CITY UNDER MICROSCOPE MARSEILLE (France)
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Murder in Aubagne: Lynching, Law, and Justice During the French
This page intentionally left blank Murder in Aubagne Lynching, Law, and Justice during the French Revolution This is a study of factions, lynching, murder, terror, and counterterror during the French Revolution. It examines factionalism in small towns like Aubagne near Marseille, and how this produced the murders and prison massacres of 1795–1798. Another major theme is the conver- gence of lynching from below with official terror from above. Although the Terror may have been designed to solve a national emergency in the spring of 1793, in southern France it permitted one faction to con- tinue a struggle against its enemies, a struggle that had begun earlier over local issues like taxation and governance. This study uses the tech- niques of microhistory to tell the story of the small town of Aubagne. It then extends the scope to places nearby like Marseille, Arles, and Aix-en-Provence. Along the way, it illuminates familiar topics like the activity of clubs and revolutionary tribunals and then explores largely unexamined areas like lynching, the sociology of factions, the emer- gence of theories of violent fraternal democracy, and the nature of the White Terror. D. M. G. Sutherland received his M.A. from the University of Sussex and his Ph.D. from the University of London. He is currently professor of history at the University of Maryland, College Park. He is the author of The Chouans: The Social Origins of Popular Counterrevolution in Upper Brittany, 1770–1796 (1982), France, 1789–1815: Revolution and Counterrevolution (1985), and The French Revolution, 1770– 1815: The Quest for a Civic Order (2003) as well as numerous scholarly articles. -
MARSEILLE MARSEILLE 2018 MARSEILLE Torsdag 4/10
MARSEILLE MARSEILLE 2018 MARSEILLE Torsdag 4/10 4 5 6 Transfer till Arlanda Flyg 7 Fredag 5/10 Lördag 6/10 Söndag 7/10 8 9 10 Med guide: Picasso museum Med guide: 11 Les Docks Libres i Antibes Euromediterranée Quartiers Libres Förmiddag 12 Lunch @ Les illes du Micocoulier Transfer till 13 Nice Lunch @ Lunch på egen hand Flyg 14 Transfer till La Friche Belle de Mai Arlanda Express Marseille 15 Egen tid Med guide: Vårt förslag: Yes we camp! 16 La Cité Radieuse FRAC, Les Docks, Le Silo Parc Foresta Le Corbusier Smartseille 17 La Marseillaise Etermiddag CMA CGM Tillträde till MUCEM 18 Transfer till hotellet (Ai Weiwei) Check-in Egen tid 19 20 Middag @ La Mercerie 21 Middag @ Middag @ Sepia La Piscine Kväll 22 23 Since Marseille-Provence was chosen to be the European Capital of Culture in 2013, the Mediterranean harbour city has become a very atracive desinaion on the architectural map of the world. Besides new spectacular cultural buildings along the seashore, the city has already for a long ime been in a comprehensive process of urban transformaion due to Euroméditerranée, the large urban development project. Under the inluence of the large-scale urban development project of the city, the Vieux Port (Old Harbour) was redesigned 2013 by Norman Foster and several new cultural buildings were realised: amongst others the MuCEM – Museum for European and Mediterranean Civilisaions (Arch. Rudy Riccioi), the Villa Méditerranée (Arch. Stefano Boeri) as well as the FRAC – Regional Collecion of contemporary Art (Arch. Kengo Kuma), which today are regarded as lagship projects of the city. -
Marseille, France
MARSEILLE, FRANCE Wind of Change on the Old Port Hotel Market Snapshot February 2016 H O T E L S 1 Hotel C2 (Source: © Hotel) Marseille, France Hotel Market Snapshot, February 2016 HIGHLIGHTS Marseille, the political, cultural and economic centre of the MARSEILLE - Key facts & Figures (2015) Bouches-du-Rhône department and of the Provence-Alpes-Côte Population (inner city) 852 500 (2012) d'Azur region, is France’s second largest city. Surface (inner city) 240.6 km² Unemployment 18.4% (2012) The city’s tourism industry has experienced a turning point in Tourism arrivals 1.2 million 2013 when Marseille held the title of European Capital of Overnight stays 2.1 million Culture. In preparation of this major event, the city has initiated numerous rejuvenation and redevelopment projects in order to % Leisure tourism 46.0% replace its often battered reputation in the media with the % Business tourism 54.0% image of an innovative and enjoyable city. Since then, the city % Domestic overnights 75.0% has tried to capitalise on this event to further develop its % International overnights 25.0% popularity as a tourist destination. Number of hotels 82 Number of hotel rooms 5 769 This edition of our hotel market snapshot will thus take a closer Source: BNP Paribas Real Estate Hotels, Tourism Observatory look into Marseille’s tourism and hotel industry and will Marseille, INSEE present the city’s forthcoming hotel openings. WHAT’S NEW? WHAT’S COMING UP IN MARSEILLE? With the aim of providing a more lively area for pedestrians and hosting temporary exhibitions and events, the Old Port (‘Vieux Port’) is currently being modernised. -
V MEET FILM FESTIVAL Meet Flm Festival
V MEET FILM FESTIVAL meet flm festival 2 catalogo MEET FILM FESTIVAL V EDIZIONE Il MEET FILM FESTIVAL (Movies for European Education and territorio di Garbatella e che ci hanno aiutato ad accogliere e Training) è un punto d’incontro italiano per i cortometraggi, diffondere i film arrivati al Festival: provenienti da tutto il mondo, che interpretano in modo originale il TEATRO GARBATELLA e l’associazione ZERO IN CONDOTTA- i temi del cinema, della scuola, dei giovani, della didattica e della Film Club (via Caffaro n. 10), nei quali si proiettano i film finalisti formazione. alla presenza dei registi; il MILLEPIANI COWORKING (via N. La sua quinta edizione si tiene per la prima volta a Roma, dal 23 Odero n. 13), dove si svolgono incontri e dibattiti con professori, al 27 settembre, con epicentro al TEATRO GARBATELLA (piazza studenti ed esperti del settore cinematografico; La VILLETTA Giovanni da Triora n. 15), dove si proiettano i 49 film finalisti tra (via F. Passino n. 26 e via degli Armatori n. 3), che ospita proiezioni gli oltre 1800 arrivati da più di 100 Paesi di tutto il mondo. serali all’aperto alla presenza degli autori, con le rassegne: “Distruzione e Istruzione (bambini e guerra)”, “Migrazioni”, La giuria del Festival è composta da professionisti del cinema “Social Media”, “I vincitori del Festival”. e del mondo della scuola, quest’anno presieduta dal regista, sceneggiatore e produttore romano Gianfrancesco Lazotti. La rassegna “Distruzione e Istruzione (bambini e guerra)” La giuria è chiamata a scegliere i vincitori tra i finalisti delle offre al pubblico romano un’occasione irripetibile di vedere quattro sezioni in concorso (EDUCATION EUROPE-sezione A: appassionanti storie di minori in Iraq, Siria, Turchia, Palestina, e opere realizzate da scuole europee su tema libero; YOUTH AND Iran, storie che faticano spesso ad uscire dai territori difficili in cui TRAINING EUROPE-sezione A2: opere su scuola, formazione e sono state filmate e ad avere la possibilità di essere apprezzate. -
MARSEILLE Press Kit 2020 2020 PRESS Kit >> Summary INTRO 1
MARSEILLE Press kit 2020 2020 PRESS kit >> summary INTRO 1 MARSEILLE, SOME FIGURES 2 MARSEILLE, A CONNECTED CITY 3-4 MARSEILLE, IN FRONT OF THE CAMERA 5-6 MARSEILLE, CRUISE PORT 7 MARSEILLE, URBAN TRAIL 8 MARSEILLE, A BUSINESS CITY 9-10 THE MUST-SEES 11 26 CENTURIES OF HISTORY: FROM MASSALIA TO MARSEILLE 12 THE CALANQUES NATIONAL PARK 13-14 EUROMÉDITERRANÉE, BUSINESS DISTRICT 15-16 ART, HERITAGE AND EXPERIENCE 17-20 CITÉ RADIEUSE LE CORBUSIER 21-22 THE BEST PLACES TO SHOP, 23-24 DISTRICT PER DISTRICT THE MOST COMMON CLICHÉS OF MARSEILLE 25-26 ENJOY YOUR MEAL! 27-30 ALL NIGHT LONG 31-32 CITY GUIDE 33-34 MARSEILLE AND SO MUCH MORE BESIDES 35-36 USEFUL INFORMATION 37 2 marseille >> in figures Intro Founded The leading After focussing much of 2019 on the Marseille, the beautiful city, the glowing city, the 2,600 years ago Marseille Provence Gastronomie and nefarious city... It is known as one of the top Marseille is the most ancient city Cruise the fascinating encounters, it’s now European cities to visit, it is open to the world and in France Port in France MANIFESTA plays on striking contrasts and intriguing paradoxes. time for to come to th Marseille. The city has a rich heritage and deeply rooted and 4 traditions, but that doesn’t necessarily make it less nd in the Mediterranean Those who are passionate about of a visionary and it is a place that is constantly 2 biggest contemporary art, as well as complete evolving and developing. city in France beginners, put these dates in you Going beyond borders, the Phocaean city is a nd diary, from the 7th June to the 1st 869,994 inhabitants in 2019, 2 November! melting pot of cultures, colours, languages, history and 1.8 million inhabitants for the The very exclusive, nomadic European and strengths. -
MARSEILLE Highlights 2017 / 2018
GB MARSEILLE Highlights 2017 / 2018 www.resamarseille.com WELCOME T0 marseille Marseille, a major city with 26 centuries of history, European Capital of Culture in 2013, 2016 UEFA EURO Host City, European Capital of Sport in 2017, and candidate for the 2024 Olympic Games... but also in the process of radical transformation, invites you to allow this guide to take you to essential sites and unusual places. Whether you have two hours, a day, a weekend or several days, Marseille offers itself to you and will not fail to make an impression on you. Experience Marseille’s new look for yourself: the pedestrianised Old Port, Norman Foster’s Ombrière, the J4 esplanade with the Mucem, the Villa Méditerranée and Musée Regards de Provence alongside many cultural sites which opened in 2013, the Musée d’Histoire, Musée des Arts Décoratifs et de la Mode, FRAC PACA and many more. Shop ‘til you drop in Marseille where you’re spoiled for choice! Stroll around the city centre shops, explore the new La Joliette shopping centre and wander through the Panier to see artisan boutiques. The Marseilles area is vast and is made up of many districts. On some routes the Tourist Office and Convention Bureau will give you the keys for understanding and appreciating the town’s assets. Some fifteen tours are suggested. Most of them start in the Vieux-Port, the focal point of Marseille, and are on foot, by bus or by petit train. At the end of each route it suggests returning to the town centre by public transport. -
Septembre 2019 Centre De La Vieille Charité © Ville De Marseille Vieille Charité © Centre De La
Juillet - août - septembre 2019 Centre de la Vieille Charité © Ville de Marseille Vieille Charité © Centre de la Les événements p.4/8 Les musées de Marseille labellisés SITE ARCHÉOLOGIQUE DU PORT ANTIQUE ON N’A RIEN INVENTÉ musées de France, représentent un fonds MÉMOIRES DU QUARTIER DE LA CAYOLLE patrimonial de plus de 100 000 œuvres SAHARA Mondes connectés de l’Antiquité à l’époque contemporaine, ERWIN WURM présentées sur plusieurs sites, historiques Les rendez-vous du trimestre p.6 ou contemporains. CINÉMA À LA CHARITÉ Installés dans des écrins patrimoniaux VACANCES SCOLAIRES (Vieille Charité, au cœur du quartier MUSÉIQUE du Panier, Palais Longchamp, musée JOURNÉES EUROPÉENNES DU PATRIMOINE Grobet-Labadié, Château Borély, musée Palais Longchamp p.10 d’Histoire de Marseille au cœur de Musée des Beaux-Arts vestiges antiques…), ou dans des Muséum d’histoire naturelle espaces contemporains (musée d’art Musée Cantini p.13 contemporain…), les musées proposent Musée des enfants Préau des Accoules p.14 une diversité de lieux, d’ambiances et Musée d’Art Contemporain [mac] p.14 de collections aux visiteurs. Spécial ALLEZ SAVOIR ! p.15 C’est l’été, passez une journée au musée Festival des Sciences sociales c’est climatisé ! Musée de la Moto p.19 À ne pas manquer : les Journées Musée Grobet-Labadié p.20 Européennes du Patrimoine, grand Château Borély p.21 rendez-vous de la rentrée, avec la Musée des Arts décoratifs, de la Faïence et de la Mode réouverture du site exceptionnel du Port Vieille Charité p.22 antique au musée d’Histoire de Marseille. -
27. Le Bassin De Marseille
27 : le bassin de Marseille Panorama sur le Vieux-Port, le Panier, la Joliette et l’Estaque depuis Notre-Dame-de-la-Garde Les communes M arseille s’inscrit dans un bassin littoral dans les Bouches-du-Rhône entre une couronne de collines sèches et un golfe Marseille ample semé d'îles. Allauch La géographie a imposé ses limites à la cité Plan-de-Cuques ceinturée d’espaces naturels remarquables. La Penne-sur-Huveaune Septèmes-les-Vallons Les paysages littoraux sont multiples. Ensuès-la-Redonne Les petits ports au creux de vallons répondent à la Le Rove longue digue du large qui abrite les darses et les quais de la Joliette. Les anses sablonneuses, les rochers désolés et les cabanons des calanques contrastent avec les maisons étagées du Roucas- 2 à terre :..................... 240 km 2 pour la rade Blanc, les jardins et les châteaux de la Corniche, et Superficie environ 250 km avec le fourmillement des quartiers anciens :.................. 16 à 26 km d’Est en Ouest Dimensions 24 km du Nord au Sud resserrés autour du Vieux-Port. : .. Nord-Est, Pilon-du-Roy 670 m Altitude des sommets Est, Pic-de -Taoune 668 m Le paysage se lit au travers des étapes du Sud-Est, mont saint-Cyr 610 m Sud, Marseilleveyre 432 m développement urbain. L’histoire a inscrit dans Centre, Notre-Dame-de-la-Garde 143 m l’espace les formes paysagères de l’unité dans un :.......... 0 m, niveau de la mer dialogue constant entre la ville, la campagne et la Altitude minimale 900 000 habitants Population :................... -
Dissertation Final
UCLA UCLA Electronic Theses and Dissertations Title LIterature, Representation, and the Image of the Francophone City: Casablanca, Montreal, Marseille Permalink https://escholarship.org/uc/item/9nj845hz Author Jones, Ruth Elizabeth Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Literature, Representation, and the Image of the Francophone City: Casablanca, Montreal, Marseille A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Ruth Elizabeth Jones 2014 © Copyright by Ruth Elizabeth Jones 2014 ABSTRACT OF THE DISSERTATION Literature, Representation, and the Image of the Francophone City: Casablanca, Montreal, Marseille by Ruth Elizabeth Jones Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2014 Professor Patrick Coleman, Chair This dissertation is concerned with the construction of the image of the city in twentieth- century Francophone writing that takes as its primary objects the representation of the city in the work of Driss Chraïbi and Abdelkebir Khatibi (Casablanca), Francine Noël (Montreal), and Jean-Claude Izzo (Marseille). The different stylistic iterations of the post Second World War novel offered by these writers, from Khatibi’s experimental autobiography to Izzo’s noir fiction, provide the basis of an analysis of the connections between literary representation and the changing urban environments of Casablanca, Montreal, and Marseille. Relying on planning documents, historical analyses, and urban theory, as well as architectural, political, and literary discourse, to understand the fabric of the cities that surround novels’ representations, the dissertation argues that the perceptual descriptions that enrich these narratives of urban life help to characterize new ways of seeing and knowing the complex spaces of each of the cities. -
Espace Manifesta 13 Exhibition and Artists Meet Ups Programme October 2019
Under the High Patronage of Mr Emmanuel MACRON President of the French Republic Espace Manifesta 13 Exhibition and Artists Meet ups programme October 2019 Espace Manifesta 13, a space for encounters and exchanges, open to the neighbourhood and to its inhabitants., opened its doors on the 3rd of October Press release — 1/3 and will host many activities in the year to come including performances, screenings, Marseille talks, exhibitions and much much more. October 3rd, 2019 But what is Manifesta? Manifesta is the European Nomadic Biennial, which originated in the early 1990s in response to the political, economic, and social change following the end of the Cold War and the subsequent steps towards European integration. Manifesta has developed into a platform for dialogue between art and society by inviting the cultural and artistic community to produce new creative experiences with, and for, the context in which it takes place. Every two years Manifesta moves to a new host city, for 2020 we are thrilled that this city is Marseille! The biennial opens its doors to be public on the 7th of June but we will be doing many different activities across the city before then, so be sure to follow us and to explore all we have in store for you! Inaugural artistic intervention: Calla Henkel and Max Pitegoff The artistic team of Manifesta 13 Marseille will invite many actors from civil societies and the cultural sphere to take over the former Espace Culture. For this occasion the space has been rethought by Calla Henkel and Max Pitegoff, founders of New Theater and TV, based in Berlin. -
Civilizing the Metropole: the Role of Colonial Exhibitions in Universal and Colonial Expositions in Creating Greater France, 1889-1922
CIVILIZING THE METROPOLE: THE ROLE OF COLONIAL EXHIBITIONS IN UNIVERSAL AND COLONIAL EXPOSITIONS IN CREATING GREATER FRANCE, 1889-1922 by MICHAEL D. BROOKS A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in History in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term 2012 Thesis Chair: Dr. Amelia H. Lyons © Michael D. Brooks ii ABSTRACT During the era of New Imperialism, the French state had the daunting task of convincing the French public of the need to support and to sustain an overseas empire. Stemming from its defeat in the Franco-Prussian War and hoping to regain its erstwhile global position, the French state set out to demonstrate the importance of maintaining an empire. Since the vast majority of the French people were apathetic towards colonial ventures, the French state used the 1889 Parisian Universal Exposition and the 1906 and 1922 Colonial Expositions in Marseille not only to educate the French about the economic benefits of the empire, but to entertain them simultaneously so that they unwittingly began to accept the notion of an interconnected Greater France. Each of these expositions contained a group of colonial exhibits in which indigenous colonial subjects, whom the expositions’ organizers handpicked to come to France, displayed their daily routines and interacted with the visiting public. Visitors witnessed the lifestyles of indigenous cultures and took away from the exhibits a greater understanding of those who lived in the colonies. However, the vast majority of the French public who visited the expositions did not experience a shift in their mindset favoring the continuance of a colonial empire until after World War One. -
Colonial Marseille, 1906 and 2013
Claiming Marseille Metropolis. A Diachronic Study on Urban Representation and Metropolitanism in (Post-)Colonial Marseille, 1906 and 2013 vorgelegt von Master of Arts Marlène de Saussure an der Fakultät I – Geistes- und Bildungswissenschaften der Technischen Universität Berlin zur Erlangung des akademischen Grades Doktorin der Philosophie – Dr. phil. – genehmigte Dissertation Promotionsausschuss: Vorsitzende: Prof. Dr. Kerstin Wittmann-Englert Gutachterin: Prof. Dr. Dorothee Brantz Gutachterin: Prof. Dr. Rosemary Wakeman Tag der wissenschaftlichen Aussprache: 15. April 2019 Berlin 2020 To Apa 2 Table of Content List of Illustrations ..................................................................................................................... 5 Author’s Declaration .................................................................................................................. 6 Acknowledgments ...................................................................................................................... 7 1. Introduction ........................................................................................................................ 9 1.1. Claiming Marseille Metropolis: Research Context and Problematization ............. 9 1.2. Theoretical Framework ........................................................................................ 13 1.3. Conceptual Approach and Case Studies ............................................................... 24 1.4. Analytical Approach ...........................................................................................