A Miscellany of Irish Proverbs
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Irish Historic Towns Atlas (IHTA), No. 20, Tuam Author
Digital content from: Irish Historic Towns Atlas (IHTA), no. 20, Tuam Author: J.A. Claffey Editors: Anngret Simms, H.B. Clarke, Raymond Gillespie, Jacinta Prunty Consultant editor: J.H. Andrews Cartographic editor: Sarah Gearty Editorial assistants: Angela Murphy, Angela Byrne, Jennnifer Moore Printed and published in 2009 by the Royal Irish Academy, 19 Dawson Street, Dublin 2 Maps prepared in association with the Ordnance Survey Ireland and Land and Property Services Northern Ireland The contents of this digital edition of Irish Historic Towns Atlas no. 20, Tuam, is registered under a Creative Commons Attribution-Non Commercial 4.0 International License. Referencing the digital edition Please ensure that you acknowledge this resource, crediting this pdf following this example: Topographical information. In J.A. Claffey, Irish Historic Towns Atlas, no. 20, Tuam. Royal Irish Academy, Dublin, 2009 (www.ihta.ie, accessed 4 February 2016), text, pp 1–20. Acknowledgements (digital edition) Digitisation: Eneclann Ltd Digital editor: Anne Rosenbusch Original copyright: Royal Irish Academy Irish Historic Towns Atlas Digital Working Group: Sarah Gearty, Keith Lilley, Jennifer Moore, Rachel Murphy, Paul Walsh, Jacinta Prunty Digital Repository of Ireland: Rebecca Grant Royal Irish Academy IT Department: Wayne Aherne, Derek Cosgrave For further information, please visit www.ihta.ie TUAM View of R.C. cathedral, looking west, 1843 (Hall, iii, p. 413) TUAM Tuam is situated on the carboniferous limestone plain of north Galway, a the turbulent Viking Age8 and lends credence to the local tradition that ‘the westward extension of the central plain. It takes its name from a Bronze Age Danes’ plundered Tuam.9 Although the well has disappeared, the site is partly burial mound originally known as Tuaim dá Gualann. -
Annals of the Kingdom of Ireland
COLONEL- MALCOLM- OF POLTALLOCH CAMPBELL COLLECTION Rioghachca emeaNN. ANNALS OF THE KINGDOM OF IEELAND, BY THE FOUR MASTERS, KKOM THE EARLIEST PERIOD TO THE YEAR 1616. EDITED FROM MSS. IN THE LIBRARY OF THE ROYAL IRISH ACADEMY AND OF TRINITY COLLEGE, DUBLIN, WITH A TRANSLATION, AND COPIOUS NOTES, BY JOHN O'DONOYAN, LLD., M.R.I.A., BARRISTER AT LAW. " Olim Regibus parebaut, nuuc per Principes faction! bus et studiis trahuntur: nee aliud ad versus validiasiuias gentes pro uobis utilius, qnam quod in commune non consulunt. Rarus duabus tribusve civitatibus ad propulsandum eommuu periculom conventus : ita dum singnli pugnant umVersi vincuntur." TACITUS, AQBICOLA, c. 12. SECOND EDITION. VOL. VII. DUBLIN: HODGES, SMITH, AND CO., GRAFTON-STREET, BOOKSELLERS TO THE UNIVERSITY. 1856. DUBLIN : i3tintcc at tije ffinibcrsitn )J\tss, BY M. H. GILL. INDEX LOCORUM. of the is the letters A. M. are no letter is the of Christ N. B. When the year World intended, prefixed ; when prefixed, year in is the Irish form the in is the or is intended. The first name, Roman letters, original ; second, Italics, English, anglicised form. ABHA, 1150. Achadh-bo, burned, 1069, 1116. Abhaill-Chethearnaigh, 1133. plundered, 913. Abhainn-da-loilgheach, 1598. successors of Cainneach of, 969, 1003, Abhainn-Innsi-na-subh, 1158. 1007, 1008, 1011, 1012, 1038, 1050, 1066, Abhainn-na-hEoghanacha, 1502. 1108, 1154. Abhainn-mhor, Owenmore, river in the county Achadh-Chonaire, Aclionry, 1328, 1398, 1409, of Sligo, 1597. 1434. Abhainn-mhor, The Blackwater, river in Mun- Achadh-Cille-moire,.4^az7wre, in East Brefny, ster, 1578, 1595. 1429. Abhainn-mhor, river in Ulster, 1483, 1505, Achadh-cinn, abbot of, 554. -
The Search for San Ffraid
The Search for San Ffraid ‘A thesis submitted to the University of Wales Trinity Saint David in the fulfillment of the requirements for the degree of Master of Arts’ 2012 Jeanne Mehan 1 Abstract The Welsh traditions related to San Ffraid, called in Ireland and Scotland St Brigid (also called Bride, Ffraid, Bhríde, Bridget, and Birgitta) have not previously been documented. This Irish saint is said to have traveled to Wales, but the Welsh evidence comprises a single fifteenth-century Welsh poem by Iorwerth Fynglwyd; numerous geographical dedications, including nearly two dozen churches; and references in the arts, literature, and histories. This dissertation for the first time gathers together in one place the Welsh traditions related to San Ffraid, integrating the separate pieces to reveal a more focused image of a saint of obvious importance in Wales. As part of this discussion, the dissertation addresses questions about the relationship, if any, of San Ffraid, St Brigid of Kildare, and St Birgitta of Sweden; the likelihood of one San Ffraid in the south and another in the north; and the inclusion of the goddess Brigid in the portrait of San Ffraid. 2 Contents ABSTRACT ........................................................................................................................ 2 CONTENTS........................................................................................................................ 3 FIGURES ........................................................................................................................... -
Modern Irish
Irish Studies MODERN IRISH By N OLLAIG MAc C ONGAIL, Department ofModem Irish, University College, Galway LANGUAGE I. GENERAL P. A. Breatnach, 'A note on the syntax of the particle dar', Eigse, 27, I993: I 30-32, discusses a syntactic feature of a Classical Irish eulogy. T. de Bhaldraithe, 'N6tai arfhocail', ib., I33-38, tackles the meaning, spelling, and origin of the words pliardca, ceairliciu, geaileas, and rabUn, all of which derive from English words. D. McManus, 'An Nua Ghaeilge Chlasaiceach', Stair na Gaeilge, ed. Kim McCone et al. (henceforth Stair), Roinn na Sean-Ghaeilge, Colaiste, Phadraig, xxiv + 905 pp., has a series of contributions. Maigh Nuad (335-445), outlines the sources and terms of reference he uses when discussing Classical Modern Irish before presenting a very detailed discussion of its various characteristics. ld., 'Teanga an Dana agus teanga an phr6is', LCC, 24: I I4-35, discusses the particular conflict between the standard language of the Dan Direach and the linguistic freedom of the other literary genres as,well as the general conflict between old and new linguistic forms. C. 0 Baoill, 'Gaelic ichthyonymy: studying the terms used for fish in Irish, Scottish Gaelic and Manx', ZCP, 46: I 64-99, highlights the need to record the old local names for fish and, to stimulate interest in this area, sets out the names of some fish and examines their history and distribution in Irish, Scottish Gaelic and Manx. A. 6 Canainn, 'Reamhaithriseoireacht, cainniochtaiocht agus briseadh gaoithe', Comhar, 53· I I : 4-I 2, reviews the history and present unsatisfactory state of specialized Irish terminology and recommends h9w this important area of research could be better addressed. -
ML 4080 the Seal Woman in Its Irish and International Context
Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Darwin, Gregory R. 2019. Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42029623 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context A dissertation presented by Gregory Dar!in to The Department of Celti# Literatures and Languages in partial fulfillment of the re%$irements for the degree of octor of Philosophy in the subje#t of Celti# Languages and Literatures (arvard University Cambridge+ Massa#husetts April 2019 / 2019 Gregory Darwin All rights reserved iii issertation Advisor: Professor Joseph Falaky Nagy Gregory Dar!in Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context4 Abstract This dissertation is a study of the migratory supernatural legend ML 4080 “The Mermaid Legend” The story is first attested at the end of the eighteenth century+ and hundreds of versions of the legend have been colle#ted throughout the nineteenth and t!entieth centuries in Ireland, S#otland, the Isle of Man, Iceland, the Faroe Islands, Norway, S!eden, and Denmark. -
Downloaded on 2017-02-12T14:01:46Z DP ,Too 0 OO'dtj
Title Edmund Burke and the heritage of oral culture Author(s) O'Donnell, Katherine Publication date 2000 Original citation O'Donnell, K. 2000. Edmund Burke and the heritage of oral culture. PhD Thesis, University College Cork. Type of publication Doctoral thesis Link to publisher's http://library.ucc.ie/record=b1306492~S0 version Access to the full text of the published version may require a subscription. Rights © 2000, Katherine O'Donnell http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information No embargo required Item downloaded http://hdl.handle.net/10468/1611 from Downloaded on 2017-02-12T14:01:46Z DP ,too 0 OO'DtJ Edmund Burke & the Heritage of Oral Culture Submitted by: Katherine O'Donnell Supervisor: Professor Colbert Kearney External Examiner: Professor Seamus Deane English Department Arts Faculty University College Cork National University of Ireland January 2000 I gcuimhne: Thomas O'Caliaghan of Castletownroche, North Cork & Sean 6 D6naill as Iniskea Theas, Maigh Eo Thuaidh Table of Contents Introduction - "To love the little Platoon" 1 Burke in Nagle Country 13 "Image of a Relation in Blood"- Parliament na mBan &Burke's Jacobite Politics 32 Burke &the School of Irish Oratory 56 Cuirteanna Eigse & Literary Clubs n "I Must Retum to my Indian Vomit" - Caoineadh's Cainte - Lament and Recrimination 90 "Homage of a Nation" - Burke and the Aisling 126 Bibliography 152 Introduction· ''To love the little Platoon" Introduction - "To love the little Platoon" To be attached to the subdivision, to love the little platoon we belong to in society, is the first principle (the germ as it were) ofpublic affections. -
List of Manuscript and Printed Sources Current Marks and Abreviations
1 1 LIST OF MANUSCRIPT AND PRINTED SOURCES CURRENT MARKS AND ABREVIATIONS * * surrounds insertions by me * * variant forms of the lemmata for finding ** (trailing at end of article) wholly new article inserted by me + + surrounds insertion from the addenda ++ (trailing at end of article) wholly new article inserted from addenda † † marks what is (I believe) certainly wrong !? marks an unidentified source reference [ro] Hogan’s Ro [=reference omitted] {1} etc. different places but within a single entry are thus marked Identical lemmata are numbered. This is merely to separate the lemmata for reference and cross- reference. It does not imply that the lemmata always refer to separate names SOURCES Unidentified sources are listed here and marked in the text (!?). Most are not important but they are nuisance. Identifications please. 23 N 10 Dublin, RIA, 967 olim 23 N 10, antea Betham, 145; vellum and paper; s. xvi (AD 1575); see now R. I. Best (ed), MS. 23 N 10 (formerly Betham 145) in the Library of the RIA, Facsimiles in Collotype of Irish Manuscript, 6 (Dublin 1954) 23 P 3 Dublin, RIA, 1242 olim 23 P 3; s. xv [little excerption] AASS Acta Sanctorum … a Sociis Bollandianis (Antwerp, Paris, & Brussels, 1643—) [Onomasticon volume numbers belong uniquely to the binding of the Jesuits’ copy of AASS in their house in Leeson St, Dublin, and do not appear in the series]; see introduction Ac. unidentified source Acallam (ed. Stokes) Whitley Stokes (ed. & tr.), Acallam na senórach, in Whitley Stokes & Ernst Windisch (ed), Irische Texte, 4th ser., 1 (Leipzig, 1900) [index]; see also Standish H. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Brian Friel's Translations in Irish-Language Performance
Translating In? Translating In? Brian Friel’s Translations in Irish-language Performance Nóra de Buiteléir (National University of Ireland, Galway) “The sad irony, of course, is that the whole play is written in English. It ought to be written in Irish …” (Friel, “In Interview” 80) Should a text that is itself a translation – albeit a fictional one – be easier to translate? What happens when a play that supposedly stages the death of a language is re- enacted in that very language? Set in the Donegal Gaeltacht on the eve of the Famine and premiered in Derry in 1981, Brian Friel’s Translations has come to establish itself as a classic of modern Irish theatre. The reasons for its commercial and critical success are relatively clear: to any audience experiencing it for the first time, Translations seems, superficially at least, a remarkably simple piece of theatre. It establishes for itself an easily recognisable historical and geographical setting. It seamlessly combines the comic with the philosophical. It draws on the established model of Romeo and Juliet in setting up two lovers in the face of cultural conflict. Its dialogue is easily flowing and (apparently) naturalistic, packing a strong plot into the reassuringly familiar form of the Three-Act play. It is reasonable to assume that Translations owes much of its popular success to the fact that is easily accessible – traditional , almost. Underneath the naturalistic speech at the surface, however, is a language riddled with contradictions and ironies, a meeting place of Irish, English, Greek and Latin where translation is imperative and irresistible yet vulnerable and relentlessly destabilized. -
Coming Out, Queer Sex, and Heteronormativity in Two Irish
Firenze University Press https://oajournals.fupress.net/index.php/bsfm-sijis Coming Out, Queer Sex, and Heteronormativity Citation: S. Mac Risteaird (2020) Coming Out, Queer in two Irish-language Novels Sex, and Heteronormativity in two Irish-language Novels. Sijis 10: pp. 63-75. doi: http:// Seán Mac Risteaird dx.doi.org/10.13128/SIJIS- Dublin City University (<[email protected]>) 2239-3978-11752 Copyright: © 2020 S. Mac Ris- teaird. This is an open access, peer-reviewed article published Abstract: by Firenze University Press It has been nearly 30 years since Teresa de Lauretis coined the term “Queer (https://oajournals.fupress.net/ Th eory” in a special edition of Diff erences: A Journal of Feminist Cultural Studies index.php/bsfm-sijis) and distrib- (1991). Since then, Queer Th eory has evolved and changed, becoming an uted under the terms of the Cre- interdisciplinary in-vogue “methodology” that questions the subversive and the ative Commons Attribution - Non diff erent.Th e social, cultural, and literary landscape of Ireland has also changed Commercial - No derivatives in those 30 years, a country that was once seen as a place where “homosexuality 4.0 International License, which permits use, distribution and has occupied an uncomfortable place” (Conrad 2001, 124). Th is paper will reproduction in any medium, discuss the literary texts of two Irish-language writers, Micheál Ó Conghaile provided the original work is and Pádraig Standún, who both refl ect these shifts in attitudes in contemporary properly cited as specifi ed by modern Ireland. Both writers unpack public and private expressions of identity, the author or licensor, that is not sex, and heteronormativity in their work. -
Public Funding Review of Public Service Broadcasters
LEGALLY PRIVILEGED AND CONFIDENTIAL PUBLIC FUNDING REVIEW OF PUBLIC SERVICE BROADCASTERS A report submitted to the Minister for Communications, Energy and Natural Resources further to section 124(4) of the Broadcasting Act, 2009 for the Broadcasting Authority of Ireland prepared by Oliver & Ohlbaum Associates Ltd July 2014 Ireland Public Service Broadcaster Funding Review 2014 LEGALLY PRIVILEGED AND CONFIDENTIAL Contents 1 EXECUTIVE SUMMARY ....................................................................................................................... 9 1.1 2009 Broadcasting Act – review framework ............................................................................. 9 1.2 Developments in the Irish broadcast media sector ................................................................. 10 1.3 Review of the performance of TG4 in 2013 ............................................................................ 11 1.4 Review of the performance of RTÉ in 2013 ............................................................................ 14 1.5 Recommendations for future reviews ..................................................................................... 17 1.6 Funding modification recommendations ................................................................................. 18 1.6.1 TG4: increase funding in line with inflation ............................................................................. 18 1.6.2 RTÉ: increase funding in line with inflation ............................................................................ -
Textual Criticism and Medieval Irish Studies.Pdf
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Textual criticism and medieval Irish studies Author(s) Doran, Michelle Therese Publication date 2015 Original citation Doran, M.T. 2015. Textual criticism and medieval Irish studies. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2015, Michelle Therese Doran. http://creativecommons.org/licenses/by-nc-nd/3.0/ Item downloaded http://hdl.handle.net/10468/2162 from Downloaded on 2021-10-07T00:23:17Z Textual Criticism and Medieval Irish Studies Thesis submitted for the Degree of PhD Candidate: Michelle Doran Institute: University College Cork Department: Early and Medieval Irish Studies Submitted: October 2015 Head of Department: Prof. John Carey Supervisor: Dr. Kevin Murray CONTENTS Table of Figures .................................................................................................... ii List of Abbreviations .......................................................................................... iii Declaration ............................................................................................................ v Acknowledgments ............................................................................................... vi Introduction ........................................................................................................... 1 1. The Development of Modern Textual Critical Theory and Practice ............. 10 2. Textual Criticism and Medieval