Wealth and Hierarchy in the Intermediate Area
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Cambridge University Press 978-1-108-47899-1 — Human Figuration and Fragmentation in Preclassic Mesoamerica Julia Guernsey Index More Information
Cambridge University Press 978-1-108-47899-1 — Human Figuration and Fragmentation in Preclassic Mesoamerica Julia Guernsey Index More Information Index Note: Page entries in italics refer to illustrations. absence, representational, 48, 66, 148–149 bench figures, 153, 154, 155, 157, 163 Monument 2, 42–43 Achaemenid palace reliefs, 158 Benjamin, Walter, 85 Monument 16, 34 adornment, personal, 49, 54, 60, 79–80, Berdan, Frances, 100 Monument 17, 33,34 127–128 Bilbao. See Cotzumalguapa Monument 21, 33, 33 Afanador-Pujol, Angélica, 62 Blackman Eddy, Belize, 56, 82 Water Dancing Group (Monuments 11, 8, Aguateca, 83 Blomster, Jeffrey, 45, 48, 52–53, 60, 65, 14, 15, 6, and 7), 32, 32,42 Ajú Álvarez, Gloria, 121 95–96, 101, 121–122 Chalchuapa, 102 Aldana, Gerardo, 130 Boggs, Stanley, 39 figurines at, 82, 121 Altar de Sacrificios, 119 Borgia Codex, 129 sculpture at, 146 Alvaro Obregón sculpture, 23–24 Borhegyi, Stephan de, 152 Monument 12, 38,39 ancestors and lineage formation, 52, 72, 137, Borić,Dušan, 77 Chapman, John, 96, 104 149–150 Bourdieu, Pierre, 16, 62, 123 Cheetham, David, 49–50, 56, 59 Angulo, Jorge, 32, 34, 43 Bove, Frederick, 119 Chesson, Meredith, 45 animal spirit companion. See human–animal Braakhuis, H. E. M., 88, 92, 128 Chiapa de Corzo, 54, 130 relationship Bradley, Richard, 129 figurines at, 57–58, 93 animals, representation of breath and vocalization Chichén Itzá, 103 birds, 30, 51, 74, 76,77 in iconography of animals, 72–74 Chilam Balam book of Maní, 89 coatimundi, 148, 152 mouths as site of, 19, 40, 62–63, 70–72, Chilam Balam of Chumayel, 88 dogs, 30, 76,77 73–74 China, 132, 134 felines, 76, 80, 81 Brittain, Marcus, 104, 106 Chinchilla, Oswaldo, 103, 110 on pedestal sculpture, 150–152, 154, 156 Bronson, Bennet, 134 Chocolá, Monument 1, 89, 91 on pottery, 77–79 Broom, Donald, 165 Christenson, Allen, 91, 100, 108, 129 serpents, 30 Brown, M. -
The Prehistoric Civilizations of Nuclear America GORDON R
The Prehistoric Civilizations of Nuclear America GORDON R. WILLEY H mwd University INTRODUCTION HE native agricultural civilizations of the New World had their begin- Tnings and their highest development in those areas that have been sub- sumed under the term “Nuclear America” (Kroeber 1948: 779). The desig- nation has both a geographical and a cultural connotation. The areas involved embrace central and southern Mexico, Central America, the north Andes, and Peru. This is the axis of aboriginal high culture in the Americas and, as such, the major center of prehistoric diffusion for the western hemisphere. To the best of our knowledge, it stands clearly apart and essentially independent from the comparable culture core of the Old World. Kroeber (1948: 784-85; 1952:377-95) has suggested the analogy between the American civilizational nucleus of Mexico-Peru and the “Oikoumene” of the Old World. Readapting the old Greek concept of the “inhabited” or civil- ized world (Kroeber 1952:379 and 392), he has defined the Oikoumene for purposes of culture-historical analysis as (‘ . the millennially interrelated higher civilizations in the connected mainland masses of the Eastern hemi- sphere,” and “as ’a great web of culture growth, areally extensive and rich in content.” It is, in effect, a vast diffusion sphere (see Hawkes 1954) interlinked across continents by common cultural content. The comparison with Nuclear America seems particularly apt. In both cases the great historic nexuses have considerable time depth at their centers, and in both they have influenced those cultures marginal to them at relatively later points on the time scale. -
Gold and Power in Ancient Costa Rica, Panama, and Colombia
This is an extract from: Gold and Power in Ancient Costa Rica, Panama, and Colombia Jeffrey Quilter and John W. Hoopes, Editors published by Dumbarton Oaks Research Library and Collection Washington, D.C. © 2003 Dumbarton Oaks Trustees for Harvard University Washington, D.C. Printed in the United States of America www.doaks.org/etexts.html The Political Economy of Pre-Colombian Goldwork: Four Examples from Northern South America Carl Henrik Langebaek Universidad de los Andes Introduction: The Problem ome twenty years ago, Alicia Dussán de Reichel (1979: 41) complained that studies that “set out to place the prehistoric metallurgy of Colombia within a wider context Sof cultural development” were not very numerous. Despite a great deal of research on Pre-Columbian goldwork since, the same observation remains true today. One source of frustration comes from the fact that most archaeologists focus on the study of metallurgy as a goal in itself. Although researchers have produced detailed descriptions about the techno- logical characteristics of Pre-Columbian goldwork (Scott 1981), timelines, definitions of “styles” and “traditions,” as well as correlations among styles across Colombia, Lower Central America, and Ecuador (Bray 1981; 1992a; 1997; Plazas and Falchetti 1983), and identifica- tions of plant and animal species represented in ornaments (Legast 1987), they have rarely placed goldwork within a social context (Looper 1996) or incorporated it in models related to social change. Whatever improvement in the research on Pre-Columbian metal objects there has been, further progress will be limited if it is not aimed at understanding the way societies function and change (Lechtman 1984). -
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Urban, Patricia, Edward Schortman y Marne Ausec 2000 ¿Poder sin límites?: Los acontecimientos políticos durante el Preclásico Medio en el valle de Naco, Honduras. En XIII Simposio de Investigaciones Arqueológicas en Guatemala, 1999 (editado por J.P. Laporte, H. Escobedo, B. Arroyo y A.C. de Suasnávar), pp.901-920. Museo Nacional de Arqueología y Etnología, Guatemala (versión digital). 67 ¿PODER SIN LÍMITES?: LOS ACONTECIMIENTOS POLÍTICOS DURANTE EL PRECLÁSICO MEDIO EN EL VALLE DE NACO, HONDURAS Patricia Urban Edward Schortman Marne Ausec Este ensayo investiga la naturaleza de la complejidad socio-política en el Preclásico Medio (1100-400 AC) en el valle de Naco, al noroeste de Honduras. "Complejidad" es un concepto que consiste de variables cuyas expresiones universales están relacionadas diferencialmente en circunstancias históricas específicas (Feinman y Neitzel 1984; McGuire 1983; de Montmollin 1989; Nelson 1995; Roscoe 1993). Aquí se examinan tres de estas variables según su importancia general para modelar la complejidad y nuestra habilidad de dirigir ciertos aspectos de las variables con la información que tenemos de Naco. La centralización política se refiere hasta qué punto el poder, o la capacidad para ordenar las acciones de otros se concentra en las manos de una sola facción (Balandier 1970; Roscoe 1993:113- 114; Webster 1990). Esta variable se mide por la presencia, dimensión y número de estructuras monumentales (plataformas que tienen por lo menos 1.50 m de altura) fechadas al Preclásico Medio, que se encuentran en los sitios de Naco. El recurso de este criterio se basa en la suposición que el poder mueve a los trabajadores para levantar las estructuras asociadas con los gobernantes aspirantes y los estados que ellos anhelan gobernar. -
Central America
Zone 1: Central America Martin Künne Ethnologisches Museum Berlin The paper consists of two different sections. The first part has a descriptive character and gives a general impression of Central American rock art. The second part collects all detailed information in tables and registers. I. The first section is organized as follows: 1. Profile of the Zone: environments, culture areas and chronologies 2. Known Sites: modes of iconographic representation and geographic context 3. Chronological sequences and stylistic analyses 4. Documentation and Known Sites: national inventories, systematic documentation and most prominent rock art sites 5. Legislation and institutional frameworks 6. Rock art and indigenous groups 7. Active site management 8. Conclusion II. The second section includes: table 1 Archaeological chronologies table 2 Periods, wares, horizons and traditions table 3 Legislation and National Archaeological Commissions table 4 Rock art sites, National Parks and National Monuments table 5 World Heritage Sites table 6 World Heritage Tentative List (2005) table 7 Indigenous territories including rock art sites appendix: Archaeological regions and rock art Recommended literature References Illustrations 1 Profile of the Zone: environments, culture areas and chronologies: Central America, as treated in this report, runs from Guatemala and Belize in the north-west to Panama in the south-east (the northern Bridge of Tehuantepec and the Yucatan peninsula are described by Mr William Breen Murray in Zone 1: Mexico (including Baja California)). The whole region is characterized by common geomorphologic features, constituting three different natural environments. In the Atlantic east predominates extensive lowlands cut by a multitude of branched rivers. They cover a karstic underground formed by unfolded limestone. -
Martin Künne Y Matthias Strecker INTRODUCCION De Todas Las Manifestaciones Culturales Que Han Dejado Los Indígenas De México
Martin Künne y Matthias Strecker INTRODUCCION De todas las manifestaciones culturales que han dejado los indígenas de México y de América Central, los grabados y pinturas rupestres han recibido la menor atención. Aunque las representaciones rupestres pertenecen a los monumentos arqueológicos más visibles, solo raras veces se las incluyó en investigaciones sistemáticas. Desde los primeros informes y noticias de la mitad del siglo XIX se dejó su documentación a menudo a aficionados e investigadores autodidactas. De la misma manera se nota que tampoco la literatura especializada actual toma en cuenta las representaciones rupestres de la región. A pesar de que el recién editado "Handbook of Rock Art Research" (Whitley 2001) comprende cuatro regiones americanas, faltan completamente Mesoamérica y América Central. Por otro lado podemos constatar que muchas documentaciones e informes sobre el arte rupestre centroamericano han sido parciales y hacen difícil una visión del conjunto. Sus enfoques se limitan normalmente a perspectivas descriptivas. Solamente algunas tienen también carácter analítico (A. Stone 1995). Entre los pocos compendios que mencionan representaciones rupestres de México y de América Central están las publicaciones "Rock Art Studies: News of the World I" (Bahn y Fossati 1996) y "Arte Prehistórico de América" (Schobinger 1997). Nuestro libro tiene carácter bibliográfico. Su propósito es ser una guía para la búsqueda de fuentes de información y ofrecer una introducción al estudio sistemático del arte rupestre en el oriente de México y en Centroamérica; ampliando y actualizando la publicación anterior "Rock Art of East Mexico and Central America" (Strecker 1979). Se dirige tanto a especialistas, estudiantes y aficionados como a propietarios o indígenas quienes asuman el rol de "custodios naturales" de sitios con representaciones rupestres. -
Smithsonian Miscellaneous Collections
SMITHSONIAN MISCELLANEOUS COLLECTIONS VOLUME 97. NUMBER 1 PRELIMINARY REPORT ON THE SMITHSONIAN INSTITUTION-HARVARD UNIVERSITY ARCHEOLOGICAL EXPEDITION TO NORTHWESTERN HONDURAS, 1936 (With 16 Plates) BY WILLIAM DUNCAN STRONG Anthropologist, Bureau of American Ethnology ALFRED KIDDER II Peabody Museum, Harvard University AND A. J. DREXEL PAUL, JR. Peabody Museum, Harvard University (Publication 344S) CITY OF WASHINGTON PUBLISHED BY THE SMITHSONIAN INSTITUTION JANUARY 17, 1938 ^'ytk w •, bo a. -x: tn>: .S U I- rt y ll < t^ z in tn LJ u IT Q. SMITHSONIAN MISCELLANEOUS COLLECTIONS VOLUME 97, NUMBER 1 PRELIMINARY REPORT ON THE SMITHSONIAN INSTITUTION-HARVARD UNIVERSITY ARCHEOLOGICAL EXPEDITION TO NORTHWESTERN HONDURAS, 1936 (With 16 Plates) BY WILLIAM DUNCAN STRONG Anthropologist, Bureau of American Ethnology ALFRED KIDDER II Peabody Museum, Harvard University AND A. J. DREXEL PAUL, JR. Peabody Museum, Harvard University (PUBLICATIOK 3445) CITY OF WASHINGTON PUBLISHED BY THE SMITHSONIAN INSTITUTION JANUARY 17, 1938 BALTIMORE, UD., U. B, A. CONTENTS PAGE Introduction i Brief geographic setting 2 Ethnic and linguistic background 8 Early historic contacts in northwestern Honduras 19 Archeological explorations 27 Chamelecon River 27 Naco 27 Las Vegas 34 Tres Piedras 35 Other sites 2>7 Ulua and Comayagua Rivers 39 Las Flores Bolsa 39 Santa Rita (farm 17 ) 45 Playa de los Muertos (farm 11) 62 Other sites 76 North end of Lake Yojoa 76 Aguacate and Aguatal 80 La Ceiba 90 Site I 91 Site 2 94 Site 3 99 Causeway and " canal " near Jaral 100 Pyramids and stone statues near Los Naranjos 102 Excavations on the northern border of Los Naranjos 105 The older horizon at Los Naranjos iii Other sites 115 Summary and tentative conclusions 118 Literature cited 125 Explanation of plates 127 ILLUSTRATIONS PLATES PAGE 1. -
Género Y Arqueología En Mesoamérica Homenaje A
1 2 Género y Arqueología en Mesoamérica Homenaje a Rosemary A. Joyce María J. Rodríguez-Shadow Susan Kellogg Editoras Colección Estudios de Género Serie Antropología de las Mujeres CENTRO DE ESTUDIOS DE ANTROPOLOGÍA DE LA MUJER 3 CENTRO DE ESTUDIOS DE ANTROPOLOGÍA DE LA MUJER www.ceam.mx Consejo Editorial Ana Esther Koldorf, Universidad Nacional de Rosario, Argentina Arabel Fernández López, Museo Cao, Perú Beatriz Barba, DEAS-INAH, México Conchita Añorve-Tschirgi, American University in Cairo, Egipto Fred Hicks, University of Louisville, Estados Unidos Geoffrey McCafferty, University of Calgary, Canada Lilia Campos Rodríguez, Benemérita Universidad Autónoma de Puebla, México Lourdes Prados, Universidad Autónoma de Madrid, España Nicolas Balutet, Universidad Jean Moulin, Francia Nilda Stecanela, Universidad de Caixas do Sul, Brasil Los artículos que conforman este libro fueron sometidos a un proceso de dictamen bajo la modalidad de doble ciego realizado por pares expertos en la materia Primera edición, 2013 © D. R. María Rodríguez-Shadow y Susan Kellogg (Eds.) © CENTRO DE ESTUDIOS DE ANTROPOLOGÍA DE LA MUJER Av. Centenario 283, Edificio H22, Entrada 3, Departamento 1 Lomas de Plateros, C. P. 01480 Delegación Álvaro Obregón México D. F. Email: [email protected] www.ceam.mx ISBN 978-607-00-8272-6 Impreso y hecho en México Diseño e ilustración de portada: Mtro. Aarón Luna Revisión de formato electrónico: Dr. Iñigo Aguilar Medina Asistencia y apoyo administrativo: Lic. Julio César Suárez Asesoría en computación: A. A. Alma Carmona 4 INDICE Lista de participantes 7 Prólogo Ernesto González Licón 11 Primera Parte: El Género en Mesoamérica Antigua 17 Los aportes de Rosemary Joyce a la Arqueología de Género en Mesoamérica María Rodríguez-Shadow y Susan Kellogg 19 Sexo, género y edad en la obra de Rosemary A. -
AMERICAN MUSEUM NOVITATES Published by O Number 414 Thu Axmucanmuum"Ne Okcitynatural HITORY March 24, 1930
AMERICAN MUSEUM NOVITATES Published by o Number 414 THu AxmucANMuum"Ne okCityNATURAL HITORY March 24, 1930 59.82 (728.1) STUDIES FROM THE DWIGHT COLLECTION OF GUATEMALA BIRDS. II BY LUDLOW GRISCOM This is the second' preliminary paper, containing descriptions of new forms in the Dwight Collection, or revisions of Central American birds, based almost entirely on material in The American Museum of Natural History. As usual, all measuremenits are in millimeters, and technical color-terms follow Ridgway's nomenclature. The writer would appreciate prompt criticism from his colleagues, for inclusion in the final report. Cerchneis sparveria,tropicalis, new subspecies SUBSPECIFIC CHARACTERS.-Similar to typical Cerchneis sparveria (Linnleus) of "Carolina," but much smaller and strikingly darker colored above in all ages and both sexes; adult male apparently without rufous crown-patch and only a faint tinge of fawn color on the chest; striping of female below a darker, more blackish brown; wing of males, 162-171, of females, 173-182; in size nearest peninularis Mearns of southern Lower California, which, however, is even paler than phalena of the southwestern United States. TYPE.-No. 57811, Dwight Collection; breeding male; Antigua, Guatemala; May 20, 1924; A. W. Anthony. MATERIAL EXAMINED Cerchneis sparveria spar'eria.-Several hundred specimens from most of North America, e.tern Mexico and Central America, including type of C. s. guatemalenis Swann from Capetillo, Guatemala. Cerchneis sparveria phalkna.-Over one hundred specimens from the south- western United States and western Mexico south to Durango. Cerchneis sparveria tropicalis.-Guatemala: Antigua, 2 e ad., 1 6" imm., 2 9 ad., 1 9 fledgeling. -
A PRELIMINARY LEXICON of ULÚA MEDALLION MOTIFS a Thesis
A PRELIMINARY LEXICON OF ULÚA MEDALLION MOTIFS A Thesis Presented to the Faculty of the Graduate School Of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Kathryn Marie Hudson January 2012 © 2012 Kathryn Marie Hudson ABSTRACT The research presented here combines archaeological and linguistic inquiry to develop a preliminary lexical analysis of the subset of iconography that occurs as part of medallion motifs. These elements were part of the iconographic system that was developed and implemented in the Ulúa Valley of Honduras during the Classic Period (c. 300-900 AD). Medallions are an Ulúa iconographic construction in which a central element or set of elements is demarcated by framing features that separate the internal components from other iconographic elements and mark them as a cohesive textual unit. This analysis approaches medallions as a distinct iconographic form and treats the motifs that constitute them as an iconographic subset whose use was governed by rules of textuality. It creates a preliminary lexicon of these motifs and divides them into lexemes that are headed by lemmas so that future studies can more easily attempt to ascertain the rules that governed their structure and their positioning in broader iconographic compositions. The ceramics that constitute the corpus used for this analysis are housed in the Peabody Museum of Archaeology and Ethnology at Harvard University. Three hundred and seven pieces were incorporated into the sample set, and each of these has at least one medallion as part of its iconography. A variety of non-medallion motifs are also attested within the iconography of the sample corpus, though these elements are not relevant to the present analysis. -
1 Abbreviated Curriculum Vitae Rosemary A. Joyce Education
Abbreviated curriculum vitae Rosemary A. Joyce Education: AB May 1978 Cornell University, Ithaca, New York Honors paper: Fejervary-Meyer 1: Dimensions of Time and Space. PhD May 1985 University of Illinois at Urbana-Champaign Dissertation: Cerro Palenque, Valle del Ulua, Honduras: Terminal Classic Interaction on the Southern Mesoamerican Periphery. Employment history: University of California, Berkeley: Professor, Anthropology (July 2001-present); Associate Professor (July 1994- June 2001) Interim Dean of the Graduate Division (July 2014-December 2014); Associate Dean of the Graduate Division (July, 2011-June 2014, January-June 2015) Chair, Department of Anthropology (January 2006- December 2009) Director, Phoebe Hearst Museum of Anthropology (July 1994-June 1999) Harvard University: Associate Professor (June 1991-June 1994), Assistant Professor (July 1989-June 1991), Lecturer (July 1986-July 1989), Department of Anthropology Assistant Curator of Precolumbian Archaeology, Peabody Museum (September 1985-June 1994) Assistant Director, Peabody Museum (July 1986-July 1989) University of Illinois, Urbana-Champaign: Lecturer in Anthropology (August 1984-May 1985) Jackson (Michigan) Community College: Instructor, Social Sciences department (August 1983-January 1984) Fellowships, honors and awards: University of Colorado, Boulder Distinguished Archaeology Lecturer, February 2016 Smithsonian Fellow, National Museum of Natural History, Smithsonian Institution, Washington, DC, August-December 2015. John Simon Guggenheim Memorial Foundation Fellowship, 2010-2011. Astor Visiting Lecturership, Pitt-Rivers Museum, Oxford University, Fall 2010. Fulbright Senior Scholar, Universidad de Costa Rica, June 2007 Leon Henkin Citation for Distinguished Service, Committee on Student Diversity and Academic Development, Berkeley Division of the Academic Senate of the University of California (with Margaret W. Conkey, Kent Lightfoot, and Laurie Wilkie), 2007. -
California State University, Northridge Figurines
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE FIGURINES, HOUSEHOLDS, AND SOCIAL IDENTITIES AT LA BLANCA DURING THE MIDDLE PRECLASSIC PERIOD (900-600 B.C.E.) A thesis submitted in partial fulfillments of the requirements for the degree of Master of Arts in Anthropology By Karleen Claire Ronsairo May 2016 Copyright by Karleen Claire Ronsairo 2016 ii This thesis of Karleen Claire Ronsairo is approved: _____________________________________________ ____________ Dr. Cathy Costin Date _____________________________________________ ____________ Dr. Julia Guernsey Date _____________________________________________ ____________ Dr. Michael W. Love, Chair Date California State University, Northridge iii ACKNOWLEDGEMENTS I would to thank my thesis committee for their unwavering support throughout my time at CSUN. I would like to thank Dr. Guernsey in Austin, Texas for providing me with great feedback as I was writing my thesis while doing fieldwork in Mexico. I am also grateful to have an encouraging mentor like Dr. Costin, who always offers advice with great enthusiasm and positivity. I especially would like to thank Dr. Love for assisting me in my thesis research in Guatemala City and for introducing me to other Mesoamerican archaeologists. Dr. Love’s support and guidance undoubtedly contributed to my success in this program and beyond. I am grateful for my parents, Ron and Carla, who encourage me to pursue my dreams no matter what it takes. They have always taught me hard work pays off. Thank you to my three older sisters, Kristeen, Katherine, and Joy, for their love and support and for staying connected even when we are in different parts of the world. Finally, I would like to thank my friends and colleagues who have inspired me in life and in my career goals.