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Otorisama Continues to Be Loved by the People
2020 edition Edo to the Present The Sugamo Otori Shrine, located near the Nakasendo, has been providing a spiritual Ⅰ Otorisama continues to be loved sanctuary to the people as Oinarisama (Inari god) and continues to be worshipped and by the people loved to this today. Torinoichi, the legacy of flourishing Edo Stylish manners of Torinoichi The Torinoichi is famous for its Kaiun Kumade Mamori (rake-shaped amulet for Every November on the day of the good luck). This very popular good luck charm symbolizes prosperous business cock, the Torinoichi (Cock Fairs) are and is believed to rake in better luck with money. You may hear bells ringing from all held in Otori Shrines across the nation parts of the precinct. This signifies that the bid for the rake has settled. The prices and many worshippers gather at the of the rakes are not fixed so they need to be negotiated. The customer will give the Sugamo Otori Shrine. Kumade vendor a portion of the money saved from negotiation as gratuity so both The Sugamo Otori Shrine first held parties can pray for successful business. It is evident through their stylish way of business that the people of Edo lived in a society rich in spirit. its Torinoichi in 1864. Sugamo’s Torinoichi immediately gained good reputation in Edo and flourished year Kosodateinari / Sugamo Otori Shrine ( 4-25 Sengoku, Bunkyo Ward ) MAP 1 after year. Sugamo Otori Shrine was established in 1688 by a Sugamo resident, Shin However, in 1868, the new Meiji Usaemon, when he built it as Sugamoinari Shrine. -
Nihonbashi: Edo's Contested Center Marcia Yonemoto
, East Asian History NUMBERS 17/18· JUNE/DECEMBER 1999 Institute of Advanced Studies Australian National University 1 Editor Geremie R. Barme Assistant Editor Helen Lo Editorial Board Mark Elvin (Convenor) John Clark Andrew Fraser Helen Hardacre Colin Jeffcott W. ]. F. Jenner Lo Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Design and Production Helen Lo Business Manager Marion Weeks Printed by Goanna Print, Fyshwick, ACT This double issue of East Asian History, 17/18, was printed in FebrualY 2000. Contributions to The Editor, East Asian History Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 26249 3140 Fax +61 26249 5525 email [email protected] Subscription Enquiries to Subscriptions, East Asian History, at the above address Annual Subscription Australia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 Whose Strange Stories? P'u Sung-ling (1640-1715), Herbert Giles (1845- 1935), and the Liao-chai chih-yi John Minford and To ng Man 49 Nihonbashi: Edo's Contested Center Marcia Yonemoto 71 Was Toregene Qatun Ogodei's "Sixth Empress"? 1. de Rachewiltz 77 Photography and Portraiture in Nineteenth-Century China Regine Thiriez 103 Sapajou Richard Rigby 131 Overcoming Risk: a Chinese Mining Company during the Nanjing Decade Ti m Wright 169 Garden and Museum: Shadows of Memory at Peking University Vera Schwarcz iv Cover calligraphy Yan Zhenqing M.c�J�n, Tang calligrapher and statesman Cover illustration Talisman-"Passport for wandering souls on the way to Hades," from Henri Dore, Researches into Chinese superstitions (Shanghai: T'usewei Printing Press, 1914-38) NIHONBASHI: EDO'S CONTESTED CENTER � Marcia Yonemoto As the Tokugawa 11&)II regime consolidated its military and political conquest Izushi [Pictorial sources from the Edo period] of Japan around the turn of the seventeenth century, it began the enormous (Tokyo: Chikuma Shobo, 1975), vol.4; project of remaking Edo rI p as its capital city. -
Meisho Zue and the Mapping of Prosperity in Late Tokugawa Japan
Meisho Zue and the Mapping of Prosperity in Late Tokugawa Japan Robert Goree, Wellesley College Abstract The cartographic history of Japan is remarkable for the sophistication, variety, and ingenuity of its maps. It is also remarkable for its many modes of spatial representation, which might not immediately seem cartographic but could very well be thought of as such. To understand the alterity of these cartographic modes and write Japanese map history for what it is, rather than what it is not, scholars need to be equipped with capacious definitions of maps not limited by modern Eurocentric expectations. This article explores such classificatory flexibility through an analysis of the mapping function of meisho zue, popular multivolume geographic encyclopedias published in Japan during the eighteenth and nineteenth centuries. The article’s central contention is that the illustrations in meisho zue function as pictorial maps, both as individual compositions and in the aggregate. The main example offered is Miyako meisho zue (1780), which is shown to function like a map on account of its instrumental pictorial representation of landscape, virtual wayfinding capacity, spatial layout as a book, and biased selection of sites that contribute to a vision of prosperity. This last claim about site selection exposes the depiction of meisho as a means by which the editors of meisho zue recorded a version of cultural geography that normalized this vision of prosperity. Keywords: Japan, cartography, Akisato Ritō, meisho zue, illustrated book, map, prosperity Entertaining exhibitions arrayed on the dry bed of the Kamo River distracted throngs of people seeking relief from the summer heat in Tokugawa-era Kyoto.1 By the time Osaka-based ukiyo-e artist Takehara Shunchōsai (fl. -
Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter -
Asiatic Society of Japan
http://e-asia.uoregon.edu TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN VOL XLVI.-PART II 1918 THE ASIATIC SOCIETY OF JAPAN, KEIOGIJIKU, MITA, TŌKYŌ AGENTS KELLY & WALSH, L'd., Yokohama, Shanghai, Hongkong Z. P. MARUYA Co., L'd., Tokyo KEGAN PAUL,TRUEBNER & Co., L'd., London TRANSACTIONS OF THE ASIATIC SOCIETY OF JAPAN VOL XLVI.-PART II 1918 THE ASIATIC SOCIETY OF JAPAN, KEIOGIJIKU, MITA, TŌKYŌ AGENTS KELLY & WALSH, L'd., Yokohama, Shanghai, Hongkong Z. P. MARUYA Co., L'd., Tokyo KEGAN PAUL,TRUEBNER & Co., L'd., London INTRODUCTION. Subject and Structure .---The Heike Monogatari, one of the masterpieces of Japanese literature, and also one of the main sources of the history of the Gempei period, is a poetic narrative of the fall of the Heike from the position of supremacy it had gained under Taira Kiyomori to almost complete destruction. The Heike, like the Genji, was a warrior clan, but had quickly lost its hardy simplicity under the influence of life in the Capital, and identified itself almost entirely with the effeminate Fujiwara Courtiers whose power it had usurped, so that the struggle between it and the Genji was really more one between courtiers and soldiers, between literary officials and military leaders. Historically this period stands between the Heian era of soft elegance and the Kamakura age of undiluted militarism. The Heike were largely a clan of emasculated Bushi, and their leader Kiyomori, though he obtained his supremacy by force of arms, assumed the role of Court Noble and strove to rule the country by the same device of making himself grandfather to the Emperor as the Fujiwara family had previously done. -
Ukiyo-E Landscapes and Edo Scenic Places”
Volume 14 | Issue 16 | Number 2 | Article ID 4941 | Aug 15, 2016 The Asia-Pacific Journal | Japan Focus Selections from “Ukiyo-e Landscapes and Edo Scenic Places” Nagai Kafū Translated and introduced by Kyoko Selden and Alisa Freedman Introduction period prose style, influenced by classical Chinese and replete with wordplays, literary Author Nagai Kafū (1879-1959; given name allusions, and parenthetical references. The Nagai Sōkichi) is best known for hisbook was published without illustrations, but fictionalized personal travel accounts American his detailed descriptions enabled readers to Stories (Amerika monogatari, 1908) and French visualize the colorful prints and sense the Stories (Furansu monogatari, 1915), short moods that they evoked. Kafū collected ukiyo-e stories and novellas about Tokyo courtesans in Japan and was widely read in the history of and low-ranking geisha, and an extensive Western art. illustrated diary, Dyspepsia House Diary (Danchōtei nichijō, 1917-59). Kafū wasIn addition to offering a wealth of information fascinated with Edo-period (1603-1868)about ukiyo-e artists, schools, and movements culture, especially that of the chōnin, or urban and introducing texts written in English and commoners. He prided himself on hisFrench about them, this lyrical essay resemblance to Edo literati, such as poet Ōta epitomizes many of the themes of Kafū’s Nanpo (also known as Shokusanjin, discussed literature and shows the faith he had in the in the selection below), who used kyōka ability of artists to capture the tenor of their (playful, often satirical, poetry) as an elegant times and the power of art to shape the ways form of veiled social commentary. -
JAPAN COLLECTIONS Prepared by Tokiko Bazzell
JAPAN COLLECTIONS prepared by Tokiko Bazzell Heine, Wilhelm (Peter Bernhard Wilhelm Heine), 1827-1885 Graphic scenes in the Japan expedition. New York, G. P. Putnam & company, 1856. 2 p.l., 10 pl. 52 cm. Born on January 30, 1827 in Dresden, Germany, Heine studied art in Germany and France and worked as a scene designer for the court theater. During an upheaval in his native country, he immigrated to the United States in 1849. He met the archaeologist, Ephraim George Squier, and spurred Heine's artistic career and intellectual curiosity in different cultures. In September 1852 at the age of 25, Heine joined Commodore Perry's expedition to Japan. He diligently recorded in paintings, sketches and writings, important meetings, events, people, and wildlife. Graphic Scenes in the Japan Expedition offers 10 sketches, which were later copied by other artists. Frederic Trautmann, translator of Heine's memoir With Perry to Japan, stated "Heine's images of the Perry expedition and his memoir of it remain his greatest service to America and his supreme achievement." It is not an overstatement that Heine's drawings spurred a craze for Japanese things in the U.S. after their return. Eventually, Heine made four trips to Japan. He returned to Germany after his last trip and published Japan: Beiträge zur Kenntnis des Landes und seiner Bewohner in 1880 in Dresden, where he died five years later. Kaempfer, Engelbert, 1651-1716. The history of Japan : giving an account of the ancient and present state and government of that empire, of its temples, palaces, castles and other buildings, of its metals, minerals, trees, plants, animals, birds and fishes, of the chronology and succession of the emperors, ecclesiastical and secular, of the original descent, religions, customs, and manufactures of the natives, and of their trade and commerce with the Dutch and Chinese : together with a description of the kingdom of Siam. -
Revista Actual
Blanca Editores invitados . Gregory Zambrano y Hernán Lucena Universidad de Los Andes Mérida - Venezuela Blanca PRESENTACIÓN En 1938 se dio inicio formal a las relaciones de cooperación entre Venezuela y Japón. Han sido setenta años de intercambios en diversas áreas, especialmente en el aspecto energético, tecnológico, médico, comercial, deportivo y cultural. Para celebrar este aniversario en varias ciudades de Venezuela se desarrollaron actividades específi cas, muchas de ellas enmarcadas dentro de las tradicionales “semanas culturales” que han tenido una productiva continuidad en varias de las principales ciudades de Venezuela. Ese marco ha sido propicio también para mostrar entre los lectores de Actual facetas relevantes del hecho cultural japonés. En este número monográfi co especial se reúnen diversos trabajos que dan cuenta del rico y variado legado cultural del país nipón. Contamos con la colaboración de especialistas destacados en el área de las artes plásticas, la arquitectura, la literatura, el teatro, pero también estudiosos de la sociedad japonesa, de su lugar preponderante en los negocios, en la exportación de tecnología, de la cooperación internacional, de sus programas académicos, entre otros. La primera parte de nuestra revista se dedica al estudio del arte en la tradición japonesa, con la contribución de Amaury García Rodríguez, investigador de El Colegio de México, quien se ocupa de indagar en el erotismo y la imagen de la mujer en el Japón moderno. A éste sigue el aporte del académico venezolano Ignacio Aristimuño, docente en la Universidad Doshisha, de Kioto, y quien se especializa en el tema de los jardines japoneses. Betsy Forero Montoya, académica colombiana, quien también labora en Japón, en ACTUAL 5 la Universidad de Sofía, nos entrega su contribución en el aspecto teatral que se condensa en el estudio de los rastros de la historia japonesa en la danza de la oscuridad. -
COX-DISSERTATION-2018.Pdf (5.765Mb)
Copyright Copyright by Benjamin Davis Cox 2018 Signature Page The Dissertation Committee for Benjamin Davis Cox certifies that this is the approved version of the following dissertation: Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan Committee: ____________________________________ John W. Traphagan, Supervisor ____________________________________ A. Azfar Moin ____________________________________ Oliver Freiberger ____________________________________ Kirsten Cather Title Page Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan by Benjamin Davis Cox Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Dedication For my mother, who tirelessly read all of my blasphemies, but corrected only my grammar. BB&tt. Acknowledgments Fulbright, CHLA This research was made possible by the Fulbright-Hays Doctoral Dissertation Fellowship, a Hannah Beiter Graduate Student Research Grant from the Children’s Literature Association, and a grant from the Mitsubishi Heavy Industries Endowment in the College of Liberal Arts, University of Texas at Austin. I would additionally like to thank Waseda University for sponsoring my research visa, and in particular Glenda Roberts for helping secure my affiliation. Thank you to the members of my committee—John Traphagan, Azfar Moin, Oliver Freiberger, and Kirsten Cather—for their years of support and intellectual engagement, and to my ‘grand-advisor’ Keith Brown, whose lifetime of work in Mizusawa opened many doors to me that would otherwise have remained firmly but politely shut. I am deeply indebted to the people of Mizusawa for their warmth, kindness, and forbearance. -
Iv Beyond the Convent Walls: the Local and Japan
Beyond the Convent Walls: The Local and Japan-wide Activities of Daihongan’s Nuns in the Early Modern Period (c. 1550–1868) by Matthew Steven Mitchell Graduate Program in Religion Duke University Date: _______________________ Approved: ___________________________ Richard M. Jaffe, Supervisor ___________________________ Barbara R. Ambros ___________________________ Daniel Botsman ___________________________ Hwansoo Kim ___________________________ David Morgan Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2016 i v ABSTRACT Beyond the Convent Walls: The Local and Japan-wide Activities of Daihongan’s Nuns in the Early Modern Period (c. 1550–1868) by Matthew Steven Mitchell Graduate Program in Religion Duke University Date: _______________________ Approved: ___________________________ Richard M. Jaffe, Supervisor ___________________________ Barbara Ambros ___________________________ Daniel Botsman ___________________________ Hwansoo Kim ___________________________ David Morgan An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion the Graduate School of Duke University 2016 Copyright by Matthew Steven Mitchell 2016 Abstract This dissertation examines the social and financial activities of Buddhist nuns to demonstrate how and why they deployed Buddhist doctrines, rituals, legends, and material culture to -
LCSH Section T
T (Computer program language) T cell growth factor T-Mobile G1 (Smartphone) [QA76.73.T] USE Interleukin-2 USE G1 (Smartphone) BT Programming languages (Electronic T-cell leukemia, Adult T-Mobile Park (Seattle, Wash.) computers) USE Adult T-cell leukemia UF Safe, The (Seattle, Wash.) T (The letter) T-cell leukemia virus I, Human Safeco Field (Seattle, Wash.) [Former BT Alphabet USE HTLV-I (Virus) heading] T-1 (Reading locomotive) (Not Subd Geog) T-cell leukemia virus II, Human Safeco Park (Seattle, Wash.) BT Locomotives USE HTLV-II (Virus) The Safe (Seattle, Wash.) T.1 (Torpedo bomber) T-cell leukemia viruses, Human BT Stadiums—Washington (State) USE Sopwith T.1 (Torpedo bomber) USE HTLV (Viruses) t-norms T-6 (Training plane) (Not Subd Geog) T-cell receptor genes USE Triangular norms UF AT-6 (Training plane) BT Genes T One Hundred truck Harvard (Training plane) T cell receptors USE Toyota T100 truck T-6 (Training planes) [Former heading] USE T cells—Receptors T. rex Texan (Training plane) T-cell-replacing factor USE Tyrannosaurus rex BT North American airplanes (Military aircraft) USE Interleukin-5 T-RFLP analysis Training planes T cells USE Terminal restriction fragment length T-6 (Training planes) [QR185.8.T2] polymorphism analysis USE T-6 (Training plane) UF T lymphocytes T. S. Hubbert (Fictitious character) T-18 (Tank) Thymus-dependent cells USE Hubbert, T. S. (Fictitious character) USE MS-1 (Tank) Thymus-dependent lymphocytes T. S. W. Sheridan (Fictitious character) T-18 light tank Thymus-derived cells USE Sheridan, T. S. W. (Fictitious -
Travel Through Tastebuds and Fingertips in Edo Japan: a Study of Shinpan Gofunai Ryūkō Meibutsu Annai Sugoroku by Bianca
Travel Through Tastebuds and Fingertips in Edo Japan: A Study of Shinpan gofunai ryūkō meibutsu annai sugoroku By Bianca Man Yan Chui Course: HIST 449, Honours Graduating Essay Instructor: Dr. Robert Brain A graduating thesis submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts (Honours) in The Faculty of Arts History Department We accept this thesis as conforming to the required standard. Supervisor: Dr. Kelly Midori McCormick Committee Member: Dr. Robert Brain and Dr. Joshua S. Mostow University of British Columbia 5 May 2021 Chui 1 Table of Contents Acknowledgements ....................................................................................................................................................... 2 Note to Readers ............................................................................................................................................................ 4 List of Figures and Tables ........................................................................................................................................... 5 Introduction: Furidashi ............................................................................................................................................... 8 Significance and Historiography ............................................................................................................................ 10 Structure .................................................................................................................................................................