Rocbar Selected As 100 Days Venue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rove Greeted with Both Protest, Applause At
News | page 2 Gov. Doyle to speak at uwMrOSl UWM commencement The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Rove greeted with both Semester news recap Sports | page 7 Men's basketball beats protest, applause at UWM UIC, loses to Loyola December NFL preview fringe | page 10 Waits' Glitter and Doom Live disappoints Turner Hall hosts Brett Dennen, Grace Potter & The Nocturnals Editorial | pa'ge 19 eBooks cheaper, more (Left) Karl Rove speaks in the Union's Wisconsin during the controversial lecture Thursday evening. (Right) A group of protesters rally convenient than regular outside of the Union's Wisconsin Room Thursday evening during the Karl Rove lecture. Post photos by Dustin Zarnikow textboks By Tom Swieciak Republicans and the Young past signs which indicated that wore masks depicting former News Editor America's Foundation. backpacks and large carry-ins President George W. Bush, while Obama must look [email protected] The speech turned out to be were not allowed. Attendees others held signs asking that to history in making well-attended, highly-organized also walked past a small group Rove be imprisoned. Afghanistan decision Republican political leg and secure, but proved rowdy of about 20 protesters belong Rove was introduced by for end Karl Rove spoke at UW- and raucous for those who ing to Students for a Democratic mer Wisconsin Congressman Milwaukee last Thursday eve came to voice their opposition Society, who were slowly walk Mark Neumann, who is currently ning in the Wisconsin Room at to Rove. ing in a circle, chanting qui the invitation of UWM's College Upon entry, attendees walked etly. -
MTO 22.4: Thomas, Text and Temporality
Volume 22, Number 4, December 2016 Copyright © 2016 Society for Music Theory * Margaret E. Thomas NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.16.22.4/mto.16.22.4.thomas.php KEYWORDS: Tom Waits, rhythm, hypermeter, popular music, lyrics, rhythmic irregularity, voice ABSTRACT: This article considers phrase structure, hypermeter, and lyrics in three songs by Tom Waits, examining the particular ways that temporal regularity and irregularity interact with poetic structure, musical style, and vocal performance in Waits’s music. Subtle and ambiguous hypermetrical shifts are uncovered in “Green Grass,” whereas “Black Wings” utilizes conspicuously conflicting phrase lengths to enhance its textural meaning. In “Dead and Lovely” Waits creates temporal disturbances by shifting the placement of four-measure phrases relative to hypermetrical downbeats and upbeats. Received July 2016 Introduction [1.1] American singer-songwriter Tom Waits opens his 2004 song “Green Grass” with this quatrain: Lay your head where my heart used to be Hold the earth above me Lay down in the green grass Remember when you loved me The four lines—each a directive—draw the listener into the song as they unfurl a rambling narrative packed with evocative imagery, wistful sorrow, and intimacy. It is a bold opening, and it encapsulates much of what is distinctive about Waits: the subject matter is dark and perplexing, and the poetic structure is irregular and a bit playful. The lines have 9, 6, 6, and 7 syllables, respectively. Their rhyme scheme plays out in two layers: a literal aaba pattern (“be,” “me,” “grass,” “me”), and an elongated near-rhyme pattern in lines two and four (“above me” and “loved me”). -
Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf
II © Karl-Kristian Waaktaar-Kahrs 2012 Clang Boom Steam – en musikalsk lesning av Tom Waits’ låter Forsidebilde: © Massimiliano Orpelli (tillatelse til bruk er innhentet) Konsertbilde side 96: © Donna Meier (tillatelse til bruk er innhentet) Trykk: Reprosentralen, Universitetet i Oslo III IV Forord Denne oppgaven hadde ikke vært mulig uten støtten fra noen flotte mennesker. Først av alt vil jeg takke min veileder, Stan Hawkins, for gode innspill og råd. Jeg vil også takke ham for å svare på alle mine dumme (og mindre dumme) spørsmål til alle døgnets tider. Spesielt i den siste hektiske perioden har han vist stor overbærenhet med meg, og jeg har mottatt hurtige svar selv sene fredagskvelder! Jeg skulle selvfølgelig ha takket Tom Waits personlig, men jeg satser på at han leser dette på sin ranch i «Nowhere, California». Han har levert et materiale som det har vært utrolig morsomt og givende å arbeide med. Videre vil jeg takke samboeren min og mine to stadig større barn. De har latt meg sitte nede i kjellerkontoret mitt helg etter helg, og all arbeidsroen jeg har hatt kan jeg takke dem for. Jeg lover dyrt og hellig å gjengjelde tjenesten. Min mor viste meg for noen år siden at det faktisk var mulig å fullføre en masteroppgave, selv ved siden av en krevende fulltidsjobb og et hektisk familieliv. Det har gitt meg troen på prosjektet, selv om det til tider var slitsomt. Til sist vil jeg takke min far, som gikk bort knappe fire måneder før denne oppgaven ble levert. Han var alltid opptatt av at mine brødre og jeg skulle ha stor frihet til å forfølge våre interesser, og han skal ha mye av æren for at han til slutt endte opp med tre sønner som alle valgte musikk som sin studieretning. -
Tedde, Adriano Antonio
The Other America of Paul Auster, Jim Jarmusch and Tom Waits Author Tedde, Adriano Antonio Published 2019-10-23 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/2054 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/388986 Griffith Research Online https://research-repository.griffith.edu.au The Other America of Paul Auster, Jim Jarmusch and Tom Waits Adriano Tedde, PhD candidate School of Humanities, Languages and Social Sciences Griffith University. Thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy March 2019 0 ABSTRACT This thesis employs popular culture texts (works of literature, film, and popular music) as companions to the understanding of contemporary America. It is about artworks that form a cultural resistance that enables the appreciation of social issues and cultural decline in the United States. The authors of these artworks are novelist Paul Auster, filmmaker Jim Jarmusch, and musician Tom Waits. Born between the late 1940s and the early 1950s, in different parts of the United States, Auster, Jarmusch, and Waits have produced a series of works that share strong similarities. In their novels, films, and songs, they portray an imagined “Other America” that is in stark contrast with the idyllic vision of the American Dream. Their America does not coincide with conventional middle-class values and goals of success, money and social upward mobility. It is an open, tolerant, and egalitarian country inhabited by marginalized “other Americans” who never escape from poverty and failure. -
Econ Department Restructures Major
OP-ED P. 3 A&E P. 11 SPORTS P. 15 Tiger is a player, not a role model Office party on Ghost Mountain A sweep and a miss Ryan Gupta clarifies the difference between celebrity and Find out who is playing at KTRU's annual Outdoor Rice basehnll defeated Houston thi ice over the weekend, model behavior in light of the Tiger Woods scandal. Show tomorrow. but their luck failed Tuesday against Dallas Baptist. thVOLUME XCVIIe, ISSUE NO. Ric25 STUDENT-RUe N SINCE 1916 FRIDAY, APRIL 9, 2010 Budget cut Econ department restructures major committee Course names, grad *not a complete list formed requirements change OLD NEW BY SETH BROWN BY KEVIN LIN THRESHER EDITORIAL STAFF THRESHER STAFF ECON 211 ECON 201 Economics dictates that as market The Student Association is form- forces change, players must constantly ing a Budget Planning Committee readapt. Taking this lesson to heart, the ECON 205 to make sure students have a voice Economics Department has reevaluated in the fiscal process and to ensure its course offerings and major require- highly valued programs stay de- ments. A sixth required elective has ECON 370 ECON 301. spite budget cuts. been added to the economics major, the According to its charter, passed numbering of several courses has been at the March 22 SA meeting, the changed to clarify difficulty level, re- ECON M ECON 2431 Budget Planning Committee is search methods have changed the mini- charged with "representing the in- mum required grade point average has terests of the student body to the risen for honors candidates. -
Pearl Jam Twenty Pdf, Epub, Ebook
PEARL JAM TWENTY PDF, EPUB, EBOOK Pearl Jam,Cameron Crowe | 384 pages | 13 Sep 2011 | SIMON & SCHUSTER | 9781439169216 | English | New York, United States Pearl Jam Twenty PDF Book Archived from the original on April 12, Download as PDF Printable version. Pearl Jam Twenty September 11, Language: English. Parents Guide. Alpine Valley Music Theatre. Self archive footage Chris Cornell Categories : live albums soundtrack albums Pearl Jam live albums Documentary film soundtracks Columbia Records live albums Columbia Records soundtracks s alternative rock album stubs. Hidden categories: Articles with short description Short description matches Wikidata Use mdy dates from May Retrieved May 18, Air Canada Centre. August 26, September 26, Plot Summary. Edit Storyline A documentary on the band Pearl Jam that marks their 20th anniversary in the year On July 11, the band announced an additional nine dates in Latin America, scheduled for November. Edit Did You Know? Both dates are relevant: April 8th is the day Kurt Cobain was discovered dead. Archived from the original on September 25, Categories : concert tours Pearl Jam concert tours. Download as PDF Printable version. Portuguese Albums AFP [21]. Estadio Ciudad de La Plata. Download as PDF Printable version. Archived from the original on May 21, Self archive footage Mother Love Bone Roadies But with everything crammed into two hours, expect some areas of focus to be skimmed through as Crowe paced his documentary at breakneck speed to cover as much ground as possible, mixing it up quite a bit with comedy, pathos, and allowing the many visuals both moving and static to breathe and tell a story. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
PATRICK WARREN (Discography) Year Album / Project Artist Credit
PATRICK WARREN (Discography) 1/1/19 Recording Year Album / Project Artist Credit Label 2019 TBD Sara Bareilles Keyboards, String Arrangements 2018 TBD Elisa Composing, Conducting, producing Universal Italy 2018 All These Things Thomas Dybdahl Keyboards, Programming, Composer Piano, Wurlitzer Piano, Harmonium, 2018 Anthem Madeleine Peyroux String Arrangements, Dulcitone, Shouts, Composer 2018 Indigo Kandace Springs String Arrangements 2018 Over the Years… Graham Nash Wurlitzer Piano 2018 She Remembers Everything Rosanne Cash Mellotron, Piano 2018 String Theory Hanson Chamberlin, Group Member Superfly [Original Motion Picture 2018 Soundtrack] Future Strings 2018 The Pains of Growing Alessia Cara Strings 2018 Wanderer Cat Power Arranger, Strings Piano, Organ, Keyboards, Pump 2018 Whistle Down the Wind Joan Baez Organ, Tack Piano 2018 Years in the Making Loudon Wainwright III Piano 2017 Grace Lizz Wright Keyboards 2017 Happy Accidents Jamie Lawson String Arrangements Keyboards, Organ (Hammond), Jupiter Calling The Corrs 2017 Strings, Synthesizer 2017 Life. Love. Flesh. Blood Imelda May Keyboard Arrangements, Keyboards 2017 Love and Murder Leslie Mendelson Strings Bassoon, Flute, Organ, Piano, Strings, 2017 Lust for Life Lana Del Rey Synthesizer, Tack Piano, Waterphone 2017 Popular Van Hunt Conductor 2017 The Christmas Wish Herb Alpert Keyboards 2017 The Natalie Merchant Collection Natalie Merchant Chamberlin, Pump Organ 2017 Wonder: Introducing Natalie Merchant Natalie Merchant Chamberlin, Organ Conductor, Horn Arrangements, String Arrangements, -
Shotgun Players Presents the Black Rider: the Casting of the Magic Bullets, Directed by Mark Jackson, Musical Direction by David
FOR IMMEDIATE RELEASE Media Contact: OCTOBER 2017 Shokai Sinclair Marketing and communications director [email protected] or 510.692.2354 (cell) Shotgun Players presents The Black Rider: The Casting of the Magic Bullets, directed by Mark Jackson, musical direction by David Möschler, original direction by Robert Wilson, music and lyrics by Tom Waits, text by William S. Burroughs, original musical arrangements by Greg Cohen and Tom Waits, dramaturgy by Wolfgang Wiens Bay Area musician Josh Pollock works well with what’s at hand in The Black Rider by Tom Waits. Berkeley, CA – Mention The Black Rider and many people immediately think of Tom Waits; now Bay Area Waits fans will also think of Bay Area musicians you may have heard of—like Josh Pollock and David Möschler. The Black Rider is a landmark of popular experimental theater, yanking the musical theatre genre into a carnival nightmare. The story: Wilhelm, a lowly clerk, and Käthchen, the daughter of a well to do forester, wish to get married. But Wilhelm must first prove to Käthchen's father that he has the brawny skills of a huntsman. What to do? Along comes Pegleg with an offer he cannot refuse. With music by Tom Waits this adaptation by William S. Burroughs will be a wild ride through a dark and magical forest. Director Mark Jackson comments: “The Black Rider is a fairytale for adults about how fear and self-doubt can lead us to sell out our integrity for a shortcut to our hopes and dreams." The Black Rider begins previews on Thursday, November 9; opens on Friday, November 17; and runs through Sunday, December 31, 2017, at The Ashby Stage. -
VOICE 11-18.Pdf
OPEN The The LakehouseLakehouse InnInn ALL YEAR! Visit us for your next Vacation Winery Winery or Get-Away! RIB, STEAK, & CHICKEN DINNERS Four Rooms Complete with Private Hot Tubs & Outdoor Patios Order on-line at EVERY FRIDAY & SATURDAY www.OldFirehouseWinery.com 5 - 9PM Call for Reservations N OW OPEN 7 DAYS A WEEK Enjoy Lakefront Dining at STARTING AT NOON Crosswinds Grille Serving Dinner Friday & Saturday ENTERTAINMENT NIGHTLY ALL SUMMER 5:00p.m. - 8:30pm • Sun. 4-7:30p.m. The Great Lakes LARGEST Lakefront Winery! Three Rooms at $80 One Suite at $120 www.bucciavineyard.com J OIN US FOR LIVE Live Entertainment ENTERTAINMENT ALL Fridays & Saturdays! WEEKEND! AppA Appetizersppetizersetizers && FullFull E Enntreentreetree MMenuMenuenu www.debonne.com See Back See Back Cover Back Cover for 4573 Rt. 307 East For Full Info Full Info Harpersfield, Ohio 440.415.0661 www.grandrivercellars.com 2 www.northcoastvoice.com • (440) 415-0999 November 18 - December 2, 2009 We would like to thank all of our sponsors and encourage our readers to patronize the fine businesses appearing in the North Coast VOICE. Tannebaum Trail - “Wine and many may remember them for playing at the Cleveland Clinic children’s Vine Trail” event, Fridays and Publisher at Shea’s Theater in downtown Bula Hospital,“ says Q104 Program Director Saturdays, Dec. 4-5, Dec. 11-12, and Carol Stouder (Ashtabula) in 1979 and their songs, Dave Popovich. Dec. 18-19. It often sells out so get “It’s Over”, “Scream”, Local artists Kate Voegele and Joshua tickets early. Thirteen out of the area’s Editor “Wayside”, “Think, Radin, along with non-Cleveland native 22 wineries are on board this year. -
Were-Waitsing: Gothic Elements in the Musical Imagery of Tom Waits
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Were-Waitsing: Gothic Elements in the Musical Imagery of Tom Waits Master’s Thesis Brno 2019 Supervisor: Author: Mgr. Pavla Buchtová Bc. Jakub Jiaxis Svoboda Abstract This thesis focuses on the musical imagery in the songs of American singer- songwriter Tom Waits, with special attention paid to Gothic elements in Waits’ music, as well as in his on and off-stage presence. As Waits himself eludes critical efforts to be labelled – his art and music is described in an array of genres as wide as blues, jazz, vaudeville, industrial and experimental – this thesis undertakes to present him as a Gothic artist, a view which has so far been academically neglected. The thesis analyses two key notions of the gothic genre, as portrayed and manifested by the artist, primarily the wound-healing duality and the notion of shape-shifting as a form of code-switching between personas and genres, thus showing that for Waits the Gothic is a medium through which he can confront the intact American discourse with the disfigured, peripheral socio-cultural domains. Key words Tom Waits, American Gothic, Southern Gothic, wound, healing, shape-shifting, liminality 2 Anotace Diplomová práce se zaměřuje na obraznost v tvorbě amerického písničkáře Toma Waitse, se zvláštním ohledem na gotické motivy ve Waitsově hudbě, stejně jako na umělcovu sebeprezentaci na pódiu a mimo něj. Waits samotný uniká snahám o škatulkování – jeho tvorba spadá často do širokého spektra žánrů jako je blues, jazz, vaudeville, industrialní či experimentální hudba – tato práce jej však představuje jako gotického umělce, tedy z pohledu který byl v rámci akademického diskurzu opomíjen. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit “Protagonists and worldview in the work of Tom Waits“ Verfasser Emanuel Riedmann angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Diplomstudium der Anglistik Betreuerin: Ao. Univ.-Prof. Dr. Mag. Eva Zettelmann 2 Acknowledgements Special thanks to Alba, my family and friends (you know who you are). F and the gang. M and S for lending me their netbook when my own computer went down only a few weeks before deadline. The Alter Rhein Crew. El Equipo del CNB. Thanks to L, for introducing me to French existentialism while getting lost on a Spanish highway. I would also like to thank my supervisor, Ao. Univ.-Prof. Mag. Dr. Eva Zettelmann from the University of Vienna, and Dr. Jordi Coral from the Universitat Autònoma de Barcelona for their much appreciated help and support. Last but not least, many thanks to St. After reading one of my short stories about ten years ago, your comment, “This kind of reminds me of Tom Waits... Do you know that guy?” sent me off on quite a ride. 3 Table of contents Introduction ......................................................................................................................... 5 1.Outline of theoretical framework ..................................................................................... 8 2. Tom Waits ..................................................................................................................... 15 2.1. A short biography of