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The Flying University
University of South Carolina Scholar Commons Theses and Dissertations 1-1-2013 The lF ying University Catherine Friesen University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Friesen, C.(2013). The Flying University. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/1845 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Flying University by Catherine Friesen Bachelor of Arts Goshen College, 1996 ___________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Theatre College of Arts and Sciences University of South Carolina 2013 Accepted by Steven Pearson, Major Professor Robyn Hunt, Committee Member Richard Jennings, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Catherine Friesen 2013 All Rights Reserved. ii Dedication To the daily work of Marie Curie, Esther Horsch and Florence Cooprider Friesen. To love over fear of what is to come. To boundless illumination. iii Table of Contents Dedication…………………………………………………………………………….. iii Abstract.………………………………………………………………………………. v The Flying University Overview……………………………………………………... 1 Development………………………………………………………………………….. 3 Script…………………………………………………………………………………. -
Night Moves Pdf, Epub, Ebook
NIGHT MOVES PDF, EPUB, EBOOK Jessica Hopper | 184 pages | 18 Sep 2018 | University of Texas Press | 9781477317884 | English | Austin, TX, United States Night Moves PDF Book Interviewed by Redbeard. They pull in Harmon, a man with a sketchy past, to help them pull off their big plan. Marty Heller Kenneth Mars This is the 33rd novel in the Alex Delaware series and I have read many, if not most, of the books. View all 5 comments. Our loss is that we have solid material like this woven together by two not very satisfying references. He was on one of his dreary night-long stake-outs, now a weary detective looking into other peoples' lives, when the second Kennedy was. Stranger in Town Another well executed tale of a murder solved by the winning team of Alex and Milo. We weren't in love, oh no, far from it We weren't searchin' for some pie in the sky summit We were just young and restless and bored Livin' by the sword And we'd steal away every chance we could To the backroom, to the alley or the trusty woods I used her, she used me But neither one cared We were gettin' our share Workin' on our night moves Tryin' to lose the awkward teenage blues Workin' on our night moves And it was summertime Sweet, summertime, summertime. Director: Kelly Reichardt. Another 1 nomination. Get a sneak peek of the new version of this page. Metacritic Reviews. It also charted at number five in Canada and was a top 25 hit in Australia. -
Rove Greeted with Both Protest, Applause At
News | page 2 Gov. Doyle to speak at uwMrOSl UWM commencement The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Rove greeted with both Semester news recap Sports | page 7 Men's basketball beats protest, applause at UWM UIC, loses to Loyola December NFL preview fringe | page 10 Waits' Glitter and Doom Live disappoints Turner Hall hosts Brett Dennen, Grace Potter & The Nocturnals Editorial | pa'ge 19 eBooks cheaper, more (Left) Karl Rove speaks in the Union's Wisconsin during the controversial lecture Thursday evening. (Right) A group of protesters rally convenient than regular outside of the Union's Wisconsin Room Thursday evening during the Karl Rove lecture. Post photos by Dustin Zarnikow textboks By Tom Swieciak Republicans and the Young past signs which indicated that wore masks depicting former News Editor America's Foundation. backpacks and large carry-ins President George W. Bush, while Obama must look [email protected] The speech turned out to be were not allowed. Attendees others held signs asking that to history in making well-attended, highly-organized also walked past a small group Rove be imprisoned. Afghanistan decision Republican political leg and secure, but proved rowdy of about 20 protesters belong Rove was introduced by for end Karl Rove spoke at UW- and raucous for those who ing to Students for a Democratic mer Wisconsin Congressman Milwaukee last Thursday eve came to voice their opposition Society, who were slowly walk Mark Neumann, who is currently ning in the Wisconsin Room at to Rove. ing in a circle, chanting qui the invitation of UWM's College Upon entry, attendees walked etly. -
Bob Seger & the Silver Bullet Band the Distance Mp3
Bob Seger & The Silver Bullet Band The Distance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Distance Country: Thailand Style: Classic Rock MP3 version RAR size: 1329 mb FLAC version RAR size: 1807 mb WMA version RAR size: 1492 mb Rating: 4.9 Votes: 342 Other Formats: VOC DMF AA WMA RA ASF MP2 Tracklist Hide Credits Even Now A1 Guitar – Don FelderPiano – Roy BittanSaxophone [Saxophones] – Alto Reed Makin' Thunderbirds A2 Guitar – Drew AbbottHarmony Vocals – Bonnie RaittPiano – Craig FrostSaxophone [Saxophones] – Alto Reed Boomtown Blues A3 Guitar – Don FelderSaxophone [Saxophones] – Alto Reed Shame On The Moon A4 Backing Vocals – Laura Creamer, Shaun MurphyGuitar – Drew Abbott, Waddy WachtelHarmony Vocals – Bob Seger, Glenn FreyPiano – Bill PayneWritten-By – Rodney Crowell Love's The Last To Know A5 Guitar – Davey JohnstonePiano – Bill Payne Roll Me Away B1 Guitar – Waddy WachtelPiano – Roy BittanSynthesizer – Michael Boddicker House Behind A House B2 Backing Vocals – Shaun MurphyGuitar – Danny Kortchmar, Waddy WachtelSaxophone [Saxophones] – Alto Reed Comin' Home Backing Vocals – Ginger Blake, Laura Creamer, Linda DillardBass – David HoodDrums – Roger B3 HawkinsElectric Piano – Randy McCormickGuitar – Bob Seger, Pete CarrPiano, Organ – Barry BeckettProducer – Bob Seger, The Muscle Shoals Rhythm Section*Saxophone [Saxophones] – Alto ReedSynthesizer [Solo] – Bill Payne Little Victories B4 Guitar – Waddy WachtelGuitar, Guitar [Solos] – Bob Seger Companies, etc. Marketed By – EMI Music South Africa (Pty) Ltd. – ST(B) 12254 -
MTO 22.4: Thomas, Text and Temporality
Volume 22, Number 4, December 2016 Copyright © 2016 Society for Music Theory * Margaret E. Thomas NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.16.22.4/mto.16.22.4.thomas.php KEYWORDS: Tom Waits, rhythm, hypermeter, popular music, lyrics, rhythmic irregularity, voice ABSTRACT: This article considers phrase structure, hypermeter, and lyrics in three songs by Tom Waits, examining the particular ways that temporal regularity and irregularity interact with poetic structure, musical style, and vocal performance in Waits’s music. Subtle and ambiguous hypermetrical shifts are uncovered in “Green Grass,” whereas “Black Wings” utilizes conspicuously conflicting phrase lengths to enhance its textural meaning. In “Dead and Lovely” Waits creates temporal disturbances by shifting the placement of four-measure phrases relative to hypermetrical downbeats and upbeats. Received July 2016 Introduction [1.1] American singer-songwriter Tom Waits opens his 2004 song “Green Grass” with this quatrain: Lay your head where my heart used to be Hold the earth above me Lay down in the green grass Remember when you loved me The four lines—each a directive—draw the listener into the song as they unfurl a rambling narrative packed with evocative imagery, wistful sorrow, and intimacy. It is a bold opening, and it encapsulates much of what is distinctive about Waits: the subject matter is dark and perplexing, and the poetic structure is irregular and a bit playful. The lines have 9, 6, 6, and 7 syllables, respectively. Their rhyme scheme plays out in two layers: a literal aaba pattern (“be,” “me,” “grass,” “me”), and an elongated near-rhyme pattern in lines two and four (“above me” and “loved me”). -
Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf
II © Karl-Kristian Waaktaar-Kahrs 2012 Clang Boom Steam – en musikalsk lesning av Tom Waits’ låter Forsidebilde: © Massimiliano Orpelli (tillatelse til bruk er innhentet) Konsertbilde side 96: © Donna Meier (tillatelse til bruk er innhentet) Trykk: Reprosentralen, Universitetet i Oslo III IV Forord Denne oppgaven hadde ikke vært mulig uten støtten fra noen flotte mennesker. Først av alt vil jeg takke min veileder, Stan Hawkins, for gode innspill og råd. Jeg vil også takke ham for å svare på alle mine dumme (og mindre dumme) spørsmål til alle døgnets tider. Spesielt i den siste hektiske perioden har han vist stor overbærenhet med meg, og jeg har mottatt hurtige svar selv sene fredagskvelder! Jeg skulle selvfølgelig ha takket Tom Waits personlig, men jeg satser på at han leser dette på sin ranch i «Nowhere, California». Han har levert et materiale som det har vært utrolig morsomt og givende å arbeide med. Videre vil jeg takke samboeren min og mine to stadig større barn. De har latt meg sitte nede i kjellerkontoret mitt helg etter helg, og all arbeidsroen jeg har hatt kan jeg takke dem for. Jeg lover dyrt og hellig å gjengjelde tjenesten. Min mor viste meg for noen år siden at det faktisk var mulig å fullføre en masteroppgave, selv ved siden av en krevende fulltidsjobb og et hektisk familieliv. Det har gitt meg troen på prosjektet, selv om det til tider var slitsomt. Til sist vil jeg takke min far, som gikk bort knappe fire måneder før denne oppgaven ble levert. Han var alltid opptatt av at mine brødre og jeg skulle ha stor frihet til å forfølge våre interesser, og han skal ha mye av æren for at han til slutt endte opp med tre sønner som alle valgte musikk som sin studieretning. -
Tedde, Adriano Antonio
The Other America of Paul Auster, Jim Jarmusch and Tom Waits Author Tedde, Adriano Antonio Published 2019-10-23 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/2054 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/388986 Griffith Research Online https://research-repository.griffith.edu.au The Other America of Paul Auster, Jim Jarmusch and Tom Waits Adriano Tedde, PhD candidate School of Humanities, Languages and Social Sciences Griffith University. Thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy March 2019 0 ABSTRACT This thesis employs popular culture texts (works of literature, film, and popular music) as companions to the understanding of contemporary America. It is about artworks that form a cultural resistance that enables the appreciation of social issues and cultural decline in the United States. The authors of these artworks are novelist Paul Auster, filmmaker Jim Jarmusch, and musician Tom Waits. Born between the late 1940s and the early 1950s, in different parts of the United States, Auster, Jarmusch, and Waits have produced a series of works that share strong similarities. In their novels, films, and songs, they portray an imagined “Other America” that is in stark contrast with the idyllic vision of the American Dream. Their America does not coincide with conventional middle-class values and goals of success, money and social upward mobility. It is an open, tolerant, and egalitarian country inhabited by marginalized “other Americans” who never escape from poverty and failure. -
Singular Act 2 Album Download So Exciting Sabrina Carpenter Confirms Her ‘Singular: Act II’ Album Is Coming Soon
singular act 2 album download So Exciting Sabrina Carpenter Confirms Her ‘Singular: Act II’ Album Is Coming Soon. Get ready for new music, you guys! Sabrina Carpenter just confirmed that her Singular: Act II album is coming soon, and a new single is dropping on May 3, 2019. That’s right! While hitting up the red carpet at the 2019 Billboard Music Awards, the 19-year-old teased new music, starting with her next single. “I just may have teased the next song coming in a couple, I don’t wanna say days, I don’t wanna say hours… I don’t wanna say minutes, but soon,” she revealed to Billboard before the awards show. “Very soon.” Soon, you guys. So soon, in fact, that she’s since posted about the single, titled “Exhale,” on her Instagram! “exhale,” she wrote. “A little track from act 2. Everywhere tonight at midnight.” OMG. NGL, we’re probably the most excited we’ve ever been for her to put out something new. Plus, we’re not alone! The Girl Meets World actress revealed she’s just as stoked as we are for the “Exhale” to come out, which is partially due to the fact that it’s the most deep and personal track she’s ever released. “I’m very excited for everyone to hear it,” she said. “I think this song that I’m releasing is probably my most personal song, which is exciting.” NGL, we can’t wait to hear Sabrina get a little more personal — especially since it’ll give fans a more honest and vulnerable window into her life. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
Volume Xl - Number 48 - April 14, 1979
www.americanradiohistory.com www.americanradiohistory.com VOLUME XL - NUMBER 48 - APRIL 14, 1979 THE INTERNATIONAL MUSIC RECORD WEEKLY COSH BOX GEORGE ALBERT President and Publisher If The Price Is Right MEL ALBERT EDITORIAL Vice President and General Manager of records by these un- In the wake of discussions on alternative pricing structures for is a way to increase exposure and sales CHUCK MEYER and similar com- known artists, while at the same time encouraging the consumer Director of Marketing new artists at the recent NARM convention, ments from rack jobbers in this week's survey article (page 8), we to be more willing to take a chance on lesser known acts. to DAVE FULTON believe that the following editorial from the Oct. 7, 1978 issue of We propose a sliding scale of suggested retail list prices Editor In Chief The Cash Box warrants reprinting. While a number of industry ex- cover the various career stages that artists pass through. the J.B. CARMICLE ecutives responded favorably to the concept presented therein, easiest way to establish such a scale would be to base it on Manager. East Coast General no concrete action has yet been taken on this or any other sales history of the respective act. might list for $6.98, a JIM SHARP variable pricing proposal for new acts. For example, a completely unknown artist Director, Nashville proven 250,000 unit seller would list for $7.98, a gold album for $9.98, and so on. The East Coast Editorial New artists are the lifeblood of the music business. -
The Girls World of Stickers Free
FREE THE GIRLS WORLD OF STICKERS PDF Annette Bouttell,Louise Anglicas,Kate Sutton,Jo Taylor,Hannah Davies,Beth Gunnell,Ann Kronheimer | 106 pages | 07 Apr 2014 | Michael O'Mara Books Ltd | 9781780552279 | English | London, United Kingdom Wall Stickers for Girls | Wall Decal Girl Bedrooms – Style and Apply Loading, please wait Free 2-Day Shipping. Same Day Delivery. Try our dedicated shopping experience. Party Supplies. Holiday Shop. Search Character. Baby Shark. Black Panther. Black Widow. Buzz Lightyear. Captain America. Captain Marvel. Disney Princess. Evel Knievel. Incredibles 2. Iron Man. Mickey Mouse. Minnie Mouse. Snow White. Toy The Girls World of Stickers. Search Theme. Art and Design. Christmas Characters. Favorite Character. Food and Drink. Letters and Numbers. Nature and Outdoors. No Theme. Skeletons, Skulls and Bones. Spiders and Webs. Vehicles and Transportation. Assorted Boxed Card Packs. Classroom Exchange Cards. Craft Paper. Drawing and Coloring Kits. Greeting Cards. Multipurpose Labels. Name Tag Labels. Pricing Labels. Shipping Labels. The Girls World of Stickers Design Boxed Card Packs. Specialty Paper. Stationery Paper. Search Brand. American Crafts. Best Paper Greetings. Blue Panda. Bright Creations. Bullseye's Playground. Carson Dellosa. Creative Shapes Etc. Crowded Coop. DC Comics. Disney Junior. DM Creations. Doctor Who. Fancy Nancy. Fashion Angels. Gears of War. Great Papers! Inklings Paperie. Innovative Designs. Instructional Fair. Just Funky. Kindi Kids. Lisa Frank. Meri Meri. MGA Entertainment. Milestone Baby. Moose Toys. More than Magic. Nella the Princess Knight. Nerd Block. Paper Junkie. PAW Patrol. Pipilo Press. School Smart. Schoolgirl Style. Sonic the Hedgehog. South Park. Spin Master. Star Wars. Super Mario. Teacher Created Resources. The Happy Planner. -
Konzert: the Sweet „The Show Must Go on – Tour 2021“ Mittwoch, 10
Konzert: The Sweet „The Show must go on – Tour 2021“ Mittwoch, 10. November 2021, 20.00 Uhr Sweet ist eine der wenigen berühmt berüchtigten "Glam Rock Bands", die Chart Erfolge in den 70ern, 80ern und 90ern gehabt haben. Sie haben über 30 Millionen Platten verkauft und sind immer noch eine "live" Touring Band. Sweet bietet viel mehr als nur Glam Rock, ihre Musik ist zeitlos und vielseitig. Vom reinen Pop bis Heavy Metal, von Liedern wie Little Willy mit nur drei Akkorden bis hin zu komplexen Arrangements wie Love Is Like Oxygen. 1970 war ein wichtiges Jahr, Sweet mit Andy Scott, Steve Priest, Mick Tucker und Brian Connolly trafen auf die Songwriter Nicky Chinn und Mike Chapman und Plattenproduzent Phil Wainmann. Diese fünfjährige Partnerschaft brachte zwölf Top-Twenty Hits hervor, darunter auch eine Nummer eins. Die Medien meinten daraufhin, dass die Band eine Retortenband sei. Die hartgesottenen Fans wussten es besser. Auf den B Seiten der Hits fand man eigene Heavy Rock Kompositionen. Die Live Auftritte waren sensationell, was nicht nur an der Musik lag. Mitglieder der Band wurden in Belgien wegen eines obszönen Bühnenauftrittes festgenommen. Das alles hat ihr Image nur gefördert. US Hits waren unter anderen Ballroom Blitz, der später im Film "Wayne's World" zu hören war, Fox On The Run, eine Nummer zwei, Action später ein Hit für Def Leppard und Love Is Like Oxygen auf Nummer fünf. Ihr Album Desolation Boulevard bekam Gold. Love Is Like Oxygen war seit drei Jahren wieder der erste weltweite Hit für Sweet. Das Lied, vom Gitarristen Andy Scott geschrieben, wurde mit zwei Novello Awards ausgezeichnet.