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The Changi Chapel and Museum 85
LOCALIZING MEMORYSCAPES, BUILDING A NATION: COMMEMORATING THE SECOND WORLD WAR IN SINGAPORE HAMZAH BIN MUZAINI NATIONAL UNIVERSITY OF SINGAPORE 2004 LOCALIZING MEMORYSCAPES, BUILDING A NATION: COMMEMORATING THE SECOND WORLD WAR IN SINGAPORE HAMZAH BIN MUZAINI B.A. (Hons), NUS A THESIS SUBMITTED FOR THE DEGREE OF MASTERS OF SOCIAL SCIENCES DEPARTMENT OF GEOGRAPHY NATIONAL UNIVERSITY OF SINGAPORE 2004 ACKNOWLEDGEMENT ‘Syukor Alhamdulillah!’ With the aid of the Almighty Allah, I have managed to accomplish the writing of this thesis. Thank god for the strength that has been bestowed upon me, without which this thesis might not have been possible indeed. A depth of gratitude to A/P Brenda Yeoh and A/P Peggy Teo, without whose guidance and supervision, I might not have been able to persevere with this endeavour. Thank you for your limitless patience and constant support throughout the two years. To A/P Brenda Yeoh especially: thanks for encouraging me to do this and also for going along with my “conference-going” frenzy! It made doing my Masters all that more exciting. A special shout-out to A. Jeyathurai, Simon Goh and all the others at the Singapore History Consultants and Changi Museum who introduced me to the amazing, amazing realm of Singapore’s history and the wonderful, wonderful world of historical research. Your support and friendship through these years have made me realize just how critical all of you have been in shaping my interests and moulding my desires in life. I have learnt a lot which would definitely hold me in good stead all my life. -
George Gittoes: I Witness Teachers' Notes
GEORGE GITTOES: I WITNESS TEACHERS’ NOTES George Gittoes, Evolution 2014, oil on paper INTRODUCTION “I believe in art so much that I am prepared to risk my life to do it. I physically go to these places. I also believe an artist can actually see and show things about what's going on that a paid professional journalist can't and won't do, and can show a level of humanity and complexity that they wouldn't cover on TV.” - George Gittoes George Gittoes: I Witness is the first major exhibition in Australia of the work of artist and film maker George Gittoes which surveys the last 45 years of his incredible career. Internationally recognised for working and creating art in regions of conflict around the world he has been an eye witness to war and human excess, and also to the possibilities of compassion. Beginning his career in the late 1960s, Gittoes was part of a group of artists including Brett Whiteley and Martin Sharp who established The Yellow House artist community in Sydney. This was followed by his move to Bundeena in the Sutherland region where he became an influential and instrument figure in community art projects and the development of Hazelhurst Regional Gallery and Arts Centre. In the 1980s Gittoes began travelling to areas of conflict and his tireless energy for pushing the boundaries of art making has since seen him working in some of the most dangerous and difficult places on earth. He first travelled to Nicaragua and the Philippines, then the Middle East, Rwanda and Cambodia in the 1990s and more recently to Iraq and Afghanistan. -
ANZAC Memorial Visit
ANZAC Memorial Hyde Park June 2013 On Thursday 27th June the Scouts from 1st Ermington had the opportunity to visit the ANAZ Memorial at Hyde Park in the city. We caught the train from Eastwood station for the journey into Sydney - alighting from the train at Town Hall station. Fortunately the weather was kind and we had a nice walk up to the memo- rial through Hyde park. Although it was early evening and dark the memo- rial looked terrific. The curator for the evening introduced himself to the troop and there was much interest in his background as he was both a Vietnam veteran and a former scout. The evening started with a short video and the scouts were surprised at the footage of the opening because at the time the memorial was the tallest building in the city and the opening was attending by 100,000 people. We were given a tour of the different parts of the memorial (inside and out). Learning about the different parts of the memorial was extremely in- teresting. The Scouts were invited to release a Commemorative star representing an Australian service man or woman killed while serving their country or since deceased - a very humbling experience Another highlight of the evening was the Scouts being able to see a banner signed by Baden Powell. We departed the memorial at 8:20 for our return trip, arriving back into Eastwood at 9:10pm. A big thank you to the Scouts and Leaders that were able to participate in this activity. The ANZAC War Memorial, completed in 1934, is the main commemorative military monument of Sydney, Australia. -
Kelson Nor Mckernan
Vol. 5 No. 9 November 1995 $5.00 Fighting Memories Jack Waterford on strife at the Memorial Ken Inglis on rival shrines Great Escapes: Rachel Griffiths in London, Chris McGillion in America and Juliette Hughes in Canberra and the bush Volume 5 Number 9 EURE:-KA SJRE:i:T November 1995 A magazine of public affairs, the arts and th eology CoNTENTS 4 30 COMMENT POETRY Seven Sketches by Maslyn Williams. 9 CAPITAL LETTER 32 BOOKS 10 Andrew Hamilton reviews three recent LETTERS books on Australian immigration; Keith Campbell considers The Oxford 12 Companion to Philosophy (p36); IN GOD WE BUST J.J.C. Smart examines The Moral Chris McGillion looks at the implosion Pwblem (p38); Juliette Hughes reviews of America from the inside. The Letters of Hildegard of Bingen Vol I and Hildegard of Bingen and 14 Gendered Theology in Ju dea-Christian END OF THE GEORGIAN ERA Tradition (p40); Michael McGirr talks Michael McGirr marks the passing of a to Hugh Lunn, (p42); Bruce Williams Melbourne institution. reviews A Companion to Theatre in Australia (p44); Max T eichrnann looks 15 at Albert Speer: His Battle With Truth COUNTERPOINT (p46); James Griffin reviews To Solitude The m edia's responsibility to society is Consigned: The Journal of William m easured by the code of ethics, says Smith O'BTien (p48). Paul Chadwick. 49 17 THEATRE ARCHIMEDES Geoffrey Milne takes a look at quick changes in W A. 18 WAR AT THE MEMORIAL 51 Ja ck Waterford exarnines the internal C lea r-fe Jl ed forest area. Ph oto FLASH IN THE PAN graph, above left, by Bill T homas ructions at the Australian War Memorial. -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
Last Post Indian War Memorials Around the World
Last Post Indian War Memorials Around the World Introduction • 1 Rana Chhina Last Post Indian War Memorials Around the World i Capt Suresh Sharma Last Post Indian War Memorials Around the World Rana T.S. Chhina Centre for Armed Forces Historical Research United Service Institution of India 2014 First published 2014 © United Service Institution of India All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without prior permission of the author / publisher. ISBN 978-81-902097-9-3 Centre for Armed Forces Historical Research United Service Institution of India Rao Tula Ram Marg, Post Bag No. 8, Vasant Vihar PO New Delhi 110057, India. email: [email protected] www.usiofindia.org Printed by Aegean Offset Printers, Gr. Noida, India. Capt Suresh Sharma Contents Foreword ix Introduction 1 Section I The Two World Wars 15 Memorials around the World 47 Section II The Wars since Independence 129 Memorials in India 161 Acknowledgements 206 Appendix A Indian War Dead WW-I & II: Details by CWGC Memorial 208 Appendix B CWGC Commitment Summary by Country 230 The Gift of India Is there ought you need that my hands hold? Rich gifts of raiment or grain or gold? Lo! I have flung to the East and the West Priceless treasures torn from my breast, and yielded the sons of my stricken womb to the drum-beats of duty, the sabers of doom. Gathered like pearls in their alien graves Silent they sleep by the Persian waves, scattered like shells on Egyptian sands, they lie with pale brows and brave, broken hands, strewn like blossoms mowed down by chance on the blood-brown meadows of Flanders and France. -
Printmaking and the Language of Violence
PRINTMAKING AND THE LANGUAGE OF VIOLENCE by Yvonne Rees-Pagh Graduate Diploma of Arts (Visual Arts) Monash University Master Of Visual Arts Monash University Master of Fine Arts University of Tasmania Submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy University of Tasmania MARCH 2013 This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. YVONNE REES-PAGH MARCH 2013 i This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. YVONNE REES-PAGH MARCH 2013 ii ACKNOWLEDGEMENTS I would like to acknowledge and thank my supervisors Milan Milojevic and Dr Llewellyn Negrin for their advice, assistance and support throughout the project. I am eternally grateful to my partner in life Bevan for his patience and encouragement throughout the project, and care when I needed it most. DEDICATION I dedicate this project to the memory of my dearest friend Olga Vlasova, the late Curator of Prints, Russian Museum, St Petersburg. Printmaking brought us together in a lasting friendship that began in Tomsk, Siberia in 1990. iii CONTENTS Abstract ............................................................................................. 01 Introduction ....................................................................................... 02 Chapter One: The Central Argument Towards violence ..................................................................... 07 Violence and the power of etching .......................................... -
'Feed the Troops on Victory': a Study of the Australian
‘FEED THE TROOPS ON VICTORY’: A STUDY OF THE AUSTRALIAN CORPS AND ITS OPERATIONS DURING AUGUST AND SEPTEMBER 1918. RICHARD MONTAGU STOBO Thesis prepared in requirement for the Degree of Doctor of Philosophy School of Humanities and Social Sciences University of New South Wales, Canberra June 2020 Thesis/Dissertation Sheet Surname/Family Name : Stobo Given Name/s : Richard Montagu Abbreviation for degree as given in the : PhD University calendar Faculty : History School : Humanities and Social Sciences ‘Feed the Troops on Victory’: A Study of the Australian Corps Thesis Title : and its Operations During August and September 1918. Abstract 350 words maximum: (PLEASE TYPE) This thesis examines reasons for the success of the Australian Corps in August and September 1918, its final two months in the line on the Western Front. For more than a century, the Corps’ achievements during that time have been used to reinforce a cherished belief in national military exceptionalism by highlighting the exploits and extraordinary fighting ability of the Australian infantrymen, and the modern progressive tactical approach of their native-born commander, Lieutenant-General Sir John Monash. This study re-evaluates the Corps’ performance by examining it at a more comprehensive and granular operational level than has hitherto been the case. What emerges is a complex picture of impressive battlefield success despite significant internal difficulties that stemmed from the particularly strenuous nature of the advance and a desperate shortage of manpower. These played out in chronic levels of exhaustion, absenteeism and ill-discipline within the ranks, and threatened to undermine the Corps’ combat capability. In order to reconcile this paradox, the thesis locates the Corps’ performance within the wider context of the British army and its operational organisation in 1918. -
2019-20 Annual Report of the Australian Museum Trust.Pdf
2019-20 Annual report A prefabricated section of the main stairwell is maneuvered into position by the crane. Photograph by James Alcock. 2019–20 Annual report Australian Museum 1 William Street Sydney, NSW, 2010 Australia Australian Museum Annual Report 2019-20 Minister The Australian Museum Annual Report 2019-20 The Hon Don Harwin, MLC is published by the Australian Museum Trust, 1 William Street Sydney NSW 2010. Special Minister of State, and Minister for the © Australian Museum Trust 2020 Public Service and Employee Relations, Aboriginal ISSN 2206-8473 Affairs and the Arts. Acknowledgements Governance The Australian Museum acknowledges and pays respect to The Australian Museum was established under the the Gadigal people of the Eora Nation as the First Peoples Australian Museum Trust Act 1975 and is governed by and Traditional Custodians of the land and waterways on a Board of Trustees. The objectives of the Australian which the Australian Museum stands. Museum are to propagate knowledge about the natural environment of Australia and to increase that Compiled by Jacinta Spurrett and Jacqueline Soars knowledge, particularly in the natural sciences of biology, Design & Production by Mark Joseph anthropology and geology. The Board of Trustees has Editing by Catherine Marshall and Alice Gage 11 members, one of whom must have knowledge of, or All images © Australian Museum experience in, science; one of whom must have knowledge unless otherwise indicated. of, or experience in, education; and one of whom must have knowledge of, or experience in, Australian Contact Indigenous culture. Australian Museum Trustees are appointed by the Governor on the 1 William Street Sydney NSW 2010 recommendation of the Minister for a term of up to Open daily 9.30am – 5pm three years. -
50 Years of the Strategic and Defence Studies Centre
A NATIONAL ASSET 50 YEARS OF THE STRATEGIC AND DEFENCE STUDIES CENTRE A NATIONAL ASSET 50 YEARS OF THE STRATEGIC AND DEFENCE STUDIES CENTRE EDITED BY DESMOND BALL AND ANDREW CARR Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: A national asset : 50 years of the Strategic & Defence Studies Centre (SDSC) / editors: Desmond Ball, Andrew Carr. ISBN: 9781760460563 (paperback) 9781760460570 (ebook) Subjects: Australian National University. Strategic and Defence Studies Centre--History. Military research--Australia--History. Other Creators/Contributors: Ball, Desmond, 1947- editor. Carr, Andrew, editor. Dewey Number: 355.070994 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. This edition © 2016 ANU Press Contents About the Book . vii Contributors . ix Foreword: From 1966 to a Different Lens on Peacemaking . xi Preface . xv Acronyms and Abbreviations . xix List of Plates . xxi 1 . Strategic Thought and Security Preoccupations in Australia . 1 Coral Bell 2 . Strategic Studies in a Changing World . 17 T.B. Millar 3 . Strategic Studies in Australia . 39 J.D.B. Miller 4 . From Childhood to Maturity: The SDSC, 1972–82 . 49 Robert O’Neill 5 . Reflections on the SDSC’s Middle Decades . 73 Desmond Ball 6 . SDSC in the Nineties: A Difficult Transition . 101 Paul Dibb 7 . -
Rollofhonour WWII
TRINITY COLLEGE MCMXXXIX-MCMXLV PRO MURO ERANT NOBIS TAM IN NOCTE QUAM IN DIE They were a wall unto us both by night and day. (1 Samuel 25: 16) Any further details of those commemorated would be gratefully received: please contact [email protected]. Details of those who did not lose their lives in the Second World War, e.g. Simon Birch, are given in italics. Abel-Smith, Robert Eustace Anderson, Ian Francis Armitage, George Edward Born March 24, 1909 at Cadogan Square, Born Feb. 25, 1917, in Wokingham, Berks. Born Nov. 20, 1919, in Lincoln. Son of London SW1, son of Eustace Abel Smith, JP. Son of Lt-Col. Francis Anderson, DSO, MC. George William Armitage. City School, School, Eton. Admitted as Pensioner at School, Eton. Admitted as Pensioner at Lincoln. Admitted as State Scholar at Trinity, Trinity, Oct. 1, 1927. BA 1930. Captain, 3rd Trinity, Oct. 1, 1935. BA 1938. Pilot Officer, Oct. 1, 1938. BA 1941. Lieutenant, Royal Grenadier Guards. Died May 21, 1940. RAF, 53 Squadron. Died April 9, 1941. Armoured Corps, 17th/21st Lancers. Died Buried in Esquelmes War Cemetery, Buried in Wokingham (All Saints) June 10, 1944. Buried in Rome War Hainaut, Belgium. (FWR, CWGC ) Churchyard. (FWR, CWGC ) Cemetery, Italy. (FWR, CWGC ) Ades, Edmund Henry [Edmond] Anderson, John Thomson McKellar Armitage, Stanley Rhodes Born July 24, 1918 in Alexandria, Egypt. ‘Jock’ Anderson was born Jan. 12, 1918, in Born Dec. 16, 1902, in London. Son of Fred- Son of Elie Ades and the Hon. Mrs Rose Hampstead, London; son of John McNicol erick Rhodes Armitage. -
Annual Report 2014–15
Annual Report 2014–15 Annual Report 2014–15 Published by the National Gallery of Australia Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 nga.gov.au/aboutus/reports ISSN 1323 5192 © National Gallery of Australia 2015 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Prepared by the Governance and Reporting Department Edited by Eric Meredith Designed by Carla Da Silva Pastrello Figures by Michael Tonna Index by Sherrey Quinn Printed by Union Offset Printers Cover: The 2015 Summer Art Scholars with Senior Curator Franchesca Cubillo in the Indigenous Urban gallery, 14 January 2015. 16 October 2015 Senator the Hon Mitch Fifield Minister for Communications Minister for the Arts Minister Assisting the Prime Minister for Digital Government Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s annual report covering the period 1 July 2014 to 30 June 2015. This report is submitted to you as required by section 39 of the Public Governance, Performance and Accountability Act 2013. It is consistent with the requirements set out in the Commonwealth Authorities (Annual Reporting) Orders 2011, and due consideration has been given to the Requirements for Annual Reports approved by the Joint Committee of Public Accounts and Audit under subsections 63(2) and 70(2) of the Public Service Act 1999 and made available by the Department of the Prime Minister and Cabinet on 25 June 2015.