DOCSLIB.ORG

9 MB HSFCA Annual Report for FY 2018-2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
9 MB HSFCA Annual Report for FY 2018-2019 Enriching the Public Sphere through the Arts STATE FOUNDATION ON CULTURE AND THE ARTS 2019 Annual Report What’s Inside Board of Commissioners | Inside Cover Mission | 1 Year in Review | 2 2018–2019 Budget | 3 Strategic Plan | 4 Community Mahalo | 6 Education | 8 Schools Served | 12 Fellowships | 14 One Percent for the Arts | 16 Art in Public Places | 20 Hawai‘i State Art Museum | 24 Grants | 26 Biennium Grants | 28 Folk & Traditional Arts Partnership | 30 Arts First Partners | 34 Legislative Initiatives | 36 SFCA Financial Summary | 38 SFCA Staff | 41 BOARD OF C OMMISSIONERS JULY 1, 2018–JUNE 30, 2019 Patricia Hamamoto Karen Tiller Polivka Chairperson, At-Large At-Large Susan Browne Clyde Sakamoto At-Large Maui County Nalani Brun Sherman Warner Kaua‘i County At-Large Jane Clement Allison Wong Hawai‘i County At-Large Ronald Michioka City & County of Honolulu MISSION To promote, perpetuate and preserve culture and the arts in Hawai‘i. VALUES WE CELEBRATE and emphasize the cultural richness and diversity of Hawai‘i. WE BELIEVE in equitable access, transparency, and community-based decision making. WE SHARE in the responsibility to perpetuate the Native Hawaiian culture and the arts. WE VIEW art and cultural engagement as critical to the educational, economic, and social well-being of individuals, communities, and the state of Hawai‘i. 1 sfca STATE FOUNDATION ON CULTURE AND THE ARTS FISCAL YEAR 2019 Year in Review This Annual Report of 2018–2019 This year the Foundation’s work included three legisla- tive initiatives: awarding Teaching Artists Fellowships; offers an overview of the past year’s leading the 50th Anniversary Celebration of the Hawai‘i efforts by the State Foundation State Capitol task force; and completing the US Rep. Patsy T. Mink Monument. This legislative session the on Culture and the Arts (SFCA) to SFCA received a $2.6 million capital improvement focus on the implementation of the project appropriation for construction improvements goals of its new 2019–2023 Strategic to the No. 1 Capitol District Building and Site, the home of HiSAM and the SFCA offices. These improvements Plan priorities of Culture, Education, will accommodate increased and safer access and Engagement and the Arts. building use. The Legislature also raised the budget ceiling for the Art in Public Places Program by $991,777. In recognition of the shared responsibility to perpet- The increased budget will help us to reach more uate Native Hawaiian culture and arts, this year SFCA communities and bring more people together through adopted the Kamehameha I statue in North Kohala. the power of the arts. In fiscal year 2021 we will be The project supported the community conservation requesting that the Legislature and the Administration effort of the painted statue and included a community establish a Director of the Hawai‘i State Art Museum engagement component to bring hula ki‘i (traditional position. As you will see on the following pages, the Hawaiian puppetry) to the community in the form of growing role HiSAM plays within the arts and culture storytelling around the statue. fabric of society warrants a director. Education remains a pillar of the Foundation and this June 30, 2019 marked the completion of year one of year we funded all 111 qualified schools that applied our 2019–2023 Strategic Plan. As we continue to assess for an Artists in the Schools Residency. With a diverse our initial progress with the Plan, we are setting our funding base that included a 50% match by the Hawai‘i sights on the next four years of implementing the Plan Community Foundation, we continued to expand our with a focus on rebranding HiSAM, hosting the Festival capacity for excellent arts education to public and of Pacific Arts & Culture 2020, implementing HiSAM’s charter schools statewide. construction project and re-organizing so the agency can best reach its goals in serving the community. As Hawai‘i’s communities are engaged in the arts through your state arts agency, the commission, leadership and the work of many arts organizations. This year we staff of the SFCA are committed to furthering the arts redesigned our biennium grants program to better and culture in our state. serve the community by creating an online application and reporting structure, and streamlining the applica- tion by eliminating the previous revised proposal step. All this was done with a goal of simplifying the Mahalo, process for the grant applicant and making more funding available. Each year our annual report focuses on a different strategic priority, and this report focuses on the Arts. Within the following pages you will see the role of Jonathan Johnson Patricia Hamamoto the SFCA and its programs play in supporting the Executive Director Chairperson, Fiscal Years 2015–2019 Arts in Hawai‘i. 2 sfca 2018–2019 Budget ANNUAL BUDGET 22% $1,463,587 STATE GENERAL FUND $681,800 FEDERAL FUND* $6,710,410 10% $4,565,023 WORKS OF ART SPECIAL FUND APPROPRIATION 68% *National Endowment for the Arts Priorities of Education, Folk and Traditional and Underserved. MATCHING GRANT SUPPORT $9,548,088 GRANTEE MATCH 3% $265,538 $9,934,118 1% PRIVATE $120,492 SCHOOL SHARE 96% 3 sfca Strategic Plan The State Foundation on Culture and the Arts goals are outlined in our current Strategic Plan which includes strategic priorities, vision, mission and values. The plan is effective July 1, 2018 through June 30, 2023 as required by the agency’s federal partnership with the National Endowment for the Arts. The priorities adopted are reflective of input by the community, SFCA Commissioners and staff. In implementing the plan’s priorities and accompanying strategies, SFCA intends to strengthen existing programs and services, pursue new initiatives, embrace a culture of transparency and accountability, and set and meet benchmarks that communicate our intentions clearly to our staff, partners, and the broader community. 4 sfca STRATEGIC PRIORITIES Fiscal Year 2019 Strategic Plan Implementation Highlights Began implementation of the SFCA 2019–2023 Strategic Plan Culture Engagement Support, foster and celebrate Enhance public Culture the artistic expressions engagement in • Conservation of the Kamehameha I of Hawai‘i’s diverse cultures culture and the arts. statue in North Kohala. and communities. • Supported the making, creating stories, songs and performing of hula ki‘i, (traditional Hawaiian puppetry); including 3 Kohala halau hula, 4 kumu hula ki‘i, and 50 cultural practitioners. Engagement • Dedicated monument to the late United States Representative Patsy T. Mink. Education The Arts • Facilitated the 50th Anniversary celebration of the Hawai‘i State Capitol. Strengthen arts education Enrich the public sphere for all learners. through the arts. Education • Awarded 12 individual artist fellowships for outstanding teaching artists, from 4 islands. • Expanded Artists in the Schools program statewide to more than 100 schools. • Served 108 public and charter schools and 13,317 people statewide through the initiatives for teaching artists and classroom teachers. The Arts • Acquired 76 works of art for the Art in Public Places collection and commis- sioned two public art works. • Opened three new exhibits at the Hawai‘i State Art Museum (HiSAM). 5 sfca Community Mahalo We believe in equitable access, transparency, O‘AHU Beverly Major and community-based decision making. Informed Lei Ahsing Gladys Marrone community panelists make decisions at the SFCA Brianne Atwood Mary Mitsuda regarding grants and art acquisitions. Mary Babcock Darin Miyashiro With the dedication and expertise of these volun- Donna Blanchard Marcia Morse teers, we make informed decisions that result in Sean Browne Lisa Nakandakari effective programming. Momi Cazimero Noreen Naughton Deborah Nehmad Mahalo to all the individuals who participated in the Donnie Cervantes Greg Northrup decision making of the State Foundation on Culture Alitta Charron and the Arts in fiscal year 2019. Norma Chun Amber O’Harrow Charlie Cohan Celeste Ohta Wayne DeMello Lauren Okano Ashley DeMoville Josiah Patterson HAWAI‘I MAUI Sue Deuber Michael Pili Pang ISLAND Jennifer Sabas Neida Bangerter Deborah Dunn Sanna Saks-Deutsch Pam Barton Sarala Dandekar Marika Emi Franco Salmoiraghi Mary Begier Lori Gomez-Karinen Ava Federov Amy Schiffner Lynn Capell Ilima Greig-Hong Akiemi Glenn Hannah Shun Kaholo Daguman Lynn Kaho‘ohalahala Scott Groeniger Jamie Simpson Steele Joy Holland Sandra McGuinness Jaimey Hamilton Timothy Slaughter Sally Lundberg Michael Moore Toni Han Amanda Smith Michael Marshall Richard Nelson Selena Harkness Lee Edward Spencer Hiroki Morinoue Jennifer Owen Aly Ishikuni-Sasaki Dawn Sueoka Margo Ray Chadwick Pang Kira Iwamoto Aljon Tacata Margaret Shields Lisa Schattenburg- Jay W. Junker Donna Starr Raymond Grant Kagimoto Rae Takemoto Dennis Taniguchi Daniel Schultz Wendy Kawabata Jeff Tam Noe Noe Michael Takemoto John Keaka Friend Allicyn Tasaka Wong-Wilson Nancy Young Tamsen Cheryl Kealohamakua Fox Treiber-Kawaoka KAUA‘I Louise King Lanzilotti Ricardo Trimillos MOLOKA‘I Chris Faye Damaris Kirchhoffer Inger Tully Diane Abraham Sally French Tom Klobe Shuzo Uemoto Nathalie Hosten Bernie Sakoda Val Krohn-Ching Malia Van Heukelem Helen Cecelia Maya Lea Portner Jay W. Junker Lydia Trinidad LĀNA‘I Gregg Lizenbery Fae Yamaguchi Ron Yamakawa Robin Kaye Maile Loo Katherine Love Maile Yawata Jon Magnussen Sidney Yee Wendy Yoshimoto 6 sfca SFCA 2020 Goals Culture Host venue for the Festival of the Pacific Arts & Culture 2020 to be held on O‘ahu in June 2020. Showcase unique Native Hawaiian cultural arts and practices at the Hawai‘i State Art Museum. Provide presentations free to the public for 7 days. Engagement • Redesign Biennium Grants Process. • Expand Statewide Cultural Extension Program outreach to more than 7,000 adults and children with services offered to: homeless, public housing, SFCA 2021 Goals and corrections. Culture Education Build cultural capacity and public awareness • Expand Artists in the Schools program statewide by for 3 Native Hawaiian practices that are not 8% (111 schools, approximately 75% to rural and/or robust; such as hula ki‘i, ‘ukeke and ulana ‘ie.
Load more

Recommended publications
  • Ill PROFMEX·ANUIES International Conference Scheduled for Tijuana in October
    Number 6, Summer 1983 U NIVERSITY O F C ALIFORNI A C ONSORTIUM O N M EXICO & T HE U NITED S TATES BERKEL EY • D AVIS • IR VIN E • L os A NGELES • R IVERSIDE • SAN D IEGO • SAN FR ANCISCO • S AN TA B ARBARA • SAN TA CRUZ Ill PROFMEX·ANUIES International Conference Scheduled for Tijuana in October Hosted by CEFNOMEX representing the Carlos Monsivais (UNAM) ANUIES representatives to the Con­ Asociaci6n Nacional de Universidades e Jacinto Quirarte (UT San ference include Rafael Velasco lnstitutos de Ensenanza Superior and by Anton io) Fernandez (Secretario General UCLA and UC MEX US representing IV . Games Without Rules Ejecutivo), Antonio Gago Huguet PROFMEX , the Ill Conference of Mexican Moderator Manuel Garcia y Griego (Secretario Academico), and Ermilo J. and U.S. Universities on Border Studies (COLMEX) Marroquin (D irector de Relaciones will meet October 24 and 25 in Tijuana Panelists Lorenzo Meyer (COLMEX) lnternacionales y Becas) The theme of the conference is " Rules of Clark Reynolds (Stanford) Invited to close the conference are the Game in Border Life ," and attendance Ross Shipman (UTA) the Ambassadors of both countries , John is without restriction . Jesus Tamayo (CIDE) A. Gavin (Mexico City) and Jorge Invited to open the Conference are Jorge Vargas (Univ. of San Espinosa de los Reyes (Washington, D.C.) the Attorneys General of Mexico and the Diego) The conference is funded by US ICA United States, Sergio Garcia Ramirez Scott Whiteford (Michigan and ANUIES. and William French Smith. Smith wil l also State University) For more information, contact the con­ serve in his capacity as Regent of the Uni ­ Other invited speakers include ference organizers: Jorge Bustamante, versity of California.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany Including Recent Acquisitions. Catalogue 286 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • 2019 Hawaii Regional Scholastic Art Award Nominees 1
    2019 Hawaii Regional Scholastic Art Award Nominees 1 SCHOOL NAME TITLE CATEGORY AWARD STUDENT FIRST NAME STUDENT LAST NAME EDUCATOR FIRST NAME EDUCATOR LAST NAME AMERICAN VISIONS Aiea Intermediate School RoBots vs Monsters Digital Art Silver Key Patton Courie Eizen Ramones Aiea Intermediate School roBot vs. monster Digital Art HonoraBle Mention layla wilson Eizen Ramones Aliamanu Middle School Purple hair Painting Silver Key Aliyah Varela Ted Uratani Aliamanu Middle School Escher is great Drawing and Illustration HonoraBle Mention Kierra Birt Ted Uratani Aliamanu Middle School Curved world Drawing and Illustration HonoraBle Mention Ella Freeman Ted Uratani Aliamanu Middle School Pink Sky Painting HonoraBle Mention Breah Lang Ted Uratani Aliamanu Middle School White Wash Drawing and Illustration HonoraBle Mention Annie Pham Ted Uratani Aliamanu Middle School Curly hair Drawing and Illustration HonoraBle Mention Joanna Stellard Ted Uratani Aliamanu Middle School Houses on hills Drawing and Illustration HonoraBle Mention Jiyanah Sumajit Ted Uratani Asia Pacific International School No Title Drawing and Illustration Gold Key Rylan Ascher Erin Hall Farrington High School Beauty Film & Animation Gold Key Emerald Pearl BaBaran Charleen Ego Farrington High School My Voice Are In My Art Film & Animation HonoraBle Mention Mona-Lynn Contaoi Charleen Ego Farrington High School Flip Photography HonoraBle Mention Alyia Boaz Aljon Tacata Farrington High School Rivals Photography HonoraBle Mention Jaymark Juan Aljon Tacata Farrington High School Flip
    [Show full text]
  • The U.S. Army on Kaua'i, 1909—1942
    WILLIAM H. DORRANCE The U.S. Army on Kaua'i, 1909—1942 FOLLOWING THE ANNEXATION of the Republic of Hawai'i by the United States in 1898, the U.S. Army viewed the Islands in a strategic context. They were seen to be the advance outpost in the western defenses of the mainland United States. The airplane was in its infancy and posed no threat, so land-based cannons were emplaced on O'ahu to prevent naval bombardment of Honolulu and Pearl Harbor. Kaua'i had nothing of strategic importance that required similar fortifications. It was enough for the Army to construct a har- bor on the island suitable for receiving ocean going troop transports if an invasion were threatened. The Army's outlook changed when the performance of military airplanes improved. Advance warning and early interception of enemy aircraft approaching O'ahu were needed. Kaua'i's location relative to O'ahu became a factor, and in the 1920s the Army began to establish airfields on the island. Then, in the mid-1930s, senior officers began expressing the importance of keeping an enemy off Kaua'i at all costs. They believed that the island could help feed O'ahu in the event that Hawai'i was isolated and that Kaua'i must not be used as ajumping-off place to invade O'ahu. While a battalion of infantry was assigned to Kaua'i, little of the defense preparations was completed before the Japanese struck. Nevertheless, the Army's immediate response to the December 7, 1941, Japanese attack on O'ahu included doing what it could to strengthen Kaua'i's defenses.
    [Show full text]
  • Hawaiʻi's Big Five
    Hawaiʻi’s Big Five (Plus 2) “By 1941, every time a native Hawaiian switched on his lights, turned on the gas or rode on a street car, he paid a tiny tribute into Big Five coffers.” (Alexander MacDonald, 1944) The story of Hawaii’s largest companies dominates Hawaiʻi’s economic history. Since the early/mid- 1800s, until relatively recently, five major companies emerged and dominated the Island’s economic framework. Their common trait: they were focused on agriculture - sugar. They became known as the Big Five: C. Brewer (1826;) Theo H. Davies (1845;) Amfac - starting as Hackfeld & Company (1849;) Castle & Cooke (1851) and Alexander & Baldwin (1870.) C. Brewer & Co. Amfac Founded: October 1826; Capt. James Hunnewell Founded: 1849; Heinrich Hackfeld and Johann (American Sea Captain, Merchant; Charles Carl Pflueger (German Merchants) Brewer was American Merchant) Incorporated: 1897 (H Hackfeld & Co;) American Incorporated: February 7, 1883 Factors Ltd, 1918 Theo H. Davies & Co. Castle & Cooke Founded: 1845; James and John Starkey, and Founded: 1851; Samuel Northrup Castle and Robert C. Janion (English Merchants; Theophilus Amos Starr Cooke (American Mission Secular Harris Davies was Welch Merchant) Agents) Incorporated: January 1894 Incorporated: 1894 Alexander & Baldwin Founded: 1870; Samuel Thomas Alexander & Henry Perrine Baldwin (American, Sons of Missionaries) Incorporated: 1900 © 2017 Ho‘okuleana LLC The Making of the Big Five Some suggest they were started by the missionaries. Actually, only Castle & Cooke has direct ties to the mission. However, Castle ran the ‘depository’ and Cooke was a teacher, neither were missionary ministers. Alexander & Baldwin were sons of missionaries, but not a formal part of the mission.
    [Show full text]
  • Sugar Maui Hawaii Final 6 2014
    Report: Excursion on Sugar Production in Maui, Hawaii, June 03 – 06, 2014 Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Museum, Maui, Hawaii, 6/2014 Origin and Migration of Sugar Cane to Hawaii Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Museum, Maui, Hawaii, 6/2014 Sun, Wind and Water Water for the Fields N Wind Dry Plain Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Museum, Maui, Hawaii, 6/2014 Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Museum, Maui, Hawaii, 6/2014 Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane, Maui, Hawaii, 6/2014 ° Sugar cane is a giant grass producing stalkes that range from 8 to 30 feet long. ° Stalks are too tall to stand upright so they fell into each other and form tangled masses. ° In Hawaii, sugar cane takes twlo years to mature. From one acre of cane, 12 tons of raw sugar may be produced. This amounts to 22,465 pounds of refined sugar. Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Train , Lahaina, Maui, Hawaii, 6/2014 Source: Kern, M., 6/2014 Dr. Manfred Kern Hawaiian Commercial & Sugar Company (HC&S), 2014: Vision Source: http://hcsugar.com . 6/2014 Dr. Manfred Kern Hawaiian Commercial & Sugar Company (HC&S), 2014: History The Beginning ° Well over a century old, HC&S has grown from a small Maui sugarcane plantation founded by two childhood friends into one of the worlds most advanced and productive sugar businesses. ° Augmenting their original investment in 12 acres below Makawao, Maui, with the acquisition of an additional 559 acres, Samuel Thomas Alexander and Henry Perrine Baldwin planted their first sugarcane crop in 1870 on their newly established Alexander and Baldwin plantation.
    [Show full text]
  • So Much More
    so much more ACTIVITIES AND ATTRACTIONS | WINTER 2012 - kaua‘i • o‘ahu • moloka‘i • lana‘i • maui • hawai‘i island Waialua Falls, Maui Welcome to the Hawaiian Islands. HAWAI‘I IS HOME TO A MULTITUDE of historic and cultural sites, attractions, cultural festivals, concerts, craft fairs, athletic events, and farmers’ markets. While some are enjoyed primarily by residents, we think they can also provide excitement for visitors. Others are among the islands’ best kept secrets, unknown not only to travelers but even to many who live here. This guide is a brief introduction to Hawai‘i’s endless variety of special events and off-the-beaten path attractions, offered to our visitor stakeholders for informational purposes only. It should not be interpreted as a recommendation of any specifi c activity or attraction or be seen an endorsement of any organization. There’s so much more to Hawai‘i than one can imagine! INSIDE 06 HAWAI‘I 51 MOLOKA‘I 20 KAUA‘I 54 O‘AHU 32 LANA‘I- 76 STATEWIDE 36 MAUI TABLE OF HAWAI‘I ISLAND 23 Festival of Lights 23 08 ‘Imiloa Astronomy Center of Hawai‘i Hanapēpē - Friday Art Night 24 08 15th Annual Big Island International Marathon Heiva I Kaua‘i Ia Orana Tahiti 2012 24 09 Kahilu Th eatre's 2012 Presenting Season Kaua‘i Historical Society’s Kapa‘a History Tour-Kapa‘a Town 25 09 Aloha Saturdays Kaua‘i Music Festival 25 10 Amy B.H. Greenwell Ethnobotanical Garden Kōloa Heritage Trail 26 10 Anna Ranch Heritage Center Kōloa Plantation Days Festival 26 11 Big Island Abalone Corporation Lāwa'i International Center 27 11 Bike
    [Show full text]
  • 2Nd Grade Pre Visit Packet
    Alexander & Baldwin Sugar Museum Education Program 2nd Grade Teacher Resource Packet P.O. Box 125, Puunene, Hawaii 96784 Phone: 808-871-8058 Fax: 808-871-4321 [email protected] http://www.sugarmuseum.com/outreach/#education https://www.facebook.com/AlexanderBaldwinSugarMuseum/ The Alexander & Baldwin Sugar Museum is an 501(c)(3) independent non-profit organization whose mission is to preserve and present the history and heritage of the sugar industry, and the multiethnic plantation life it engendered. All rights reserved. In accordance with the US Copyright Act, the scanning, uploading and electronic sharing of any part of these materials constitutes unlawful piracy and theft of the Museum’s intellectual property. For more information about the legal use of these materials, contact the Alexander & Baldwin Sugar Museum at PO Box 125, Puunene, Hawaii 96784. Alexander & Baldwin Sugar Museum Education Program 2nd Grade Teacher Resource Packet Table of Contents Education Program Statement Overview: • Reservations • Tour Size & Length • Admission Fee • Chaperone Requirements • Check In • Lunch • Rain • Rules Nametags Gallery Map Outdoor Map of Activity Stations* Education Standards Vocabulary Words The Process of Sugar Explained One Armed Baldwin Story Greetings in Different Languages *For a complete description of outdoor activities, see “Second Grade Activities Descriptions” or “Chaperone Activities Descriptions” at our website, http://www.sugarmuseum.com/outreach/#education Alexander & Baldwin Sugar Museum Education Program Statement What we do As the primary source of information on the history of sugar on Maui, the Alexander & Baldwin Sugar Museum responds to the educational needs of the community by developing programs that interpret the history of the sugar industry and the cultural heritage of multiethnic plantation life; providing online learning materials in an historic setting; providing learning materials online, and supporting educators’ teaching goals.
    [Show full text]
  • NGA | 2017 Annual Report
    N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M.
    [Show full text]
  • The Fijian Frescoes of Jean Charlot Caroline Klarr
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Painting Paradise for a Post-Colonial Pacific: The Fijian Frescoes of Jean Charlot Caroline Klarr Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PAINTING PARADISE FOR A POST-COLONIAL PACIFIC: THE FIJIAN FRESCOES OF JEAN CHARLOT By CAROLINE KLARR A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester 2005 Copyright 2005 Caroline Klarr All Rights Reserved The members of the Committee approve the dissertation of Caroline Klarr defended on April 22, 2002 Jehanne Teilhet-Fisk Professor Directing Dissertation (deceased) J. Kathryn Josserand Outside Committee Member Tatiana Flores Committee Member Robert Neuman Committee Member ______________________ Daniel Pullen Committee Member Approved: ________________________________________ Paula Gerson, Chair, Department of Art History ________________________________________ Sally E.McRorie, Dean, School of Visual Arts and Dance The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to Dr. Jehanne Teilhet-Fisk Ka waihona o ka na’auao The repository of learning iii PREFACE AND ACKNOWLEDGMENTS Jean Charlot’s fresco murals in the Pacific Islands of Hawai’i and Fiji represent the work of a mature artist, one who brought to the creation of art a multicultural heritage, an international background, and a lifetime of work spanning the first seven decades of the twentieth century. The investigation into any of Charlot’s Pacific artworks requires consideration of his earlier artistic “periods” in France, Mexico, and the United States.
    [Show full text]
  • Oversize Materials Series
    Hawaii War Records Depository Oversize Materials Series Finding Aid Archives & Manuscripts Department University of Hawaii at Manoa Library September 2010 Table of Contents Introductory Information ............................................................................................................ 1 Administrative Information......................................................................................................... 2 Agency History.............................................................................................................................. 3 Scope & Content Note ................................................................................................................ 10 Series Descriptions...................................................................................................................... 12 Folder list……………………………………………………………………..……Upon Request Introductory Information Series Name: Hawaii War Records Depository – Oversize Materials Collection Number: MANUSCRIPT W Inclusive / Bulk Dates: 1936-1954 Size of Series: 6 flat boxes (approximately 14 linear feet) and 15 map case drawers Creator: Hawaii War Records Depository Abstract: The Hawaii War Records Depository (HWRD) is an extensive collection of archival materials that document life in Hawaii during World War II. This finding aid documents the oversize materials in the collection formerly designated “flat storage” and stored in map case drawers. It includes some material originally cataloged by HWRD staff in the 1940s, but
    [Show full text]
  • Grants List 2014
    2014 Foundation Grants ART , CULTURE AND HUMANITIES PROGRAM CAPITAL AWAIAULU Awaiaulu Translation and Resource Project 50,000 ARTSPACE PROJECTS, INC. BELLEVUE ART MUSEUM Ola Ka ‘Ilima Artspace Lofts, a Mixed- use Development 50,000 General Support 1,250 BALLET HAWAII DIAMOND HEAD THEATRE New Ballet West Dance Studios 5,000 New Beginnings 15,000 HAWAII ACADEMY OF PERFORMING ARTS The ARTS at Marks Garage Visitor Center Renovations 20,000 EWA BEACH COMMUNITY BASED DEVELOPMENT ORGANIZATION HAWAII INTERNATIONAL FILM FESTIVAL Aloha Ho‘ola Cultural Fine Arts Program 20,000 HIFF Strategic Integration and Data Management Project (E/B System) 5,000 HAWAI‘I ALLIANCE FOR ARTS IN EDUCATION STEAM: Navigation with Arts & Science 20,000 HAWAII THEATRE CENTER HTC Capital Improvement - Phase 1 75,000 HAWAII OPERA THEATRE Hawaii Opera Theatre Production of HERITAGE HALL, INC. First Contemporary Opera: Siren Song 20,000 Heritage Hall Construction 25,000 HAWAI‘I PEACE AND JUSTICE HONOLULU THEATRE FOR YOUTH Hawai‘i Peace and Justice Movement Archive 6,250 HTY Scenic Projection Enhancement Project 10,000 HAWAI‘I SYMPHONY ORCHESTRA KUMU KAHUA THEATRE Community Education & Outreach - Kumu Kahua Theatre Space Maintenance 30,000 Youth and Senior Programs 15,000 WAIOLI CORPORATION HAWAIIAN MISSION CHILDREN’S SOCIETY Curatorial and Security Equipment Project 10,000 Hawaiian Mission Houses Historic Site and Archives 30,000 WEST HAWAII DANCE THEATRE HAWAIIAN MISSION CHILDREN’S SOCIETY Marley Dance Floor Replacement Project 7,000 HMH Business Plan and Implementation
    [Show full text]