Music Festivals
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Experience 5)&7*#3"/$:0'4065)"'3*$"Μ4$6-563"-%*7&34*5: Africa
EXPERIENCE 5)&7*#3"/$:0'4065)"'3*$"µ4$6-563"-%*7&34*5: AFRICA $&-"5*/(5)& 7*#3"/$:0' GUIDE 2010 AND CULTURE ARTS 4065)"'3*$"4 $6-563"-%*7&34*5: ARTSANDCULTURE $EPARTMENT ARTSANDCULTURE !RTSAND#ULTURE $EPARTMENT 2%05",)#/&3/54(!&2)#! !RTSAND#ULTURE 5FM ARTS AND CULTURE GUIDE 2010 2%05",)#/&3/54(!&2)#! XXXEBDHPW[B Ditsong: Kruger Museum AFRICA In compiling this guide to the institutions and events that represent the incredibly broad and varied spectrum of the South African cultural scene, the Department of Arts and Culture has received the generous assistance of a number of organisations and individuals. The Department would like to thank each of these for their time, effort and valuable input, all of which were absolutely essential in making this publication as complete, accurate and appealing as possible. Angelique Kidjo (Benin) Freshlyground’s lead singer, Zolani Mahola National Department of Arts and Culture: 2010 Project Management Office Duduzile Mazibuko - Content Advisor and 2010 Project Manager Communications Department: Lisa Combrinck - Editor and Head of Communications Premi Appalraju - Content Development Corney Wright - Product Development James Mathibeng - Photography and DAC Administration Editorial services: ACKNOWLEDGEMENTS: DeskLink Media Team Design and Layout: Amadou & Mariam (Mali) Mariam & Amadou DeskLink Media Luthuli Nyathi, Sizakele Shingange Project Management: Chris Watterson Printed by: Colorpress (PTY) Ltd FOREWORD .*/*45&30'"354"/%$6-563& .4-6-69*/(8"/" At last, the FIFA 2010 World Cup™ is here. South Africa’s six long and busy years of preparation are finally coming to fruition. We have no doubt that South Africa and Africa are ready to offer the world an unforgettable occasion, creating festive hubs to which fans can flock to share their appreciation of the beautiful game and to experience African arts and culture. -
Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change. -
Music Through the Lens: the Changing Position of Photographers in the South African Music Scene
Music through the Lens: The changing position of photographers in the South African music scene Fig i.1: Fokofpolisiekar with music photographers in the first few rows. Oppikoppi [Northam], 2016 © Lourens Smit Photography. by: Lionel Potgieter u12006816 Supervisor: Dr. Jimmy Pieterse October 2019 A dissertation submitted in fulfilment of the requirements for the degree MSocSci Anthropology in the Department of Anthropology and Archaeology University of Pretoria Faculty of Humanities Declaration of originality University of Pretoria The Department of Anthropology and Archaeology places great emphasis upon integrity and ethical conduct in the preparation of all written work submitted for academic evaluation. While academic staff teach you about referencing techniques and how to avoid plagiarism, you too have a responsibility in this regard. If you are at any stage uncertain as to what is required, you should speak to your lecturer before any written work is submitted. You are guilty of plagiarism if you copy something from another author’s work (e.g. a book, an article or a website) without acknowledging the source and pass it off as your own. In effect you are stealing something that belongs to someone else. This is not only the case when you copy work word-for-word (verbatim), but also when you submit someone else’s work in a slightly altered form (paraphrase) or use a line of argument without acknowledging it. You are not allowed to use work previously produced by another student. You are also not allowed to let anybody copy your work with the intention of passing if off as his/her work. -
Sounds of Young Afrikaners
Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Maike Lolkema Research Master Thesis in African Studies African Studies Centre / Leiden University Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Name Maike Reinate Lolkema Supervisor Dr. W.M.J. (Ineke) van Kessel Second Reader Dr. H. (Harry) Wels Date July 2014 Pictures used at the cover: Picture at the top: Audience at the performance of Fokofpolisiekar at Oppikoppi Festival at August 10th 2012. Picture at the bottom: Audience at the performance of Steve Hofmeyr at the Pretoria Musiekfees on November 17th 2012. The writer made both pictures. 2 ‘We understand it still that there is no easy road to freedom. We know it well that none of us acting alone can achieve success. We must therefore act together as a united people, for national reconciliation, for nation building, for the birth of a new world.’ - Nelson Mandela in his inaugural address May 10th 1994 ‘Een ding het intussen vir my duidelik geword: Dis nie ’n land vir sissies nie.’ - Fred de Vries in Rigting Bedonnerd ‘Revoluties worden op schepen uitgeroepen, utopieën op eilanden geleefd. Dat er nog iets anders moet zijn dan het hier en nu, is een troostende gedachte.’ - Judith Schalansky in De atlas van afgelegen eilanden ‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Congratulations, George. No Wonder They Call You "King"
A D V E R T I S E M E N T r EXPERIENCE THE BUZZ MA" 3 2003 56 NUMBER ONE SINGLES 32 PLATINUM ALBUMS COUNTRY MUSIC HALL OF FAME MEMBER COUNTRY ALBUM OF THE YEAR Congratulations, George. No wonder they call you "King" www.billboand.com www.billboerd.biz US $6.99 CAN $8 99 UK £5.50 99uS Y8.:9CtiN 18> MCA NASHVILLE #13INCT - SCII 3 -DIGIT 907 413124083434 MARI0 REG A04 000!004 s, 200: MCA Nashville 'lllllllliLlllllllulii llll IIIIIIIIIIIIIIIIIIIIfII I MONTY G2EENIY 0027 l 3740 ELA AVE 4 P o 1 96 L7-Z0`_ 9 www.GeorgeStrait.co LONG BE.1CB CA 90807 -3 IC? "001160 www.americanradiohistory.com ATTENTION INDIE MUSICIANS! THE IMWS IS NOW ACCEPTING ENTRIES. DISC MAKERS" Independent Music World Series In 2008, the IMWS will award over $250,000 in cash GOSPEL, METAL, and prizes to independent musicians. No matter HIP HOP, PUNK, where you live, you are eligible to enter now! JAZZ, COUNTRY, EMO, ROCK, RAP, Whatever your act is... REGGAETON, we've showcased your style of music. AND MANY MORE! Deadline for entries is May 14, 2008 2008 Showcases in LOS ANGELES, ATLANTA, CHICAGO, and NEW YORK CITY. VISIT WWW.DISCMAKERS.COM /08BILLBOARD TO ENTER, READ THE RULES AND REGULATIONS, FIND OUT ABOUT PAST SHOWCASES, SEE PHOTOS,AND LEARN ALL ABOUT THE GREAT IMWS PRIZE PACKAGE. CAN'T GET ONLINE? CALL 1 -888- 800-5796 FOR MORE INFO. i/, Billboard sonicbíds,- REMO `t¡' 0 SAMSON' cakewalk DRUM! Dc.!1/Watk4 Remy sHvRE SLIM z=rn EleCtronic Musicioo www.americanradiohistory.com THEATER TWEETERS CONCERTS CASH IN AT THE MOVIES >P.27 DEF JAMMED LIFE AFTER JAY-Z FOR THE ROOTS -
Music to Move the Masses: Protest Music Of
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Music to Move the Masses: Protest Music of the 1980s as a Facilitator for Social Change in South Africa. Town Cape of Claudia Mohr University Dissertation submitted in partial fulfilment of the requirements for the degree of Masters of Music, University of Cape Town. P a g e | 1 A project such as this is a singular undertaking, not for the faint hearted, and would surely not be achieved without help. Having said this I must express my sincere gratitude to those that have helped me. To the University of Cape Town and the National Research Foundation, as Benjamin Franklin would say ‘time is money’, and indeed I would not have been able to spend the time writing this had I not been able to pay for it, so thank you for your contribution. To my supervisor, Sylvia Bruinders. Thank you for your patience and guidance, without which I would not have been able to curb my lyrical writing style into the semblance of academic writing. To Dr. Michael Drewett and Dr. Ingrid Byerly: although I haven’t met you personally, your work has served as an inspiration to me, and ITown thank you. -
Adri Naude Biography
ADRI NAUDE-SCHOLTZ Adri Naude-Scholtz is a versatile violinist, well-respected for her work in Classical orchestras and ensembles, as well as contemporary productions, and solo shows and projects. Adri has been playing violin since the age of seven. One of her first major achievements as violinist was being appointed as co-concertmaster of the National Youth Orchestra, which took her on an international tour of Scotland. Adri later established herself as a permanent member of the National Symphony Orchestra in 1994, touring both locally and internationally, including interesting places such as Egypt. She is a founder member of the Johannesburg Philharmonic orchestra and the Johannesburg Music Initiative. After about 12 years of playing only classical music, she decided to broaden her horizons and became involved in the light music industry. Career highlights include performing on Mango Groove’s first album, and live with Claire Johnston. She also performed live with the famous Bono of U2 at former President Mandela’s 85th birthday in 2003. Other highlights include performing with Pavarotti, both in 1996 and at his farewell concert in 2005, and also with the famous Three Tenors: Pavarotti, Domingo and Carreras, at the Union Buildings in 1999, which was transmitted live via satellite worldwide. Adri has performed internationally at venues such as the Henry Wood Hall (London) as soloist and locally at the Sun City Superbowl with well-known artists such as Sarah Brightman. Other well-known artists with whom she shared the stage include Steve Hofmeyr, Mathys Roets, Maurits Lotz, Nianell, Joseph Clarke, Theuns Jordaan, Pieter Smith, Jannie Moolman, Yvonne Chaka-Chaka, Gloria Bosman, Rebecca Molope, Sibongile Khumalo anf TKZee. -
The Dixie Hillbillies (Biog and Repertoire -2013)
The Dixie Hillbillies (Biog and Repertoire -2013) The Dixie Hillbillies (4-piece band) is a brilliant and very unique corporate function and wedding band. The individual members are exceptional musicians and the response they generate is really overwhelming, both from live audiences as well as from the media. The Dixie Hillbillies feature legend guitarist Jethro Butow. Jethro is an in-demand session player and has performed on countless CD's and jingles. He has appeared with the Natal and Johannesburg Philharmonic Orchestras as a solo artiste and has contributed to the 'Starlight Classics' concerts as an acoustic, Spanish and electric guitar player. He has also performed with the following International super stars (to name but a few): Sir Cliff Richard Chris De Burgh Pavarotti The Three Tenors Helmut Lotti Patritzio Katherine Jenkins. Jethro Butow also composes music for TV and film. He also worked with the renowned conductor Neville Dove as principal guitar in the production 'Man from La Mancha'. His television work also includes being part of the backing bands in “IDOLS” and “SWEEPSLAG” on MNET. Jethro is truly a virtuoso and without doubt one of South Africa’s top guitarists. The Members: The Dixie Hillbillies consists of the following members and instrumentation: Jethro Butow (vocals / guitar) Johan Scheppel (vocals / violin / keyboard) Jerry Gruven- (bass guitar). Roy Schoombie (drums). YouTube links: (Search under “Dixie Hillbillies Sessions”) http://youtu.be/GEcOM-ixAz0" http://youtu.be/27mmSYNFiKw" http://youtu.be/Yq2h1MCsVQU" Their Clients: They have performed at many successful corporate functions and weddings in the past. Some of our corporate clients include: Dischem (Annual National Management Conference-2012). -
How Ninja from Die Antwoord Performs South African White Masculinities Through the Digital Archive
ZEF AS PERFORMANCE ART ON THE ‘INTERWEB’: How Ninja from Die Antwoord performs South African white masculinities through the digital archive by Esther Alet Rossouw Submitted in fulfilment of the requirements of the degree MAGISTER ARTIUM in the Department of Drama Faculty of Humanities University of Pretoria Supervisor: Dr M Taub AUGUST 2015 1 ABSTRACT The experience of South African rap-rave group Die Antwoord’s digital archive of online videos is one that, in this study, is interpreted as performance art. This interpretation provides a reading of the character Ninja as a performance of South African white masculinities, which places Die Antwoord’s work within identity discourse. The resurgence of the discussion and practice of performance art in the past thirty years has led some observers to suggest that Die Antwoord’s questionable work may be performance art. This study investigates a reconfiguration of the notion of performance art in online video. This is done through an interrogation of notions of risk, a conceptual dimension of ideas, audience participation and digital liveness. The character Ninja performs notions of South African white masculinities in their music videos, interviews and short film Umshini Wam which raises questions of representation. Based on the critical reading of Die Antwoord’s online video performance art, this dissertation explores notions of Zef, freakery, the abject, new ethnicities, and racechanges, as related to the research field of whiteness, to interpret Ninja’s performance of whiteness. A gendered reading of Die Antwoord’s digital archive is used to determine how hegemonic masculinities are performed by Ninja. It is determined that through their parodic performance art, Die Antwoord creates a transformative intervention through which stagnant notions of South African white masculinity may be reconfigured. -
Lead Singer - Mango Groove
PROGRAM DATE: 2019-02-28 PROGRAM NAME: WOMANITY – WOMEN IN UNITY GUEST NAME: CLAIRE JOHNSTON – LEAD SINGER - MANGO GROOVE SPEAKER TRANSCRIPTION DR. MALKA Hello, I’m Dr. Amaleya Goneos-Malka, welcome to ‘Womanity – Women in Unity’. The show that celebrates prominent and ordinary African Women’s milestone achievements in their struggles for liberation, self-emancipation, human rights, democracy, racism, socio-economic class division and gender based violence. DR. MALKA Joining us in studio today in Johannesburg is Claire Johnston who is the lead singer of iconic South African music group Mango Groove. Welcome to the show! CLAIRE Thanks for that lovely introduction; it’s great to be with you! JOHNSTON DR. MALKA We’re so glad you’re here especially with the whole celebration of your 30th anniversary, which is imminent. CLAIRE Yes it is and very exciting times for us; celebrating the release of the very JOHNSTON first album which made an impact that we just weren’t anticipating, so it’s lovely to go back and feel all those feelings again. DR. MALKA To start with, reflecting back in history, Mango Groove began in 1984;.... CLAIRE ...that’s right... JOHNSTON DR. MALKA ...you joined in 1985 at the tender age of 17.... CLAIRE ...I know; crazy.... JOHNSTON DR. MALKA ...now after more than 30 years in the music industry I think that you’ve really as a group traversed South Africa’s timeline, from being in the apartheid regime, which was a dark period for all of us, traversing through to liberation, the first democratic election which was infused with such hope and change for a politically free country;... -
"The Official Kiaat Magazine" Kiaat Diaries from the Editor
KiaatVolume 3, Issue 1 March 2014 Diaries"The Official Kiaat Magazine" Kiaat Diaries From The Editor... Taking over the reins from you bow down – you do not one of the best designers I embrace what I offer, but you have come across was – to accept the bowl of old tuna put it simply – an almost and cow dung I feed you. I impossible task. However, the get straight to the point, no team and resources I have at sugar coating or B.S – so my disposal have been key if there’s something worth in this project being able to reporting, better be sure I come together. will have the midget in a When in Rome, do as…….? wheelchair with a blind 80- Not in the living hell!! When year old trans-gendered Jew in Rome, eat Roman noodles. on his lap. Editor: Geuren Pierce Hendricks So when in my presence, Enjoy the show!! Cover Art: "Pineapple" on Groenkloof In This Edition: campus courtesy of Innocent Mulalo Production Coordinator: RAMming it up! 3 Geuren Pierce Hendricks & Janco Hurter Cleaning the prison floor 5 Magazine Design: BTrue2U 7 Geuren Pierce Hendricks & Janco Hurter Orientation Week 2014 10 Proof Reading: A Smile 11 Mark Hubbard Socials 13 Publications Committee: Stress Management 14 Geuren Pierce Hendricks Mark Hubbard Lords of London 14 Janco Hurter Cayden Nel Express Your Faith 15 Marvin Frans Khumbulani Mdhluli Res Sport Leagues 16 Rodney Xaba Blessing Mseleku Kiaat Diaries Column 16 Thabang Mabena Kobus Labuschagne 2 Kiaat Diaries RAMming it up! Foals have since swept the world shaking the globe with their bass By Cayden Nel by playing all around the globe.