DOCSLIB.ORG

2 October 2020 Page 1 of 21

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2 October 2020 Page 1 of 21 Radio 3 Listings for 26 September – 2 October 2020 Page 1 of 21 SATURDAY 26 SEPTEMBER 2020 Clarinet Quintet in A major, K581 Andrzej Ciepliński (clarinet), Royal String Quartet SAT 01:00 Through the Night (m000ms2y) Norwegian Radio Orchestra at the Harstad Culture Centre 04:11 AM John Sheppard (1515-1558),Jonathan Dove (1959 -) Soon to be chief conductor of the Norwegian Radio Orchestra, In manus tuas (Sheppard)& Into Thy Hands (Dove) Petr Popelka on tour of the northern regions of Norway with Gabrieli Consort, Paul McCreesh (director) soloists soprano Birgitte Christensen and bass-baritone Aleksander Nohr. Catriona Young presents. 04:23 AM Arcangelo Corelli (1653-1713) 01:01 AM Sonata da chiesa in F major (Op.1 No.1) Johan Svendsen (1840-1911) London Baroque Romeo and Juliet Fantasia, op. 18 Norwegian Radio Orchestra, Petr Popelka (conductor) 04:29 AM Jean Barriere (1705-1747) 01:15 AM Sonata No 10 in G major for 2 cellos Giuseppe Verdi (1813-1901), Antonio Somma (librettist) Duo Fouquet (duo) Morrò, ma prima in grazia, Amelia's aria from 'Un Ballo in maschera' 04:38 AM Birgitte Christensen (soprano), Norwegian Radio Orchestra, Petr Benjamin Britten (1913-1976) Popelka (conductor) The Last rose of summer (Groves of Blarney) from Folksong arrangements 01:20 AM Elizabeth Watts (soprano), Paul Turner (piano) Erich Wolfgang Korngold (1897-1957), Paul Schott (librettist) Mein Sehnen, mein Wähnen, from 'Die tote Stadt' 04:43 AM Aleksander Nohr (baritone), Norwegian Radio Orchestra, Petr Isaac Albeniz (1860-1909) Popelka (conductor) El Corpus en Sevilla from 'Iberia' (Book 1) Plamena Mangova (piano) 01:25 AM Giuseppe Verdi (1813-1901) 04:52 AM Overture to 'Les Vêpres siciliennes' Antonio Vivaldi (1678-1741) Norwegian Radio Orchestra, Petr Popelka (conductor) Violin Concerto in D (Op.3 No.9) (RV.230) Fabio Biondi (violin), Europa Galante 01:34 AM Giuseppe Verdi (1813-1901), Francesco Maria Plave (librettist) 05:01 AM Ah! Dite alla giovine Richard Wagner (1813-1883) Birgitte Christensen (soprano), Aleksander Nohr (baritone), Prelude (Act 1 'Die Meistersinger von Nurnberg') Norwegian Radio Orchestra, Petr Popelka (conductor) BBC Symphony Orchestra, Jiri Belohlavek (conductor) 01:39 AM 05:11 AM Antonin Dvorak (1841-1904) Robert Schumann (1810-1856) Slavonic Dance No. 8 in G minor, op. 46 Adagio and allegro in A flat major, Op 70 Norwegian Radio Orchestra, Petr Popelka (conductor) Lise Berthaud (viola), Adam Laloum (piano) 01:44 AM 05:19 AM Imre Kalman (1882-1953), Leo Stein (librettist), Bela Jenback Ludwig Senfl (c.1486-1543) (librettist) Credo, Missa dominicalis (L'homme arme) Excerpts from 'Die Csárdásfürstin' Schola Cantorum Basiliensis Vocal Ensemble, Schola Cantorum Aleksander Nohr (baritone), Birgitte Christensen (soprano), Basiliensis Instrumental Ensemble Norwegian Radio Orchestra, Petr Popelka (conductor) 05:30 AM 01:57 AM Wolfgang Amadeus Mozart (1756-1791), Robert Levin Zoltan Kodaly (1882 - 1967) (arranger) Dances from Galánta Larghetto and Allegro in E flat, KV deest Norwegian Radio Orchestra, Petr Popelka (conductor) Soós-Haag Piano Duo (piano duo) 02:14 AM 05:42 AM Johannes Brahms (1833-1897) Richard Strauss (1864-1949) Hungarian Dance No. 5 Morgen (Op.27 No.4) Norwegian Radio Orchestra, Petr Popelka (continuo) Yvonne Kenny (soprano), Lazar Shuster (violin), Melbourne Symphony Orchestra, Vladimir Kamirski (conductor) 02:18 AM Johannes Brahms (1833-1897) 05:46 AM Quartet for piano and strings No.1 (Op.25) in G minor Edvard Grieg (1843-1907) Kungsbacka Trio, Lawrence Power (viola) 4 Piano Pieces Op 1 Christian Ihle Hadland (piano) 03:01 AM Felix Mendelssohn (1809-1847) 05:59 AM Symphony No 3 in A minor, Op 56 'Scottish' Johann Nepomuk Hummel (1778-1837) Polish Radio Symphony Orchestra, Marcin Nalecz-Niesiolowski Rondo brillant for piano and orchestra in A major Op 56 (conductor) Rudolf Macudzinski (piano), Bratislava Slovak Radio Symphony Orchestra, Ludovit Rajter (conductor) 03:39 AM Wolfgang Amadeus Mozart (1756-1791) 06:19 AM Supported by bbc.co.uk/programmes/ Radio 3 Listings for 26 September – 2 October 2020 Page 2 of 21 Alessandro Scarlatti (1660-1725) Cecilia Bernardini (violin) Toccata per cembalo d'ottava siete in D minor (Napoli 1723) Marcus van den Munckhof (cello) Rinaldo Alessandrini (harpsichord) Aurélia Visovan (pianoforte) Ricercar RIC417 06:39 AM https://outhere-music.com/en/albums/mozart-hummel- Francis Poulenc (1899-1963) beethoven-concerto-sonate-symphony-ric417 Les Biches, suite from the ballet (1939-1940) Royal Concertgebouw Orchestra, Bernard Haitink (conductor) The Singing Guitar: Esmail, Muhly, Smith, Johnson Estelí Gomez (soprano) Conspirare SAT 07:00 Breakfast (m000n04q) Douglas Harvey (cello) Saturday - Elizabeth Alker Los Angeles Guitar Quartet Texas Guitar Quartet Classical music for breakfast time, plus found sounds and the Austin Guitar Quartet odd unclassified track. Craig Hella Johnson (director) Delos DE 3595 https://delosmusic.com/recording/the-singing-guitar/ SAT 09:00 Record Review (m000n04s) Mozart Mass in C minor in Building a Library with Simon Mozart: String Quintets K. 515 & 516 Heighes and Andrew McGregor Adrien La Marca (viola) Quatuor Van Kuijk 9.00am Alpha ALPHA587 https://outhere-music.com/en/albums/string-quintets- Peter Breiner: Slovak Dances, Naughty and Sad k-515-516-alpha587 Stanislav Palúch (violin) Boris Lenko (accordion) Jake Heggie: Unexpected Shadows Slovak Philharmonic Jamie Barton (mezzo-soprano) Peter Breiner (conductor) Matt Haimovitz (cello) Naxos 8574184-85 (2 CDs) Jake Heggie (piano) https://www.naxos.com/catalogue/item.asp?item_code=8.5741 Pentatone PTC5186836 84-85 http://www.pentatonemusic.com/jamie-barton-jake-heggie- unexpected-shadows-matt-haimovitz JS Bach: Motets and works by Praetorius, Bertolusi, Gallus & Gabrieli 10.45am New Releases Pygmalion Raphaël Pichon (director) Kate Molleson has been listening to new orchestral albums Harmonia Mundi HMM902657 including music by Mozart, Janáček, Kalevi Aho and Gloria http://www.harmoniamundi.com/#!/albums/2647 Bruni. Robert Schumann: ‘Stille Liebe’, Lieder Orchestral Suites by Sergei Prokofiev & Aram Khachaturian Samuel Hasselhorn (baritone) Zagreb Philharmonic Joseph Middleton (piano) Dmitri Kitayenko (conductor) Harmonia Mundi HMN916114 Oehms OC471 (2 CDs) http://www.harmoniamundi.com/#!/albums/2651 https://www.oehmsclassics.de/interpret/7227/Dmitrij_Kitajenko? erweitertesuche=true Wind Quintets By Dubugnon, Taffanel, Holst & Françaix Monet Quintett Bruni: Symphony No. 1 Avi Music AVI8553008 Radio Symphony Choir & Orchestra Minsk https://avi-music.de/html/2020/3008.html Wilhelm Kittel (conductor) Rondeau ROP6177 Bizet - Sans Paroles: piano works by Bizet & Saint-Saëns https://www.rondeau.de/Neuerscheinungen/Sinfonia-N-I- Nathanaël Gouin (piano) Ringparabel::480.html Mirare MIR452 Kalevi Aho: Sieidi & Symphony No. 5 9.30am Building a Library Colin Currie (percussion) Lahti Symphony Orchestra Simon Heighes chooses his favourite recording of Mozart's Mass Dima Slobodeniouk and Jaan Ots (conductors) in C minor, K427, 'Great'. BIS BIS2336 (Hybrid SACDs) https://bis.se/performers/currie-colin/kalevi-aho-sieidi- Mozart never finished his C minor Mass: it might have been the symphony-no5 turmoil surrounding his resignation from the service of the bane of his life, the Archbishop of Salzburg, or the business of his Mozart: Violin Concertos Nos. 1-5 recent marriage to Constanze Weber in 1782 (his father was Baiba Skride (violin) against it). But what there is of it is magnificent, including Swedish Chamber Orchestra grand choruses harking back to the great choral works of Eivind Aadland (conductor) Handel and Bach. And there is some ravishingly sensuous Orfeo C997201 (2 CDs) music for the two sopranos (and woodwind), the kind of thing that Stravinsky sniffily characterised as 'rococo-operatic sweets- Janáček: The Cunning Little Vixen, Sinfonietta* of-sin'. Lucy Crowe (soprano, Vixen) Gerald Finley (bass-baritone, Forester) 10.15am New Releases Sophia Burgos (soprano, Fox) Jan Martiník (bass, Badger/Parson) Mozart, Hummel & Beethoven: Concerto, Sonate, Symphony Peter Hoare (tenor, Mosquito/Rooster/Schoolmaster) Anna Besson (flute) Hanno Müller-Brachmann (bass-baritone, Harašta) Supported by bbc.co.uk/programmes/ Radio 3 Listings for 26 September – 2 October 2020 Page 3 of 21 London Symphony Chorus & Orchestra SAT 15:00 Sound of Cinema (m000n051) Simon Rattle (conductor) History - according to the cinema LSO Live LSO0850 (2 Hybrid SACDs) https://lsolive.lso.co.uk/collections/all- Matthew Sweet marks the release of the new Keanu Reeves products/products/janacek-the-cunning-little-vixen-sinfonietta and Alex Winter 'Bill and Ted' adventure - 'Bill and Ted Face The Music' - with a selection of scores for movies which tackle *review of Sinfonietta only historical subjects, often with a rather imaginative take on the past. Travelling from the present day back through time he 11.15am Record of the Week draws on music from 'The Crown', 'Darkest Hour', 'Battle of the Bulge', 'The Imitation Game', 'Downfall' 'Khartoum', 'Free State Schubert: Symphonies Nos. 2 & 3 of Jones', 'Abraham Lincoln: Vampire Hunter', 'Jefferson in B’Rock Orchestra Paris', 'Elizabeth' , 'Braveheart', 'Cleopatra'. The Classic Score René Jacobs (conductor) of the Week is Mario Nascimbene's music for 'One Million Years Pentatone PTC5186759 (Hybrid SACD) BC' . The programme also features music by David Mark Isham http://www.pentatonemusic.com/rene-jacobs-b-rock-schubert- for the new Bill and Ted adventure. symphonies-2-3 SAT 16:00 Music Planet (m000n053)
Load more

Recommended publications
  • Radio 3 Listings for 28 December 2019 – 3 January 2020 Page 1 of 16
    Radio 3 Listings for 28 December 2019 – 3 January 2020 Page 1 of 16 SATURDAY 28 DECEMBER 2019 (conductor) BBC National Orchestra of Wales Jac van Steen (conductor) SAT 01:00 Through the Night (m000cpsr) 05:01 AM BIS BIS2408 (Hybrid SACD) - Released 3rd January 2020 Regensburger Domspatzen at Tage Alter Musik Judith Weir (1954-) String quartet Ravel: Jeux de Miroirs Leopold Mozart shows himself to be a serious composer at the Silesian Quartet Javier Perianes (piano) height of his powers with his Symphony in G and Missa Orchestre de Paris Solemnis. They are performed at the Tage Alter Musik festival 05:13 AM Josep Pons (conductor) in Regensburg, Germany, by the Regensburger Domspatzen and Franz Schubert (1797-1828) Harmonia Mundi HMM902326 the Hofkapelle Munich. Catriona Young presents. 4 Impromptus for piano, D 899 (No 4 in A flat) http://www.harmoniamundi.com/#!/albums/2571 Arthur Schnabel (piano) 01:01 AM 9.30am Building a Library Leopold Mozart (1719-1787) 05:21 AM Symphony in G 'Neue Lambacher', for strings Johann Philipp Kirnberger (1721-1783) Laura Tunbridge discusses a wide range of approaches to Hofkapelle Munchen, Rudiger Lotter (conductor) Cantata, 'An den Flussen Babylons' Schumann's searing Heine cycle and recommends the key Johannes Happel (bass), Balthasar-Neumann-Chor, Balthasar- recording to keep for posterity. 01:18 AM Neumann-Ensemble, Detlef Bratschke (conductor) Leopold Mozart (1719-1787) 10.20am New Releases Missa Solemnis in C 05:33 AM Katja Stuber (soprano), Dorothee Rabsch (contralto), Robert Joaquín Turina (1882-1949)
    [Show full text]
  • Welkom Achtergrondartikelen Programma's En Toelichtingen Musici Informatie
    2 welkom welcome 7 achtergrondartikelen articles 41 programma's en toelichtingen programmes and program notes 99 musici musicians 135 informatie information 1 Beste Biënnale bezoeker, Na drie succesvolle edities van de worden gepresenteerd leeft bij ons voort. In Dear Biennial visitor, The Biennial also offers young professionals Biënnale kan met voorzichtige trots worden deze Biënnale worden liefst elf gloednieuwe After three successful editions of the Amsterdam and amateurs the opportunity to make their geconstateerd dat er een unieke traditie is composities ten doop gehouden, daarnaast Cello Biennial, we can conclude with guarded way into the spotlight. A great number of young ontstaan in het Muziekgebouw aan ’t IJ. Van zijn er dagelijks composities te horen die – pride that a unique tradition has been established professionals have entered the National Cello 26 oktober tot en met 3 november 2012 is het ten onrechte – zelden worden uitgevoerd. in the Muziekgebouw aan ‘t IJ. From October 26 Competition or signed up for the twelve public weer zo ver: het hele gebouw gonst dan van Ondertussen is de Biënnale ook de plek through November 3, the tradition continues: the masterclasses, workshops or Open Podium. In de celloklanken. waar jonge professionals en amateurs entire building will buzz with the sound of the addition there is the ever-popular Mega Kinder Dit festivalboek maakt u wegwijs in het zich in de kijker kunnen spelen. Veel jonge cello. Cello Orkest (MegaKCO), where approximately volledige programma van deze Vierde professionele cellisten schreven zich in voor This festival book will guide you through the 140 young amateurs will bundle their efforts and Amsterdamse Cello Biënnale.
    [Show full text]
  • Interpreting Musical Structure Through Choreography in Gershwin's
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-23-2019 Music in Motion: Interpreting Musical Structure through Choreography in Gershwin’s "An American in Paris" Spencer Reese University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Reese, Spencer, "Music in Motion: Interpreting Musical Structure through Choreography in Gershwin’s "An American in Paris"" (2019). Doctoral Dissertations. 2172. https://opencommons.uconn.edu/dissertations/2172 Abstract Music in Motion Interpreting Musical Structure through Choreography in Gershwin’s An American in Paris Spencer Matthew Reese, D.M.A. University of Connecticut, 2019 This dissertation explores the relationship between the theoretic interpretation of music (through analysis of a score) and the kinesthetic interpretation of it (through dance). While compelling choreography often evokes the same expressive qualities as a score, music and dance each have expressive and structural components. This study looks beyond expressive unity to examine how formal elements of a musical score are embodied in a choreographic interpretation of it. George Gershwin’s now-iconic symphonic poem An American in Paris, while conceived as concert music, was almost immediately interpreted in dance onstage. It also inspired larger narrative works, including a film choreographed by Gene Kelly and a musical helmed by Christopher Wheeldon. When a score is written for dance, the logistical considerations of choreography likely influence the piece’s composition. But in the case of Paris, the structural details of the music itself have consistently given artists the impression that it is danceable. Gershwin’s life and musical style are examined, including his synthesis of popular and Western art music.
    [Show full text]
  • Danjulo Ishizaka Violoncello Peter Wittenberg Klavier
    CONCORSO 16 Lionel Tertis/Enrico Mainardi RECITAL Barbara Westphal Viola Mari Kato Klavier Danjulo Ishizaka Violoncello Peter Wittenberg Klavier Freitag, 13. Mai 2016 19.30 Uhr Solitär Universität Mozarteum Mirabellplatz 1 Programm Johannes Brahms Sonate e-Moll, op. 38 Claude Debussy Sonate d-Moll für Violoncello und Klavier (1833-1897) Allegro non troppo (1862-1918) Prologue. Lent Allegretto quasi Menuetto Sérénade et Finale. Modérément – Animé Allegro Frédéric Chopin Sonate pour violoncelle g-Moll, op. 65 Benjamin Britten Lachrymae, op. 48 (1810-1849) Allegro moderato (1913-1976) Reflections on a song of Dowland Scherzo („If My Complaints Could Passions Move“) Largo Für William Primrose Finale. Allegro Barbara Westphal, Viola Danjulo Ishizaka, Violoncello Mari Kato, Klavier Peter Wittenberg, Klavier -- Pause -- Barbara Westphal Mari Kato Barbara Westphal studierte in London und New York und Mari Kato wurde in Obihiro auf Japans Nordinsel Hokkaido erlangte ihre Konzertreife bei Itzhak Perlman und Michael Tree. geboren und studierte an der Musikhochschule Köln bei 1983 gewann sie im ARD Wettbewerb den einzigen Preis für Tiny Wirtz und an der Musikhochschule Hannover bei David Solo-Bratsche sowie den Busch Preis. Wilde. Sie besuchte Meisterkurse bei Paul Badura-Skoda und Als Solistin und Kammermusikerin konzertiert sie weltweit. Sergei Dorenski. Sie errang den 1. Preis beim Beethoven- Von 1978 bis 1985 war sie Bratschistin des Delos Quartetts Klavierwettbewerb in Sapporo (1987) und beim Internationalen (USA), Erster Preisträger beim Internationalen Wettbewerb Klavierwettbewerb in Lugano (1991). für Streichquartett in Colmar (Frankreich, 1981). Regelmäßig Als Solistin trat sie mit dem Nordkammerorchester Sapporo, mit gastiert sie bei internationalen Festivals wie z.B. Santa Fe (New dem Sapporo Symphonieorchester unter Tadaaki Otaka auf und Mexico), Sarasota (Florida), Great Lakes Festival (Michigan), Incontri in Terra di Siena und arbeitete mit Dirigenten wie Lorin Maazel, Hubert Soudant, Johannes Kalitzke, Michael Boder Schleswig-Holstein Musik Festival.
    [Show full text]
  • Carmengeorges BIZET
    Carmen GEORGES BIZET THEATER 15/16 Five Hundred Twenty-Second Program of the 2015-16 Season _______________________ Indiana University Opera Theater presents as its 447th production Carmen Opéra Comique in Four Acts Music by Georges Bizet Libretto by Henri Meilhac and Lucovic Halévy Based on the novel by Prosper Mérimée David Effron, Conductor Jeffrey Buchman, Stage Director Robert O’Hearn, Set and Costume Designer Dana Tzvetkov, Costumer Patrick Mero, Lighting Designer Walter Huff, Chorus Master Brent Gault, Children’s Chorus Master Rosa Mercedes, Dance Choreographer Matt Herndon, Fight Choreographer Gary Arvin, Diction Coach Daniela Siena, Supertitles Author _________________ Musical Arts Center Friday Evening, February Twenty-Sixth Saturday Evening, February Twenty-Seventh Friday Evening, March Fourth Saturday Evening, March Fifth Seven-Thirty O’Clock music.indiana.edu Cast of Characters Friday, February 26 Saturday, February 27 Saturday, March 5 Friday, March 4 Don José . Trey Smagur Justin Stolz Carmen . Courtney Bray Patricia Illera Micaëla . Yuji Bae Claire Lopatka Escamillo . Ross Coughanour Jianan Huang Zuniga . Andrew Richardson Jeremy Gussin Moralès . Mark Billy Teofil Munteanu Frasquita . Emma Donahue Madeline Ley Mercédès . Marianthi Hatzis Chelsea DeLorenz Le Dancaïre . Benjamin Seiwert Andres Acosta Le Remendado . Max Zander Darian Clonts Supernumeraries . Zach Decker, Kara Dual-Fowler, Norm Holy Antonio Houck, Moses Mayabilo, Ben Monticue Jim Nelson, Andrew Nine, Tod Wicks Opera Chorus Walter Huff, Chorus Master Women Women
    [Show full text]
  • Universidad De Cuenca Facultad De Artes
    UNIVERSIDAD DE CUENCA FACULTAD DE ARTES Titulo: Análisis comparativo de técnica interpretativa a tres instrumentistas que proponen la ejecución del Concierto en Re Mayor para violonchelo de Joseph Haydn. Trabajo de Titulación previo a la obtención de Licenciatura AUTOR: Miriam Carolina Lasso Lazo CI: 0106522048 TUTOR: MGST. Raquel Margarita Ortega Sarango CI: 1103698393 CUENCA- ECUADOR 2019 Universidad de Cuenca. Resumen Este proyecto de tesis desarrolla un análisis comparativo de técnica interpretativa a tres instrumentistas que proponen una ejecución del Concierto en Re mayor de Joseph Haydn, el objetivo principal es desarrollar el análisis estructural, armónico y comparativo de técnica interpretativa a tres instrumentistas que ejecutan el concierto en Re mayor de Joseph Haydn para así proceder a obtener diversos criterios interpretativos, el análisis estructural y armónico del concierto servirá de guía al determinar que pasajes serán objeto de comparación entre los intérpretes, cabe recalcar que las cadencias de cada movimiento también formarán parte de la comparación de técnica interpretativa ya que en ellas se puede observar el control técnico y virtuoso del intérprete. El análisis comparativo de técnica de interpretación se realiza primero en variables generales, es decir en la ejecución de cada intérprete sobre la obra en general para proceder luego con variables específicas en cada movimiento, al final se eligen los criterios que más se ajustan a la interpretación de la ejecutante. Palabras Clave: ANALISIS COMPARATIVO, CRITERIO,
    [Show full text]
  • National Endowment for the Arts FY 2017 Spring Grant Announcement
    National Endowment for the Arts FY 2017 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of June 5, 2017. For the most up to date project information, please use the NEA's online grant search system. Click the grant category or artistic discipline/field below to jump to that area of the document. 1. Art Works grants by discipline/field Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. Research: Art Works Grants 3. Our Town Grants 4. Partnerships (State & Regional) Arts Education Number of Grants: 113 Total Dollar Amount: $3,375,000 Abada-Capoeira San Francisco $10,000 San Francisco, CA To support the expansion of a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. Students will develop their physical and cognitive skills through weekly classes with professional artists, learning the physical elements of the art form, the music, historical and cultural information, and performance concepts. Students will work in partners and as a group, interacting in an atmosphere that encourages creativity and spontaneity. Emphasis will be placed on teamwork, concentration, and the use of movement, rhythm, and song as methods of expression. Actors' Shakespeare Project (aka ASP) $30,000 Somerville, MA To support Shakespeare Inside and Out youth theater programs. Participating youth (many of whom are involved in the court system) develop artistic, literacy, social, and pre-professional skills through the study of Shakespeare and other ensemble-based theater projects.
    [Show full text]
  • A Conductor's Compendium of Black American Orchestral Composers
    University of South Carolina Scholar Commons Theses and Dissertations 2015 Expanding the American Canon: A Conductor's Compendium of Black American Orchestral Composers Nseobong Ekpo University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Commons Recommended Citation Ekpo, N.(2015). Expanding the American Canon: A Conductor's Compendium of Black American Orchestral Composers. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3098 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. EXPANDING THE AMERICAN CANON: A CONDUCTOR’S COMPENDIUM OF BLACK AMERICAN ORCHESTRAL COMPOSERS by Nseobong E. Ekpo Bachelor of Music Education University of South Carolina, 2001 Master of Music University of South Carolina, 2005 ------------------------------------------------------------------------------------------------------------ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Conducting School of Music University of South Carolina 2015 Accepted by: Donald Portnoy, Major Professor Birgitta J. Johnson, Committee Member Larry Wyatt, Committee Member Andrew Gowan, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Nseobong E. Ekpo, 2015 All Rights Reserved. ii DEDICATION To all of those composers of color who labored in the shadows… iii ACKNOWLEDGEMENTS I would first like to thank my wife, Tami Ekpo, for her love, undying support, and editing! Without her support I could not have completed this document. I also would like to thank Dr. James Wanliss for his encouragement and tough love.
    [Show full text]
  • Guide to the Helen Walker Hill Collection
    Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Helen Walker Hill Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COL L EGE CHICAG, 0 CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Helen Walker-Hill Collection, 1887-2012 EXTENT Papers: 41 boxes, 25.1 linear feet COLLECTION SUMMARY The Helen Walker-Hill Collection is composed of musical compositions by black women composers throughout the United States and England. This collection was compiled by pianist and musicologist, Dr. Helen Walker-Hill. PROCESSING INFORMATION The Helen Walker-Hill Collection was processed with funding provided through a Preservation and Access Grant from the National Endowment for the Humanities. The collection was processed by and this finding aid was created by Margaret Gonsalves in 2006. Additional acquisitions donated in 2008 and 2012 were processed by Laurie Lee Moses in 2014. BIOGRAPHICAL NOTE Helen Siemens Walker-Hill was born in Winnipeg, Manitoba, Canada, on May 26, 1936 to George and Margaret (Toews) Siemens. Walker-Hill received her early musical training from her mother, Margaret Siemens, and continued piano studies with Emma Endres Kountz in Toledo, Ohio. In 1957 she received a Bachelor of Art degree in Spanish, German, and French languages and literature from the University of Toledo, Ohio. Walker-Hill was a certified secondary teacher in the state of Ohio. From 1957–1958 she was a Fulbright fellow, studied with Nadia Boulanger, and received a Diplome from École Normale de Musique in Paris in 1958.
    [Show full text]
  • HAMLET PIANO TRIO LUDWIG Van BEETHOVEN
    HAMLET PIANO TRIO CHANNEL CLASSICS CCS 39117 LUDWIG van BEETHOVEN OPUS 70 & 121 HAMLET PIANO TRIO hree world-class musicians decided to join forces in 2011. As the Hamlet TPiano Trio their reputation grows fast worldwide. All three have earned their stripes, both as soloists and as chamber musicians. The Dutch Italian and Italian Dutchman Paolo Giacometti is known as a soloist playing both modern and period instruments. He has recorded many albums with great works and renowned orchestras. In 2004, he received his first Edison award for one of his albums from the eight-part Rossini project. As a chamber musician, Paolo is well-known in combination with renowned musicians like Pieter Wispelwey, with whom he has formed a duo for a long time. But he also worked with Viktoria Mullova, Bart Schneemann, Janine Jansen and many other artists. György Sebök is one of the greatest sources of inspiration for Paolo’s musical development. Every year, Paolo is present at the Musikdorf Ernen, where Sebök once founded his festival. Here is also where the idea came into being to form a trio with Xenia and Candida. Since 2010, Paolo is a professor at the Robert Schumann Musikhochschule in Dusseldorf. Candida Thompson has been artistic leader of Amsterdam Sinfonietta since 2003, which under her leadership has developed into one of the most prominent chamber orchestras in the world, performing both in the Netherlands and abroad with soloists such as Murray Perahia, Thomas Hampson, Maxim Vengerov, Christianne Stotijn, Martin Frost and Gidon Kremer. Candida studied at the Guildhall School of Music with David Takeno.
    [Show full text]
  • Universidad De Cuenca Facultad De Artes Carrera De Música
    Universidad de Cuenca UNIVERSIDAD DE CUENCA FACULTAD DE ARTES CARRERA DE MÚSICA “Estudio Comparativo de tres Interpretaciones de la Sonata I Op. 45 en Bb Mayor para Violonchelo y Piano de Félix Mendelssohn” Tesis previa a la obtención del Título de Licenciado en Artes Musicales Área de Ejecución Instrumental: Violonchelo Autora: María Belén Martínez Flores. 0104927553 Director: Ms. Eddie Mauricio Jumbo Medina. 1102434402 Cuenca-Ecuador 2016 Universidad de Cuenca Resumen En el presente trabajo se realiza un Estudio Comparativo de tres Interpretaciones de la Sonata I Op. 45 en Bb Mayor para Violonchelo y Piano de Félix Mendelssohn. El mismo que fue analizado con ayuda del performance de tres grandes violonchelistas como son: Natalia Gutman (Rusia 1942), Inbal Segev (Israel 1974) y Xenia Jankovic (Serbia 1958), en donde se puede examinar cada una de sus ejecuciones comparando varios aspectos técnicos y estilísticos; los mismos que apoyaron al desarrollo musical y técnico de la autora del trabajo. Además, fue reforzado por material teórico acerca de la vida de cada una de ellas, como de la obra estudiada. Las conclusiones brindan un soporte técnico, fraseológico y de precisión de las dinámicas que pueden ayudar al lector a tener una nueva perspectiva interpretativa. PALABRAS CLAVES: ANÁLISIS INTERPRETATIVO, SONATA PARA VIOLONCHELO Y PIANO, MENDELSSOHN, DINAMICAS, AGÓGICA, FRASEO, TÉCNICA, ESTILO, ESCUELA RUSA, ESCUELA ALEMANA. Abstract In this work is a comparative study of three interpretations of the Sonata I Op. 45 in Bb Major for Cello and Piano of Felix Mendelssohn. The same was analyzed using the performance of three great cellists like Natalia Gutman (Russia 1942), Inbal Segev (Israel 1974) and Xenia Jankovic (Serbia 1958), where you can examine each of their performances by comparing various aspects technical and stylistic, the same that supported the musical and technical development of the author's work.
    [Show full text]
  • Radio 3 Listings for 8 – 14 May 2021 Page 1 of 13
    Radio 3 Listings for 8 – 14 May 2021 Page 1 of 13 SATURDAY 08 MAY 2021 04:51 AM Harmonia Mundi: HAF8905318 Antonin Dvorak (1841-1904) https://store.harmoniamundi.com/format/714608-nesprez-plus- SAT 01:00 Through the Night (m000vrg1) Prague Waltzes B.99 mes-yeux-airs-srieux-et-boire-vol-3 Illness and Hope Slovak Radio Symphony Orchestra, Stefan Robl (conductor) 10.40am Harriet Smith on Chamber Music In response to the Covid-19 crisis, a special concert from Denmark with music by composers influenced by illness in SAT 05:00 Piano Flow with Lianne La Havas (m000vrg5) Harriet Smith reviews new releases of chamber music by their lives. Presented by Jonathan Swain. Vol 3: Celebrating serene sounds of women bright in spirit and Brahms, Weinberg and Saint-Saëns. soul 01:01 AM Weinberg: Piano Quintet Op. 18 Robert Schumann (1810-1856) Drift away with a weekly dose of the world’s most soothing Elisaveta Blumina (piano) Piano Quartet in E flat, Op 47 - 1st movt piano music Bruno Delepelaire (cello) Ensemble Midtvest Elisaveta Blumina (piano) Máté Szücs (viola) 01:10 AM SAT 06:00 Happy Harmonies with Laufey (m000vwn1) Noah Bendix-Balgley (violin) Domenico Scarlatti (1685-1757), Dinu Lipatti (arranger) Vol 3: Gentle jazz sounds to ease you into the day Shanshan Yao (violin) Keyboard Sonata in B minor, K 377 (L. 263) Oehms: OC487 Ensemble Midtvest Laufey celebrates jazz, with tracks from Jacob Collier, Saje, https://www.oehmsclassics.de/artikel/24300/Elisaveta_Blumina New York Voices and more. Noah_Bendix-BalgleyShanshan_YaoM%C3%A1t%C3%A9_Sz 01:14 AM %C3%BCcsBruno_Delepelaire_Mieczyslaw_Weinberg__Piano Maurice Ravel _Quintet_Op__18__Childrens_Notebook_No__3_Op__23 Le Tombeau de Couperin (Forlane & Allegretto) SAT 07:00 Breakfast (m000vwn3) Martin Qvist-Hansen (piano) Elizabeth Alker Un Matin de Printemps (Music by Boulanger, Ravel and Saint- Saëns) 01:21 AM Classical music for breakfast time, plus found sounds and the Trio Helios Wolfgang Amadeus Mozart (1756-1791) odd unclassified track.
    [Show full text]