DOCSLIB.ORG

The Zhanguo Ce and Classical Rhetoric

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Zhanguo Ce and Classical Rhetoric SINO-PLATONIC PAPERS Number 41 October, 1993 Miching Mallecho: The Zhanguo ce and Classical Rhetoric by Paul Rakita Goldin Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. Sino-Platonic Papers emphasizes substance over form. Submissions are regularly sent out to be refereed and extensive editorial suggestions for revision may be offered. Manuscripts should be double-spaced with wide margins and submitted in duplicate. A set of "Instructions for Authors" may be obtained by contacting the editor. Ideally, the final draft should be a neat, clear camera-ready copy with high black- and-white contrast. Contributors who prepare acceptable camera-ready copy will be provided with 25 free copies of the printed work. All others will receive 5 copies. Sino-Platonic Papers is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs 2.5 License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/2.5/ or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA. Please note: When the editor goes on an expedition or research trip, all operations (including filling orders) may temporarily cease for up to two or three months at a time. In such circumstances, those who wish to purchase various issues of SPP are requested to wait patiently until he returns. If issues are urgently needed while the editor is away, they may be requested through Interlibrary Loan. N.B.: Beginning with issue no. 171, Sino-Platonic Papers will be published electronically on the Web. Issues from no. 1 to no. 170, however, will continue to be sold as paper copies until our stock runs out, after which they too will be made available on the Web. _______________________________________________ Sina-Pla tonic Papers, No. 41 (October, 1993) niching Hallecho: The Z'ooeand Classical Rhetoric mhelia: What means this, my lord? Hamlet : Marry, this is miching mallecho, 1 it means mischief. A consensus regarding the proper classification of the Zhaoc& (Intrigues of the Warrm States), the singular collection of anecdotes compiled by the bibliophile Liu Xiang (77-6 B.C.), continues to elude scholars. Henri Maspero has demonstrated that much of the material in the Intrigues is fictional.3 and historians have since rejected them as a primary source of information, although we know from the work of Zheng Liangshu that they may be derived from many of the same sources which Sima Qian (146-86 B.C.) used for his Shw (Recorn's of the Historian)+ Some writers, such as Timoteus Pokora, have found that "much information given en passant in what may perhaps be called informatory parts of the Chan-kuo Ts 'e can be corroborated from other sources."~ Still, it is generally agreed that the Intrigues are very unreliable as a historical text, and probably were never intended as one. 1. "Miching" is the present participle of the obsolete verb "to miche," meaning "to hide," or "to pilferH--probably related to Modern German meuch-. as in Meuchelmord ("assassination") and areuchl- ("stealthily"). "Mallecho" is likely the Spanish word melhecho, or "misdeed." "niching mallecho" thus means "secretive malefactionu--or "intrigue." 2. Romanizations of all Chinese characters will be found in the appended glossary. 3. "Le Roman de Sou Ts 'in, " Etudes Asiatigues 2 (1925), 127-41; and "Le Roman historique dans la litt6rature chinoise de l'antiquitg," in Mdlanges Posthumes (Paris: Civilisations du Sud, 1950), 111, 52-62. 4. Zhwoce m-iu(Singapore : Xueshu chubanshe, 1972). 5. "Pre-Han literature," in Essays an the Sources for Chinese History, ed . Donald D . Leslie, Colin Mackerras, and Gungwu Wang (Columbia: University of South Carolina Press, 1975), 28. 2 Paul Rakita Eoldin, 'Niching Hallecho: The Zhanguoce and Classical Rhetoric' Others see the Intr-es as a handbook on persuasive speaking, filled with numerous debates and speeches that serve as examples of superior rhet0ric.e Yet there does not seem to be a conscious attempt to divide the various items by style or theme. The anecdotes are ordered only by state of provenance, and at that quite loosely. After reading the book, the reader senses that he has been made privy to several gems of rhetorical strategy to be used when the appropriate situation should arise, but has learned nothing of a unified theory of rhetoric that would help him modify his speech to suit all occasions. By contrast, the more influential of the classical Western handbooks on rhetoric--such as De oratore, by Marcus Tullius Cicero (106-43 B.C.); the anonymous htorica ad Herenniuar, and Ch Ccbadpositim, by Dionysius of Halicarnassos (54-7 B.C.?)--share the advantage of clear organization: their discussions and examples are arranged by topic into different sections. A primer should be coherent and lead the student's mind directly to the points it wishes to convey. But the Intrigues, though they may be valuable as something else, are inadequate as a sort of textbook, since none of the rhetorical skills appearing in the speeches are ever discussed analytically, or even identified explicitly, in the text. The most prominent Western scholar in the study of the Intrmes is James I. Crump, Jr., whose critical works and translation of the entire text stand out as fundamental contributions.7 Crump's own interpretation of the 6. E .g. Burton Watson, EmJy Chinese Literature (New York and Landon: Columbia University Press, 1962), 75. 7. See esp. "The Ch-kuo Ts'e end its Fiction," T'oung Pao 47.4-5 (lS60), 305-75; Intrigues: Studies of the Chan-kuo Ts 'e (Ann Arbor: University of Michigan Press, 1864); and his translation ( Chan-Kuo Ts'e, 2nd edition, Chinese Materials and Research Aids Service Center Occasional Series 41 [San Francisco: Chinese Materials Center, 19791). Sine-Platonic Papers, No 41 (October, 1993) 3 Intrmes is encapsulated in the following paragraph: Suppose a Chinese rhetorical tradition included some such device as the suasoria for training men in the art of persuasion; would that not explain much of what is most baffling about the IntriByeg If exercises by the masters or the disciples of such a "school" were part of the "school's" heritage it would not only explain many of the contradictions in the intrigues, but it would account for myother facets of this delightful work. Why, for example, do so many persuaders so often speak their entire piece with no interruption from the ruler, who simply says "so be it" when the persuader is finished? Why are the pieces in the Intrigues so beautifully polished? ... These become understandable if the training a man underwent to pursue the career he hoped for (political advisor, emissary, and the like) included model advice which wouldor shmld have been offered at certain historic occasions, and somehow found its way into what we now call the Intrigues of the Warring States? This is the first formulation of a theory that has since gained widespread popularity. David Hawkes, for example, agrees wholeheartedly in his review of Crump's book, adding: "It is even arguable that Chm-kuo Ts 'e meant not Intrigues of the Karrin8 States [but 1 Imaginary Sweches an Warrim? States Tkms."e More recently, Jean-Paul Reding has called the intraes "une vlaste collection de pieces rMtoriques, des exercises d06cole sans daute."lo Jaroslav PrUgek's is the most significant dissenting voice; he remarks that the "stress on the anecdotal aspect is not by any means subordinated to the stress m rhetoric."ll Yet neither Crump's supporters nor his critics have studied the tradition of the Roman suasoria and compared it with the rhetoric of the Intrigues. It is just such an examination that we need to undertake before we can gain our own understanding and appreciation of 8. Intrigues, 103f. 8. Journal of the American Oriental Society 86.1 ( 1966), 63. 10. Les fandements philosophigues de la rMtorique chez les sophistes Grecs et chez les sophistes Chinois (Berne: Peter Lang, 1985), 341. 11. "A New Exegesis of Chan-Kuo-Ts'e," Rrchiv Orientdlnf 34.4 (1966), 590. 4 + Paul Rakita Goldin, 'Niching Hallecho: The Zhanquoce and Classical Rhetoric' the book. This will involve a comparison of several aspects of Chinese and Roman rhetoric, such as the use of language and devices, as well as the theory of rhetoric and its ultimate goal.
Load more

Recommended publications
  • Downloaded 4.0 License
    86 Chapter 3 Chapter 3 Eloquent Stones Of the critical discourses that this book has examined, one feature is that works of art are readily compared to natural forms of beauty: bird song, a gush- ing river or reflections in water are such examples. Underlying such rhetorical devices is an ideal of art as non-art, namely that the work of art should appear so artless that it seems to have been made by nature in its spontaneous process of creation. Nature serves as the archetype (das Vorbild) of art. At the same time, the Song Dynasty also saw refined objects – such as flowers, tea or rocks – increasingly aestheticised, collected, classified, described, ranked and com- moditised. Works of connoisseurship on art or natural objects prospered alike. The hundred-some pu 譜 or lu 錄 works listed in the literature catalogue in the History of the Song (“Yiwenzhi” in Songshi 宋史 · 藝文志) are evenly divided between those on manmade and those on natural objects.1 Through such dis- cursive transformation, ‘natural beauty’ as a cultural construct curiously be- came the afterimage (das Nachbild) of art.2 In other words, when nature appears as the ideal of art, at the same time it discovers itself to be reshaped according to the image of art. As a case study of Song nature aesthetics, this chapter explores the multiple dimensions of meaning invested in Su Shi’s connoisseur discourse on rocks. Su Shi professed to be a rock lover. Throughout his life, he collected inkstones, garden rocks and simple pebbles. We are told, for instance, that a pair of rocks, called Qiuchi 仇池, accompanied him through his exiles to remote Huizhou and Hainan, even though most of his family members were left behind.
    [Show full text]
  • Chinese Chess Board Pdf
    Chinese chess board pdf Continue Who goes first? Man Computer Game Without Computer Handicap No Handicap Right Horse Both Horses Nine Pieces Computer Skill Level 0.5 seconds 1 second 2 seconds 3 seconds 4 seconds Chinese chess redirects here. For other purposes, see Chinese chess (disambiguation). Chess version hailing from China's XiangqiXiangqi board and starting setupGenre (s) Board game Abstract strategy game Mind sportPlayers2Setup time qlt; 1 minutePlaying timeInformal games: can range from 20 minutes to a few hoursBlitz games: up to 10 minutes chanceRandomNoneSkill (s) required Bystregia, Chinese chess playerChinese象棋TranscriptionsStandard MandarinHanyu Pinyinxi'ngq'wade-Gileshsiang4- ch'i2IPA-ɕjâŋ.tɕhǐ (listen)Yue: CantoneseYale Romanizationjeuhng k'iJyutpingzoeng6 kei2Southern MinHokkien POJchhiūⁿ-k' This article includes inset links to audio files. If you're having trouble playing files, see Xiangqi (Chinese: 象棋; pinyin: xi'ngq; English: /ˈʃɑːŋtʃi/), also called Chinese chess, is a strategic infusion game for two players. It is one of the most popular board games in China, and is in the same family as international chess, chaturanga, segues, Indian chess and janggi. Aside from China and areas with significant ethnic Chinese communities, xiangqi is also a popular pastime in Vietnam, where it is known as cờ tướng. The game is a battle between two armies, with the aim of capturing the enemy general (king). The distinctive features of xiangqi include cannons (pao) that must jump to capture; a rule prohibiting generals from confronting each other directly; The area on the board is called the river and the palace, which restrict the movement of some parts (but boost that of others); and placing the pieces at the intersection of board lines, not in squares.
    [Show full text]
  • Title of Thesis Or Dissertation, Worded
    METAPHOR IN METAMORPHOSIS: TOWARDS COMPREHENSIVE TRANSLATION OF CHINESE FIGURATIVE LANGUAGE by KATHERINE E. THOMPSON A THESIS Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2012 THESIS APPROVAL PAGE Student: Katherine E. Thompson Title: Metaphor in Metamorphosis: Towards Comprehensive Translation of Chinese Figurative Language This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Department of East Asian Languages and Literatures by: Zhuo Jing-Schmidt Chairperson Alison Groppe Member Xin Huang Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Katherine E. Thompson iii THESIS ABSTRACT Katherine E. Thompson Master of Arts Department of East Asian Languages and Literatures June 2012 Title: Metaphor in Metamorphosis: Towards Comprehensive Translation of Chinese Figurative Language Focusing on the unique challenges of Chinese-to-English translation, this thesis attempts to bridge the gap between practical concerns related to readability and the cognitive structure and functions of metaphor. It explores the possibility of a compromise between the interest of the reader, the culturally-bound expressiveness of original texts, and translator interpretation. The metaphorical difficulties that arise in the translation of two Chinese novellas, 《纸醉》 (“Paper Dreams”) by Lu Min and 《百鸟朝凤》 (“One Hundred Birds Saluting the Phoenix”) by Xiao Jianghong, are analyzed to demonstrate how compromise can begin to take shape through the combined application of reader accessibility guidelines and cognitive theories of metaphor.
    [Show full text]
  • Parodies of Qing: Ironic Voices in Romantic Chuanqi Plays Yanbing Tan Washington University in St
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Washington University St. Louis: Open Scholarship Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2018 Parodies of Qing: Ironic Voices in Romantic Chuanqi Plays Yanbing Tan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian Studies Commons, Comparative Literature Commons, East Asian Languages and Societies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Tan, Yanbing, "Parodies of Qing: Ironic Voices in Romantic Chuanqi Plays" (2018). Arts & Sciences Electronic Theses and Dissertations. 1656. https://openscholarship.wustl.edu/art_sci_etds/1656 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Program in Comparative Literature Dissertation Examination Committee: Robert E. Hegel, Chair Beata Grant Robert K. Henke Marvin Marcus Jamie Newhard Parodies of Qing: Ironic Voices in Romantic Chuanqi Plays by Yanbing Tan A dissertation presented
    [Show full text]
  • THE INDIVIDUAL and the STATE: STORIES of ASSASSINS in EARLY IMPERIAL CHINA by Fangzhi Xu
    THE INDIVIDUAL AND THE STATE: STORIES OF ASSASSINS IN EARLY IMPERIAL CHINA by Fangzhi Xu ____________________________ Copyright © Fangzhi Xu 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 Xu 2 Xu 3 Contents Abstract ...................................................................................................................................... 4 Introduction ................................................................................................................................ 5 Chapter 1: Concepts Related to Assassins ............................................................................... 12 Chapter 2: Zhuan Zhu .............................................................................................................. 17 Chapter 3: Jing Ke ................................................................................................................... 42 Chapter 4: Assassins as Exempla ............................................................................................. 88 Conclusion ............................................................................................................................... 96 Bibliography .......................................................................................................................... 100 Xu 4 Abstract In my thesis I try to give a new reading about the stories of assassins in the
    [Show full text]
  • The Warring States Period (453-221)
    Indiana University, History G380 – class text readings – Spring 2010 – R. Eno 2.1 THE WARRING STATES PERIOD (453-221) Introduction The Warring States period resembles the Spring and Autumn period in many ways. The multi-state structure of the Chinese cultural sphere continued as before, and most of the major states of the earlier period continued to play key roles. Warfare, as the name of the period implies, continued to be endemic, and the historical chronicles continue to read as a bewildering list of armed conflicts and shifting alliances. In fact, however, the Warring States period was one of dramatic social and political changes. Perhaps the most basic of these changes concerned the ways in which wars were fought. During the Spring and Autumn years, battles were conducted by small groups of chariot-driven patricians. Managing a two-wheeled vehicle over the often uncharted terrain of a battlefield while wielding bow and arrow or sword to deadly effect required years of training, and the number of men who were qualified to lead armies in this way was very limited. Each chariot was accompanied by a group of infantrymen, by rule seventy-two, but usually far fewer, probably closer to ten. Thus a large army in the field, with over a thousand chariots, might consist in total of ten or twenty thousand soldiers. With the population of the major states numbering several millions at this time, such a force could be raised with relative ease by the lords of such states. During the Warring States period, the situation was very different.
    [Show full text]
  • Clta-Wpa Newsletter
    Volume 1, Issue 1 CLTA-WPA Summer 2014 NEWSLETTER Message from the Editors We are glad to announce the first newsletter of The Chinese Language Teachers Asso- Inside this issue: ciation of Western Pennsylvania (CLTA-WPA). The newsletter serves as a venue among members of CLTA-WPA to share news and resources. Example items include Message from the 1 but not limited to (1) descriptions of events associated with your Chinese programs Editors that took place in the past semester or planned for the incoming semester; (2) confer- ence presentations, articles, books, or other achievements you would like to share; (3) Board of Directors 1 conference/workshop announcements, website/software recommendations, or other Message from the 2 news related to our field, (4) job ads or other related advertisement. Pictures are wel- President come. Committees 2 We plan to publish newsletter twice a year: one in summer, the other in winter. News items can be submitted to [email protected]. Questions and sug- Inaugural Confer- 3-4 gestions can be addressed to Dr. Shijuan Liu at [email protected]. We hope that you will ence Agenda find the newsletter helpful, and thank you for your support. Conference vol- 5 Newsletter Committee unteers & donors Shijuan Liu (Chair) & Sue-mei Wu Conference pic- 6-7 tures CLTA-WPA Board of Directors Members Pre- 7 sented at TCLT8 conference Officers: Sue-mei WU (吳素美), President & Founder Farewell from Dr. 8 Tingting Guo Yueming YU (于月明), Vice-president Gang LIU (刘刚),Secretary-Treasurer Greetings from 8 Dr. Ying Xiao Shijuan LIU (刘士娟),Newsletter CI-Pitt Workshop 9 Board Members (alphabetical order): Chinese Program 10 Wen-hua Du (杜雯華), Pennsylvania State University at Pitt Tingting Guo (郭婷婷),St.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced fromm icrofilm the master. UMI films the text directly firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be ft’om any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9218985 Spatialization in the ‘‘Shiji” Jian, Xiaobin, Ph.D. The Ohio State University, 1992 Copyright ©1992 by Jian, Xiaobin. All rights reserved.
    [Show full text]
  • Imagining Wu in the Han Aaron Zhao a Thesis Submitted in Partial
    Imagining Wu in the Han Aaron Zhao A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2020 Committee: Patricia Ebrey Ping Wang Program Authorized to Offer Degree: Jackson School of International Studies ©Copyright 2020 Aaron Zhao 1 University of Washington Abstract Imagining Wu in the Han Aaron Zhao Chair of the Supervisory Committee: Patricia Ebrey Department of History This master’s thesis attempts to analyze the perception and understanding of the concept of wu 武 in the Han dynasty by exploring the relevant literary sources. It is divided into four subsections. In the “Institutional Promotions of Wu,” I explain how the Qin-Han legacy of military organization of the society makes wu a superior and desirable value. The order of honor by military merits, superiority of military offices in the governmental systems and even naming of certain offices using military terms reflect such promotion of the wu value. In the “Military Aristocratic Lineages” section, I demonstrate by tracing information scattered throughout various biographical records in the dynastic histories that some aristocratic lineages advanced or maintained their status mainly through military services. The “Martial Individualism” section explores the relationship between the individual and the state via their negotiation and struggle of power in using violence. This section is inspired and influenced by Sanctioned Violence in Early China. But one of the differences is that I note the possibility of a non-violent manifestation of wu. Lastly, the “Wu of Women” section analyzes two examples of women who display qualities of wu in the dynastic histories and 2 their significance.
    [Show full text]
  • The Eastern Zhou Or Classical
    General Survey Course Materials (R. Eno) THE ZHOU DYNASTY (1045-256 BCE) The Eastern Zhou (771-256 BCE): Classical China In 771 BCE, non-Chinese raiders from Central Asian steppe invaded the area of the old Zhou tribal homeland where the Zhou king ruled. The capital was sacked, the king murdered, and the young heir to the throne was brought to safety in the "eastern capital" of Cheng-Zhou by loyal followers, leaders of the hereditary aristocracy who held major fiefs in the western areas. From that moment, the nature of the Zhou state changed dramatically. Thereafter, power shifted rapidly from the royal house into the hands of the hereditary rulers of various "feudal states" – the major fief-holding clans of Zhou China. The Zhou king retained only nominal power, and from the seventh century until the extinction of the Zhou royal house in 256 BCE – the period of the Eastern Zhou – the king was no more than a figurehead, a symbol of the common political culture of China. China itself became increasingly divided into effectively sovereign states, the expanded territories ruled by the most powerful of the fief-holding clans. These rulers of these states, while claiming to be only servants of the Zhou king, were in fact the leaders of independent political entities. It was not long before they began to behave the way that all leaders of states behave – they began to make war. During the first centuries of this interstate struggle, the wars among these states were constant, but relatively mild (though they did not seem so at the time).
    [Show full text]
  • Bibliography
    BIBLIOGRAPHY Chen Zhengxiang. Cultural Geography of China. Beijing: Joint Publishing Co., 1983. Collected by the Garden Bureau of Beijing Dongcheng District. General Investigations of Beijing Fair Documents. Beijing: Beijing Yanshan Publishing House, 2002. E. Saarineen. City: Its Development, Declining and Future, translated by Gu Qiyuan. Beijing: China Building Industry Press, 1986. Feng Tianyu, etc. Cultural History of China. Shanghai: People’s Publishing House, 1991. Feng Youlan. A Newly Compiled History of Chinese Philosophy. Shanghai: People’s Publishing House, 1986. Franz Boas. Primitive Art. Shanghai: Shanghai Literature and Art Publishing House, 1989. Fu Chonglan. Cities Along the Great Wall. Hong Kong: Oriental Press, 1990. Fu Chonglan. Qufu City and Chinese Confucianism. Beijing: China Social Sciences Publishing House, 2003. Fu Chonglan. The History of Lhasa. Beijing: China Social Sciences Publishing House, 1994. Fu Chonglan. Urban Individual Character. Beijing: Social Sciences Academic Press, 2003. Fu Chonglan. Urban Planning Construction at the Turn of the Centuries. Beijing: Science Press, 1991. Fu Chonglan, Chen Guangting & Dong Liming. Problem Report of Chinese Urban Development. Beijing: China Social Sciences Publishing House, 2003. Gu Yanwu (Qing dynasty). Notes on the Residence of the Capital Throughout the Past Dynasties. Beijing: Zhonghua Book Company, 1984. © Social Sciences Academic Press 2019 361 C. Fu and W. Cao, Introduction to the Urban History of China, China Connections, https://doi.org/10.1007/978-981-13-8207-9 362 BIBLIOGRAPHY Gu Zhun. The Greek System of City State. Beijing: China Social Sciences Press, 1979. H. Blij. Geography: Realms, Regions and Concepts, 7th edition. New York: Wiley, 1994. He Yeju. Chinese History of Ancient Urban Planning.
    [Show full text]
  • After Confucius
    After Confucius After Confucius Studies in Early Chinese Philosophy Paul R. Goldin University of Hawai`i Press Honolulu ( 2005 University of Hawai`i Press All rights reserved Printed in the United States of America 10 09 0807 06 05 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Goldin, Paul Rakita. After Confucius : studies in early Chinese philosophy / Paul R. Goldin. p. cm. Includes bibliographical references and index. ISBN 0-8248-2842-9 (alk. paper) 1. Philosophy, ChineseÐTo 221 b.c. 2. Philosophy, ChineseÐ221 b.c.±960 a.d. I. Title: Studies in early Chinese philosophy. II. Title. B126.G65 2005 1810.11Ðdc22 2004017241 University of Hawai`i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by University of Hawai`i Press production staff Printed by IBT Global Gilbert L. Mattos (1939±2002) in memoriam Z«BUÊ (æ{ Év\è !(eºl Àj ãÝ ÄÃ¦ê ¨ò[ÃÈ #ý0Ì åÓ­UÁ YÄw ô»ÆA) °b G C9 Contents Acknowledgments ix Introduction: Toward a Thick Description of Chinese Philosophy 1 1. The Reception of the Odes in the Warring States Era 19 2. Xunzi in the Light of the Guodian Manuscripts 36 3. Han Fei's Doctrine of Self-Interest 58 4. Li Si, Chancellor of the Universe 66 5. Rhetoric and Machination in Stratagems of the Warring States 76 6. Insidious Syncretism in the Political Philosophy of Huainanzi 90 7. BanZhaoinHerTimeandinOurs 112 8. Those Who Don't Know Speak: Translations of Laozi by PeopleWhoDoNotKnowChinese 119 Appendix: References to the Odes in Pre-Imperial Texts, Arranged by Mao Number 135 Notes 153 Bibliography 215 Index 261 vii Acknowledgments The debts that I have accumulated in the course of writing this book are numerous, but I owe the most to my parents and to my wife, Edilma.
    [Show full text]