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University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Choreographers and Yogis: Untwisting the Politics of Appropriation and Representation in U.S. Concert Dance A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Jennifer F Aubrecht September 2017 Dissertation Committee: Dr. Jacqueline Shea Murphy, Chairperson Dr. Anthea Kraut Dr. Amanda Lucia Copyright by Jennifer F Aubrecht 2017 The Dissertation of Jennifer F Aubrecht is approved: Committee Chairperson University of California, Riverside Acknowledgements I extend my gratitude to many people and organizations for their support throughout this process. First of all, my thanks to my committee: Jacqueline Shea Murphy, Anthea Kraut, and Amanda Lucia. Without your guidance and support, this work would never have matured. I am also deeply indebted to the faculty of the Dance Department at UC Riverside, including Linda Tomko, Priya Srinivasan, Jens Richard Giersdorf, Wendy Rogers, Imani Kai Johnson, visiting professor Ann Carlson, Joel Smith, José Reynoso, Taisha Paggett, and Luis Lara Malvacías. Their teaching and research modeled for me what it means to be a scholar and human of rigorous integrity and generosity. I am also grateful to the professors at my undergraduate institution, who opened my eyes to the exciting world of critical dance studies: Ananya Chatterjea, Diyah Larasati, Carl Flink, Toni Pierce-Sands, Maija Brown, and rest of U of MN dance department, thank you. I thank the faculty (especially Susan Manning, Janice Ross, and Rebekah Kowal) and participants in the 2015 Mellon Summer Seminar Dance Studies in/and the Humanities, who helped me begin to feel at home in our academic community. -
HOW STEVE REEVES TRAINED by John Grimek
IRON GAME HISTORY VOL.5No.4&VOL. 6 No. 1 IRON GAME HISTORY ATRON SUBSCRIBERS THE JOURNAL OF PHYSICAL CULTURE P Gordon Anderson Jack Lano VOL. 5 NO. 4 & VOL. 6 NO. 1 Joe Assirati James Lorimer SPECIAL DOUBL E I SSUE John Balik Walt Marcyan Vic Boff Dr. Spencer Maxcy TABLE OF CONTENTS Bill Brewer Don McEachren Bill Clark David Mills 1. John Grimek—The Man . Terry Todd Robert Conciatori Piedmont Design 6. lmmortalizing Grimek. .David Chapman Bruce Conner Terry Robinson 10. My Friend: John C. Grimek. Vic Boff Bob Delmontique Ulf Salvin 12. Our Memories . Pudgy & Les Stockton 4. I Meet The Champ . Siegmund Klein Michael Dennis Jim Sanders 17. The King is Dead . .Alton Eliason Mike D’Angelo Frederick Schutz 19. Life With John. Angela Grimek Lucio Doncel Harry Schwartz 21. Remembering Grimek . .Clarence Bass Dave Draper In Memory of Chuck 26. Ironclad. .Joe Roark 32. l Thought He Was lmmortal. Jim Murray Eifel Antiques Sipes 33. My Thoughts and Reflections. .Ken Rosa Salvatore Franchino Ed Stevens 36. My Visit to Desbonnet . .John Grimek Candy Gaudiani Pudgy & Les Stockton 38. Best of Them All . .Terry Robinson 39. The First Great Bodybuilder . Jim Lorimer Rob Gilbert Frank Stranahan 40. Tribute to a Titan . .Tom Minichiello Fairfax Hackley Al Thomas 42. Grapevine . Staff James Hammill Ted Thompson 48. How Steve Reeves Trained . .John Grimek 50. John Grimek: Master of the Dance. Al Thomas Odd E. Haugen Joe Weider 64. “The Man’s Just Too Strong for Words”. John Fair Norman Komich Harold Zinkin Zabo Koszewski Co-Editors . , . Jan & Terry Todd FELLOWSHIP SUBSCRIBERS Business Manager . -
George Hackenschmidt Vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd the University of Texas
Iron Game History Volume 11 Number 2 George Hackenschmidt vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd The University of Texas International wrestling star, George Hacken- stories about and a constituent of that world, an element schmidt, widely known as "The Russian Lion," met the of the story." The reporter, they argue, "not only relates American champion, Frank Gotch, at Chicago's Dexter stories but makes them."2 Similarly, pop culture analyst Park Amphitheater on April 3, 1908, in a wrestling title Carlin Romano contends that journalism is not a "minor bout that was labeled "The Athletic Contest of the Cen- placed before reality," but a "coherent nanative of the tmy" on the cover of the match program.' After three world that serves a particular purpose."3 Thinking about preliminary bouts, the much anticipated World's Heavy- journalism in light of this definition makes it easier to weight Wrestling Championships in the catch-as-catch- understand how in the days following the historic Gotch can style began at approximately 10:30 P.M. More than Hackenschmidt bout such different tales would be told two hours later, reporters ...-------------------. by various journalists even scrambled to file their stories in though all of them had watched the early hours of the morning SOUVENIR PROGRAM the same spmting event. Like and share their ringside intelli- 'f the characters in John Godfrey gence with an anxiously await- The Athletic Contest of Saxes's poem, "The Blind Men ing nation and world. The news the Century and the Elephant," almost all they sent out from Chicago, _ For •h• _ of the reporters who pe1111ed however, was totally unexpect- WORLD'S WRESTLING their reports from Chicago had ed. -
'Freaky:' an Exploration of the Development of Dominant
From ‘Classical’ To ‘Freaky:’ an Exploration of the Development of Dominant, Organised, Male Bodybuilding Culture Dimitrios Liokaftos Department of Sociology, Goldsmiths, University of London Submitted for the Degree of PhD in Sociology February 2012 1 Declaration: The work presented in this thesis is my own. Dimitrios Liokaftos Signed, 2 Abstract Through a combination of historical and empirical research, the present thesis explores the development of dominant, organized bodybuilding culture across three periods: early (1880s-1930s), middle (1940s-1970s), and late (1980s-present). This periodization reflects the different paradigms in bodybuilding that the research identifies and examines at the level of body aesthetic, model of embodied practice, aesthetic of representation, formal spectacle, and prevalent meanings regarding the 'nature' of bodybuilding. Employing organized bodybuilding displays as the axis for the discussion, the project traces the gradual shift from an early bodybuilding model, represented in the ideal of the 'classical,' 'perfect' body, to a late-modern model celebrating the 'freaky,' 'monstrous' body. This development is shown to have entailed changes in notions of the 'good' body, moving from a 'restorative' model of 'all-around' development, health, and moderation whose horizon was a return to an unsurpassable standard of 'normality,' to a technologically-enhanced, performance- driven one where 'perfection' assumes the form of an open-ended project towards the 'impossible.' Central in this process is a shift in male identities, as the appearance of the body turns not only into a legitimate priority for bodybuilding practitioners but also into an instance of sport performance in bodybuilding competition. Equally central, and related to the above, is a shift from a model of amateur competition and non-instrumental practice to one of professional competition and extreme measures in search of the winning edge. -
Iron Game History Volume 3 Number 4
VOLUME 3 NUMBER 4 August 1994 The first competition behind the Iron Curtain between ath- tition, and that no-one in the history of the sport had ever had the letes from the two superpowers after the Cold War began was held audacity to open with twenty pounds more than the listed world record. in 1955 in Moscow. The athletes were weightlifters. Ever since the But when the five foot nine inch, barrel-chested. three hundred and end of World War Two and the resumption of international meets forty pound Anderson chalked his hands and strode to the platform the American lifters had been dominant, and the soviets resented this the crowd got a good look at him and they became suddenly quiet. dominance and were jealous of it. The political leaders of the soviet And when he pulled the bar to his shoulders and pressed it easily over sports machine were very aware of the his head they were so stunned that for a propoganda value of athletic success, time they made no sound at all. But then and they badly wanted to be able to say they,leapt to their feet shouting, calling to the world that their political system him. “chudo priyody”—wonder of produced the strongest men. They were nature. obsessed by the idea of beating the U.S., This dramatic world record, particularly in the superheavyweight coupled with Paul’s unique appearance, class, the symbol of strength. Even then, caught the imagination of the public, almost 40 years ago, the top superheavy and he was able to parlay the attention was widely recognized—at least in the into a career as the most famous strong- media—as the strongest man in the man of the modern era. -
Soviet Issues Stern Warning on Cuba
Distribution Wecther Today 7 a. in. ueaveutwt It. m km hndd today mDBANK .19,200 * te o. MM * b«fb c . Urn tmi&. ia Wu. *V, fair with Htfe cta«e M' acwwr TMKMCW nuMr~n»>. mn temperature. See Veathv, ag. 2. Dial SH 1.0010 a auir, Monaiy ihnwfli frw»y. ••com Ciiu Panic* VOL. 85, NO. 55 U Red Buk sal at MtlUona lUlltnf OUlc««. RED BANK. N, J., TUESDAY, SEPTEMBER 11, 1962 7c PER COPY PAGE ONE Soblen Dies In Soviet Issues Stern Hospital Was Unconscious Warning On Cuba Since Last MOSCOW (AP) - The Soviet this situation and order the De- The statement added an ap- military supplies and military government warned the United fense Ministry as well as the peal to all nations to raise technicians to Cuba but is not Thursday States today that an attack on command of the Soviet army their voices against the alleged establishing a base there. Cuba would be the beginning to take all measures to put aggressive plans of the United "We state and we repeat," LONDON (AP) - Dr. Robert States and to prevent the the statement said, "that if Soblen died today. u of a war that might turn into our Fighting forces into the high- a world nuclear war. est degree of fighting readiness. "American aggressors" from war is unleashed, if an aggres- A hospital spokesman said starting a war. sor attacks one or another death' came to the fugitive spy at In a statement read to a "This is exclusively a pre- special Foreign Office news cautionary measure. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
A Historical Analysis of the Use of Supportive Apparel in Powerlifting Jan Todd
Trinity University Digital Commons @ Trinity School of Business Faculty Research School of Business 11-2015 Shifting Gear: A Historical Analysis of the Use of Supportive Apparel in Powerlifting Jan Todd Dominic G. Morais Trinity University, [email protected] Ben Pollack Terry Todd Follow this and additional works at: https://digitalcommons.trinity.edu/busadmin_faculty Part of the Business Administration, Management, and Operations Commons Repository Citation Todd, J., Morais, D. G., Pollack, B., & Todd, T. (2015). Shifting gear: A historical analysis of the use of supportive apparel in powerlifting. Iron Game History, 13(2-3), 37-56. This Article is brought to you for free and open access by the School of Business at Digital Commons @ Trinity. It has been accepted for inclusion in School of Business Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. November/December 2015 Iron Game History SHIFTING GEAR: A HISTORICAL ANALYSIS OF THE USE OF SUPPORTIVE APPAREL IN POWERLIFTING Jan Todd, Dominic Gray Morais, Ben Pollack & Terry Todd The University of Texas at Austin & Trinity University, San Antonio, Texas In many ways, powerlifting is an odd sport. the sport into several dozen sporting federations, and the Competitors do not run or jump; no balls, bats, or rackets willingness of many of these national governing bodies are used; and only one competitor "plays" on the lifting to allow various levels of gear-assisted lifting in their platform at a time. Judging can be highly subjective; organizations. If sport philosopher Robert Simon is right three judges intently watch as the athlete lifts the loaded that, "sport" is nothing more than a group of rules that barbell nine separate times over the course of the com defme and delimit how the central contest of the sport is petition. -
CURRICULUM VITAE Name Birth Date and Place John D. Fair
CURRICULUM VITAE Name Birth Date and Place John D. Fair September 6, 1943 Waynesboro, Pennsylvania, U.S.A. Married Children Sarah Patterson Fair Jonathan Oliver Fair (b. 1982) Philip Alexander Fair (b. 1985) Address 759 Karlee Court, Auburn, AL 36830 (478) 986-9286 or [email protected] or The H. J. Lutcher Stark Center for Physical Culture & Sports, NEZ 5.700, 1 University Station, D3600, Austin, TX 78712 (512) 471-0995 [email protected]. Education B.A. Juniata College, Huntingdon, Pennsylvania, 1965 M.A. Wake Forest University, Winston-Salem, North Carolina, 1966 Thesis: "Women's Suffrage in Great Britain, 1913-1918" Ph.D. Duke University, Durham, North Carolina, 1970 Dissertation: "The Role of the Conference in British Politics, 1884-1918" Areas of Specialization British Political and Constitutional History Modern Irish History British Empire and Commonwealth Twentieth Century American (Physical Culture & Sport) History Southern History Teaching Experience Instructor of History, York College of Pennsylvania, York, Pennsylvania, 1967. Instructor of History, Millersville University of Pennsylvania, Millersville, Pennsylvania, 1968. Assistant Professor of History, Virginia Polytechnic Institute & State University, Blacksburg, Virginia, 1969-1971. Assistant Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1971-1975. Associate Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1975-1981. Visiting Professor of History, University of Maine at Orono, Orono, Maine, Summer, 1981. Professor of History, Auburn University at Montgomery, Montgomery, Alabama, 1981-1989, Professor and Head, 1989- 1995, Alumni Professor and Head, 1995-1997 Professor of History & Chair, Georgia College & State University, Milledgeville, Georgia, 1997-2002 Professor of History, Georgia College & State University, Milledgeville, Georgia, 2002-2012 Adjunct Professor of Kinesiology, University of Texas, Austin, 2012-. -
Get Fit with Video Workouts Line Dances Around the World Trends in Hip-Hop Dance Trends in Martial Arts the World of Crossfit Yoga Fitness Zumba Fitness
African Dance Trends Get Fit with Video Workouts Line Dances Around the World Trends in Hip-Hop Dance Trends in Martial Arts The World of CrossFit Yoga Fitness Zumba Fitness Copyright © 2015 by Mitchell Lane Publishers All rights reserved. No part of this book may be reproduced without written permission from the publisher. Printed and bound in the United States of America. PUBLISHER’S NOTE: The facts in this book have been thoroughly researched. Documentation of such research can be found on pages 44-45. While every possible effort has been made to ensure accuracy, the publisher will not assume liability for damages caused by inaccuracies in the data, and makes no warranty on the accuracy of the information contained herein. The Internet sites referenced herein were active as of the publication date. Due to the fleeting nature of some web sites, we cannot guarantee that they will all be active when you are reading this book. Printing 1 2 3 4 5 6 7 8 9 Library of Congress Cataloging-in-Publication Data Sue Davis Potts Get fit with video workouts / by Sue Davis Potts. pages cm. - (Dance Includes bibliographical Includes webography. Audience: Age: 9-13. Audience: Grade: 4 to 8. ISBN 978 -1-61228-550-4 (library bound) 1. Physical fitness-Juvenile literature. 2. Video recordings-Juvenile literature. Title. GV481.P597 2014 613.7—dc23 2014008300 eBook ISBN: 9781545751428 Contents Introduction Chapter One Not Just a Fad The Advantages and Disadvantages of Using Workout Videos Chapter Two The Fitness Explosion Fitness Careers Chapter Three Big Business Making an Exercise Video Chapter Four How Do You Choose the Right Workout Video? Exercise Tips Chapter Five The Latest Trends Children Staying Fit Where to Get Started Timeline Further Reading Books On the Internet Works Consulted Glossary Introduction The fitness industry is a fast-growing and fast-changing industry that is expe cted to see continued growth. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-3121
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Copyright by Tolga Ozyurtcu 2014
Copyright by Tolga Ozyurtcu 2014 The Dissertation Committee for Tolga Ozyurtcu Certifies that this is the approved version of the following dissertation: Flex Marks the Spot: Histories of Muscle Beach Committee: Janice S. Todd, Supervisor Thomas M. Hunt Marlene A. Dixon Joan H. Neuberger Janet M. Davis Flex Marks the Spot: Histories of Muscle Beach by Tolga Ozyurtcu, B.A.; M.S. Kin. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 Dedication To memory of my mother, my first reader. To my father: nereden nereye. Acknowledgements If there is one person responsible for this project, it is my father, Huseyin Ozyurtcu. For over thirty years, he has been my biggest influence and my best friend. Together with my late my mother, he taught me to love knowledge, think independently, and trust my instincts. In his love and unwavering support, I have found the strength and confidence to be myself. I owe him everything. I am also very grateful for my stepmother Vanessa, my brother Marcos, and my sister Yasmin. It has been almost ten years since our families came together and I cannot imagine life without them—to be in their presence is to know how good life can be. I consider myself fortunate to have had the support of Dr. Jan Todd since I began my graduate education in 2008. As my dissertation advisor, Dr. Todd gave me the freedom, encouragement, and feedback necessary to complete a large and ambitious project.