9 MB HSFCA Annual Report for FY 2018-2019
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Ill PROFMEX·ANUIES International Conference Scheduled for Tijuana in October
Number 6, Summer 1983 U NIVERSITY O F C ALIFORNI A C ONSORTIUM O N M EXICO & T HE U NITED S TATES BERKEL EY • D AVIS • IR VIN E • L os A NGELES • R IVERSIDE • SAN D IEGO • SAN FR ANCISCO • S AN TA B ARBARA • SAN TA CRUZ Ill PROFMEX·ANUIES International Conference Scheduled for Tijuana in October Hosted by CEFNOMEX representing the Carlos Monsivais (UNAM) ANUIES representatives to the Con Asociaci6n Nacional de Universidades e Jacinto Quirarte (UT San ference include Rafael Velasco lnstitutos de Ensenanza Superior and by Anton io) Fernandez (Secretario General UCLA and UC MEX US representing IV . Games Without Rules Ejecutivo), Antonio Gago Huguet PROFMEX , the Ill Conference of Mexican Moderator Manuel Garcia y Griego (Secretario Academico), and Ermilo J. and U.S. Universities on Border Studies (COLMEX) Marroquin (D irector de Relaciones will meet October 24 and 25 in Tijuana Panelists Lorenzo Meyer (COLMEX) lnternacionales y Becas) The theme of the conference is " Rules of Clark Reynolds (Stanford) Invited to close the conference are the Game in Border Life ," and attendance Ross Shipman (UTA) the Ambassadors of both countries , John is without restriction . Jesus Tamayo (CIDE) A. Gavin (Mexico City) and Jorge Invited to open the Conference are Jorge Vargas (Univ. of San Espinosa de los Reyes (Washington, D.C.) the Attorneys General of Mexico and the Diego) The conference is funded by US ICA United States, Sergio Garcia Ramirez Scott Whiteford (Michigan and ANUIES. and William French Smith. Smith wil l also State University) For more information, contact the con serve in his capacity as Regent of the Uni Other invited speakers include ference organizers: Jorge Bustamante, versity of California. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions. Catalogue 286 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
2019 Hawaii Regional Scholastic Art Award Nominees 1
2019 Hawaii Regional Scholastic Art Award Nominees 1 SCHOOL NAME TITLE CATEGORY AWARD STUDENT FIRST NAME STUDENT LAST NAME EDUCATOR FIRST NAME EDUCATOR LAST NAME AMERICAN VISIONS Aiea Intermediate School RoBots vs Monsters Digital Art Silver Key Patton Courie Eizen Ramones Aiea Intermediate School roBot vs. monster Digital Art HonoraBle Mention layla wilson Eizen Ramones Aliamanu Middle School Purple hair Painting Silver Key Aliyah Varela Ted Uratani Aliamanu Middle School Escher is great Drawing and Illustration HonoraBle Mention Kierra Birt Ted Uratani Aliamanu Middle School Curved world Drawing and Illustration HonoraBle Mention Ella Freeman Ted Uratani Aliamanu Middle School Pink Sky Painting HonoraBle Mention Breah Lang Ted Uratani Aliamanu Middle School White Wash Drawing and Illustration HonoraBle Mention Annie Pham Ted Uratani Aliamanu Middle School Curly hair Drawing and Illustration HonoraBle Mention Joanna Stellard Ted Uratani Aliamanu Middle School Houses on hills Drawing and Illustration HonoraBle Mention Jiyanah Sumajit Ted Uratani Asia Pacific International School No Title Drawing and Illustration Gold Key Rylan Ascher Erin Hall Farrington High School Beauty Film & Animation Gold Key Emerald Pearl BaBaran Charleen Ego Farrington High School My Voice Are In My Art Film & Animation HonoraBle Mention Mona-Lynn Contaoi Charleen Ego Farrington High School Flip Photography HonoraBle Mention Alyia Boaz Aljon Tacata Farrington High School Rivals Photography HonoraBle Mention Jaymark Juan Aljon Tacata Farrington High School Flip -
The U.S. Army on Kaua'i, 1909—1942
WILLIAM H. DORRANCE The U.S. Army on Kaua'i, 1909—1942 FOLLOWING THE ANNEXATION of the Republic of Hawai'i by the United States in 1898, the U.S. Army viewed the Islands in a strategic context. They were seen to be the advance outpost in the western defenses of the mainland United States. The airplane was in its infancy and posed no threat, so land-based cannons were emplaced on O'ahu to prevent naval bombardment of Honolulu and Pearl Harbor. Kaua'i had nothing of strategic importance that required similar fortifications. It was enough for the Army to construct a har- bor on the island suitable for receiving ocean going troop transports if an invasion were threatened. The Army's outlook changed when the performance of military airplanes improved. Advance warning and early interception of enemy aircraft approaching O'ahu were needed. Kaua'i's location relative to O'ahu became a factor, and in the 1920s the Army began to establish airfields on the island. Then, in the mid-1930s, senior officers began expressing the importance of keeping an enemy off Kaua'i at all costs. They believed that the island could help feed O'ahu in the event that Hawai'i was isolated and that Kaua'i must not be used as ajumping-off place to invade O'ahu. While a battalion of infantry was assigned to Kaua'i, little of the defense preparations was completed before the Japanese struck. Nevertheless, the Army's immediate response to the December 7, 1941, Japanese attack on O'ahu included doing what it could to strengthen Kaua'i's defenses. -
Hawaiʻi's Big Five
Hawaiʻi’s Big Five (Plus 2) “By 1941, every time a native Hawaiian switched on his lights, turned on the gas or rode on a street car, he paid a tiny tribute into Big Five coffers.” (Alexander MacDonald, 1944) The story of Hawaii’s largest companies dominates Hawaiʻi’s economic history. Since the early/mid- 1800s, until relatively recently, five major companies emerged and dominated the Island’s economic framework. Their common trait: they were focused on agriculture - sugar. They became known as the Big Five: C. Brewer (1826;) Theo H. Davies (1845;) Amfac - starting as Hackfeld & Company (1849;) Castle & Cooke (1851) and Alexander & Baldwin (1870.) C. Brewer & Co. Amfac Founded: October 1826; Capt. James Hunnewell Founded: 1849; Heinrich Hackfeld and Johann (American Sea Captain, Merchant; Charles Carl Pflueger (German Merchants) Brewer was American Merchant) Incorporated: 1897 (H Hackfeld & Co;) American Incorporated: February 7, 1883 Factors Ltd, 1918 Theo H. Davies & Co. Castle & Cooke Founded: 1845; James and John Starkey, and Founded: 1851; Samuel Northrup Castle and Robert C. Janion (English Merchants; Theophilus Amos Starr Cooke (American Mission Secular Harris Davies was Welch Merchant) Agents) Incorporated: January 1894 Incorporated: 1894 Alexander & Baldwin Founded: 1870; Samuel Thomas Alexander & Henry Perrine Baldwin (American, Sons of Missionaries) Incorporated: 1900 © 2017 Ho‘okuleana LLC The Making of the Big Five Some suggest they were started by the missionaries. Actually, only Castle & Cooke has direct ties to the mission. However, Castle ran the ‘depository’ and Cooke was a teacher, neither were missionary ministers. Alexander & Baldwin were sons of missionaries, but not a formal part of the mission. -
Sugar Maui Hawaii Final 6 2014
Report: Excursion on Sugar Production in Maui, Hawaii, June 03 – 06, 2014 Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Museum, Maui, Hawaii, 6/2014 Origin and Migration of Sugar Cane to Hawaii Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Museum, Maui, Hawaii, 6/2014 Sun, Wind and Water Water for the Fields N Wind Dry Plain Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Museum, Maui, Hawaii, 6/2014 Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Museum, Maui, Hawaii, 6/2014 Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane, Maui, Hawaii, 6/2014 ° Sugar cane is a giant grass producing stalkes that range from 8 to 30 feet long. ° Stalks are too tall to stand upright so they fell into each other and form tangled masses. ° In Hawaii, sugar cane takes twlo years to mature. From one acre of cane, 12 tons of raw sugar may be produced. This amounts to 22,465 pounds of refined sugar. Source: Kern, M., 6/2014 Dr. Manfred Kern Sugar Cane Train , Lahaina, Maui, Hawaii, 6/2014 Source: Kern, M., 6/2014 Dr. Manfred Kern Hawaiian Commercial & Sugar Company (HC&S), 2014: Vision Source: http://hcsugar.com . 6/2014 Dr. Manfred Kern Hawaiian Commercial & Sugar Company (HC&S), 2014: History The Beginning ° Well over a century old, HC&S has grown from a small Maui sugarcane plantation founded by two childhood friends into one of the worlds most advanced and productive sugar businesses. ° Augmenting their original investment in 12 acres below Makawao, Maui, with the acquisition of an additional 559 acres, Samuel Thomas Alexander and Henry Perrine Baldwin planted their first sugarcane crop in 1870 on their newly established Alexander and Baldwin plantation. -
So Much More
so much more ACTIVITIES AND ATTRACTIONS | WINTER 2012 - kaua‘i • o‘ahu • moloka‘i • lana‘i • maui • hawai‘i island Waialua Falls, Maui Welcome to the Hawaiian Islands. HAWAI‘I IS HOME TO A MULTITUDE of historic and cultural sites, attractions, cultural festivals, concerts, craft fairs, athletic events, and farmers’ markets. While some are enjoyed primarily by residents, we think they can also provide excitement for visitors. Others are among the islands’ best kept secrets, unknown not only to travelers but even to many who live here. This guide is a brief introduction to Hawai‘i’s endless variety of special events and off-the-beaten path attractions, offered to our visitor stakeholders for informational purposes only. It should not be interpreted as a recommendation of any specifi c activity or attraction or be seen an endorsement of any organization. There’s so much more to Hawai‘i than one can imagine! INSIDE 06 HAWAI‘I 51 MOLOKA‘I 20 KAUA‘I 54 O‘AHU 32 LANA‘I- 76 STATEWIDE 36 MAUI TABLE OF HAWAI‘I ISLAND 23 Festival of Lights 23 08 ‘Imiloa Astronomy Center of Hawai‘i Hanapēpē - Friday Art Night 24 08 15th Annual Big Island International Marathon Heiva I Kaua‘i Ia Orana Tahiti 2012 24 09 Kahilu Th eatre's 2012 Presenting Season Kaua‘i Historical Society’s Kapa‘a History Tour-Kapa‘a Town 25 09 Aloha Saturdays Kaua‘i Music Festival 25 10 Amy B.H. Greenwell Ethnobotanical Garden Kōloa Heritage Trail 26 10 Anna Ranch Heritage Center Kōloa Plantation Days Festival 26 11 Big Island Abalone Corporation Lāwa'i International Center 27 11 Bike -
2Nd Grade Pre Visit Packet
Alexander & Baldwin Sugar Museum Education Program 2nd Grade Teacher Resource Packet P.O. Box 125, Puunene, Hawaii 96784 Phone: 808-871-8058 Fax: 808-871-4321 [email protected] http://www.sugarmuseum.com/outreach/#education https://www.facebook.com/AlexanderBaldwinSugarMuseum/ The Alexander & Baldwin Sugar Museum is an 501(c)(3) independent non-profit organization whose mission is to preserve and present the history and heritage of the sugar industry, and the multiethnic plantation life it engendered. All rights reserved. In accordance with the US Copyright Act, the scanning, uploading and electronic sharing of any part of these materials constitutes unlawful piracy and theft of the Museum’s intellectual property. For more information about the legal use of these materials, contact the Alexander & Baldwin Sugar Museum at PO Box 125, Puunene, Hawaii 96784. Alexander & Baldwin Sugar Museum Education Program 2nd Grade Teacher Resource Packet Table of Contents Education Program Statement Overview: • Reservations • Tour Size & Length • Admission Fee • Chaperone Requirements • Check In • Lunch • Rain • Rules Nametags Gallery Map Outdoor Map of Activity Stations* Education Standards Vocabulary Words The Process of Sugar Explained One Armed Baldwin Story Greetings in Different Languages *For a complete description of outdoor activities, see “Second Grade Activities Descriptions” or “Chaperone Activities Descriptions” at our website, http://www.sugarmuseum.com/outreach/#education Alexander & Baldwin Sugar Museum Education Program Statement What we do As the primary source of information on the history of sugar on Maui, the Alexander & Baldwin Sugar Museum responds to the educational needs of the community by developing programs that interpret the history of the sugar industry and the cultural heritage of multiethnic plantation life; providing online learning materials in an historic setting; providing learning materials online, and supporting educators’ teaching goals. -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
The Fijian Frescoes of Jean Charlot Caroline Klarr
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Painting Paradise for a Post-Colonial Pacific: The Fijian Frescoes of Jean Charlot Caroline Klarr Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PAINTING PARADISE FOR A POST-COLONIAL PACIFIC: THE FIJIAN FRESCOES OF JEAN CHARLOT By CAROLINE KLARR A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester 2005 Copyright 2005 Caroline Klarr All Rights Reserved The members of the Committee approve the dissertation of Caroline Klarr defended on April 22, 2002 Jehanne Teilhet-Fisk Professor Directing Dissertation (deceased) J. Kathryn Josserand Outside Committee Member Tatiana Flores Committee Member Robert Neuman Committee Member ______________________ Daniel Pullen Committee Member Approved: ________________________________________ Paula Gerson, Chair, Department of Art History ________________________________________ Sally E.McRorie, Dean, School of Visual Arts and Dance The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to Dr. Jehanne Teilhet-Fisk Ka waihona o ka na’auao The repository of learning iii PREFACE AND ACKNOWLEDGMENTS Jean Charlot’s fresco murals in the Pacific Islands of Hawai’i and Fiji represent the work of a mature artist, one who brought to the creation of art a multicultural heritage, an international background, and a lifetime of work spanning the first seven decades of the twentieth century. The investigation into any of Charlot’s Pacific artworks requires consideration of his earlier artistic “periods” in France, Mexico, and the United States. -
Oversize Materials Series
Hawaii War Records Depository Oversize Materials Series Finding Aid Archives & Manuscripts Department University of Hawaii at Manoa Library September 2010 Table of Contents Introductory Information ............................................................................................................ 1 Administrative Information......................................................................................................... 2 Agency History.............................................................................................................................. 3 Scope & Content Note ................................................................................................................ 10 Series Descriptions...................................................................................................................... 12 Folder list……………………………………………………………………..……Upon Request Introductory Information Series Name: Hawaii War Records Depository – Oversize Materials Collection Number: MANUSCRIPT W Inclusive / Bulk Dates: 1936-1954 Size of Series: 6 flat boxes (approximately 14 linear feet) and 15 map case drawers Creator: Hawaii War Records Depository Abstract: The Hawaii War Records Depository (HWRD) is an extensive collection of archival materials that document life in Hawaii during World War II. This finding aid documents the oversize materials in the collection formerly designated “flat storage” and stored in map case drawers. It includes some material originally cataloged by HWRD staff in the 1940s, but -
Grants List 2014
2014 Foundation Grants ART , CULTURE AND HUMANITIES PROGRAM CAPITAL AWAIAULU Awaiaulu Translation and Resource Project 50,000 ARTSPACE PROJECTS, INC. BELLEVUE ART MUSEUM Ola Ka ‘Ilima Artspace Lofts, a Mixed- use Development 50,000 General Support 1,250 BALLET HAWAII DIAMOND HEAD THEATRE New Ballet West Dance Studios 5,000 New Beginnings 15,000 HAWAII ACADEMY OF PERFORMING ARTS The ARTS at Marks Garage Visitor Center Renovations 20,000 EWA BEACH COMMUNITY BASED DEVELOPMENT ORGANIZATION HAWAII INTERNATIONAL FILM FESTIVAL Aloha Ho‘ola Cultural Fine Arts Program 20,000 HIFF Strategic Integration and Data Management Project (E/B System) 5,000 HAWAI‘I ALLIANCE FOR ARTS IN EDUCATION STEAM: Navigation with Arts & Science 20,000 HAWAII THEATRE CENTER HTC Capital Improvement - Phase 1 75,000 HAWAII OPERA THEATRE Hawaii Opera Theatre Production of HERITAGE HALL, INC. First Contemporary Opera: Siren Song 20,000 Heritage Hall Construction 25,000 HAWAI‘I PEACE AND JUSTICE HONOLULU THEATRE FOR YOUTH Hawai‘i Peace and Justice Movement Archive 6,250 HTY Scenic Projection Enhancement Project 10,000 HAWAI‘I SYMPHONY ORCHESTRA KUMU KAHUA THEATRE Community Education & Outreach - Kumu Kahua Theatre Space Maintenance 30,000 Youth and Senior Programs 15,000 WAIOLI CORPORATION HAWAIIAN MISSION CHILDREN’S SOCIETY Curatorial and Security Equipment Project 10,000 Hawaiian Mission Houses Historic Site and Archives 30,000 WEST HAWAII DANCE THEATRE HAWAIIAN MISSION CHILDREN’S SOCIETY Marley Dance Floor Replacement Project 7,000 HMH Business Plan and Implementation