and the song’s official video has over 30 million views on YouTube. “Love Lies” also broke the Top 5 on the streaming platform’s US (#2) and Global (#3) Viral Charts. Additionally, Khalid he will be hitting the road again on “The Roxy Tour”, which will be making a number of stops in major cities including Los Angeles, Atlanta, and Philadelphia. -
The Sound of an Album Cover: Probabilistic Multimedia and IR
The Sound of an Album Cover: Probabilistic Multimedia and IR Eric Brochu Nando de Freitas Kejie Bao Department of Computer Science Department of Computer Science Department of Computer Science University of British Columbia University of British Columbia University of British Columbia Vancouver, BC, Canada Vancouver, BC, Canada Vancouver, BC, Canada [email protected] [email protected] [email protected] Abstract We present a novel, flexible, statistical approach to modeling music, images and text jointly. The technique is based on multi-modal mixture mod- els and efficient computation using online EM. The learned models can be used to browse mul- timedia databases, to query on a multimedia database using any combination of music, im- ages and text (lyrics and other contextual infor- mation), to annotate documents with music and images, and to find documents in a database sim- ilar to input text, music and/or graphics files. 1 INTRODUCTION An essential part of human psychology is the ability to Figure 1: The CD cover art for “Singles” by The Smiths. identify music, text, images or other information based on Using this image as input, our querying method returns associations provided by contextual information of differ- the songs “How Soon is Now?” and “Bigmouth Strikes ent media. Think no further than a well-chosen image on Again” – also by The Smiths – by probabilistically cluster- a book cover, which can instantly establish for the reader ing the query image, finding database images with similar the contents of the book, or how the lyrics to a familiar histograms, and returning songs associated with those im- song can instantly bring the song’s melody to mind. -
Mídia, Texto Cultural E Objeto De Memória Rock Album Cover
Capa de disco de rock: mídia, texto cultural e objeto de memória Rock album cover: media, cultural text and object of memory Portada del disco de rock: medio de comunicación, texto cultural y objeto de memoria 636 Herom Vargas70 Resumo Neste artigo, pretendo refletir sobre três aspectos que caracterizam as capas de disco, em especial as do rock britânico e brasileiro entre final dos anos 1960 e início dos 1970: como mídia – em suas imagens e representações e na própria materialidade de objeto; como texto cultural – que articula dimensões semióticas em vários níveis; e como objeto de memória – por traduzir elementos do passado para o presente e seus respectivos processos comunicacionais. Por meio de tais aspectos, busco compreender essa embalagem, cuja função básica é a mediação entre artista, sua música, a gravadora e o ouvinte, sempre atravessado pelas marcas do consumo. Como bases teóricas, serão usadas a semiótica da cultura, a teoria das materialidades na comunicação e os estudos de memória. Palavras-chave capa de disco; rock; mídia; texto cultural; objeto de memória Abstract 7070 Universidade Metodista de São Paulo – UMESP, Brasil [email protected] In this article, I intend to reflect on three aspects that characterize album covers, especially those of British and Brazilian rock between the late 1960s and early 1970s: as media – in their images and representations and in the materiality of the object itself; as a cultural text – which articulates semiotic dimensions at various levels; and as object of memory – by translating elements from the past into the present and their respective communicational processes. Through such aspects, I 637 seek to understand this packaging, whose basic function is the mediation between artist, his music, the label and the listener, always crossed by the brands of consumption. -
Cover Your (Data) Bases What Musicians Need to Know About Music Metadata to Get Paid for Their Music
Cover Your (Data) Bases What musicians need to know about music metadata to get paid for their music Digital download sales, royalties from streaming music services, revenue sharing from YouTube—in addition to physical retail and online retail sales of CDs—all hinge on coded information. It’s important that artists use every means available to establish their connec- tion to their recorded works, and to incorporate into their project all of the essential data tools for selling their recordings. We originally wrote about metadata in 2007; Mike Petillo has done a careful update of this important topic. June 2014 Airshow, Inc www.airshowmastering.com UPC, ISRC, CD Text and Online Music Along with the traditional tracking of physical sales from retail Databases outlets, UPCs are now used to compile sales data on digital down- A lot of the information on a music recording isn’t music. Digital loads; having a UPC assigned for a new release is now mandatory delivery and online sales can’t happen without some coded data, before selling your music online via stores like iTunes and Amazon commonly called “metadata,” which is the information about the MP3. music. The multitude of ways in which fans listen, often across Where does it come from? various devices at home, work, in their cars and on their phones, Allocation of UPCs is officially managed by GS1, a global, non-prof- allow artists new opportunities to share info about their music and it organization that governs manufacturing and supply chain draw listeners closer. standards. In order to receive their own special UPC prefix code, companies must become a member of the organization. -
Television & New Media
Television & New Media http://tvn.sagepub.com/ Here We Go Again: Music Videos after YouTube Maura Edmond Television New Media 2014 15: 305 originally published online 27 November 2012 DOI: 10.1177/1527476412465901 The online version of this article can be found at: http://tvn.sagepub.com/content/15/4/305 Published by: http://www.sagepublications.com Additional services and information for Television & New Media can be found at: Email Alerts: http://tvn.sagepub.com/cgi/alerts Subscriptions: http://tvn.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://tvn.sagepub.com/content/15/4/305.refs.html >> Version of Record - Apr 8, 2014 OnlineFirst Version of Record - Nov 27, 2012 What is This? Downloaded from tvn.sagepub.com at JAMES MADISON UNIV on September 16, 2014 TVN15410.1177/1527476412 465901Television & New MediaEdmond Article Television & New Media 2014, Vol. 15(4) 305 –320 Here We Go Again: Music © The Author(s) 2012 Reprints and permissions: Videos after YouTube sagepub.com/journalsPermissions.nav DOI: 10.1177/1527476412465901 tvn.sagepub.com Maura Edmond1 Abstract At the start of the 2000s, there were dire predictions about the future of music videos. Faced with falling industry profits, ballooning production costs, and music television stations that cared more about ratings, music videos no longer enjoyed the industry support they once had. But as music videos were being sidelined by the music and television industries, they were rapidly becoming integral to online video aggregates and social media sites. The “days of the $600,000 video” might be gone, but in recent years, a new music video culture and economy has emerged. -
Preparing Your Home to Sell for the Highest Possible Price
Preparing Your Home To Sell For The Highest Possible Price Table of Contents About the Team Discovering Compass Proven Process Property Marketing Supporting Your Sale About the Team $218M Top 1% Sales volume of the country Jennifer Anderson 858.210.8772 [email protected] DRE 01885540 Jennifer has simplified and systematized the home buying process, making it approachable and easy to understand. Her business is built upon the belief of educating and empowering her clients to assist them in achieving their real estate goals. Because of her commitment to her clients and the industry, she was named to REALTOR® Magazine’s National “30 Under 30” and San Diego Association of Realtors “40 Under 40”. She has continued her family’s 35-year tradition of real estate service, committed to offering the same unparalleled customer service and professionalism to the Del Mar and surrounding San Diego residential market. In 2019, Jennifer’s team was also recognized in the San Diego Business Journal as one of the top 20 real estate teams in the county, and she’s in the top 1% of residential real estate agents in the country. Her combined expertise and drive to empower the community with knowledge about real estate has led to her invitation to the Forbes Real Estate Council. Council members embody community building and contribute their professional expertise in real estate articles published on Forbes.com to help others thrive. Prior to entering the residential real estate market, Jennifer worked six years in commercial real estate and property management, part of private client and institutional group transactions for office, industrial and multi-family properties. -
The Sociology of Music and Social Distinctions: P!NK's Career As an Example of Social Linkage
Digital Commons @ Assumption University Honors Theses Honors Program 2019 The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage David Cifarelli Assumption College Follow this and additional works at: https://digitalcommons.assumption.edu/honorstheses Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Cifarelli, David, "The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage" (2019). Honors Theses. 49. https://digitalcommons.assumption.edu/honorstheses/49 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Assumption University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. The Sociology of Music and Social Distinctions: P!NK’s Career as an Example of Social Linkage David Cifarelli Faculty Supervisor: Christopher Gilbert, Ph. D Department of English A Thesis Submitted to Fulfill the Requirements of the Honors Program at Assumption College Spring 2019 Cifarelli 1 Introduction Music is extremely social. It is one of the most expressive art forms our society holds. Due this expressive nature, the art of making music can hold many social connotations and directly involve or relate itself to social occurrences, movements and ideals. This intertwined relationship thus allows music to be a conductor of social change by existing and working within these various social constructs. In addition, those involved with the music-making business are, by association, also potential conductors of social change. -
Introduction to Music Theory
Introduction to Music Theory This pdf is a good starting point for those who are unfamiliar with some of the key concepts of music theory. Reading musical notation Musical notation (also called a score) is a visual representation of the pitched notes heard in a piece of music represented by dots over a set of horizontal staves. In the top example the symbol to the left of the notes is called a treble clef and in the bottom example is called a bass clef. People often like to use a mnemonic to help remember the order of notes on each clef, here is an example. Intervals An interval is the difference in pitch between two notes as defined by the distance between the two notes. The easiest way to visualise this distance is by thinking of the notes on a piano keyboard. For example, on a C major scale, the interval from C to E is a 3rd and the interval from C to G is a 5th. Click here for some more interval examples. It is also common for an increase by one interval to be called a halfstep, or semitone, and an increase by two intervals to be called a whole step, or tone. Joe ReesJones, University of York, Department of Electronics 19/08/2016 Major and minor scales A scale is a set of notes from which melodies and harmonies are constructed. There are two main subgroups of scales: Major and minor. The type of scale is dependant on the intervals between the notes: Major scale Tone, Tone, Semitone, Tone, Tone, Tone, Semitone Minor scale Tone, Semitone, Tone, Tone, Semitone, Tone, Tone For example (by visualising a keyboard) the notes in C Major are: CDEFGAB, and C Minor are: CDE♭FGA♭B♭.