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Brevard Live January 2016
Brevard Live January 2016 - 1 2 - Brevard Live January 2016 Brevard Live January 2016 - 3 4 - Brevard Live January 2016 Brevard Live January 2016 - 5 6 - Brevard Live January 2016 Contents January 2016 FEATURES DAVE MASON Columns CARROT TOP COMES HOME Meet Dave Mason for an evening of If you ever have the chance to see Car- rock music history as he retraces the ear- Charles Van Riper rot Top’s show, either on the road or in liest days of his career with Traffic and 20 Political Satire Vegas - make sure you do. It’s a laugh a later the classic recordings that launched minute riot from beginning to end, and his solo career. Calendars he never pumps the breaks once. Page 17 25 Live Entertainment, Page 11 Concerts, Festivals ATLANTA RHYTHM SECTION TRAVIS TRITT With 15 albums of outstanding song- Local Download He has received two Grammys and four writing and entertaining live perfor- 33 by Andy Harrington CMA Awards. Tritt has also charted mances, Atlanta Rhythm Section em- Local Music Scene more than 40 times on the Hot Coun- bodies all that the phrase “classic rock” try Songs charts, including five number implies - despite of being labeled as a Behind The Scene ones: “Help Me Hold On,” “Anymore,” southern rock band. MIFF Scenes by “Can I Trust You with My Heart,” “Fool- 34 Page 18 Charles & Lissa ish Pride”, and “Best of Intentions.” Page 12 JOHN MASSUNG Flori-duh! The work of John Massung takes the 36 by Charles Knight ABBA MANIA viewer, quite literally, above and beyond Billed as the world’s number one tour- the standard perception of our local par- The Dope Doctor ing ABBA tribute concert, Abba Mania adise. -
The Low Anthem and Blind Pilot |
1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com EMAIL/USERNAME PASS (FORGOT?) Email Password NEW USER? LOGIN MUSIC DEC 02, 2009, 06:07AM Live Review: The Low Anthem and Blind Pilot Matt Poland [/authors/Matt%20Poland] Straight from the Cat’s Cradle in Carrboro, North Carolina. The following audio was included in this article: The following audio was included in this article: A few years after American indie folk’s middecade spike in visibility, which, with overexposed albums including Devendra Banhart’s Rejoicing in the Hands and Joanna Newsom’s Ys, may not have been a musical zenith, the http://www.splicetoday.com/music/live-review-the-low-anthem-and-blind-pilot 1/6 1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com genre has settled back into an unassuming position that seems to fit the music better. The “freak folk” fringe having largely faded, the nourishing, elemental influence of Americana in all its permutations continues to generate quietly exciting new music. This was evident last week at Cat’s Cradle in Carrboro, North Carolina, during an evening of itinerant, wornin, unbeaten songs performed by The Low Anthem and Blind Pilot. Both bands make music that is melancholy but not maudlin, that is steeped in oldtime American music but not anachronistic. The Low Anthem, a Rhode Island trio, began their set with pretty unconventional instrumentation: Ben Knox Miller playing acoustic guitar and singing, Jeffrey Prystowsky on organ, and Jocie Adams playing the crotales— sort of a small xylophone made up of discs instead of planks—with a violin bow, by far the most interesting thing I’ve seen done with a violin bow since I last saw Sigur Rós. -
Journal of Manipulative and Physiological Therapeutics
1A VOLUME 30 NUMBER 5 JUNE 2007 TABLE OF CONTENTS EDITORIAL 365 Manual Application of Controlled Forces to Thoracic and Lumbar Spine With a Device: Rated Comfort for the 333 Outcome Research Receiver’s Back and the Applier’s Hands Nikolai Bogduk, MD, PhD, DSc Gordon Waddington, PhD, Gordon Lau, BAppSc (Physiotherapy) (Hons), and Roger Adams, PhD JMPT 335 Highlights 374 Effect of Age and Sex on Heart Rate Variability in Healthy Subjects ORIGINAL ARTICLES John Zhang, MD, PhD 336 Preliminary Morphological Evidence That Vertebral 380 A Single-Blind Pilot Study to Determine Risk and Hypomobility Induces Synaptic Plasticity in the Spinal Cord Association Between Navicular Drop, Calcaneal Barclay W. Bakkum, DC, PhD, Charles N.R. Henderson, Eversion, and Low Back Pain DC, PhD, Se-Pyo Hong, DC, PhD, and Gregory D. Cramer, James W. Brantingham, DC, PhD, Katy Jane Adams, DC, PhD MSc Chiropractic, Jeffery R. Cooley, DC, Denise Globe, DC, MS, PhD, and Gary Globe, DC, MBA, PhD 343 Neck Muscle Endurance in Nonspecific Patients With 386 Interexaminer Reliability and Accuracy of Posterior Neck Pain and in Patients After Anterior Cervical Superior Iliac Spine and Iliac Crest Palpation for Spinal Decompression and Fusion Level Estimations Anneli Peolsson, PhD, PT, and Görel Kjellman, PhD, PT Hye Won Kim, MD, PhD, Young Jin Ko, MD, PhD, Won Ihl Rhee, MD, PhD, Jung Soo Lee, MD, 351 Cerebrospinal Fluid Pressure in the Anesthetized Rat Ji Eun Lim, MD, Sang Jee Lee, MD, Sun Im, MD, Brian S. Budgell, PhD, and Philip S. Bolton, PhD and Jong In Lee, MD, PhD LITERATURE REVIEW 357 Muscular and Postural Demands of Using a Massage Chair and Massage Table 390 Coupling Behavior of the Thoracic Spine: A Systematic Fearon A. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Rove Greeted with Both Protest, Applause At
News | page 2 Gov. Doyle to speak at uwMrOSl UWM commencement The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Rove greeted with both Semester news recap Sports | page 7 Men's basketball beats protest, applause at UWM UIC, loses to Loyola December NFL preview fringe | page 10 Waits' Glitter and Doom Live disappoints Turner Hall hosts Brett Dennen, Grace Potter & The Nocturnals Editorial | pa'ge 19 eBooks cheaper, more (Left) Karl Rove speaks in the Union's Wisconsin during the controversial lecture Thursday evening. (Right) A group of protesters rally convenient than regular outside of the Union's Wisconsin Room Thursday evening during the Karl Rove lecture. Post photos by Dustin Zarnikow textboks By Tom Swieciak Republicans and the Young past signs which indicated that wore masks depicting former News Editor America's Foundation. backpacks and large carry-ins President George W. Bush, while Obama must look [email protected] The speech turned out to be were not allowed. Attendees others held signs asking that to history in making well-attended, highly-organized also walked past a small group Rove be imprisoned. Afghanistan decision Republican political leg and secure, but proved rowdy of about 20 protesters belong Rove was introduced by for end Karl Rove spoke at UW- and raucous for those who ing to Students for a Democratic mer Wisconsin Congressman Milwaukee last Thursday eve came to voice their opposition Society, who were slowly walk Mark Neumann, who is currently ning in the Wisconsin Room at to Rove. ing in a circle, chanting qui the invitation of UWM's College Upon entry, attendees walked etly. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Sandspur, Vol 115, No 08, October 17, 2008
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 10-17-2008 Sandspur, Vol 115, No 08, October 17, 2008 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 115, No 08, October 17, 2008" (2008). The Rollins Sandspur. 1869. https://stars.library.ucf.edu/cfm-sandspur/1869 The Oldest College Newspaper in Florida Est. 1894 anfestour fober17,2008 w w w.-TMkWINTES ANDSPUR PARK, FL R^ O R ( Volume 115 Issue 8 Interested in some Gurtzberry pleases extra cash? Take Make a Rollins students with pictures and write difference, variety of odd flavors, stories for VOTE! including green tea. pages 6-7 see page 5 An artistic conversation of brillianace KELLY MCNOLDY the sandspur In the close quarters of the j Knowles Memorial Chapel, leg endary singer-songwriter Paul Simon, of Simon & Garfunkel, and Poet Laureate Billy Collins i discussed songwriting in front of 600 students, faculty, and pa trons on Wednesday, Oct. 15. Simon was the third visit- ; ing artist from the Winter Park Institute's inaugural year. Leg endary banjoist Bela Fleck pre- ! ceded him and WPI was kicked ] off with Collins in early Sep- KELLY MCNOLDY / the sandspur ; tember, who was announced by ORIGINAL: Paul Simon discusses the intricacies of song writing in a con Provost Roger Casey the visit versation with Poet Laureate Billy Collins last Wednesday, October 15th, ing director of creative writing in the Knowles Memorial Chapel. -
MTO 22.4: Thomas, Text and Temporality
Volume 22, Number 4, December 2016 Copyright © 2016 Society for Music Theory * Margaret E. Thomas NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.16.22.4/mto.16.22.4.thomas.php KEYWORDS: Tom Waits, rhythm, hypermeter, popular music, lyrics, rhythmic irregularity, voice ABSTRACT: This article considers phrase structure, hypermeter, and lyrics in three songs by Tom Waits, examining the particular ways that temporal regularity and irregularity interact with poetic structure, musical style, and vocal performance in Waits’s music. Subtle and ambiguous hypermetrical shifts are uncovered in “Green Grass,” whereas “Black Wings” utilizes conspicuously conflicting phrase lengths to enhance its textural meaning. In “Dead and Lovely” Waits creates temporal disturbances by shifting the placement of four-measure phrases relative to hypermetrical downbeats and upbeats. Received July 2016 Introduction [1.1] American singer-songwriter Tom Waits opens his 2004 song “Green Grass” with this quatrain: Lay your head where my heart used to be Hold the earth above me Lay down in the green grass Remember when you loved me The four lines—each a directive—draw the listener into the song as they unfurl a rambling narrative packed with evocative imagery, wistful sorrow, and intimacy. It is a bold opening, and it encapsulates much of what is distinctive about Waits: the subject matter is dark and perplexing, and the poetic structure is irregular and a bit playful. The lines have 9, 6, 6, and 7 syllables, respectively. Their rhyme scheme plays out in two layers: a literal aaba pattern (“be,” “me,” “grass,” “me”), and an elongated near-rhyme pattern in lines two and four (“above me” and “loved me”). -
Shakespeare Newsletter
Do you have five minutes, even three? That’s all you need to read one article in this newsletter. If you like it, there’s more, read on. If ways that Bill still matters not, well you get the idea what we’re up to here. an occasional newsletter, Fall 2012 Incorporating Friends into Shakespeare By Blair Warner Shakespeare. The greatest playwright ever, whom many fear, including myself. But I am here to tell you that Bill is not so bad. Reading Shakespeare is less dif- ficult if you think of the plays as people you know. Not the plays, of course, but the characters in the plays. Just envision people that you know as you read the scenes—pretend they are the ones on stage. It might sound silly, but it really helped me while reading Taming of the Shrew. I imagined one of my close friends Ashley playing the role of Bianca and her younger sister Nicole playing the role of Katherina. Both sisters have personalities that can be compared to the two sisters in the play. Ashley, who is soft-spoken at times, is very nice and peaceful, like Bianca. She gets along with everyone that she meets. Nicole is much more like Katherina. She is strong-willed, says whatever happens to be on her mind, and at times can be angry. People tend to be intimidated by her mannerisms. Just like Kate in Taming. Imagining the similarities between these pairs of sisters as I read made me laugh at times, enjoying Taming more and more as I read. -
NME, Going Underground
GOING UNDERGROUND Sonic Bouncing Souls Boom Six Alexisonfire Streetlight GOING Manifesto PLAYING AT A Wilhelm Scream UNDER- Frank Turner Anti-Flag GROUNDThis year’s Reading and Leeds sites are packed with balls off. Replete with buzzsaw guitars and neck- snapping drums this Exeter foursome care not for amazing punk rock. Ben Patashnik from NME.COM’s such minor conceits as the time of their billing (probably somewhere around the time much of the ‘Notes From The Underground’ picks out 10 highlights festival vomits themselves awake) because they know they are a truly fearsome alarm clock in punk entire weekend. Far less cheesy than Mad Caddies vicious chaos later the same day on the Lock Up, ot only has punk rock – both homegrown 2 A WILHELM SCREAM rock form. Here’s a tip: just stay up from the night (who are on the same stage on Saturday at Reading/ but throughout both there’ll be the feeling that if the AFI and imported – never been better When you talk of intensity, of violent music being before to ensure you don’t miss them. But don’t Friday at Leeds), go see them if you like deeply noir entire world was run through the democratisation represented at Reading and Leeds, but used intelligently and crafted symphonically, and of blame us if you die from fatigue immediately after. storytelling set to a rich, cinematic soundtrack; avoid of circle pits it’d be a much better place. the quality’s equally high. So with that live shows being ecstatic celebrations of something Opening Lock Up Stage, Saturday Reading/ if you’re scared of telling your friends you like bands Main Stage/Lock Up Stage, Friday Reading/ and social relevance into the faces of festival-goers in mind, we thought it’d be a crime to powerfully nameless, you talk of A Wilhelm Scream. -
Mike Green P= Producer, W= Writ Er, M= Mixer, E=Eng, A= Arranger
MIKE GREEN P= PRODUCER, W= WRIT ER, M= MIXER, E=ENG, A= ARRANGER ARTIST PROJECT RECORD CO JOB Set It Off Upcoming Album Equal Vision CW/P/M With Confidence Upcoming Album Hopeless CW/P/M Real Friends Upcoming Release Fearless CW/P Hands like Houses Upcoming Release Hopeless P/CW/M The Aces When My Heart Felt Volcanic Red Bull CW/P State Champs Living Proof Fearless CW/CP Tim Schou “Nirvana” BMG CW/P/M The Aces “Holiday” Red Bull P “Ground Control,” “Vampire Shift,” All Time Low Atlantic CW “Chemistry” Neck Deep The Peace and the Panic Hopeless CW/P/M “Come Undone,” “If I Ever See You Greyscale Fearless CW/P Again” ARTIST PROJECT RECORD CO JOB Sum 41 “War,” “Breaking the Chain” Hopeless CW State Champs “Stitches” Fearless M Axel Muniz “Siempre Tu” Warner Latin CP Seaway Vacation Pure Noise Ent CW/CP Icon for Hire You Can’t Kill Us Indie P/M As It Is okay. Fearless CW/P/M Gwen Stefani “Getting Warmer” Interscope CP/CW Leslie Grace “3 Little Words” Sony Latin CW/P Set it Off “Tug of War” Equal Vision CW/P Martina Stoessel “Finders Keepers” Disney CP Seaforth “Undo” Universal CW/P Hands Like Houses “Colourblind,” “Division Symbols” Rise CW/CP The Mowgli’s Kids in Love Photofinish P/M 5 Seconds of Summer Sounds Good Feels Good Capitol CW/P ARTIST PROJECT RECORD CO JOB Hopeless All Time Low Future Hearts P/CW Records Fearless The Color Morale Hold On Pain Ends P Records MC Yogi Only Love is Real Indie P Columbia Lea Michele “Cannonball” P/M Records Redzone Semi Precious Weapons Aviation P/M/CW Records Wind-Up Genevieve Show Your Colors P/CW Records Fueled By Ghost Town The After Party P/M/CW Ramen Republic Cassadee Pope “Frame By Frame” CW Nashville “You Wear a Crown But You’re No Fearless Blessthefall CW King” Records Icon For Hire Icon For Hire Tooth and Nail CP Forever The Sickest Fearless J.A.C.K. -
"Authenticity" in Rap Music by Consumers."
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L.