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Appendix D Chinese Personal Names and Their Japanese Equivalents
-1155 Appendix D Chinese Personal Names and Their Japanese Equivalents Note: Chinese names are romanized according to the traditional Wade-Giles system. The pinyin romanization appears in parentheses. Chinese Names Japanese Names An Ch’ing-hsü (An Qingxu) An Keisho An Lu-shan (An Lushan) An Rokuzan Chang-an (Zhangan) Shoan Chang Chieh (Zhang Jie) Cho Kai Chang Liang (Zhang Liang) Cho Ryo Chang Wen-chien (Zhang Wenjian) Cho Bunken Chao (Zhao), King Sho-o Chao Kao (Zhao Gao) Cho Ko Ch’en Chen (Chen Zhen) Chin Shin Ch’eng (Cheng), King Sei-o Cheng Hsüan (Zheng Xuan) Tei Gen Ch’eng-kuan (Chengguan) Chokan Chia-hsiang ( Jiaxiang) Kajo Chia-shang ( Jiashang) Kasho Chi-cha ( Jizha) Kisatsu Chieh ( Jie), King Ketsu-o Chieh Tzu-sui ( Jie Zisui) Kai Shisui Chien-chen ( Jianzhen) Ganjin Chih-chou (Zhizhou) Chishu Chih-i (Zhiyi) Chigi z Chih Po (Zhi Bo) Chi Haku Chih-tsang (Zhizang) Chizo Chih-tu (Zhidu) Chido Chih-yen (Zhiyan) Chigon Chih-yüan (Zhiyuan) Shion Ch’i Li-chi (Qi Liji) Ki Riki Ching-hsi ( Jingxi) Keikei Ching K’o ( Jing Ko) Kei Ka Ch’ing-liang (Qingliang) Shoryo Ching-shuang ( Jingshuang) Kyoso Chin-kang-chih ( Jingangzhi) Kongochi 1155 -1156 APPENDIX D Ch’in-tsung (Qinzong), Emperor Kinso-tei Chi-tsang ( Jizang) Kichizo Chou (Zhou), King Chu-o Chuang (Zhuang), King So-o Chuang Tzu (Zhuang Zi) Soshi Chu Fa-lan (Zhu Falan) Jiku Horan Ch’ung-hua (Chonghua) Choka Ch’u Shan-hsin (Chu Shanxin) Cho Zenshin q Chu Tao-sheng (Zhu Daosheng) Jiku Dosho Fa-ch’üan (Faquan) Hassen Fan K’uai (Fan Kuai) Han Kai y Fan Yü-ch’i (Fan Yuqi) Han Yoki Fa-pao -
After Kiyozawa: a Study of Shin Buddhist Modernization, 1890-1956
After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 ABSTRACT After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 Copyright by Jeff Schroeder 2015 Abstract This dissertation examines the modern transformation of orthodoxy within the Ōtani denomination of Japanese Shin Buddhism. This history was set in motion by scholar-priest Kiyozawa Manshi (1863-1903), whose calls for free inquiry, introspection, and attainment of awakening in the present life represented major challenges to the -
An Energetic Example of Bidirectional Sino-Japanese Esoteric Buddhist Transmission
religions Article From China to Japan and Back Again: An Energetic Example of Bidirectional Sino-Japanese Esoteric Buddhist Transmission Cody R. Bahir Independent Researcher, Palo Alto, CA 94303, USA; [email protected] Abstract: Sino-Japanese religious discourse, more often than not, is treated as a unidirectional phe- nomenon. Academic treatments of pre-modern East Asian religion usually portray Japan as the pas- sive recipient of Chinese Buddhist traditions, while explorations of Buddhist modernization efforts focus on how Chinese Buddhists utilized Japanese adoptions of Western understandings of religion. This paper explores a case where Japan was simultaneously the receptor and agent by exploring the Chinese revival of Tang-dynasty Zhenyan. This revival—which I refer to as Neo-Zhenyan—was actualized by Chinese Buddhist who received empowerment (Skt. abhis.eka) under Shingon priests in Japan in order to claim the authority to found “Zhenyan” centers in China, Hong Kong, Taiwan, Malaysia, and even the USA. Moreover, in addition to utilizing Japanese Buddhist sectarianism to root their lineage in the past, the first known architect of Neo-Zhenyan, Wuguang (1918–2000), used energeticism, the thermodynamic theory propagated by the German chemist Freidrich Wilhelm Ost- wald (1853–1932; 1919 Nobel Prize for Chemistry) that was popular among early Japanese Buddhist modernists, such as Inoue Enryo¯ (1858–1919), to portray his resurrected form of Zhenyan as the most suitable form of Buddhism for the future. Based upon the circular nature of esoteric trans- mission from China to Japan and back to the greater Sinosphere and the use of energeticism within Neo-Zhenyan doctrine, this paper reveals the sometimes cyclical nature of Sino-Japanese religious influence. -
The Nine Yanas
The Nine Yanas By Cortland Dahl In the Nyingma school, the spiritual journey is framed as a progression through nine spiritual approaches, which are typically referred to as "vehicles" or "yanas." The first three yanas include the Buddha’s more accessible teachings, those of the Sutrayana, or Sutra Vehicle. The latter six vehicles contain the teachings of Buddhist tantra and are referred to as the Vajrayana, or Vajra Vehicle. Students of the Nyingma teachings practice these various approaches as a unity. Lower vehicles are not dispensed with in favor of supposedly “higher” teachings, but rather integrated into a more refined and holistic approach to spiritual development. Thus, core teachings like renunciation and compassion are equally important in all nine vehicles, though they may be expressed in more subtle ways. In the Foundational Vehicle, for instance, renunciation involves leaving behind “worldly” activities and taking up the life of a celibate monk or nun, while in the Great Perfection, renunciation means to leave behind all dualistic perception and contrived spiritual effort. Each vehicle contains three distinct components: view, meditation, and conduct. The view refers to a set of philosophical tenets espoused by a particular approach. On a more experiential level, the view prescribes how practitioners of a given vehicle should “see” reality and its relative manifestations. Meditation consists of the practical techniques that allow practitioners to integrate Buddhist principles with their own lives, thus providing a bridge between theory and experience, while conduct spells out the ethical guidelines of each system. The following sections outline the features of each approach. Keep in mind, however, that each vehicle is a world unto itself, with its own unique philosophical views, meditations, and ethical systems. -
And Daemonic Buddhism in India and Tibet
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Raven and the Serpent: "The Great All- Pervading R#hula" Daemonic Buddhism in India and Tibet Cameron Bailey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE RAVEN AND THE SERPENT: “THE GREAT ALL-PERVADING RHULA” AND DMONIC BUDDHISM IN INDIA AND TIBET By CAMERON BAILEY A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Religion Degree Awarded: Spring Semester, 2012 Cameron Bailey defended this thesis on April 2, 2012. The members of the supervisory committee were: Bryan Cuevas Professor Directing Thesis Jimmy Yu Committee Member Kathleen Erndl Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii ACKNOWLEDGEMENTS I would like to thank, first and foremost, my adviser Dr. Bryan Cuevas who has guided me through the process of writing this thesis, and introduced me to most of the sources used in it. My growth as a scholar is almost entirely due to his influence. I would also like to thank Dr. Jimmy Yu, Dr. Kathleen Erndl, and Dr. Joseph Hellweg. If there is anything worthwhile in this work, it is undoubtedly due to their instruction. I also wish to thank my former undergraduate advisor at Indiana University, Dr. Richard Nance, who inspired me to become a scholar of Buddhism. -
Bridging Worlds: Buddhist Women's Voices Across Generations
BRIDGING WORLDS Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo First Edition: Yuan Chuan Press 2004 Second Edition: Sakyadhita 2018 Copyright © 2018 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover Illustration, "Woman on Bridge" © 1982 Shig Hiu Wan. All rights reserved. "Buddha" calligraphy ©1978 Il Ta Sunim. All rights reserved. Chapter Illustrations © 2012 Dr. Helen H. Hu. All rights reserved. Book design and layout by Lillian Barnes Bridging Worlds Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo 7th Sakyadhita International Conference on Buddhist Women With a Message from His Holiness the XIVth Dalai Lama SAKYADHITA | HONOLULU, HAWAI‘I iv | Bridging Worlds Contents | v CONTENTS MESSAGE His Holiness the XIVth Dalai Lama xi ACKNOWLEDGMENTS xiii INTRODUCTION 1 Karma Lekshe Tsomo UNDERSTANDING BUDDHIST WOMEN AROUND THE WORLD Thus Have I Heard: The Emerging Female Voice in Buddhism Tenzin Palmo 21 Sakyadhita: Empowering the Daughters of the Buddha Thea Mohr 27 Buddhist Women of Bhutan Tenzin Dadon (Sonam Wangmo) 43 Buddhist Laywomen of Nepal Nivedita Kumari Mishra 45 Himalayan Buddhist Nuns Pacha Lobzang Chhodon 59 Great Women Practitioners of Buddhadharma: Inspiration in Modern Times Sherab Sangmo 63 Buddhist Nuns of Vietnam Thich Nu Dien Van Hue 67 A Survey of the Bhikkhunī Saṅgha in Vietnam Thich Nu Dong Anh (Nguyen Thi Kim Loan) 71 Nuns of the Mendicant Tradition in Vietnam Thich Nu Tri Lien (Nguyen Thi Tuyet) 77 vi | Bridging Worlds UNDERSTANDING BUDDHIST WOMEN OF TAIWAN Buddhist Women in Taiwan Chuandao Shih 85 A Perspective on Buddhist Women in Taiwan Yikong Shi 91 The Inspiration ofVen. -
WHY HOLY OBJECTS ARE PRECIOUS and WISH-FULFILLING by Lama Zopa Rinpoche Very Time You Look at Holy Objects – Pictures of the Destroy the World
HOLY OBJECTS and the lotus seat on which Tara sits, but the fine detailed procession all around Kopan Hill. I remember that Lama painting of Tara’s facial features, especially her eyes, was was wearing a ceremonial crown of the five dhyani done by Lama Zopa Rinpoche. Rinpoche was truly able to buddhas. We stopped at various points to chant and make bring Tara alive when he “opened the eyes” of the statue. prayers. Lama explained to everyone that we were showing This was the last step before the actual consecration, during Tara around her new home. Then she was placed in her which Tara was invited to come and reside in the statue. house in front of the gompa. I always thought of her as Connie remembers the consecration: “Two monks watching over and protecting Kopan from there.” And she carrying Tara on their shoulders led everyone in a joyous still does to this day. ama Zopa Rinpoche and Lama Yeshe are pictured here at Borobudur LStupa, Java, Indonesia, in 1979. Peter Kedge remembers the details of this visit to one of the world’s greatest Buddhist pilgrimage sites, dating back to 800 CE. “It was blisteringly hot the day we were there, humid and absolutely the worst conditions for Lama [Lama Yeshe had a heart condition that was especially aggravated by the heat]. But he insisted on circumam - bulating the shrine several times, while prostrating. Rinpoche joined him, but I couldn’t keep up at all and went off and found some shade.” WHY HOLY OBJECTS ARE PRECIOUS AND WISH-FULFILLING By Lama Zopa Rinpoche very time you look at holy objects – pictures of the destroy the world. -
Esoteric Buddhist Traditions in Medieval Japan Matthew D
issn 0304-1042 Japanese Journal of Religious Studies volume 47, no. 1 2020 articles 1 Editor’s Introduction Esoteric Buddhist Traditions in Medieval Japan Matthew D. McMullen 11 Buddhist Temple Networks in Medieval Japan Daigoji, Mt. Kōya, and the Miwa Lineage Anna Andreeva 43 The Mountain as Mandala Kūkai’s Founding of Mt. Kōya Ethan Bushelle 85 The Doctrinal Origins of Embryology in the Shingon School Kameyama Takahiko 103 “Deviant Teachings” The Tachikawa Lineage as a Moving Concept in Japanese Buddhism Gaétan Rappo 135 Nenbutsu Orthodoxies in Medieval Japan Aaron P. Proffitt 161 The Making of an Esoteric Deity Sannō Discourse in the Keiran shūyōshū Yeonjoo Park reviews 177 Gaétan Rappo, Rhétoriques de l’hérésie dans le Japon médiéval et moderne. Le moine Monkan (1278–1357) et sa réputation posthume Steven Trenson 183 Anna Andreeva, Assembling Shinto: Buddhist Approaches to Kami Worship in Medieval Japan Or Porath 187 Contributors Japanese Journal of Religious Studies 47/1: 1–10 © 2020 Nanzan Institute for Religion and Culture dx.doi.org/10.18874/jjrs.47.1.2020.1-10 Matthew D. McMullen Editor’s Introduction Esoteric Buddhist Traditions in Medieval Japan he term “esoteric Buddhism” (mikkyō 密教) tends to invoke images often considered obscene to a modern audience. Such popular impres- sions may include artworks insinuating copulation between wrathful Tdeities that portend to convey a profound and hidden meaning, or mysterious rites involving sexual symbolism and the summoning of otherworldly powers to execute acts of violence on behalf of a patron. Similar to tantric Buddhism elsewhere in Asia, many of the popular representations of such imagery can be dismissed as modern interpretations and constructs (White 2000, 4–5; Wede- meyer 2013, 18–36). -
IMAGES of POWER: BUDDHIST ART and ARCHITECTURE (Buddhism on the Silk Road) BUDDHIST ART and ARCHITECTURE on the Silk Road
IMAGES OF POWER: BUDDHIST ART and ARCHITECTURE (Buddhism on the Silk Road) BUDDHIST ART and ARCHITECTURE on the Silk Road Online Links: Bamiyan Buddhas: Should they be rebuit? – BBC Afghanistan Taliban Muslims destroying Bamiyan Buddha Statues – YouTube Bamiyan Valley Cultural Remains – UNESCO Why the Taliban are destroying Buddhas - USA Today 1970s Visit to Bamiyan - Smithsonian Video Searching for Buddha in Afghanistan – Smithsonian Seated Buddha from Gandhara - BBC History of the World BUDDHIST ART and ARCHITECTURE of China Online Links: Longmen Caves - Wikipedia Longmen Grottoes – Unesco China The Longmen Caves – YouTube Longmen Grottoes – YouTube Lonely Planet's Best In China - Longmen China – YouTube Gandhara Buddha - NGV in Australia Meditating Buddha, from Gandhara , second century CE, gray schist The kingdom of Gandhara, located in the region of presentday northern Pakistan and Afghanistan, was part of the Kushan Empire. It was located near overland trade routes and links to the ports on the Arabian Sea and consequently its art incorporated Indian, Persian and Greco- Roman styles. The latter style, brought to Central Asia by Alexander the Great (327/26–325/24 BCE) during his conquest of the region, particularly influenced the art of Gandhara. This stylistic influence is evident in facial features, curly hair and classical style costumes seen in images of the Buddha and bodhisattvas that recall sculptures of Apollo, Athena and other GaecoRoman gods. A second-century CE statue carved in gray schist, a local stone, shows the Buddha, with halo, ushnisha, urna, dressed in a monk’s robe, seated in a cross-legged yogic posture similar to that of the male figure with horned headdress on the Indus seal. -
Esoteric, Chan and Vinaya Ties in Tang Buddhism the Ordination Platform of the Huishan Monastery on Mount Song in the Religious Policy of Emperor Daizong
Esoteric, Chan and vinaya ties in Tang Buddhism The ordination platform of the Huishan monastery on Mount Song in the religious policy of Emperor Daizong Abstract This paper explores the reconstruction of the ordination platform in the Huishan monastery 會 善寺 on Mount Song in 767 in the context of the reinforcement of pro-Buddhist policies at the court of Emperor Daizong 代宗 (r. 762–779). The vinaya monks and state officials who engaged in this platform’s reconstruction are identified as associates of two prominent monastic figures: Amoghavajra (Bukong jin’gang 不空金剛; 704–774), an Esoteric leader at the imperial court; and Songshan Puji 嵩山普寂 (651–739), regarded as the seventh patriarch in the Northern Chan tradition. The key roles played by disciples of these two masters in the reconstruction of the Huishan platform attest to significant congruence in ritual practices between proponents of the Esoteric and Chan groups in Tang dynasty China, primarily in the areas of precept conferral and monastic ordination. Keywords Mount Song, Huishan monastery, Northern Chan, Esoteric Buddhism, vinaya, precept conferral Introduction During the Tang dynasty, the reign of Emperor Daizong 代宗 (r. 762–779) was second only to the reign of Empress Wu Zetian 武則天 (r. 690–705) in terms of imperial patronage of Buddhism. Daizong assumed the role of universal Buddhist monarch (cakravartin) and granted the Buddhist saṅgha and its foremost leader Amoghavajra (Ch. Bukong jin’gang 不空金剛; 704–774) an unprecedented amount of power.1 In 767, at the start of a new era that Daizong named Dali 大曆 (Grand Reign), many large-scale Buddhist projects were realized under the 1 Amoghavajra, an Esoteric master of allegedly Sogdian origin, became a paramount Buddhist leader at the imperial court during a period of highly militarized political turbulence in the territorial centre of the Tang Empire following the rebellion of General An Lushan 安祿山 (703–757) in 755. -
Notes and Topics: Three Divine Bodies: Tri-Kaya
TIlREE DIVINE BODIES: TRI-KAYA -Prof. P.G.yogi. The universal essence manifests itself in three aspects or modes as symbolized by the three Divine Bodies (Sanskrit-Trikaya). The first aspect, the Dharmakaya or the Essential (or True) Body is the primordial, unmodified, formless, eternally self existing and essentially of Bodhi or divine beingness. The second aspect is the Sambhogakaya or the Reflected Body wherein dweU the Buddhas of meditation (Skt. Dhyana-Buddhas) and other enlightened beings of super human form The third aspect is the Nirmanakaya or the Body of Incarnation or the human form in which state Buddha was born on earth. In the chinese interpretation of the Tri-kaya, the Dharmakaya is the immutable Buddha essence and noumenal source of the cosmic whole. The Sambhogakaya is the phe nomenal appearances and the first reflex of the Dharmakaya on the heavenly planes. In the Nirmanakaya, the Buddha essence is associated with activity on the Earth plane and it incarnates among men as suggested by the Gnostic poem in the Gospel of St.John which refers to the cOming of the word and the mind through human body. See herein book II, p. 217). In its totality, the universal essence is the one mind, manjfested through the myriads of minds in all the states of Sangsaric existence. It is called 'the essence of the Buddha', 'the great symbol', 'the sole seed' 'the potentiality of truth', and 'the all-foundation' as the text states that it is the source of all the bliss of Nirvana and all the sorrow of Sangsara. -
An Annotated Translation of Kūkai's Secret Key to the Heart Sūtra
高野山大学密教文化研究所紀要 第 24 号 An Annotated Translation of Kūkai’s Secret Key to the Heart Sūtra Thomas Eijō Dreitlein Kōbō Daishi Kūkai (弘法大師空海, 774–835), in his text titled Hannya-shingyō hiken, jo awasetari (般若心經祕鍵幷序), or the Secret Key to the Heart Sūtra, with an Introduction, provides a deeply esoteric interpretation of the Heart Sūtra, an interpretation that is unique within the extensive literature of the Heart Sūtra. Kūkai’s thesis might be seen as revolving around three closely interrelated main points: (1) that the apparently exoteric sūtras contain esoteric meanings which can be read by those who know how to read them, (2) that the Heart Sūtra reveals the esoteric inner own-realization or samādhi of the bodhisattva Prajñā and forms the dharma-maṇḍala of that deity, and (3) that as such it holds within it all the teachings of Buddhism, and is not simply an abbreviated version of the Large Prajñāpāramitā-sūtra. 1. Exoteric sūtras can be read as esoteric Buddhist teachings Kūkai says that the exoteric Buddhist teachings are revealed by the nirmāṇakāya, and are provisional and adjusted to the receptivity and capacity of the audience,1 while esoteric Buddhism is preached directly by the Dharmakāya Mahāvairocana for his own enjoyment, and is not adjusted to the audience but is rather the final truth.2 1 See Kūkai’s Ben kenmitsu nikyō ron (TKZ 3.109): 應化說法逗機施藥言不虛故。所以他受用身祕內證而不說其境也。則等覺希夷十地離絕。 The teachings of the nirmāṇakāya are adapted to what is needed, like giving the most appropriate and effective medicine. The saṃbhogakāya manifested for the liberation of others conceals his inner realization, and does not directly teach it.