The Fijian Frescoes of Jean Charlot Caroline Klarr
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Ill PROFMEX·ANUIES International Conference Scheduled for Tijuana in October
Number 6, Summer 1983 U NIVERSITY O F C ALIFORNI A C ONSORTIUM O N M EXICO & T HE U NITED S TATES BERKEL EY • D AVIS • IR VIN E • L os A NGELES • R IVERSIDE • SAN D IEGO • SAN FR ANCISCO • S AN TA B ARBARA • SAN TA CRUZ Ill PROFMEX·ANUIES International Conference Scheduled for Tijuana in October Hosted by CEFNOMEX representing the Carlos Monsivais (UNAM) ANUIES representatives to the Con Asociaci6n Nacional de Universidades e Jacinto Quirarte (UT San ference include Rafael Velasco lnstitutos de Ensenanza Superior and by Anton io) Fernandez (Secretario General UCLA and UC MEX US representing IV . Games Without Rules Ejecutivo), Antonio Gago Huguet PROFMEX , the Ill Conference of Mexican Moderator Manuel Garcia y Griego (Secretario Academico), and Ermilo J. and U.S. Universities on Border Studies (COLMEX) Marroquin (D irector de Relaciones will meet October 24 and 25 in Tijuana Panelists Lorenzo Meyer (COLMEX) lnternacionales y Becas) The theme of the conference is " Rules of Clark Reynolds (Stanford) Invited to close the conference are the Game in Border Life ," and attendance Ross Shipman (UTA) the Ambassadors of both countries , John is without restriction . Jesus Tamayo (CIDE) A. Gavin (Mexico City) and Jorge Invited to open the Conference are Jorge Vargas (Univ. of San Espinosa de los Reyes (Washington, D.C.) the Attorneys General of Mexico and the Diego) The conference is funded by US ICA United States, Sergio Garcia Ramirez Scott Whiteford (Michigan and ANUIES. and William French Smith. Smith wil l also State University) For more information, contact the con serve in his capacity as Regent of the Uni Other invited speakers include ference organizers: Jorge Bustamante, versity of California. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions. Catalogue 286 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Śāntiniketan and Modern Southeast Asian
Artl@s Bulletin Volume 5 Article 2 Issue 2 South - South Axes of Global Art 2016 Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond YIN KER School of Art, Design & Media, Nanyang Technological University, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the Art Education Commons, Art Practice Commons, Asian Art and Architecture Commons, Modern Art and Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, Other International and Area Studies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation KER, YIN. "Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond." Artl@s Bulletin 5, no. 2 (2016): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. South-South Śāntiniketan and Modern Southeast Asian Art: From Rabindranath Tagore to Bagyi Aung Soe and Beyond Yin Ker * Nanyang Technological University Abstract Through the example of Bagyi Aung Soe, Myanmar’s leader of modern art in the twentieth century, this essay examines the potential of Śāntiniketan’s pentatonic pedagogical program embodying Rabindranath Tagore’s universalist and humanist vision of an autonomous modernity in revitalizing the prevailing unilateral and nation- centric narrative of modern Southeast Asian art. -
Paul Gauguin
Sarah Kapp Art History and Visual Studies Major (honours) Business Minor De-Mythicizing the Artist: Presented March 6, 2019 This research was supported by the Jamie Cassels Undergraduate Research Award University of Victoria Supervised by Dr. Catherine Harding How Gauguin Responded to the Art Market Assistance from Dr. Melissa Berry Political Conditions Introduction Imperialism and Primitivism in the Late-Nineteenth Century Like celebrities, famous artists face rumours and myths Gauguin’s stylistic innovations were just one component of his self-promotional endeavor that overwhelm their public reception. Vincent van Gogh that appeared in the Volpini Suite. It was his engagement with ‘primitive’ subject- has become inextricably linked to the tale of the tortured matter—which included depictions of local peasant and folk culture—that served as a soul who sliced off his ear; Pablo Picasso to the tale fashionable and marketable technique (Perry 6). In the 1889 suite, Gauguin depicted of the womanizing innovative artist; and Salvador Dalí people in their daily surroundings, including: Breton peasant women chatting, Martinican as the eccentric artist who did too many drugs. This women carrying baskets of fruit, and women from Arles out walking (Juszczak 119). research dismantles the myth of Paul Gauguin (1848- After his creation of the Volpini Suite, Gauguin’s use of ‘primitive’ subjects intensified, 1903), who, in the late-twentieth century, became ultimately becoming a defining feature of his artistic practice. Gauguin’s work in the the target of feminist and post-colonialist theorists, Volpini Show correlated to contemporary ideas about the ‘primitive’. The Exposition who criticized him for sexualized depictions of young Universelle juxtaposed the newly built Eiffel Tower and the Gallery of Machines with women, as well as ‘plagiarizing’ and ‘pillaging’ the art ethnographic exhibits from around the world (Chu 439). -
Tātou O Tagata Folau. Pacific Development Through Learning Traditional Voyaging on the Waka Hourua, Haunui
Tātou o tagata folau. Pacific development through learning traditional voyaging on the waka hourua, Haunui. Raewynne Nātia Tucker 2020 School of Social Sciences and Public Policy, Faculty of Culture and Society A thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Master of Philosophy Table of Contents Table of Contents .......................................................................................................... i Abstract ........................................................................................................................ v List of Figures .............................................................................................................. vi List of Tables ............................................................................................................... vii List of Appendices ...................................................................................................... viii List of Abbreviations .................................................................................................... ix Glossary ....................................................................................................................... x Attestation of Authorship ............................................................................................. xiii Acknowledgements ..................................................................................................... xiv Chapter 1: Introduction ................................................................................................ -
An Early Sophisticated East Polynesian Voyaging Canoe Discovered on New Zealand’S Coast
An early sophisticated East Polynesian voyaging canoe discovered on New Zealand’s coast Dilys A. Johnsa,1, Geoffrey J. Irwina, and Yun K. Sungb aAnthropology Department, School of Social Sciences, and bSchool of Architecture and Planning, University of Auckland, Auckland 1142, New Zealand Edited by Patrick V. Kirch, University of California, Berkeley, CA, and approved August 19, 2014 (received for review May 9, 2014) The colonization of the islands of East Polynesia was a remarkable wide at its widest point and 76 cm at the butt end. Lashing holes episode in the history of human migration and seafaring. We around all edges have been chiseled transversely through the timber report on an ocean-sailing canoe dating from close to that time. and the canoe averages 5-cm thick at lashing holes. The internal A large section of a complex composite canoe was discovered surface is finished with regular adzing and the outside surface recently at Anaweka on the New Zealand coast. The canoe dates carefully smoothed to prevent drag through the water. The edges to approximately A.D. 1400 and was contemporary with continu- are flat and evenly finished by abrasion or possibly sawing (15, 16), ing interisland voyaging. It was built in New Zealand as an early where they were attached to adjoining parts of the canoe. adaptation to a new environment, and a sea turtle carved on its Striking features of the hull are four transverse ribs carved at hull makes symbolic connections with wider Polynesian culture intervals along the hull, and a straight longitudinal stringer or and art. -
Proceedings of the Pacific Regional Workshop on Mangrove Wetlands Protection and Sustainable Use
PROCEEDINGS OF THE PACIFIC REGIONAL WORKSHOP ON MANGROVE WETLANDS PROTECTION AND SUSTAINABLE USE THE UNIVERSITY OF THE SOUTH PACIFIC MARINE STUDIES FACILITY, SUVA, FIJI JUNE 12 – 16, 2001 Hosted by SOUTH PACIFIC REGIONAL ENVIRONMENT PROGRAMME Funded by CANADA-SOUTH PACIFIC OCEAN DEVELOPMENT PROGRAM (C-SPODP II) ORGANISING COMMITTEE South Pacific Regional Environment Programme (SPREP) Ms Mary Power Ms Helen Ng Lam Institute of Applied Sciences Ms Batiri Thaman Professor William Aalbersberg Editing: Professor William Aalbersberg, Batiri Thaman, Lilian Sauni Compiling: Batiri Thaman, Lilian Sauni ACKNOWLEDGEMENTS The organisers of the workshop would like to thank the following people and organisations that contributed to the organising and running of the workshop. § Canada –South Pacific Ocean Deveopment Program (C-SPODP II) for funding the work- shop § South Pacific Regional Environment Programme (SPREP) for organising the workshop § Institute of Applied Science (IAS) staff for the local organisation of the workshop and use of facilities § The local, regional, and international participants that presented country papers and technical reports § University of the Pacific (USP) dining hall for the catering § USP media centre for assistance with media equipment § Professor Randy Thaman for organising the field trip TABLE OF CONTENTS Organising Committee Acknowledgements Table of Contents Objectives and Expected Outcomes of Workshop Summary Report Technical Reports SESSION I: THE VALUE OF MANGROVE ECOSYSTEMS · The Value of Mangrove Ecosystems: -
Setting Priorities for Marine Conservation in the Fiji Islands Marine Ecoregion Contents
Setting Priorities for Marine Conservation in the Fiji Islands Marine Ecoregion Contents Acknowledgements 1 Minister of Fisheries Opening Speech 2 Acronyms and Abbreviations 4 Executive Summary 5 1.0 Introduction 7 2.0 Background 9 2.1 The Fiji Islands Marine Ecoregion 9 2.2 The biological diversity of the Fiji Islands Marine Ecoregion 11 3.0 Objectives of the FIME Biodiversity Visioning Workshop 13 3.1 Overall biodiversity conservation goals 13 3.2 Specifi c goals of the FIME biodiversity visioning workshop 13 4.0 Methodology 14 4.1 Setting taxonomic priorities 14 4.2 Setting overall biodiversity priorities 14 4.3 Understanding the Conservation Context 16 4.4 Drafting a Conservation Vision 16 5.0 Results 17 5.1 Taxonomic Priorities 17 5.1.1 Coastal terrestrial vegetation and small offshore islands 17 5.1.2 Coral reefs and associated fauna 24 5.1.3 Coral reef fi sh 28 5.1.4 Inshore ecosystems 36 5.1.5 Open ocean and pelagic ecosystems 38 5.1.6 Species of special concern 40 5.1.7 Community knowledge about habitats and species 41 5.2 Priority Conservation Areas 47 5.3 Agreeing a vision statement for FIME 57 6.0 Conclusions and recommendations 58 6.1 Information gaps to assessing marine biodiversity 58 6.2 Collective recommendations of the workshop participants 59 6.3 Towards an Ecoregional Action Plan 60 7.0 References 62 8.0 Appendices 67 Annex 1: List of participants 67 Annex 2: Preliminary list of marine species found in Fiji. 71 Annex 3 : Workshop Photos 74 List of Figures: Figure 1 The Ecoregion Conservation Proccess 8 Figure 2 Approximate -
The Canoe Is the People LEARNER's TEXT
The Canoe Is The People LEARNER’S TEXT United Nations Local and Indigenous Educational, Scientific and Knowledge Systems Cultural Organization Learnerstxtfinal_C5.indd 1 14/11/2013 11:28 The Canoe Is the People educational Resource Pack: Learner’s Text The Resource Pack also includes: Teacher’s Manual, CD–ROM and Poster. Produced by the Local and Indigenous Knowledge Systems (LINKS) Programme, UNESCO www.unesco.org/links Published in 2013 by the United Nations Educational, Scientific and Cultural Organization 7, place de Fontenoy, 75352 Paris 07 SP, France ©2013 UNESCO All rights reserved The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of UNESCO and do not commit the Organization. Coordinated by Douglas Nakashima, Head, LINKS Programme, UNESCO Author Gillian O’Connell Printed by UNESCO Printed in France Contact: Douglas Nakashima LINKS Programme UNESCO [email protected] 2 The Canoe Is the People: Indigenous Navigation in the Pacific Learnerstxtfinal_C5.indd 2 14/11/2013 11:28 contents learner’s SECTIONTEXT 3 The Canoe Is the People: Indigenous Navigation in the Pacific Learnerstxtfinal_C5.indd 3 14/11/2013 11:28 Acknowledgements The Canoe Is the People Resource Pack has benefited from the collaborative efforts of a large number of people and institutions who have each contributed to shaping the final product. -
To Fiji: Conceptualizing a Value-Theory Approach to Citizenship Education
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of the South Pacific Electronic Research Repository Pacific-Asian Education Vol. 23, No. 2, 2011, 77-88 A reflection on ‘being’ ‘Fijian’ and ‘belonging’ to Fiji: Conceptualizing a value-theory approach to Citizenship Education Cresantia Frances Koya Vaka’uta Key words: citizenship education, participatory citizenship, critical consciousness, being and belonging, value theory approach, Fiji, curriculum mainstreaming Abstract Education in the 21st century is marked by the vast influence of globalization and the drive for international comparability. In Fiji, as in the rest of the Pacific, this is no different. Education systems in the Pacific islands are characteristically informed and influencedby external push and pull factors which are reflectiveof colonial legacies, as well as current donor dependency and the agendas that these dictate. This educational reality may be seen as a crisis of relevance that has been well documented by Pacific scholars. This paper presents the argument that the issue of what it means to ‘be’ Fijian and to ‘belong’ to Fiji is a wider socio-cultural/historical debate that has not been adequately dialogued. This dialogue is critical if citizenship education is intended to contribute to participatory citizenship and towards conscientization of national identity for social cohesion. It is further argued that a holistic curriculum package would enable students to learn through problem-solving the ability to bring about change in their own lives and in their communities. Introduction Come to Niusila, he said. This island will bring you no happiness You will always be on the fringe looking in You’re never going to be Fijian enough No matter how much you do for this country. -
Authentication, Attribution and the Art Market: Understanding Issues of Art Attribution in Contemporary Indonesia
Authentication, Attribution and the Art Market: Understanding Issues of Art Attribution in Contemporary Indonesia Eliza O’Donnell, University of Melbourne, Australia Nicole Tse, University of Melbourne, Australia The Asian Conference on Arts & Humanities 2018 Official Conference Proceedings Abstract The widespread circulation of paintings lacking a secure provenance within the Indonesian art market is an increasingly prevalent issue that questions trust, damages reputations and collective cultural narratives. In the long-term, this may impact on the credibility of artists, their work and the international art market. Under the current Indonesian copyright laws, replicating a painting is not considered a crime of art forgery, rather a crime of autograph forgery, a loophole that has allowed the practice of forgery to grow. Despite widespread claims of problematic paintings appearing in cultural collections over recent years, there has been little scholarly research to map the scope of counterfeit painting circulation within the market. Building on this research gap and the themes of the conference, this paper will provide a current understanding of art fraud in Indonesia based on research undertaken on the Authentication, Attribution and the Art Market in Indonesia: Understanding issues of art attribution in contemporary Indonesia. This research is interdisciplinary in its scope and is grounded in the art historical, socio-political and socio-economic context of cultural and artistic production in Indonesia, from the early twentieth century to the contemporary art world of today. By locating the study within a regionally relevant framework, this paper aims to provide a current understanding of issues of authenticity in Indonesia and is a targeted response to the need for a materials- evidence based framework for the research, identification and documentation of questionable paintings, their production and circulation in the region. -
So Much More
so much more ACTIVITIES AND ATTRACTIONS | WINTER 2012 - kaua‘i • o‘ahu • moloka‘i • lana‘i • maui • hawai‘i island Waialua Falls, Maui Welcome to the Hawaiian Islands. HAWAI‘I IS HOME TO A MULTITUDE of historic and cultural sites, attractions, cultural festivals, concerts, craft fairs, athletic events, and farmers’ markets. While some are enjoyed primarily by residents, we think they can also provide excitement for visitors. Others are among the islands’ best kept secrets, unknown not only to travelers but even to many who live here. This guide is a brief introduction to Hawai‘i’s endless variety of special events and off-the-beaten path attractions, offered to our visitor stakeholders for informational purposes only. It should not be interpreted as a recommendation of any specifi c activity or attraction or be seen an endorsement of any organization. There’s so much more to Hawai‘i than one can imagine! INSIDE 06 HAWAI‘I 51 MOLOKA‘I 20 KAUA‘I 54 O‘AHU 32 LANA‘I- 76 STATEWIDE 36 MAUI TABLE OF HAWAI‘I ISLAND 23 Festival of Lights 23 08 ‘Imiloa Astronomy Center of Hawai‘i Hanapēpē - Friday Art Night 24 08 15th Annual Big Island International Marathon Heiva I Kaua‘i Ia Orana Tahiti 2012 24 09 Kahilu Th eatre's 2012 Presenting Season Kaua‘i Historical Society’s Kapa‘a History Tour-Kapa‘a Town 25 09 Aloha Saturdays Kaua‘i Music Festival 25 10 Amy B.H. Greenwell Ethnobotanical Garden Kōloa Heritage Trail 26 10 Anna Ranch Heritage Center Kōloa Plantation Days Festival 26 11 Big Island Abalone Corporation Lāwa'i International Center 27 11 Bike