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The Programme New Publications Sheet Music
1/2017 New Issue Title
1 New Publications 1/2017 · The Programme Contents
Piano Bärenreiter Opera Kaleidoscope ...... 23 Mozart: Sonata in A major (with the Rondo “Alla Turca”) for Piano K. 331 (300i). BA 9186 ...... 3 Vocal Scores / Opera Beethoven: Sonatas for Pianoforte Handel: Orlando HWV 31. BA 4087-90 ...... 24 Two Sonatas in G minor, G major op. 49. Gounod: Faust. BA 8713-90 ...... 25 BA 10858 ...... 4 Sonata in G major op. 79. BA 11815 ...... 5 Solo Voice Three Sonatas in C minor, F major, D major op. 10. Schubert: Lieder for Voice and Piano, BA 10857 ...... 6 Volume 8. High Voice BA 9108 / Medium Voice Three Sonatas in G major, D minor, E-flat major BA 9128 / Low Voice BA 9148 ...... 26 op. 31. BA 11805 ...... 7 Janáček: The Diary of One Who Disappeared. Sonata in F-sharp major op. 78. BA 11807 ...... 8 BA 9575 ...... 27 Strings / Chamber Music Dvořák: Songs II for Voice and Piano. High Voice: BA 11517 / Low Voice: BA 11518 .....28–29 Mendelssohn Bartholdy: Complete Works for Violoncello and Piano. Volume I: BA 9096, Complete Editions Volume II: BA 9097 ...... 9 Camille Saint-Saëns ...... 30–31 Dvořák: Slavonic Dances arranged for Violoncello New publications ...... 40 and Piano op. 46. BA 9568 ...... 10 Dvořák: Concerto in A minor for Violin and Orchestra op. 53. BA 10422 ...... 11 Orchestra Kim: Three Romances for Violin and Piano. Dvořák: Slavonic Rhapsody in D major op. 45/1. BA 10924 ...... 12 BA 10401 ...... 32 Beethoven: String Quartet in E-flat major op. 127. Saint-Saëns: Symphony No. 3 op. 78. BA 7896 ...... 33 BA 9029, TP 929 ...... 13 Fauré: Masques et Bergamasques op. 112. Dvořák: Piano Quintet in A major op. 5. BA 11539 ...... 14 BA 7894 ...... 34 Dvořák: Piano Quartet in D major op. 23. BA 9574 .....15 Fauré: Pelléas et Mélisande. Suite for Orchestra op. 80. BA 7895 ...... 35 Ready to Play Haydn: Symphony in G major Hob. I: 88. Goden: Schabbes, Schabbes. BA 10980 ...... 36 Klezmer for 3 Clarinets. BA 10635 ...... 16 Organ Book on Music Bach: Organ Works, Volume 9. Organ Chorales from Svoboda, Roth: The Techniques of Trombone Playing the Neumeister Collection. BA 5269 ...... 37 ISBN 978-3-7618-2367-5 ...... 17 Organ Plus One: Epiphany · Whitsuntide. BA 8502 ...... 38 Facsimile Beethoven: Missa solemnis op. 123 Felix Mendelssohn Bartholdy, ISBN 978-3-7618-2395-8 ...... 18–19 Complete Letters Choir Volume 12: BVK 2312 / ISBN 978-3-7618-2312-5...... 39 CD-ROM: BVK 2403 / ISBN 978-3-7618-2403-0 ...... 39 Fauré: Messe de Requiem. Female Choir BA 5695-90 ...... 20 Bärenreiter Notes Mendelssohn Bartholdy: Psalm “Non nobis Domine” “Nicht unserm Namen, Herr” op. 31. Dvořák orange. BA 8100-21 ...... 41 BA 9079 ...... 21 Telemann green. BA 8100-24 ...... 41 Jansson: Sacred Choral Works De sancto Pelagio et sancto Theodolo, MGG Online ...... 42–43 SATB and Organ. BA 8523 ...... 22 Two Poems, SATB. BANew 8524 Issue ...... 22 Title Your Contacts ...... 44
New Publications 1/2017 · The Programme 2 Piano
Authentic Mozart
Edition based on the first edition Artaria 1784
Edition based on the autograph
Wolfgang Amadeus Mozart: Sonata in A major for Piano K. 331 (300i) (with the Rondo “Alla Turca”)
Published in 1784, Mozart’s Sonata in A major “for clavier solo”, with BÄRENREITER URTEXT the famous Rondo Alla Turca finale, is one of the most popular works in the entire piano literature. Now a newly resurfaced section of the Edited with notes on performance autograph has prompted Bärenreiter to issue an up-to-date Urtext practice by Mario Aschauer edition of this celebrated piece. The editor, Mario Aschauer, has set BA 9186 · approx. € 7.50 new editorial standards and offers the most innovative methodological (replaces BA 9178) approach of our time. His scholarly-critical performance edition is the only one to remain entirely true to the sources by presenting the To appear in March 2017 musical text of the autograph and the original print separately. Both forms of the sonata are historically legitimate; the editor has not merged the sources to produce a new text. The section on performance practice provides valuable information on Mozart’s claviers as well as on the refinement of touch, articulation, pedalling and ornamentation. ISMN 979-0-006-56275-6 • Foreword with new insights into the work’s publication history (Eng/Ger) • Optimum page-turns and well-presented engraving 9 790006 562756 • Critical Commentary (Eng) • Includes valuable information on performance practice New Issue Title
3 New Publications 1/2017 · The Programme Piano
Beethoven sonatas in Bärenreiter Urtext
The new Bärenreiter Urtext editions of the Beethoven piano sonatas are edited by Jonathan Del Mar, an internationally acclaimed and experienced authority on Beethoven.
Del Mar has meticulously examined every available source and moreover has evaluated the various impressions of prints issued during Beethoven’s lifetime. The sonatas appear with a carefully edited musical text at the cutting edge of scholarship, rounded off by a Ludwig van Beethoven: Critical Commentary that documents every alternative reading and editorial decision. Two Sonatas in G minor, G major An elegant and spacious engraving with practical page- for Pianoforte op. 49 turns invites pianists to explore the music. Detailed Introductions on the genesis and significance of the works BÄRENREITER URTEXT are complemented by valuable suggestions regarding period performance practice. Edited by Jonathan Del Mar With an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha Donat One must look long and hard to find a piano pupil who hasn’t played BA 10858 · approx. € 7.95 Beethoven’s two sonate facile op. 49. They are not only relatively easy to play but highly lyrical and effective, ideally combining joy in music- To appear in April 2017 making with a mastery of early classical literature. Beethoven wrote the two sonatas approximately between 1795 and 1798.
In addition, the small sonata op. 79 which is called a sonata in the autograph but a sonatina in the German first edition, also belongs to the standard repertoire for advanced beginners. Beethoven’s autograph, written in 1809, had a convoluted history: Muzio Clementi extracted the individual movements from the manuscript and sold them separately. Only a stroke of luck allowed them to be reunited many years later.
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New Publications 1/2017 · The Programme 4 Piano
Ludwig van Beethoven: Sonata in G major for Pianoforte op. 79
BÄRENREITER URTEXT
Edited by Jonathan Del Mar
With an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha Donat BA 11815 · approx. € 6.95
To appear in May 2017
• Scholarly-critical Urtext editions at the cutting edge of scholarship • Practical page turns • Informative Introductions with valuable notes on period performance practice (Eng/Ger) • Belong to Beethoven's easier piano repertoire
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5 New Publications 1/2017 · The Programme Piano
Beethoven sonatas in Bärenreiter Urtext
Ludwig van Beethoven: Three Sonatas in C minor, F major, D major for Pianoforte op. 10
BÄRENREITER URTEXT
Edited by Jonathan Del Mar The three popular op. 10 sonatas were written between late 1795 and With an Introduction by Misha Donat early 1798, and thus shortly after Beethoven’s first fully fledged set of and notes on performance practice by op. 2 sonatas. The highlight of these technically demanding works is Jonathan Del Mar and Misha Donat the third sonata with its highly expressive Largo e mesto. BA 10857 · approx. € 17.95
To appear in April 2017
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New Publications 1/2017 · The Programme 6 Piano
Ludwig van Beethoven: Three Sonatas in G major, D minor, E-flat major for Pianoforte op. 31
BÄRENREITER URTEXT
Edited by Jonathan Del Mar Beethoven achieved great mastery with his three op. 31 sonatas composed in the summer of 1802. The composer’s statement “I’m With an Introduction by Misha Donat dissatisfied with my works to date; from now on I’ll take a new path” and notes on performance practice by was made after finishing his Pastoral Sonata in D major op. 28 Jonathan Del Mar and Misha Donat (BA 11814) and seems especially apt in view of these three works. BA 11805 · approx. € 21.95 The centrepiece is undoubtedly the dramatic Sonata in D minor nicknamed The Tempest, which already fascinated his contemporaries. To appear in June 2017 “This sonata is perfect”, recalled Czerny, who referred to it as a “tone-painting”.
• Scholarly-critical Urtext editions at the cutting edge of scholarship • Practical page turns • Informative Introductions with valuable notes on period performance practice (Eng/Ger) • Include a Critical Commentary (Eng) New Issue Title
7 New Publications 1/2017 · The Programme Piano
Beethoven sonatas in Bärenreiter Urtext
Ludwig van Beethoven: Sonata in F-sharp major for Pianoforte op. 78
BÄRENREITER URTEXT
Edited by Jonathan Del Mar
With an Introduction by Misha Donat It is hard to believe that this highly lyrical and moderately difficult and notes on performance practice by sonata of 1809 was preceded by the supremely dramatic Appassionata Jonathan Del Mar and Misha Donat Sonata in F major op. 57 (BA 10852). Beethoven dedicated sonata BA 11807 · approx. € 10.95 op. 78 to his pupil Therese von Brunsvick, occasionally said by Beethoven scholars to be his “immortal beloved”. It is also to her To appear in April 2017 that the sonata owes its nickname À Thérèse.
• Scholarly-critical Urtext edition at the cutting edge of scholarship • Optimal page turns • Informative Introduction with valuable suggestions on period performance practice (Eng/Ger) • Includes a Critical Commentary (Eng)
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New Publications 1/2017 · The Programme 8 Strings
“The Mozart of th the 19 century” Robert Schumann
Felix Mendelssohn Bartholdy: Complete Works for Violoncello and Piano
BÄRENREITER URTEXT Edited by R. Larry Todd
Volume I Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy Sonata in B-flat major op. 45 a special place within the repertoire of cellists and chamber musicians. Sonata in D major op. 58 The lyrical Song without Words (Romance sans paroles) is among the BA 9096 · approx. € 32.95 most popular of all teaching pieces. Volume II Variations concertantes op. 17 Mendelssohn was inspired by his contacts with the leading cellists Romance sans parole op. 109 of his day to write for this instrument. This unique Urtext edition Assai tranquillo contains all of Mendelssohn’s finished works for violoncello and piano Variations as well as reconstructions and completions of his unfinished works BA 9097 · approx. € 22.95 for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assai tranquillo. Special set price for both volumes BA 9098 · € 49.95 • Urtext edition containing all of Mendelssohn’s works for To appear in March 2017 violoncello and piano
• Also includes reconstructions or completions of Mendelssohn’s ISMN 979-0-006-56430-9 unfinished works for violoncello and piano • Informative Foreword (Eng/Ger) and Critical Commentary (Eng) 9 790006 564309 with facsimile pages New Issue Title BA 9098
9 New Publications 1/2017 · The Programme Strings
A welcome addition to the violoncello repertoire
Antonín Dvořák: Slavonic Dances arranged for Violoncello and Piano op. 46
Arranged by Jiří Gemrot
Score with part BA 9568 · approx. € 19.95 In 1891 Dvořák arranged the final eighth dance of his popular first set of the Slavonic Dances op. 46 for violoncello and piano. The Czech To appear in March 2017 composer Jiří Gemrot, born in 1957, has followed his example and has arranged the remaining dances for the same scoring. However in order to approach Dvořák’s ideal sound Gemrot based his arrangements on the composer's orchestral score.
Dvořák’s own arrangement of Slavonic Dance No. 8 has been taken from the Complete Edition of the Works of Antonín Dvořák, Volume IV/3 (Compositions for Violoncello).
• First complete edition of the first set of Slavonic Dances arranged for violoncello and piano by Jiří Gemrot • Includes Dvořák’s own arrangement of Dance no. 8 ISMN 979-0-2601-0728-1 • With fingering and bowing by Tomáš Jamník • Foreword (Cz/Eng/Ger) by Eva Velická
9 790260 107281
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New Publications 1/2017 · The Programme 10 Strings
A romantic concerto masterpiece
Antonín Dvořák: Concerto in A minor for Violin and Orchestra op. 53
BÄRENREITER URTEXT Edited by Iacopo Cividini
Score BA 10422 · approx. € 59.00 (replaces H 1597) Dvořák’s Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the Piano reduction with a separate solo part publisher Fritz Simrock, Berlin in 1883. Its premiere took place in BA 10422-90 · approx. € 15.50 October of that same year with František Ondříček as soloist. (replaces H 1005) Wind set This new Urtext edition is based on the first edition (score, solo violin BA 10422-65 · approx. € 85.00 part, piano reduction and orchestral parts). It also takes Dvořák’s autograph which served as a master copy for the engraving into Violin I BA 10422-74 approx. € 5.95 consideration. A fresh assessment of Dvořák’s manuscript made it Violin II BA 10422-75 approx. € 5.95 possible to reconstruct several variants ignored in the first and Viola BA 10422-79 approx. € 5.95 subsequent editions and to clarify ambiguities in the notation and Violoncello BA 10422-82 approx. € 5.95 articulation. An important component of our Urtext edition is the Double bass BA 10422-85 approx. € 5.95 original piano reduction, which probably stems from Dvořák himself, To appear in April 2017 and in which Joseph Joachim’s fingering is published. ISMN 979-0-2601-0767-0 ISMN 979-0-2601-0768-7
• First Urtext edition of the original piano reduction
• Variants in the solo part rendered as ossia passages 9 790260 107670 9 790260 107687 • Foreword on the work’s genesis (Ger/Cz/Eng) and detailed BA 10422 BA 10422-90 Critical Commentary (Eng) by the editor New Issue Title New Issue Title
11 New Publications 1/2017 · The Programme Strings
Thrilling virtuosity
Roman Kim: Three Romances for Violin and Piano
Score with part BA 10924 · approx. € 13.95
To appear in April 2017
The young violin virtuoso Roman Kim arranges and composes violin ISMN 979-0-006-56330-2 music with high musical challenges and technical aplomb. Following his inimitable and unsurpassable arrangement of Bach’s Air for
9 790006 563302 violin solo, Bärenreiter is now publishing an edition of his own compositions. These three romances give violinists ample opportunity New Issue Title to display their skills and to entrance the audience.
Kim’s concert success (most recently in China) and particularly his large circle of YouTube fans are impressive.
Already published:
Johann Sebastian Bach Air Arranged for violin solo by Roman Kim BA 5140 · € 7.25
Roman Kim's performances of all three romances and the Air can be New Issue Title viewed on YouTube
New Publications 1/2017 · The Programme 12 Strings
Beethoven’s late string quartet in a new edition
This new scholarly-critical edition of String Quartet op. 127, the first of Beethoven’s late quartets, follows upon Urtext publications of opp. 18, 59, 74 and 95. Once more the editor is the renowned Beethoven authority Jonathan Del Mar. All surviving sources have been consulted including sketches to clarify the conflicting readings in the autograph. Not only has Del Mar reconstructed Beethoven’s original beaming, phrasing, articulation and length of crescendo hairpins, he has also corrected wrong notes that have taken hold in editions published over the years and has supplemented missing notes.
• Urtext edition at the cutting edge of scholarship, with detailed separate Critical Commentary (Eng) Ludwig van Beethoven: • Parts ideally laid out for performance purposes String Quartet • Study score with an Introduction by Misha Donat on the work’s in E-flat major op. 127 genesis and performance history (Ger/Eng) BÄRENREITER URTEXT Edited by Jonathan Del Mar
Already published: Parts in slipcover BA 9029 · approx. € 23.95
Study score TP 929 · approx. € 12.95
To appear in April 2017
Critical Commentary Ludwig van Beethoven BA 9029-40 · approx. € 37.95 String Quartets op. 18 BA 9016 · € 32.95 To appear in June 2017 TP 916 · € 26.95
String Quartets op. 59 BA 9017 · € 37.50 TP 917 · € 22.50
String Quartets opp. 74, 95 TP 929 BA 9029 BA 9018 · € 18.50 TP 918 · € 15.50 New Issue Title New Issue Title
13 New Publications 1/2017 · The Programme Chamber Music
Early piano quintet
Antonín Dvořák: Piano Quintet in A major op. 5
Edited by Jarmil Burghauser and Karel Šolc
Score with parts in slipcover BA 11539 · approx. € 23.95 In 1887 Antonín Dvořák revised several of the works he had composed (replaces H 2783) in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music critic Ludevít Procházka to To appear in June 2017 return a manuscript copy of the Piano Quintet in A major op. 5 (B 28), composed 15 years earlier. But after thoroughly revising the work he declined to publish it; instead, he wrote a new piano quintet in the same key – the famous op. 81. And so, the manuscript copy he requested from Procházka remains the sole source for this early piece of chamber music.
Dvořák’s first Piano Quintet in A major was never published during his lifetime. This edition presents the musical text from the Complete Edition of the Works of Antonín Dvořák, Volume IV/11.
ISMN 979-0-2601-0803-5 • Now with a new detailed Foreword (Eng/Cz/Ger) by David R. Beveridge
9 790260 108035
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New Publications 1/2017 · The Programme 14 Chamber Music
New Urtext edition
Antonín Dvořák: Piano Quartet in D major op. 23
for Violin, Viola, Violoncello and Piano
BÄRENREITER URTEXT
Dvořák’s Piano Quartet in D major, though composed at the height Edited by Robin Tait of his artistic maturity, is to date unjustly overshadowed by his more popular works. It was written within the space of 18 days in the Score with parts in slipcover summer of 1875 and was later revised, probably in preparation for its BA 9574 · approx. € 24.95 publication. This revision, which was also taken into account for the (replaces H 2552) first edition issued by the publisher Schlesinger, Berlin in 1880, serves as the primary source for this new Urtext edition. The premiere took To appear in May 2017 place in Prague in 1880.
• New detailed Foreword (Eng/Cz/Ger) by Dvořák scholar David R. Beveridge • Critical Commentary (Eng) by the editor Robin Tait
ISMN 979-0-2601-0788-5
9 790260 107885
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15 New Publications 1/2017 · The Programme Yiddish songs for 3 clarinets
Peter Goden: Schabbes, Schabbes
Klezmer for 3 Clarinets
BA 10635 · approx. € 14.95 (replaces BA 8160)
To appear in April 2017 Klezmer music is highly popular with clarinettists and audiences alike. This volume gathers together eleven Yiddish melodies with the typical, slightly melancholy klezmer touch. The impact is all the greater when they are played by three clarinets, enriching the harmonies and enlivening the overall effect. All three parts are of equal – easy – technical difficulty so that the three players can choose and master any part they wish. The more ambitious players are free to play ornamentations, embellishments and improvised solos typical of the klezmer style.
From the contents Schabbes, Schabbes, Schabbes / As der Rebbe lacht / Gassn-nign / Papir is doch wayss / Wu is doss gessele?
ISMN 979-0-006-56344-9
Already published:
9 790006 563449 Douglas Woodfull-Harris Classic Hits for two clarinets New Issue Title BA 10636 · € 12.95
New Publications 1/2017 · The Programme 16 Book on Music
A new addition to a successful series
With The Techniques of Trombone Playing, Mike Svoboda has written a book conceived as a valuable guide for composers and trombonists. It familiarises composers with contemporary trombone techniques and shows how to put them to creative use. Furthermore it helps trombonists to view and employ their versatile instrument as a multi-functional sound generator. Together with composer Michel Roth, Mike Svoboda explores what might today be called “the unlimited expansion of new performance possibilities”: micro-intervals, multiphonics and the combination of the trombone sound with the human voice – all accurately described and illustrated with many annotated music examples.
• Includes many tables and music examples on the basics and Mike Svoboda, expanded techniques of trombone playing Michel Roth: • Practical information on mutes, repertoire, etc. The Techniques • With newly composed études which can be downloaded as sound files from the Bärenreiter website of Trombone Playing
English and German text The authors approx. 200 pp. with many music Since September 2007 Mike Svoboda has been professor of trombone examples and illustrations and contemporary chamber music at the Basel Academy of Music Sound files available on the (Switzerland). Of formative importance to his artistic development Bärenreiter website; paperback was his nearly 11-year collaboration with Karlheinz Stockhausen in BVK 2367 · approx. € 54.00 the 1980s and 1990s. His exchanges with Stockhausen and other composers, such as Peter Eötvös, Beat Furrer, Helmut Lachenmann, To appear in May 2017 Wolfgang Rihm and Frank Zappa, allowed him to premiere more than 400 works over the last 30 years.
Michel Roth is professor of composition and music theory at the Basel Academy of Music and a member of their research department. As a composer, he has been a regular guest at various international music festivals and more recently particularly in the area of music theatre. Numerous radio and CD productions document his compositional output for which he has also been awarded the composition prize by Music Viva, Munich. In addition Roth also researches and publishes on subjects concerned with music and art theory.
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17 New Publications 1/2017 · The Programme “One of the most grandiose artistic working processes ever documented in the history of music” Hans-Joachim Hinrichsen
Beethoven struggled with the Missa solemnis for years, searching for a highly personal way to deal with the words and musical traditions of the Mass Ordinary. In the end he produced a work that leaves no listeners cold – some are puzzled but a great many are deeply moved.
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New Publications 1/2017 · The Programme 18
Highest Authenticity
The autograph refl ects how inten- were gradually acquired for the Ludwig van Beethoven sively he worked on the Missa Beet hoven collection in the Berlin Missa solemnis solemnis and what a diffi cult work Staatsbibliothek. op. 123 process it was. Apart from the many corrections there are several torn-out Reproduced in high-quality four- Facsimile of the autograph score pages. Sometimes Beethoven could colour printing, the facsimile held in the Staatsbibliothek zu only proceed by stitching replacement replicates the page stubs and fold- Berlin – Preussischer Kulturbesitz pages into the manuscript. out pages, thereby emulating the With a Commentary by feel of the original source. Judicious Hans-Joachim Hinrichsen Beethoven authority Hans-Joachim inscriptions with move ment and Martina Rebmann Hinrichsen unveils the stages of headings, continuous pagina tion, Documenta musicologica II, 51 its genesis in an understandable scholarly foliation and measure 340 pp. of facsimile and 29 pp. and rather detective-like manner. numbers help readers to fi nd their of Commentary (Eng/Ger); In addition Martina Rebmann, head way more easily in the manuscript. Half-leather binding of the music department, explains BVK 2395 how this and other autographs € 695.00
Already published
With fold-out pages glued in by hand
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19 New Publications 1/2017 · The Programme Choir
A popular Requiem arranged for female voices
Gabriel Fauré: Messe de Requiem
Arranged for Soloists, Choir SSAA by Malcolm Bruno Organ reduction by Ingo Bredenbach Bärenreiter Female Choir series
Vocal score with organ reduction BA 5695-90 (Lat) · approx. € 10.25 In this arrangement of Fauré’s Requiem for soloists (SA), female choir (SSAA) and organ, the tenor and bass parts are distributed among the To appear in May 2017 altos which has necessitated some judicious adaptations in the part- writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto.
The organ arrangement takes all three versions of the Requiem into consideration but primarily follows the second version of 1893 in terms of the rhythmic presentation of the instrumental parts. However, the organ part is tailored to the arrangement rather than trying to imitate the sound of the orchestra. This vocal score is compatible with the performance material of the original work (BA 9461).
ISMN 979-0-006-56348-7 • Arrangement for female choir (SSAA) based on the Urtext of Gabriel Fauré The Complete Works • Includes an idiomatic organ reduction 9 790006 563487
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New Publications 1/2017 · The Programme 20 Choir
The first great orchestral psalm
Mendelssohn’s first great orchestral psalm took almost six years to complete, from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838. Unlike his other orchestral psalms, Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation, he made use of Psalm 115 from the Luther Bible.
This edition by the leading Mendelssohn authority John Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis, the vocal parts are underlaid with the Latin text, and the German text appears underneath. Rounding off this Urtext edition Felix Mendelssohn are an informative Foreword and detailed Critical Commentary. The Bartholdy: piano reduction stems from Mendelssohn himself. Psalm “Non nobis Domine” • Informative Foreword in the score (Ger/Eng) “Nicht unserm Namen, • Text underlay in two languages (Lat/Ger) Herr” op. 31 • Piano reduction by the composer for Soloists (STBar), Choir (SATB) and Orchestra BÄRENREITER URTEXT Edited by John Michael Cooper Latin text from the Vulgate (Psalm 113) Piano reduction by the composer German text by Mendelssohn after Psalm 115 in the Luther Bible Score BA 9079 · approx. € 34.95
Vocal score (Lat/Ger) ISMN 979-0-006-53137-0 BA 9079-90 · approx. € 8.95
Wind set 9 790006 531370 BA 9079-65 · approx. € 29.95 New Issue Title BA 9079 Violin I BA 9079-74 approx. € 3.95 Violin II BA 9079-75 approx. € 3.95 Viola BA 9076-79 approx. € 3.95 ISMN 979-0-006-53144-8 Violoncello BA 9079-82 approx. € 3.95 Double bass BA 9079-85 approx. € 3.95 9 790006 531448 To appear in June 2017 New Issue Title BA 9079-90
21 New Publications 1/2017 · The Programme SACRED CHORAL WORKS
NEW ! Video Sample score samples on SPA 227 Download at www.baerenreiter. com
Mårten Jansson: De sancto Pelagio et sancto Theodolo is a transcription of a composition originally conceived for choir and large orchestra. Sacred Choral Works The texts, which stem from the liturgical chants “Cantionale” by De sancto Pelagio Thomas Kress, serve as a medieval sacred counterpart to the texts of Carl Orff’s “Carmina Burana”. The composition tries to capture the et sancto Theodolo same archaic feel as “Carmina Burana” but with a more solemn sacral (SATB and Organ) (Lat) atmosphere. BA 8523 · approx. € 4.95
Two Poems The two poems Triptyk (Triptych) and Mörkblå tillit (Dark Blue Trust) are written by hospital chaplain/author Kerstin Dillmar. In Mörkblå (SATB) (Swed/Eng) tillit the key message to trust that we will be received after passing BA 8524 · approx. € 4.95 away in sleep is effectively expressed by the music. Triptyk on the To appear in March 2017 other hand describes a journey within a person in three stages depicted by music which starts with a dark-searching tonality and ISMN 979-0-006-56419-4 ISMN 979-0-006-56418-7 then describes the simple beauty of trust through to a joyful expectation of hope ending with a strong conviction.
9 790006 564194 9 790006 564187 BA 8524 New IssueBA Title 8523 New Issue Title New Issue Title
New Publications 1/2017 · The Programme 22
All titles already released on Bärenreiter Opera Kaleidoscope
A true opera appetiser
This collection of opera arias for soprano (or mezzo-soprano) and piano offers a cross-section of Bärenreiter’s extensive catalogue of stage works. An affordable anthology with such well-known and favourite arias as Handel’s famous “Ombra mai fu” and Mozart’s “Ach ich fühl’s, es ist verschwunden!” is not only suited for voice students and aspiring singers preparing for examinations and auditions, but also provides seasoned professionals with inspiration and material for programming their recitals. The collection spans a representative arch from the early baroque to the romantic era, gathering together repertoire masterpieces by Monteverdi, Handel, Gluck, Haydn, Mozart, Beethoven, Berlioz, Smetana and Chabrier. The pieces are in Italian, French, Czech and German and include, for the most part, a singable translation in German. The spectrum ranges from the declamatory style to easy coloratura. The piano arrangements have been prepared by experienced conductors and répétiteurs. Only • A Bärenreiter anthology for opera singers • Contains important arias from the opera repertoire 00 for (mezzo-)soprano € 5.
Contents Ludwig van Beethoven: “O wär’ ich schon mit dir vereint”, Marzelline’s aria from Fidelio / Hector Berlioz: “Adieu, fière cite”, Dido’s aria from BÄRENREITER Les Troyens / Emmanuel Chabrier: “Ô petite étoile !”, Lazuli’s romance from L’Étoile / Christoph Willibald Gluck: “Divinités du Styx”, Alceste’s OPERA KALEIDOSCOPE aria from Alceste (Paris version 1776) / Christoph Willibald Gluck: “Qual for Soprano vita è questa mai” – “Che fiero momento”, Eurydice’s recitative and aria from Orfeo ed Euridice (Vienna version 1762) / George Frideric BA 8828 · € 5.00 Handel: “Tornami a vagheggiar”, Morgana’s aria from Alcina (HWV 34) / George Frideric Handel: “Frondi tenere” – “Ombra mai fu”, Xerxes’ Already published recitative and aria from Serse HWV 40 / Joseph Haydn: “È amore di natura”, Nerina’s aria from La fedeltà premiata Hob. XXVIII:10 / Claudio Monteverdi: “Signor, quel infelice”, Proserpina’s aria from L’Orfeo / Wolfgang Amadeus Mozart: “Ach ich fühl’s, es ist verschwunden!”, Pamina’s aria from The Magic Flute K. 622 / Wolfgang Amadeus Mozart: “Giunse alfin il momento” – “Deh vieni non tardar”, Susanna’s recitative and aria from The Marriage of Figaro K. 492 / Bedřich Smetana: “Kdybych se co takového” (“If I ever should ISMN 979-0-006-56403-3 find out”), Mary’s aria from Prodaná nevěsta (The Bartered Bride)
An appetiser for our high-quality Urtext opera vocal scores – give it 9 790006 564033 a try and enjoy! New Issue Title
23 New Publications 1/2017 · The Programme Vocal Scores / Opera
A mature masterpiece
George Frideric Handel: Orlando HWV 31
Opera in tre atti Libretto after Ludovico Ariosto and Carlo Sigismondo Capeci
BÄRENREITER URTEXT
Edited by Siegfried Flesch, revised and amended Premiered in London in 1733, Handel’s “magic opera” Orlando is based by Terence Best on a libretto by Carlo Sigismondo Capeci that derives indirectly from Lodovico Ariosto’s epic poem Orlando furioso. This subject was very Piano reduction by Michael Pacholke popular at the time and was frequently set to music, e.g. by Jean- Singable translation (Ger) by Baptiste Lully, Agostino Steffani and Joseph Haydn. The title role of Peter Brenner Orlando is the last one that Handel wrote for the celebrated castrato Senesino. Several stunning stage effects intended to illustrate Vocal score (Ital/Ger) Zoroastro’s sorcery call for sophisticated baroque stage machinery. BA 4087-90 · approx. € 32.95 (replaces BA 4027-90) The piano reduction has been carefully revised and adapted in Performance material keeping with the revised score. It contains a new Foreword by Handel available on hire authority Terence Best.
To appear in April 2017 • Urtext edition based on the Halle Handel Edition ISMN 979-0-006-56328-9 • With a singable translation in German • Adapted in keeping with the revised and amended score
9 790006 563289 • Comprehensive bilingual Foreword (Eng/Ger) • Idiomatic piano reduction New Issue Title
New Publications 1/2017 · The Programme 24 Vocal Scores / Opera
A milestone in French opera: Gounod’s “Faust”
Charles Gounod: Faust
Opéra en cinq actes Libretto by Jules Barbier and Michel Carré
BÄRENREITER URTEXT
It was Faust, after Part I of Goethe’s like-named drama, that Edited by Paul Prévost established Charles Gounod’s worldwide fame. The aging Faust enters Piano reduction by Karl-Heinz Müller a pact with the Devil, selling his soul to Mephistopheles and receiving Singable translation (Ger) his restored youth in return. He also experiences the happiness of by Stefan Trossbach new love when he meets the young Margaret. Vocal score (Fr/Ger) This vocal score of Gounod’s masterpiece presents many of its familiar BA 8713-90 · approx. € 52.00 numbers, such as Marguerite’s Jewel Song and the Ballad about the King of Thule, Mephistopheles’ rondo on the Golden Calf and Faust’s Performance material cavatina “Salut! demeure chaste et pure”. available on hire
• Urtext edition based on the L’Opéra français series To appear in May 2017 • Informative Foreword by the editor (Fr/Ger/Eng) • Idiomatic, easy-to-play piano reduction ISMN 979-0-006-53795-2 • With a singing translation in German
9 790006 537952
New Issue Title
25 New Publications 1/2017 · The Programme Solo Voice
Schubert lieder in a new Bärenreiter Urtext edition
Walther Dürr presents Volume 8 of the new Urtext edition of Schubert’s lieder in separate books for high, medium and low voice. This volume contains lieder originating during the latter half of 1815, between August and November. Three series of lieder, each based on a particular poet, immediately catch the eye: they consist of a number of Ossian settings, a group of Klopstock lieder and finally another set on texts that Schubert found in a Viennese almanac (Selam). Furthermore, the series of Schubert lieder on texts by the North German poet Ludwig Theobul Kosegarten which starts in Volume 7, is concluded in this volume.
• Based on the Urtext of the New Schubert Edition Franz Schubert: • Clear and uncluttered engraving Lieder for Voice • Foreword by Walther Dürr on the genesis and history of the work and Piano, Volume 8 as well as an explanation of the sources for each individual lied (Ger/ Eng) BÄRENREITER URTEXT • Includes English translations of the lieder texts by Richard Wigmore
Edited by Walther Dürr Contents Die Fröhlichkeit, D 262 / Cora an die Sonne, D 263 / Der Morgenkuss, D 264 (version 1) / BA 9108 High Voice · € 35.95 Abendständchen: An Lina, D 265 / Morgenlied, D 266 / An die Sonne (‘Sinke, liebe Sonne’), op. posth. 118, no. 5 / D 270 / Der Weiberfreund, D 271 / An die Sonne BA 9128 Medium Voice · € 35.95 (‘Königliche Morgensonne’), D 272 / Lilla an die Morgenröte, D 273 / Tischlerlied, BA 9148 Low Voice · € 35.95 D 274 (version 1) / Totenkranz für ein Kind, D 275 / Abendlied, D 276 / Ossians Lied nach dem Falle Nathos, D 278 (version 3) / Das Rosenband, D 280 / Das Mädchen von Inistore, D 281 (version 2) / Cronnan, D 282 (version 2) / Lied, D 284 / An Cidli [Furcht Already published der Geliebten], D 285 (version 2) / Selma und Selmar, D 286 (version 2) / Vaterlands- lied, D 287 (version 2) / An Sie, D 288 / Die Sommernacht, D 289 (version 2) / Die frühen Gräber, D 290 / Dem Unendlichen, D 291 (version 3) / Shilric und Vinvela, D 293 (version 2) / Hoffnung, D 295 (version 2) / An den Mond, D 259 (first setting) / ISMN 979-0-006-53057-1 An den Mond, D 296 (second setting) / Augenlied, D 297 (version 2) / Liane, D 298 / Der Jüngling an der Quelle, D 300 / Lambertine, D 301 / Labetrank der Liebe, D 302 / BA 9108 An die Geliebte, D 303 / Wiegenlied, D 304 / Mein Gruß an den Mai, D 305 / Skolie, D 306 / Die Sternwelten, D 307 / Die Macht der Liebe, D 308 / Das gestörte Glück, New Issue Title 9 790006 530571 D 309 / Die Sterne, D 313 / Nachtgesang, D 314 / An Rosa I, D 315 (version 2) / An Rosa II, D 316 (version 2) / Idens Schwanenlied, D 317 (version 2) / Schwangesang, D 318 / Luisens Antwort, D 319 (version 2) / Der Zufriedene, D 320 / Mignon, D 321 (version 2) / ISMN 979-0-006-53068-7 Herrmann und Thusnelda, D 322 (version 2) / Klage der Ceres, D 323
BA 9128 Appendix I (Parallel versions) Der Morgenkuss, D 264 (version 2) / Tischlerlied, D 274 (version 2) / New IssueNova Title 9 790006 530687 Vaterlandslied, D 287 (version 1) / Hoffnung, D 295 (version 1) / An Rosa II, D 316 (version 1)
ISMN 979-0-006-53079-3 Appendix II (Lower transpositions of three lieder contained only in the volume for high voice) BA 9148 Die Fröhlichkeit, D 262 / Abendständchen: An Lina, D 265 / Mignon, D 321 (version 2)
New Issue Title 9New 790006 Issue 530793 Title
New Publications 1/2017 · The Programme 26 Solo Voice
A chamber-music drama
Leoš Janáček: The Diary of One Who Disappeared
for Tenor, Alto, Three Female Voices and Piano
on poems by Ozef Kalda Janáček's intimate chamber-music drama about the passionate love of (Cz/Ger/Eng) a simple farm boy for a beautiful gypsy girl is one of his great vocal masterpieces. This cycle of 22 songs for tenor (an alto and three female BÄRENREITER URTEXT voices are added in three numbers) was composed on a setting of Edited by Jiří Zahrádka poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Score Ozef Kalda. The cycle also contains theatrical elements, such as the alto BA 9575 · € 19.95 entrance, and exit cues and lighting effects. Composed in 1917-19, the (replaces H 935) Diary was premiered in Brno in 1921 from a manuscript prepared by Gustav Homola. The same manuscript served as a basis for the first Already published edition which was issued by the Brno publisher Oldřich Pazdírek in 1921 as well as for this current first Urtext edition.
• First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and ISMN 979-0-2601-0777-9 Critical Commentary (Eng) by the editor • Translations of song texts in German (by Max Brod) and English
(by Bernard Keefe) 9 790260 107779 • Numbers IX to XI which include the alto and three female voices are available on our website for download New Issue Title
27 New Publications 1/2017 · The Programme Solo Voice
Dvořák’s songs in an Urtext edition
Antonín Dvořák: Songs II for Voice and Piano
BÄRENREITER URTEXT
Edited by Veronika Vejvodová
Vocal texts: Cz/Eng/Ger Following the publication of Dvořák’s early set of love songs Cypresses, all his other songs with piano accompaniment are now appearing in High Voice Urtext editions. BA 11517 · approx. € 28.95
Songs II includes the mature works from Dvořák’s late period. Besides To appear in May 2017 the well-known cycle Love Songs and the less well-known cycle Three Modern Greek Songs, the volume also contains some entirely unknown and previously unpublished pieces: Lullaby and the posthumously published Song from The Smith of Lešetín completed by Josef Suk.
The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition. ISMN 979-0-2601-0798-4
9 790260 107984
New Issue Title
New Publications 1/2017 · The Programme 28 Solo Voice
Contents Tři novořecké básně op. 50 (B 84a, B 84b) (Three Modern Greek Songs) Písně na slova Gustava Pflegra-Moravského op. 2 (B 123–124) (Songs on Poems by Gustav Pfleger-Moravský) Dvě písně na lidové texty s. op. (B 142) (Two Czech Folk Poems) V národním tónu op. 73 (B 146) (In Folk Style) Čtyři písně op. 82 (B 157) (Four Songs) Písně milostné op. 83 (B 160) (Love Songs) Antonín Dvořák: Ukolébavka s. op. (B 160) Songs II (Lullaby) Zpěv z Lešetínského kováře, op. posth. (B 204) for Voice and Piano (Song from The Smith of Lešetín) BÄRENREITER URTEXT
• Second volume of the new five-volume Urtext edition of Edited by Veronika Vejvodová the complete songs • First Urtext edition with detailed Foreword (Cz/Eng/Ger) Vocal texts: Cz/Eng/Ger and Critical Commentary (Eng) by the editor • Some songs appear for the first time in print Low Voice • Vocal texts in three languages (Cz/Eng/Ger) BA 11518 · approx. € 28.95
To appear in May 2017
ISMN 979-0-2601-0799-1
9 790260 107991
New Issue Title
29 New Publications 1/2017 · The Programme CAMILLE SAINT-SAËNS Œuvres instrumentales complètes
Complete Edition of the Instrumental Works
Subscription Offer The Subscription
Bärenreiter is publishing the Complete Edition of the Instrumental Available on complete subscription or partial subscription Works by Camille Saint-Saëns. This will include a corpus of over by series at reduced prices. The volumes can also be purchased three hundred works which will appear in 4 series comprising a individually. total of 36 volumes. Each volume includes a Preface (Fr/Eng/Ger) and a Critical Of these works Le Carnaval des animaux, the third, so-called Commentary (Fr or Eng), format 25.5 x 32.5 cm, cloth-bound “Organ Symphony”, the symphonic poem Danse macabre, along with many concertos and concert pieces for piano, violin and On the basis of this Critical Edition, Bärenreiter will publish violoncello as well as chamber music works form an integral part performance material. of any orchestra’s, ensemble’s and soloist’s repertoire worldwide, thereby confirming Saint-Saëns’s rank among the greatest composers of the 19th and early 20th centuries.
The Editors
Chief Editor Michael Stegemann
Editorial Committee Cécile Davy-Rigaux Sylvie Douche Yves Gérard Fabien Guilloux Denis Herlin François de Médicis Sabina T. Ratner NewMarie-Gabrielle Issue Title Soret Christina M. Stahl Annette Thein New Publications 1/2017 · The Programme 30 Publication Schedule
I. Œuvres symphoniques III. Musique de chambre
I.1 Symphonies (1) III.1 Quatuors à cordes (Fabien Guilloux) BA 10315* I.2 Symphonies (2) III.2 Quintette. Quatuors avec piano I.3 Symphonies (3) Symphonie n°3 III.3 Trios (Michael Stegemann) 2016 BA 10303 R 365.00 III.4 Œuvres pour violon (1), Sonates I.4 Poèmes symphoniques (François de Médicis) BA 10304* (Hugh Macdonald) BA 10307* III.5 Œuvres pour violon (2) I.5 Suites d’orchestre III.6 Œuvres pour violoncelle I.6 Ouvertures III.7 Œuvres pour instruments à vent I.7 Musiques de ballet et de film III.8 Septuor. Carnaval des animaux I.8 Œuvres diverses (Sabina T. Ratner) BA 10302* I.9 Œuvres pour orchestre d’harmonie III.9 Transcriptions I.10 Orchestrations
IV. Œuvres pour piano, orgue et harmonium II. Œuvres concertantes IV.1 Œuvres originales et transcriptions pour deux pianos II.1 Œuvres pour piano et orchestre (1) IV.2 Œuvres originales et transcriptions pour piano à II.2 Œuvres pour piano et orchestre (2) quatre mains II.3 Œuvres pour piano et orchestre (3) IV.3 Œuvres pour piano solo (1) : Études et fugues II.4 Œuvres pour violon et orchestre (1) (Catherine Massip) BA 10310* II.5 Œuvres pour violon et orchestre (2) IV.4 Œuvres pour piano solo (2) : Danses II.6 Œuvres pour violoncelle et orchestre IV.5 Œuvres pour piano solo (3) : Morceaux divers II.7 Œuvres pour instruments à vent et orchestre IV.6 Œuvres pour harmonium (ou orgue) solo / œuvres II.8 Œuvres pour instruments divers et orchestre. pour harmonium et piano Œuvres pour harpe IV.7 Œuvres pour orgue IV.8 Transcriptions pour piano solo (1) IV.9 Transcriptions pour piano solo (2)
*These volumes are planned to be published between 2017 and 2020
Please order the brochure “Saint-Saëns, Complete Edition of the Instrumental Works” (Eng/Ger), SPA 273
From: Symphony No. 3
New Issue Title 31 New Publications 1/2017 · The Programme Orchestra
The beginning of Dvořák’s “Slavonic Period”
Antonín Dvořák: Slavonic Rhapsody in D major op. 45/1 for Orchestra
BÄRENREITER URTEXT Edited by Robert Simon
Score Dvořák’s Slavonic Rhapsodies op. 45 were composed in 1878 and issued BA 10401 · approx. € 34.95 by the publisher Simrock, Berlin the following year. These three independent orchestral works (in D major, G minor and A-flat major) Wind set were published with the same opus number and mark the beginning BA 10401-65 · approx. € 58.00 of his so-called Slavonic period.
Violin I BA 10401-74 · approx. € 3.50 The Slavonic Rhapsody op. 45/1 in D major now appears in an Urtext Violin II BA 10401-75 · approx. € 3.50 edition. The editor has made use of the first edition, authorised by Viola BA 10401-79 · approx. € 3.50 the composer, as the principal source of his new scholarly-critical Violoncello BA 10401-82 · approx. € 3.50 edition. Double bass BA 10401-85 · approx. € 3.50
• A work marking the beginning of Dvořák’s so-called Slavonic To appear in June 2017 period • Urtext edition incorporating every known source ISMN 979-0-2601-0471-6 • Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor
9 790260 104716
BA 10401 New Issue Title
New Publications 1/2017 · The Programme 32 Orchestra
“… everything I had to give …” Saint-Saëns
3me Symphonie op. 78 Camille Saint-Saëns
Camille Saint-Saëns: Symphony No. 3 op. 78 for Orchestra
BÄRENREITER URTEXT
BA 7896 Edited by Michael Stegemann
Score “In this work I gave everything I had to give. […] What I did here I will BA 7896 · approx. € 49.95 never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Wind set Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was BA 7896-65 · approx. € 198.00 commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical Organ BA 7896-67 · approx. € 9.95 edition of the symphony, a great many inconsistencies and mistakes Violin I BA 7896-74 · approx. € 9.95 inherent in the previously used edition have been unveiled and corrected. Violin II BA 7896-75 · approx. € 9.95 Viola BA 7896-79 · approx. € 9.95 The edition of Symphony No. 3 marks the launch of a large-scale Violoncello BA 7896-82 · approx. € 9.95 project: the publication of Camille Saint-Saëns - Complete Edition of Double bass BA 7896-85 · approx. € 9.95 the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. To appear in March 2017
• First scholarly-critical edition of this famous symphony based on ISMN 979-0-006-56333-3 Camille Saint-Saëns – Complete Edition of the Instrumental Works • Now with separate parts for all winds 9 790006 563333 • Orchestral parts in a large format (25.5 cm x 32.5 cm)
New Issue Title BA 7896
33 New Publications 1/2017 · The Programme Orchestra
In the style of commedia dell’arte
A mes arrière-petites nièces Nicole et Huguette Réveillac Masques et Bergamasques Suite d'orchestre Op. 112
Gabriel Fauré: Masques et Bergamasques for Orchestra op. 112
BÄRENREITER URTEXT
Edited by Robin Tait BA 7894 © 2016 by Bärenreiter-Verkag, Kassel
Score In 1918 Gabriel Fauré, then 73 years old, received a commission BA 7894 · € 24.95 from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell’arte. The four-movement orchestral Wind set suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, BA 7894-65 · € 39.95 combines previously unpublished parts of this stage music. The Pastorale of 1919 was Fauré’s last composition for orchestra, the Violin I BA 7894-74 · € 3.95 Ouverture originated in a piece of 1864 for piano duet and the original Violin II BA 7894-75 · € 3.95 version of the Gavotte was written for piano as early as 1869. The Viola BA 7894-79 · € 3.95 op. 112 orchestral suite demonstrates how the composer, now older Violoncello BA 7894-82 · € 3.95 and more experienced, reworked and improved his earlier music. Double bass BA 7894-85 · € 3.95
This scholarly-critical edition of the four-movement Masques et Already published Bergamasques op. 112 is based on Gabriel Fauré The Complete Works, Volume IV/2. ISMN 979-0-006-56254-1
9 790006 562541
BA 7894 New Issue Title
New Publications 1/2017 · The Programme 34 Orchestra
Incidental music with the famous “Sicilienne”
Gabriel Fauré: Pelléas et Mélisande
Suite for Orchestra op. 80
BÄRENREITER URTEXT Edited by Robin Tait
Score Fauré wrote Pelléas et Mélisande in 1898 originally as incidental music BA 7895 · € 24.95 to Maurice Maeterlinck’s like-named play. After the premiere and subsequent performances, he set about reworking the musical Wind set material into an orchestral suite. The premiere of the originally three- BA 7895-65 · € 39.95 movement suite took place in February 1901 under the baton of Camille Chevillard. Violin I BA 7895-74 · € 3.95 Violin II BA 7895-75 · € 3.95 In December 1912, the four-movement version of Pelléas et Mélisande Viola BA 7895-79 · € 3.95 was finally premiered. The additional movement, the Sicilienne, was Violoncello BA 7895-82 · € 3.95 taken from the third interlude of the incidental music. This delightful Double bass BA 7895-85 · € 3.95 piece would later become one of Fauré’s most popular compositions Already published and now exists in countless arrangements.
Bärenreiter’s new scholarly-critical edition of the four-movement orchestral suite Pelléas et Mélisande op. 80 is based on Gabriel Fauré ISMN 979-0-006-56256-5 The Complete Works, Volume IV/2 which appeared in 2016.
• First Urtext edition 9 790006 562565 • Based on Gabriel Fauré The Complete Works • Score and orchestral parts in a large format (25.5 x 32.5 cm) New Issue Title BA 7895
35 New Publications 1/2017 · The Programme Orchestra
With new insights regarding performance practice
Joseph Haydn: Symphony in G major Hob. I: 88
URTEXT
BA 10980 © 2010 by G. Henle Verlag, München Edited by Andreas Friesenhagen Bärenreiter-Verlag, Kassel 2017
Score This edition clarifies a performance aspect of Haydn’s Symphony in BA 10980 · € 39.95 G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument Wind set parts are marked “solo”, indicating that they play important motifs BA 10980-65 · € 29.95 or themes and ought to stand out. Contrary to other editions, the “solo” marking in the violoncello should not be construed as Violin I BA 10980-74 · € 5.95 indicating a solo instrument with the remaining cellos doubling the Violin II BA 10980-75 · € 5.95 basses. Rather, the cellos should play as a section so as to stand out Viola BA 10980-79 · € 5.95 all the more clearly. Violoncello BA 10980-82 · € 5.95 Double bass BA 10980-85 · € 5.95 Continuing the collaboration between Bärenreiter and the G. Henle publishing company in large-scale choral works, operas and symphonies, Already published this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm ISMN 979-0-006-56283-1 und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.
9 790006 562831 • Based on the G. Henle Complete Edition of the Works of Joseph Haydn • Orchestral parts in a large format (25.5 cm x 32.5 cm) BA 10980 New Issue Title
New Publications 1/2017 · The Programme 36 Organ
Newly engraved with links to Bach digital
In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach’s broad compositional spectrum.
This newly published volume is an updated edition of Series IV/9 of the New Bach Edition (NBA), edited by Christoph Wolff and based on this source. In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Johann Sebastian Bach: Wolff with further information on the Neumeister Collection and Organ Works, Volume 9 hymnological details. The source of the complete Neumeister Collection has recently been made available on Bach digital, shedding light on the manuscript for the very first time. Organ Chorales from the Neumeister Collection Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database Bach digital. The desired page BÄRENREITER URTEXT of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined Edited by Christoph Wolff for their validity on a regular basis. Updated edition Foreword (Ger/Eng) Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the Urtext from the New Bach Edition interest of scholars and performers alike. Now all of Bärenreiter’s new performing editions of Bach’s organ works are being revised to BA 5269 · approx. € 25.95 reflect the current state of scholarship and to convey maximum (replaces BA 5181) fidelity to the sources by being linked to Bach digital.
To appear in June 2017 • Links to relevant sources in Bach digital • Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng) • Complete new engraving ISMN 979-0-006-52321-4
9 790006 523214
New Issue Title
37 New Publications 1/2017 · The Programme Organ
The conclusion of a successful series
The ORGAN PLUS ONE series is conceived primarily for semi- professional church musicians and instrumentalists. It takes its bearings on the music of the liturgical year and can easily be performed in church services, evening recitals or small concerts. The volumes contain pieces which are freely-composed or based on chorales that are either original works or arrangements by the editor. Enclosed in each edition are solo parts for C, B-flat, E-flat and F instruments, allowing the pieces to be played by violin, flute, oboe, clarinet, trumpet and horn in F. For use in church worship, the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal.
ORGAN PLUS ONE The present volume brings this successful series to its conclusion. Epiphany · Whitsuntide It contains freely-composed pieces by composers such as Edvard Grieg, Eugène Gigout, Théodore Dubois, Charles-Marie Widor and Louis Vierne as well as chorale settings such as Sigfrid Karg-Elert’s Original works and arrangements Wie schön leuchtet der Morgenstern, Johann Gottfried Walther’s Nun for church services and concerts bitten wir den Heiligen Geist, Johann Ludwig Krebs’s Komm, Heiliger Geist, Herre Gott and Karl Hoyer’s Geist des Glaubens, Geist der Stärke. Edited by Carsten Klomp
‘Organ plus One fills a gap in the repertoire. We wish the series a wide Score with parts circulation and every success.’ (Kirchenmusik im Bistum Mainz) BA 8502 · approx. € 18.95
To appear in March 2017
Already published in the organ plus one series:
Advent / Christmas BA 8501 € 18.95 Passion / Easter BA 8503 € 18.95 Reformation / Hymns by Martin Luther BA 8508 € 24.95
ISMN 979-0-006-54067-9 Death and Eternity / Funeral Service BA 8504 € 18.95 Praise and Thank / Baptism and Wedding BA 8505 € 18.95 Divine Service BA 8506 € 18.95 9 790006 540679 Communion BA 8507 € 18.95
New Issue Title
New Publications 1/2017 · The Programme 38 Musikbücher
FELIX COMPLETE MENDELSSOHN LETTERS BARTHOLDY IN 12 VOLUMES
Felix Mendelssohn Bartholdy was one of the most important correspondents of the 19th century. The grand finale of His letters are of high literary quality and seminal importance for understanding the culture of his era. the complete edition
This complete edition is the first to contain all 5,855 known letters by Mendelssohn Bartholdy. Edited by Helmut Loos, It presents versions of the letter texts compiled Wilhelm Seidel: from a scholarly-critical analysis of the sources, Felix Mendelssohn Bartholdy discusses their historical context and comments on all points in need of explanation. Complete Letters (German Text)
12 volumes, approx. 9,500 pp., linen-bound; Now CD-ROM with pdf files of the printed edition and a complete index. complete in The concluding Volume 12 and the CD-ROM 12 volumes will appear in June 2017. plus a CD-ROM Volume 12 ISBN 978-3-7618-2312-5 Subscription price: € 161.00 The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed CD-ROM edition in the form of pdf files, thereby making its ISBN 978-3-7618-2403-0 · € 248.00 approximately 9,500 pages digitally accessible and Available only in combination with a subscription to enabling letters and the corresponding commentary the printed complete edition to be read in parallel. All terms can be located quickly and conveniently via a full text search. The 12 volumes can only be purchased complete.
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Johann Sebastian Bach The Bohuslav Martinů Complete Edition New Bach Edition – Revised Series IV/4, Volume 1 Volume 4: Six Suites for Violoncello solo Chamber Music for 6–9 Instruments I BWV 1007-1012 (Parts I and II) Les Rondes, H 200, Serenade No. 1, H 217, Edited by Andrew Talle, synoptic facsimile Serenade No. 3, H 218, Stowe Pastorals, H 335, by Andrew Talle and Jungeun Elle Kim Nonet No. 2, H 374 BA 5942-01 Edited by Jitka Zichová BA 10574-01 Gabriel Fauré The Complete Works, Series IV, Volume 2: OPERA – Spectrum of European Orchestral Works 2 Music Theatre in Separate Editions Shylock op. 57 (Suite d’orchestre), Pelléas et Mélisande Volume 2 op. 80 (Suite d’orchestre), Pénélope (Prélude), Masques Annette et Lubin et Bergamasques op. 112 (Suite d’orchestre) Edited by Andreas Münzmay Edited by Robin Tait in collaboration with OPERA BA 9475-01 BA 8812-01
The Complete Works, Series IV, Volume 3: Works for Solo Instrument and Orchestra Berceuse for Violin and Orchestra op. 16, Ballade for Piano and Orchestra op. 19, Élégie for Violoncello and Orchestra op. 24, Romance for Violin and Orchestra op. 28, Fantaisie for Piano and Orchestra op. 111, Concerto for Violin and Orchestra op. 14 Edited by Peter Jost BA 9465-01
Christoph Willibald Gluck Complete Works Series II, Volume 5: Ballet Music Edited by Irene Brandenburg BA 5814-01 Camille Saint-Saëns Complete Edition of the Instrumental Works L’Opéra français Series I, Volume 3 Charles Gounod 3e Symphonie en ut mineur op. 78 Faust (Version opéra), 2 volumes Edited by Michael Stegemann Edited by Paul Prévost BA 10303-01 BA 8713-01
George Frideric Handel Heinrich Schütz Halle Handel Edition New Edition of the Complete Works Series V, Volume 5a: Tu fedel? tu costante? HWV 171a Volume 29: Wedding Compositions Edited by John Roberts Edited by Joshua Rifkin BA 10716-01 New Issue Title BA 4481-01
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41 New Publications 1/2017 · The Programme MGG Online is the new digital encyclopedia for music researchers worldwide.
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