Adri Naude Biography

Total Page：16

File Type：pdf, Size：1020Kb

ADRI NAUDE-SCHOLTZ Adri Naude-Scholtz is a versatile violinist, well-respected for her work in Classical orchestras and ensembles, as well as contemporary productions, and solo shows and projects. Adri has been playing violin since the age of seven. One of her first major achievements as violinist was being appointed as co-concertmaster of the National Youth Orchestra, which took her on an international tour of Scotland. Adri later established herself as a permanent member of the National Symphony Orchestra in 1994, touring both locally and internationally, including interesting places such as Egypt. She is a founder member of the Johannesburg Philharmonic orchestra and the Johannesburg Music Initiative. After about 12 years of playing only classical music, she decided to broaden her horizons and became involved in the light music industry. Career highlights include performing on Mango Groove’s first album, and live with Claire Johnston. She also performed live with the famous Bono of U2 at former President Mandela’s 85th birthday in 2003. Other highlights include performing with Pavarotti, both in 1996 and at his farewell concert in 2005, and also with the famous Three Tenors: Pavarotti, Domingo and Carreras, at the Union Buildings in 1999, which was transmitted live via satellite worldwide. Adri has performed internationally at venues such as the Henry Wood Hall (London) as soloist and locally at the Sun City Superbowl with well-known artists such as Sarah Brightman. Other well-known artists with whom she shared the stage include Steve Hofmeyr, Mathys Roets, Maurits Lotz, Nianell, Joseph Clarke, Theuns Jordaan, Pieter Smith, Jannie Moolman, Yvonne Chaka-Chaka, Gloria Bosman, Rebecca Molope, Sibongile Khumalo anf TKZee. She has toured extensively with the legendary Steve Hofmeyr, with his “Platinum Treffers” show. Other productions in which she played lead violin, include various Barnyard Theatre shows (like arvest Moon, Roll Over Beethoven, Rock Me Amadeus and Celtic Rock; some of which toured internationally), Nataniel's "The Coronation", Klassieke Chameleon (Chris Chameleon) national tour, "Passport" at Carousel Casino, and "A New Day" at Carnival City with Joseph Clarke and Jamali. Adri has been involved in numerous DVD recordings by headline artists such as: Mathys Roets: Songs of Leonard Cohen Steve Hofmeyr: Sun City Superbowl – Grootste Platinum Treffers Juanita du Plessis: Gospel Live Gerrie Pretorius: Live, as well as “Ek sing vir jou Bles” Nianell: Life’s Gift Skouspel since 2003: as part of the JMI orchestra Skouspel 2006: as a soloist with Nicholas Louw in “Rock daai Lyfie” Adri has been part of several CD recordings of well known artists such as Steve Hofmeyr Julius Magan Mango Groove Nataniel Pieter Smith Liesl Marx, etc. In 2007 EMI approach her to record a solo instrumental album with a variety of tracks from Vanessa May to well known Afrikaans songs. .

Copy Link

Recommended publications

Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change.
[Show full text]
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
[Show full text]
Music to Move the Masses: Protest Music Of
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Music to Move the Masses: Protest Music of the 1980s as a Facilitator for Social Change in South Africa. Town Cape of Claudia Mohr University Dissertation submitted in partial fulfilment of the requirements for the degree of Masters of Music, University of Cape Town. P a g e | 1 A project such as this is a singular undertaking, not for the faint hearted, and would surely not be achieved without help. Having said this I must express my sincere gratitude to those that have helped me. To the University of Cape Town and the National Research Foundation, as Benjamin Franklin would say ‘time is money’, and indeed I would not have been able to spend the time writing this had I not been able to pay for it, so thank you for your contribution. To my supervisor, Sylvia Bruinders. Thank you for your patience and guidance, without which I would not have been able to curb my lyrical writing style into the semblance of academic writing. To Dr. Michael Drewett and Dr. Ingrid Byerly: although I haven’t met you personally, your work has served as an inspiration to me, and ITown thank you.
[Show full text]
The Dixie Hillbillies (Biog and Repertoire -2013)
The Dixie Hillbillies (Biog and Repertoire -2013) The Dixie Hillbillies (4-piece band) is a brilliant and very unique corporate function and wedding band. The individual members are exceptional musicians and the response they generate is really overwhelming, both from live audiences as well as from the media. The Dixie Hillbillies feature legend guitarist Jethro Butow. Jethro is an in-demand session player and has performed on countless CD's and jingles. He has appeared with the Natal and Johannesburg Philharmonic Orchestras as a solo artiste and has contributed to the 'Starlight Classics' concerts as an acoustic, Spanish and electric guitar player. He has also performed with the following International super stars (to name but a few): Sir Cliff Richard Chris De Burgh Pavarotti The Three Tenors Helmut Lotti Patritzio Katherine Jenkins. Jethro Butow also composes music for TV and film. He also worked with the renowned conductor Neville Dove as principal guitar in the production 'Man from La Mancha'. His television work also includes being part of the backing bands in “IDOLS” and “SWEEPSLAG” on MNET. Jethro is truly a virtuoso and without doubt one of South Africa’s top guitarists. The Members: The Dixie Hillbillies consists of the following members and instrumentation: Jethro Butow (vocals / guitar) Johan Scheppel (vocals / violin / keyboard) Jerry Gruven- (bass guitar). Roy Schoombie (drums). YouTube links: (Search under “Dixie Hillbillies Sessions”) http://youtu.be/GEcOM-ixAz0" http://youtu.be/27mmSYNFiKw" http://youtu.be/Yq2h1MCsVQU" Their Clients: They have performed at many successful corporate functions and weddings in the past. Some of our corporate clients include: Dischem (Annual National Management Conference-2012).
[Show full text]
Lead Singer - Mango Groove
PROGRAM DATE: 2019-02-28 PROGRAM NAME: WOMANITY – WOMEN IN UNITY GUEST NAME: CLAIRE JOHNSTON – LEAD SINGER - MANGO GROOVE SPEAKER TRANSCRIPTION DR. MALKA Hello, I’m Dr. Amaleya Goneos-Malka, welcome to ‘Womanity – Women in Unity’. The show that celebrates prominent and ordinary African Women’s milestone achievements in their struggles for liberation, self-emancipation, human rights, democracy, racism, socio-economic class division and gender based violence. DR. MALKA Joining us in studio today in Johannesburg is Claire Johnston who is the lead singer of iconic South African music group Mango Groove. Welcome to the show! CLAIRE Thanks for that lovely introduction; it’s great to be with you! JOHNSTON DR. MALKA We’re so glad you’re here especially with the whole celebration of your 30th anniversary, which is imminent. CLAIRE Yes it is and very exciting times for us; celebrating the release of the very JOHNSTON first album which made an impact that we just weren’t anticipating, so it’s lovely to go back and feel all those feelings again. DR. MALKA To start with, reflecting back in history, Mango Groove began in 1984;.... CLAIRE ...that’s right... JOHNSTON DR. MALKA ...you joined in 1985 at the tender age of 17.... CLAIRE ...I know; crazy.... JOHNSTON DR. MALKA ...now after more than 30 years in the music industry I think that you’ve really as a group traversed South Africa’s timeline, from being in the apartheid regime, which was a dark period for all of us, traversing through to liberation, the first democratic election which was infused with such hope and change for a politically free country;...
[Show full text]
Download IN072021 Renovation and Upgrading of Mango Groove
- IN/07/2021 Renovation and Upgrading of Mango Groove Residence at the University of Venda, Thohoyandou, Limpopo Province (CIDB GRADING NO: 4GB or Higher) VOLUME 2 OF 2 BSC MEMBERS SIGNATURE DATE OF APPROVAL ……………………… Chairperson SCM Technical (End User) Legal Department PROCUREMENT DOCUMENT (Based on NEC3 Engineering and Construction Contract) July 2020 Issued by: Director Facilities Management University of the Venda, Thohoyandou Name of tenderer: ……………………………………………………………………… Telephone Number: …………………………………………………………………… Email Address: ………………………………………………………………………… Fax Number: …………………………………………………………………………… Cellphone Number: ……………………………………………………………………. Closing date: AS PER TENDER INVITATION University of the Venda, Thohoyandou Renovation and Upgrading of Mango Groove Residence Content Number Heading THE TENDER Part T1: Tendering procedures T1.1 Tender notice and invitation to tender T1.2 Tender data Part T2: Returnable documents T2.1 List of returnable documents T2.2 Returnable schedules THE CONTRACT Part C1: Agreements and Contract data C1.1 Form of offer and acceptance C1.2 Contract data Part 1 – Data by the Employer Part 2 – Data by the Contractor C1.3 Performance bond Part C2: Pricing data C2.1 Pricing assumptions C2.2 Bill of quantities Part C3: Scope of work C3 Scope of work Part C4: Site Information C4. Site Information Annexure 1: Access to performing works and services on the University of Venda Campus Annexure 2: Occupational health and safety specification for construction works Annexure 3: Drawings University of the Venda, Thohoyandou Renovation and Upgrading of Mango Groove Residence T1.1 Tender Notice and Invitation to Tender The University of Venda hereby invites tenders from suitably qualified and experienced contractors, for the Renovation and Upgrading of Mango Groove Residence as required at the University of Venda Campus, located at University Road, Thohoyandou.
[Show full text]
New Revelations Over 435 'Tricks' SWATF Chief 'Lied'
* TODAY: SWAPO BOOKS SEIZED AT WALVIS * SUPER ENTERTAINMENT AND SPORT NEWS * Bringing Africa South Vol.2 No.365 50c (GST Inc.) Friday July 12 .. / ··1·I······.I ·· e\JlJ<·( 3 , , ' k:. ... ... ..... .:' ... ........ i nniine<::· til~§t I IIM !!' Anti-Swapo drive ·OvambO OSWALD SHIVUTE * New revelations over 435 'tricks' at Oshakati THREE people were killed late yesterday afternoon * SWATF chief 'lied' to Commission and another three injured, one very seriously, when a truck detonated a land mine FURTHER evidence of SA interference in Na GWEN LlSTER on the bush road at mibia's 435-election process has come to light show Oshikwiyu Village's Os ing that the SADF and former SWATF DID pro After the SWA TF was offi hana sha Ndjengo, 15km vide army vehicles to many of those involved in the cially disbanded underthe not north of Oshakati, on the anti-Swapo drive before and during the 435-elec so-watchful eye of Untag, the main road to tion process, in a covert operation which has come CO MOPS centre was moved Omungwelume. to the Voortrekkerterreinnear The hole is about 1,5 metres to the attention of this newspaper. Goreangab, where regular deep and pieces of the truck The Nanribian can now also traffic testing grounds, where monthly meetings took place. were scattered·more than 100 reveal that several witnesses, a certain traffic officer, on Over a period of two nights, metres away from the point of including the then Officer payment of RIO and a further military vehicles stored at impact. Commanding the SWATF, R5 would fill in a roadworthy Luiperdsvallei, were sneaked When a reporter from The General Willie Meyer, 'lied' certificate without testing the out of the depot, and taken to a Namibian rushed to the scene under oath before the 0 'Linn vehicle.
[Show full text]
The Royal Escape Experience 2016 Artist Biographies Lalah Hathaway
The Royal Escape Experience 2016 Artist Biographies Lalah Hathaway (US) The daughter of the great Donny Hathaway, Lalah Hathaway made a good impression with her self-titled debut recording in 1990. She not only displayed poise, confidence, and good technique, but was also versatile enough to do more than just light urban contemporary ballads. Her stage shows included jazz, pre-rock pop, and even gospel, and Hathaway later appeared on BET doing jazz and fusion. After her second and final album for Virgin, 1994's A Moment, she went on a lengthy hiatus, returning in 1999 with Joe Sample for The Song Lives On (GRP). The following decade and into the 2010s she released Outrun the Sky (Sanctuary, 2004), Self Portrait (Stax, 2008), and Where It All Begins (Stax, 2011) -- all fine albums involving collaborations with the likes of Mike City, Rahsaan Patterson, Rex Rideout, and Dre & Vidal. They established Hathaway as one of the finest adult contemporary R&B vocalists of the 2000s and 2010s. A 2013 collaboration with the band Snarky Puppy -- on a cover of Brenda Russell's "Something" -- won a 2014 Grammy Award in the category of Best R&B Performance. The following year, thanks to her role in Robert Glasper Experiment's update of Stevie Wonder's "Jesus Children of America," Hathaway picked up the Grammy for Best Traditional R&B Performance. She then recorded and released Live. A document of back-to-back sets recorded at Los Angeles' Troubadour, the same venue her father played in 1971 -- as heard on the first side of his 1972-released album of the same title -- it was released in 2015.
[Show full text]
Grade 11 November 2012 Music P1
Province of the EASTERN CAPE EDUCATION NATIONAL SENIOR CERTIFICATE GRADE 11 NOVEMBER 2012 MUSIC P1 SURNAME: NAME: MARKS: 120 TIME: 3 hours This question paper consists of 17 pages. 2 MUSIC P1 (NOVEMBER 2012) INSTRUCTIONS AND INFORMATION 1. This question paper consist of TWO sections, namely SECTION A and SECTION B. 2. SECTION A must be answered in pencil in the spaces provided on the question paper. 3. SECTION B must be answered in the ANSWER BOOK provided. 4. Number the questions correctly according to the numbering system used in this question paper. 5. The last paper of this question paper is manuscript paper intended for rough work. It may be removed by the candidate. (NOVEMBER 2012) MUSIC P1 3 SECTION A: THEORY OF MUSIC Answer QUESTIONS 1, 2, 3, 4.1 OR 4.2 and then QUESTION 5.1 OR 5.2. QUESTION 1 Study the Hunting Song from the Album for the young, composed by Robert Schumann and answer the questions that follow. 4 MUSIC P1 (NOVEMBER 2012) 1.1 Transpose the given fragment below up a major 3rd. Add the new key signature. Answer: (4) 1.2 Rewrite the notes in the block numbered A of bar 7 in the alto clef. Answer: (2) 1.3 Name the intervals at B in bar 8 and C in bar 12. Answer: B C (2) 1.4 Write the inversion of the interval at G in bar 21, and name the inverted interval according to distance and type. Interval: (2) (NOVEMBER 2012) MUSIC P1 5 1.5 Name the types of triads and their inversions at D in bar 15, E in bar 18 and F in bar 21, for example Augmented triad in first inversion.
[Show full text]
Lovemore Majaivana and the Township Music of Zimbabwe
Lovemore Majaivana and the Township Music of Zimbabwe ---------------------------------------------------------------------------------------- Author: Themba Nkabinde. Themba Nkabinde was an MA student and Graduate Assistant in the Centre for Cultural and Media Studies, University of Natal, Durban, during the early 1990s. He was formerly a lecturer at the University of Zimbabwe. He was killed in a car accident under suspicious circumstances in Zimbabwe in late 1992. This site is dedicated to Themba's memory. His work is reproduced here with permission of his family, as it deals with aspects of Zimbabwean music not previously studied. Date: 1992 Type of product: Uncompleted chapter towards an MA thesis. Published: No Copyright: CMS, University of Natal, and Durban. ------------------------------------------------------------------------------------ Preface The story of Lovemore Majaivana is the story of cultural struggle and revolution. From the seedy days of rock cabarets in white Rhodesia, Lovemore "returned to the source", a return effectively marked by the 1983 epoch-making album, "Isitimela." Culture is the most critical element of revolution. The reconstruction of Zimbabwe economically, politically and socially cannot be achieved without an accompanying cultural shift away from the colonial and neo-colonial cultures that have marginalised black humanity and threatened its creativity. Lovemore's music is a fighting culture. It is for this reason that the music and the story of Majaivana is being recorded. Introduction Our work is an attempt of further scholarship on urban black culture. Those who know Zimbabwean music know only the ethnographic exertions of Hugh Tracey and Paul Berliner, or the occasional, though now frequent journalistic coverage of Zimbabwean musicians, either on radio or TV talk-shows on the BBC, or in magazines and newspapers, international or local, or on video by either American, British or New Zealand travelling journalists.
[Show full text]
Women, Gender and Identity in Popular Music-Making in Gauteng
Women, Gender and Identity in Popular Music-Making in Gauteng, 1994 - 2012 by Ceri Moelwyn-Hughes A dissertation submitted for the degree of Master of Music in the Wits School of Arts, Faculty of Humanities, University of the Witwatersrand ABSTRACT Women, Gender and Identity in Popular Music-Making in Gauteng, 1994 - 2012 This thesis offers an ethnographic study of the professional lives of twenty-eight women musicians working in Gauteng and their experiences in popular music-making in post- apartheid South Africa. The study is based primarily on interviews with a spectrum of women working as professional musicians, mostly as performers, but also in varied roles within the music industry. I focus on various aspects of women musicians' personal reports: identify patterns of experience in their formative years; discuss seminal relationships that influence their music-making; and note gender stereotypes, identifying and commenting on their effect on individuals. Feminist, cultural, post-colonial, musicological and ethnomusicological theory informs the empirical research and is used to interrogate meanings of identity, stereotypes about women on stage and strategies of performance that women adopt. The experiences of these twenty-eight women demonstrate that gender both positively and negatively affects their careers. Women are moving into previously male-dominated areas of contemporary music-making in South Africa such as jazz and playing certain instruments, both traditionally considered to be in the ‘male’ domain. However, despite women’s rights being well protected under current legislation, women in South Africa do not access legal recourse available to them in extreme situations of sexual harassment in the music industry.
[Show full text]
12 August 1991
--. .~.... ,,~, .. '" ,,~"" l'...... ,",~ '. "'j 9. :., L ....." • ... V >, "I.. I~.. ".. • ... f .,,'IP' .....4 , ? 1 .i*' TO'DAY: GOVT THREATENS ACTION tN eAPRIVI * SUPER WEEKEND SPORT * f rrw.t..3 Bience Gawanas (right), a member of the Public Service Com mission, married Tom Minney of The Namibian (just behind he She-i s- congratulal~u hereby Na'!llleyeMunashimwe, deputy ·permanent secretary of LOCal Government and Housing. Right: A SPECIAL kind of star. Claire Johnston of Mango Groove thrilling the fans in Katutura. And,left: THE JOY ofwiDning. Sorento Bucs manager Japhet Hellao takes a joyous ride on th~ magnetic Gruzy 'The Magnet' Goseo, ery fM the most outstanding player of the match in the Castle ClassIc @tlp final. 5 and 16 for full ears or THE weekend turned out to be ani ghtmare for 70-year actio in Caprivi old Mrs Hoppe-Speer of the farm SchOnar at Outjo who was tied up for four hours and robbed. Police spokesperson Commissioner Siggi Eimbeck told The Namibian last night that two men arrived at Hoppe Speer'sfarm-aboutSOkilometersnorthofOutjo-atabout remains tense, but calm 15hOO. They told her they were looking for work. When she little trouble since. Another hicles and harassment and allegedly told them she had nothing to offer them, they KATEBURLING demonstration is expected assault of Government offi attacked her and tied her up. tomorrow (Monday) but all cials. The men robbed her of a .38 revolver and also stole her indications are that it will be He said the Government was white NisSan truck, registration N 578 OJ. Mrs Hoppe THE EASTERN Caprivi was tense but compara peaceful," he went on.
[Show full text]