Two Lawyers in Occupied France
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Studia O Poezji I Prozie Oświecenia Author: Bożena Mazurkowa Citation
Title: Z potrzeby chwili i ku pamięci... : studia o poezji i prozie Oświecenia Author: Bożena Mazurkowa Citation style: Mazurkowa Bożena. (2019). Z potrzeby chwili i ku pamięci... : studia o poezji i prozie Oświecenia. Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego. Wydanie książki dofinansowane ze środków Uniwersytetu Śląskiego w Katowicach. Książka udostępniona w otwartym dostępie na podstawie umowy między Uniwersytetem Śląskim a wydawcą. Książkę możesz pobierać z Repozytorium Uniwersytetu Śląskiego i korzystać z niej w ramach dozwolonego użytku. Aby móc umieścić pliki książki na innym serwerze, musisz uzyskać zgodę wydawcy (możesz jednak zamieszczać linki do książki na serwerze Repozytorium Uniwersytetu Śląskiego). Książka Bożeny Mazurkowej BOŻENA MAZURKOWA ma wymiar monograficzny. Zawarte w niej rozprawy scala naczelna idea skupienia się na faktach literackich z zakresu twórczości publiczno-okolicznościowej i osobisto-okazjonalnej. Wypada stwierdzić, CHWILIZ POTRZEBY I KU PAMIĘCI... że Bożena Mazurkowa doskonale porusza się w obrębie podjętej problematyki i przedstawionym zbiorem wkracza w grono czołowych badaczy oświeceniowej literatury okolicznościowej. Wszystkie rozprawy mają charakter nowatorski, dotyczą materii ważnych, godnych pilnej, dokładnej analizy. Książka Bożeny Mazurkowej BOŻENA MAZURKOWA Z potrzeby chwili i ku pamięci… rozprawy rozprawy Studia o poezji literackie literackie Z POTRZEBY CHWILI i prozie oświecenia w sposób istotny dopełni I KU PAMIĘCI... naszą wiedzę o rzeczywistości społeczno-literackiej tej epoki. -
Vallée De La Loire Et De L'allier Entre Cher Et Nièvre
Vallée de la Loire et de l’Allier entre Cher et Nièvre Directive Habitats, Faune, Flore Directive Oiseaux Numéro europé en : FR2600965 ; FR2610004 ; FR8310079 (partie Nièvre) Numéro régional : 10 Département : Cher, Nièvre Arrondissements : cf. tableau Communes : cf. tableau Surface : 16 126 hectares Le site Natura 2000 « Vallée de la Loire et de l’Allier entre Cher et Nièvre » inclut les deux rives de la Loire sur un linéaire d’environ 80 Km et les deux rives de l’Allier sur environ 20 kilomètres dans le département de la Nièvre et du Cher. Ce site appartient majoritairement au secteur dit de la « Loire moyenne » qui s’étend du Bec d’Allier à Angers, également nommé « Loire des îles ». Il regroupe les divers habitats naturels ligériens, véritables refuges pour la faune et la flore façonnés par la dynamique des deux cours d’eau, et constitue notamment une zone de reproduction, d'alimentation ou de passage pour un grand nombre d'espèces d’oiseaux nicheuses, migratrices ou hivernantes. Le patrimoine naturel d’intérêt européen Le lit mineur de la Loire et de l’Allier : La Loire et son principal affluent sont des cours d’eau puissants. Leur forte dynamique façonne une multitude d’habitats naturels possédant un grand intérêt écologique. Les grèves, bancs d’alluvions sableuses ou graveleuses, permettent le développement d’une végétation spécifique, adaptée à la sécheresse temporaire et à la submersion et constituent un lieu de vie et de reproduction important pour plusieurs espèces de libellules et certains oiseaux pour leur reproduction. La Sterne naine, la Sterne pierregarin et l’Oedicnème criard, nichent exclusivement sur les sols nus et graveleux des grèves ou des bancs d’alluvions formés au gré de ces cours d’eau. -
DP Musée De La Libération UK.Indd
PRESS KIT LE MUSÉE DE LA LIBÉRATION DE PARIS MUSÉE DU GÉNÉRAL LECLERC MUSÉE JEAN MOULIN OPENING 25 AUGUST 2019 OPENING 25 AUGUST 2019 LE MUSÉE DE LA LIBÉRATION DE PARIS MUSÉE DU GÉNÉRAL LECLERC MUSÉE JEAN MOULIN The musée de la Libération de Paris – musée-Général Leclerc – musée Jean Moulin will be ofcially opened on 25 August 2019, marking the 75th anniversary of the Liberation of Paris. Entirely restored and newly laid out, the museum in the 14th arrondissement comprises the 18th-century Ledoux pavilions on Place Denfert-Rochereau and the adjacent 19th-century building. The aim is let the general public share three historic aspects of the Second World War: the heroic gures of Philippe Leclerc de Hauteclocque and Jean Moulin, and the liberation of the French capital. 2 Place Denfert-Rochereau, musée de la Libération de Paris – musée-Général Leclerc – musée Jean Moulin © Pierre Antoine CONTENTS INTRODUCTION page 04 EDITORIALS page 05 THE MUSEUM OF TOMORROW: THE CHALLENGES page 06 THE MUSEUM OF TOMORROW: THE CHALLENGES A NEW HISTORICAL PRESENTATION page 07 AN EXHIBITION IN STEPS page 08 JEAN MOULIN (¡¢¢¢£¤) page 11 PHILIPPE DE HAUTECLOCQUE (¢§¢£¨) page 12 SCENOGRAPHY: THE CHOICES page 13 ENHANCED COLLECTIONS page 15 3 DONATIONS page 16 A MUSEUM FOR ALL page 17 A HERITAGE SETTING FOR A NEW MUSEUM page 19 THE INFORMATION CENTRE page 22 THE EXPERT ADVISORY COMMITTEE page 23 PARTNER BODIES page 24 SCHEDULE AND FINANCING OF THE WORKS page 26 SPONSORS page 27 PROJECT PERSONNEL page 28 THE CITY OF PARIS MUSEUM NETWORK page 29 PRESS VISUALS page 30 LE MUSÉE DE LA LIBÉRATION DE PARIS MUSÉE DU GÉNÉRAL LECLERC MUSÉE JEAN MOULIN INTRODUCTION New presentation, new venue: the museums devoted to general Leclerc, the Liberation of Paris and Resistance leader Jean Moulin are leaving the Gare Montparnasse for the Ledoux pavilions on Place Denfert-Rochereau. -
Walking Tours the Complete Set
Walking Tours The Complete Set Table of Contents 1 Through Fashionable Paris in the Steps of Audrey Hepburn 2 Through Fashionable Paris in the Steps of Audrey Hepburn 1. Givenchy headquarters, 3, avenue George V, 8e 2. No. 2, avenue Montaigne, 8e 3. Christian Dior, 30, avenue Montaigne, 8e 4. No. 3, avenue de Matignon, 8e 5. Stamp market, near avenue Gabriel, 8e 6. American Embassy, 2, avenue Gabriel, 8e 7. Maxim’s, 3, rue Royale, 8e 3 8. Ritz Hotel, 15, Place Vendôme, 1er 9. Palais Royal, 1er 10. Didier Ludot boutique, Palais Royal, 1er 11. Comédie Française, 1, Place Colette, 1er Through Fashionable Paris in the Steps of Audrey Hepburn Audrey Hepburn made five films on location in Paris: was about to film Sabrina. Although the movie was shot in Funny Face (1957), Love in the Afternoon (1957), Charade Hollywood, it was Hubert de Givenchy who made the (1963), Paris When It Sizzles (1964) and How to Steal a glorious dresses that Audrey wears on her return from Million (1966). Funny Face was one of the first American cooking school in Paris. Okay, no apprentice cook who was films to be shot on location in the city and showcases the daughter of a chauffeur could really afford to dress like almost every major tourist attraction. Other films explored that, but that was 1950s Hollywood fantasy for you. some less well known areas. This walk will take you past Audrey and Givenchy hit it off from this first meeting, and locations from all five films in the chic 1st and 8th the rest is history. -
3B2 to Ps.Ps 1..5
1987D0361 — EN — 27.05.1988 — 002.001 — 1 This document is meant purely as a documentation tool and the institutions do not assume any liability for its contents ►B COMMISSION DECISION of 26 June 1987 recognizing certain parts of the territory of the French Republic as being officially swine-fever free (Only the French text is authentic) (87/361/EEC) (OJ L 194, 15.7.1987, p. 31) Amended by: Official Journal No page date ►M1 Commission Decision 88/17/EEC of 21 December 1987 L 9 13 13.1.1988 ►M2 Commission Decision 88/343/EEC of 26 May 1988 L 156 68 23.6.1988 1987D0361 — EN — 27.05.1988 — 002.001 — 2 ▼B COMMISSION DECISION of 26 June 1987 recognizing certain parts of the territory of the French Republic as being officially swine-fever free (Only the French text is authentic) (87/361/EEC) THE COMMISSION OF THE EUROPEAN COMMUNITIES, Having regard to the Treaty establishing the European Economic Community, Having regard to Council Directive 80/1095/EEC of 11 November 1980 laying down conditions designed to render and keep the territory of the Community free from classical swine fever (1), as lastamended by Decision 87/230/EEC (2), and in particular Article 7 (2) thereof, Having regard to Commission Decision 82/352/EEC of 10 May 1982 approving the plan for the accelerated eradication of classical swine fever presented by the French Republic (3), Whereas the development of the disease situation has led the French authorities, in conformity with their plan, to instigate measures which guarantee the protection and maintenance of the status of -
Understanding Henri Lefebvre
Understanding Henri Lefebvre Theory and the Possible Stuart Elden continuum LONDON • NEW YORK Continuum The Tower Building, 15 East 26th Street 11 York Road New York London SE1 7NX NY 10010 www.continuumbooks.com © Stuart Elden 2004 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN: 0-8264-7002-5 (HB) 0-8264-7003-3 (PB) Typeset by Refinecatch Ltd, Bungay Suffolk Printed and bound in Great Britain by MPG Books Ltd, Bodmin, Cornwall Contents Acknowledgements v Introduction: Henri Lefebvre 1901-91 1 1 Rethinking Marxism 15 A new reading of Marx 15 The 'juvenile presumptions' of existentialism 19 Structuralism as the French ideology 22 Logic and dialectics 27 Applications of the dialectic 36 Alienation 39 Production 43 The Party and beyond 46 2 Engaging with philosophy 65 Beyond Marxism 65 The Philosophies group, Schelling and Hegel 67 Nietzsche against the fascists 73 Heidegger and the metaphysics of the Grand Guignol 76 Metaphilosophy 83 Descartes and literature 85 3 The critique of everyday life 110 A day in the life 111 A critique of the present 115 Festival and revolution 117 4 From the rural to the urban 127 The town and the country 129 A sack of potatoes 135 Reading rural spaces 13 7 The -
Table Des Matières Introduction
TABLE DES MATIÈRES INTRODUCTION G BALADES INSOLITES À PARIS ........................................................................... 15 LE PARIS GALLO-ROMAIN G BALADE No 1 .................................. 18 musée de Cluny • Les arènes de • La crypte archéologique de Lutèce Notre-Dame • Les thermes du LE PARIS MÉDIÉVAL : ÎLE DE LA CITÉ ET RIVE GAUCHE G BALADE No 2 .................................. 23 chapelle du collège de Dormans- • La Conciergerie • La Sainte- Beauvais • La rue Galande et Chapelle • Le parvis et la crypte l’église Saint-Julien-le-Pauvre archéologique de Notre-Dame • L’église Saint-Séverin • La cha- • Notre-Dame • Les rues alen- pelle des Mathurins • Le musée tour et le pont de l’Archevêché national du Moyen Âge • Le jardin • Le collège des Bernardins • La médiéval • Le couvent des Cor- rue du Cardinal-Lemoine • Les deliers • La cour du Commerce- vestiges de l’enceinte de Philippe Saint-André • Le passage Dau- Auguste • Le lycée Henri-IV et phine, la rue Mazarine et l’abbaye l’abbaye Sainte-Geneviève • La de Saint-Germain-des-Prés LE PARIS MÉDIÉVAL : RIVE DROITE G BALADE No 3 .................................. 32 Saint-Martin-des-Champs et le • La place du Châtelet et le théâtre Conservatoire national des arts de la Ville, la tour Saint-Jacques et métiers : l’ancien réfectoire • L’église Saint-Merri • L’église et la collégiale • La maison de Saint-Germain-l’Auxerrois • Le la rue Volta et l’hôtel de Clisson Louvre médiéval • Les vesti- • La rue des Francs-Bourgeois ges de l’enceinte de Philippe et l’impasse des -
Interior Freedom in the French-Language Poetry Written in the Concentration Camps (1943-45)
Interior Freedom in the French-language Poetry Written in the Concentration Camps (1943-45) Belle Marie Joseph A thesis submitted for the degree of Doctor of Philosophy of the Australian National University January 2017 © Copyright by Belle Marie Joseph 2017 All Rights Reserved This thesis presents my own original research. All sources have been duly acknowledged. Except where acknowledged in the customary manner, the material presented in this thesis is, to the best of my knowledge, original and has not been submitted in whole or part for a degree in any university. Belle Joseph 27 January 2017 ii Acknowledgements I would like to extend my thanks, first of all, to my supervisors. I am deeply grateful to Peter Brown, who supervised this project from its beginnings and whose expertise and encouragement throughout the project were invaluable. Gillian Russell provided helpful input at the beginning of my research. Ned Curthoys gave invaluable feedback at each stage of my project; I am grateful for his insightful and constructive comments. Sincere thanks to Ash Collins, who provided thoughtful commentary on the completed thesis draft. I would also like to thank my many wonderful colleagues in the School of Literature, Language and Linguistics (SLLL) at ANU, who often provided useful suggestions in informal discussions about my research, and in particular Kate Flaherty, who kindly read drafts of the thesis introduction and the first chapter and gave me helpful comments on them. I would also like to acknowledge that this research was supported by an Australian Government Research Training Program (RTP) Scholarship. My warmest thanks go to the directors and staff of the various associations for former déportés , who gave me invaluable assistance with my research. -
Jean Cocteau's the Typewriter
1 A Queer Premiere: Jean Cocteau’s The Typewriter Introduction Late in April 1941, toward the close of the first Parisian theatre season fol- lowing the Defeat, Jean Cocteau’s La Machine à écrire (The Typewriter) opened, then closed, then reopened at the Théâtre Hébertot. Written in the style of a detective drama, the play starred the actor generally known—at least in the entertainment world at the time—as Cocteau’s sometime lover and perpetual companion, Jean Marais, as identical twin brothers. The re- views are curiously reticent about what exactly occurred at the Hébertot, and historians and critics offer sometimes contradictory pieces of a puzzle that, even when carefully put together, forms an incomplete picture. The fragments are, however, intriguing. Merrill Rosenberg describes how, on the evening of April 29, 1941, the dress rehearsal (répétition génerale), sponsored “as a gala” by the daily Paris-Soir and attended by various “dig- nitaries,” caused in the Hébertot’s auditorium a demonstration by members of the Parti Populaire Français (PPF). This disruption prompted Vichy’s ambas- sador to Paris, Fernand de Brinon, to order the withdrawal of the production (“Vichy’s Theatrical Venture” 136). Francis Steegmuller describes the disor- der that greeted the Typewriter premiere and the revival of Les Parents Terribles (at the Gymnase later that year): “stink bombs exploded in the theatres, and hoodlums filled the aisles and climbed onto the stage, shouting obscenities at Cocteau and Marais as a couple” (442).1 Patrick Marsh too notes that these plays “were seriously disrupted by violent scenes fomented by fascist sym- pathizers and members of the Parti Populaire Français” (“Le Théâtre 1 2 THE DRAMA OF FALLEN FRANCE Français . -
Historische Weinbaulandschaften an Der Mosel
Historische Weinbaulandschaften an der Mosel In der „Regionalinitiative Mosel“ sind Vertreter von Weinbau, Kultur und Tourismus, die Wirtschaftskammer, die Landkreise sowie die Stadt Trier zusammengefasst. Die Steuerungsgruppe der Regionalinitiative hat im November 2013 das Leitprojekt Lebendige Moselweinberge beschlossen. Im Rahmen dieses Leitprojekts soll mit vielfältigen Maßnahmen die bio- logische Vielfalt einer einzigartigen Kulturlandschaft nach Innen und nach Außen besser kommuniziert werden. Davon profitieren sowohl Einheimische als auch Gäste und schließlich erhoffen wir uns davon eine bessere Wertschöpfung für den Steilla- genweinbau. In diesem Rahmen wird auch das Projekt „Historische Weinbaulandschaften“ durch- geführt, das unter der Federführung der Dienstleistungszentren Ländlicher Raum (DLR) Mosel in Bernkastel-Kues und Westerwald-Osteifel in Mayen bearbeitet wird. Historische Weinbaulandschaften der Mosel Inhaltsverzeichnis Vorwort.....................................................................................................3 Gedanken zur historischen Weinbaulandschaft .......................................4 Tendenzen, Ziele und Handlungsbedarf ..................................................5 Qualitätskriterien zur Auswahl historischer Weinbaulandschaften...........6 Historische Weinbaulandschaften der Mosel ...........................................7 Güls / Metternich (Marienberg) ............................................................................... 8 Winningen (Röttgen / Brückstück)........................................................................ -
Is There a French Philosophy of Technology? in Loeve, S
Is there a french philosophy of technology ? General introduction Sacha Loeve, Xavier Guchet, Bernadette Bensaude Vincent To cite this version: Sacha Loeve, Xavier Guchet, Bernadette Bensaude Vincent. Is there a french philosophy of tech- nology ? General introduction. Sacha Loeve; Xavier Guchet; Bernadette Bensaude Vincent. French philosophy of technology. Classical readings and contemporary approaches, Springer, pp.1-20, 2018, Philosophy of engineering and technology, 978-3-319-89518-5. 10.1007/978-3-319-89518-5_1. halshs- 02013031 HAL Id: halshs-02013031 https://halshs.archives-ouvertes.fr/halshs-02013031 Submitted on 9 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Loeve, S., Guchet X., & Bensaude Vincent, B. (2018). Is There a French Philosophy of Technology? In Loeve, S. Guchet X., & Bensaude Vincent, B. (eds.), French Philosophy of Technology. Classical Readings and Contemporary Approaches , Cham: Springer, pp. 1-20. Post-print version. Is There a French Philosophy of Technology? General Introduction Sacha Loeve Institut de Recherches Philosophiques de Lyon (IRPhiL) Université Jean Moulin Lyon 3, France Xavier Guchet Connaissances, Organisation et Systèmes TECHniques (COSTECH) Université de Technologie de Compiègne, France Bernadette Bensaude Vincent Centre d’Etude des Connaissances, des Techniques et des Pratiques (CETCOPRA) Université Paris 1 Panthéon – Sorbonne, France Abstract The existence of a French philosophy of technology is a matter of debate. -
(IN)CONNUE by Jennifer Ann Young
ABSTRACT DEUIL D’UNE (IN)CONNUE By Jennifer Ann Young Contemporary French author Patrick Modiano’s novels center almost entirely around memory and the traumatic events surrounding the Occupation. Modiano has spent most of his life dealing with the guilty remorse of having been born directly following the Occupation, while hundreds of thousands of others, including his estranged father, experienced it directly. Modiano’s Dora Bruder focuses on the chance encounter with a stranger and the possibility of caring deeply for this person. The heroine, Dora Bruder, mesmerizes Modiano as he devotes six years of his life to finding out the fate of this young girl, who disappeared during the Occupation. Her fate becomes his mission. This thesis explores the possibilities of loving someone without ever having met him or her. It also further discovers the (im)possibility of mourning the loss of an unknown individual. DEUIL D’UNE (IN)CONNUE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of French by Jennifer Ann Young Miami University Oxford, Ohio 2008 Advisor __________________________________ James Creech Reader __________________________________ Elisabeth Hodges Reader __________________________________ Sven-Erik Rose TABLE OF CONTENTS Introduction…………………………………………………………............. 1 Transformed Identities: La Place de l’Etoile and Dora Bruder…………….… 3 Lieux, Photos et Flâneur/Flâneuse…………………………………………... 8 Le Vide……………………………………………………………………… 19 Ecriture: Mourning and Melancholia……………………………………….… 23 Conclusion…………………………………………………………………… 32 Bibliography…………………………………………………………………. 33 ii Acknowledgements This thesis could not have been completed without the help of several individuals. The long, but rewarding road to its completion is due in part to your support, encouragement, and advice.