Ill PROFMEX·ANUIES International Conference Scheduled for Tijuana in October
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Museum and Curatorial Studies Review
Volume 1 • Number 1 • Summer 2013 Museum and Curatorial Studies Review Volume 1 • Number 1 • Summer 2013 Journal design and editorial contents: Copyright © 2013, Museum and Curatorial Studies Review. ISSN 2330-4995 Further copyright details are noted on the first page of each essay inside the issue. Cover image is In the Eye of the Beholder (2013) by Stephen Crowley. Used with permission. Museum and Curatorial Studies Review is published by the Museum and Curatorial Studies Multi-Institutional Research Cluster directed by Lucian Gomoll and Lissette Olivares. Publication support is provided by the University of California, Berkeley Electronic Press, and the California Digital Library. Copyright Permissions: permissions requests and other inquiries should be addressed to the editor at: [email protected] Prospective Authors Museum and Curatorial Studies Review seeks submissions for essays that explore contemporary issues related to collection, exhibition, and curation, as well as new approaches to historical case studies. All submissions should follow The Chicago Manual of Style and be sent electronically in MS Word format to: [email protected] The requirements for each submission type are below. Article (6,000-9000 words): send a fully-drafted, polished version of the paper to be blind peer reviewed. Include a separate title page with your name and contact information. The article contents should not include any information that can identify the author. Interview, open letter, or other conversational piece (2,000-6,000 words): send your CV and a 300-400 word proposal for the item. Final drafts are welcome and encouraged. Note: interviewers are responsible for all transcription work. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions. Catalogue 286 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Mexican American History Resources at the Briscoe Center for American History: a Bibliography
Mexican American History Resources at the Briscoe Center for American History: A Bibliography The Briscoe Center for American History at the University of Texas at Austin offers a wide variety of material for the study of Mexican American life, history, and culture in Texas. As with all ethnic groups, the study of Mexican Americans in Texas can be approached from many perspectives through the use of books, photographs, music, dissertations and theses, newspapers, the personal papers of individuals, and business and governmental records. This bibliography will familiarize researchers with many of the resources relating to Mexican Americans in Texas available at the Center for American History. For complete coverage in this area, the researcher should also consult the holdings of the Benson Latin American Collection, adjacent to the Center for American History. Compiled by John Wheat, 2001 Updated: 2010 2 Contents: General Works: p. 3 Spanish and Mexican Eras: p. 11 Republic and State of Texas (19th century): p. 32 Texas since 1900: p. 38 Biography / Autobiography: p. 47 Community and Regional History: p. 56 The Border: p. 71 Education: p. 83 Business, Professions, and Labor: p. 91 Politics, Suffrage, and Civil Rights: p. 112 Race Relations and Cultural Identity: p. 124 Immigration and Illegal Aliens: p. 133 Women’s History: p. 138 Folklore and Religion: p. 148 Juvenile Literature: p. 160 Music, Art, and Literature: p. 162 Language: p. 176 Spanish-language Newspapers: p. 180 Archives and Manuscripts: p. 182 Music and Sound Archives: p. 188 Photographic Archives: p. 190 Prints and Photographs Collection (PPC): p. 190 Indexes: p. -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
The Fijian Frescoes of Jean Charlot Caroline Klarr
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Painting Paradise for a Post-Colonial Pacific: The Fijian Frescoes of Jean Charlot Caroline Klarr Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PAINTING PARADISE FOR A POST-COLONIAL PACIFIC: THE FIJIAN FRESCOES OF JEAN CHARLOT By CAROLINE KLARR A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester 2005 Copyright 2005 Caroline Klarr All Rights Reserved The members of the Committee approve the dissertation of Caroline Klarr defended on April 22, 2002 Jehanne Teilhet-Fisk Professor Directing Dissertation (deceased) J. Kathryn Josserand Outside Committee Member Tatiana Flores Committee Member Robert Neuman Committee Member ______________________ Daniel Pullen Committee Member Approved: ________________________________________ Paula Gerson, Chair, Department of Art History ________________________________________ Sally E.McRorie, Dean, School of Visual Arts and Dance The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to Dr. Jehanne Teilhet-Fisk Ka waihona o ka na’auao The repository of learning iii PREFACE AND ACKNOWLEDGMENTS Jean Charlot’s fresco murals in the Pacific Islands of Hawai’i and Fiji represent the work of a mature artist, one who brought to the creation of art a multicultural heritage, an international background, and a lifetime of work spanning the first seven decades of the twentieth century. The investigation into any of Charlot’s Pacific artworks requires consideration of his earlier artistic “periods” in France, Mexico, and the United States. -
Oversize Materials Series
Hawaii War Records Depository Oversize Materials Series Finding Aid Archives & Manuscripts Department University of Hawaii at Manoa Library September 2010 Table of Contents Introductory Information ............................................................................................................ 1 Administrative Information......................................................................................................... 2 Agency History.............................................................................................................................. 3 Scope & Content Note ................................................................................................................ 10 Series Descriptions...................................................................................................................... 12 Folder list……………………………………………………………………..……Upon Request Introductory Information Series Name: Hawaii War Records Depository – Oversize Materials Collection Number: MANUSCRIPT W Inclusive / Bulk Dates: 1936-1954 Size of Series: 6 flat boxes (approximately 14 linear feet) and 15 map case drawers Creator: Hawaii War Records Depository Abstract: The Hawaii War Records Depository (HWRD) is an extensive collection of archival materials that document life in Hawaii during World War II. This finding aid documents the oversize materials in the collection formerly designated “flat storage” and stored in map case drawers. It includes some material originally cataloged by HWRD staff in the 1940s, but -
Utsa Retired Faculty Association Biography
UTSA RETIRED FACULTY ASSOCIATION BIOGRAPHY Name: Jacinto Quirarte City of residence: Helotes, TX Department: art and art history Academic rank: Professor Emeritus Year retired: 1999 Birthplace: Jerome, AZ Birth year: 1931 Marital Status: married Name of spouse or partner: Sara Children’s names: Sabrina Pilar Recent activities and interests: travel with my wife and since 1993 taking cruises to Mexico and Central America, Europe, and this country. I enjoy working outside building walls and landscaping. I continue to do research, present papers, and work on several book projects on pre-Columbian and Chicano art. Publications, creative works, professional activities, or achievements: Books and Monographs: Izapan Style Art: A Study of Its Form and Meaning. Washington, D.C.: Dumbarton Oaks, 1973 El Estilo Artistico de Izapa. Mexico City: Instituto de Investigaciones Esteticas, 1973 Mexican American Artists. Austin: The University of Texas Press, 1973 A History and Appreciation of Chicano Art.San Antonio: Research Center for the Arts and Humanities, 1984 How to Look at a Masterpiece: Europe and the Americas (sixth edition). New York: McGraw- Hill, Inc. 1994, 1996, 1997, 1988, 2003 The Art and Architecture of the Texas Missions. Austin: The University of Texas Press, 2003 Beyond Boundaries: The Art of Mesoamerica. in progress Maya Vase Painting. In progress Translations: Book on Mixtec Manuscript (Spanish to English) Caso, Alfonso. El Codice Selden. Mexico City: Sociedad Mexicana de Antropogia, 1964 Papers on Pre-Columbian Topics (English to Spanish) Kubler, George. “Chichen Itza y Tula.” Estudios de Cultura Maya. Vol. 1 (Mexico City: Seminario de Cultura Maya, 1961): 47-80 Kubler, George. -
CV, Dr. Richard E. Phillips, Historian of Latin American Art and Architecture
C.V., Dr. Richard E. Phillips, Historian of Latin American Art and Architecture 1. Dr. Richard E. Phillips School of Art, University of Texas Río Grande Valley VABL 1.213, 2412 S. Business 281, Edinburg, TX 78539 (956) 665-2655 2. Education Ph.D. Art History 1993 University of Texas at Austin, 4.0 GPA Dissertation: “Processions through Paradise” M.A. Spanish 1975 University of California at Santa Barbara 3.99 GPA B.A. Spanish 1973 University of California at Irvine magna cum laude 3. Professional Experience 2012 Promoted from Associate Professor to Professor of Art History, the University of Texas – Pan American. 2007-12 Associate Professor of Art History, the University of Texas – Pan American. 2000-07 Assistant Professor of Art History, the University of Texas – Pan American. 1995-2000 Assistant Professor of Art History, Virginia Commonwealth University, Richmond. 1992-93 Professor of Art History, the Savannah College of Art and Design. 4. Grants and Awards 5/3/13 UTPA Faculty Excellence Award for Advisement and Mentoring, only one honoree per year from the College of Arts and Humanities. 4/7/10 UTPA Provost’s Award for Latin American Studies, only one honoree per year from the College of Arts and Humanities. Summer 2008 UTPA Art Department Research Grant for the comprehensive field and photographic project “Metropolis and Periphery in Viceregal Mexican Architecture: Mexico City versus the Sierra Tarasca of Michoacán.” 4/16/08 UTPA Provost’s Study Abroad Award for Latin American Studies “For significant contribution to the advancement of the University’s Faculty Teaching Abroad Programs. Dr. -
Explorations in Ethnic Studies
Vol. 15, No. 1 January, 1992 EXPLORATIONS IN ETHNIC STUDIES The Journal of the National Association for Ethnic Studies Published by NAES General Editorial Board Wolfgang Binder, Americanistik Universitat Erlangen, West Germany Lucia Birnbaum, Italian American Historical Society Berkeley, California Russell Endo, University of Colorado Boulder, Colorado Manuel deOrtega, California State University Los Angeles, California David Gradwohl, Iowa State University Ames, Iowa Jack Forbes, University of California Davis, California Lee Hadley, Iowa State University Ames, Iowa Clifton H. Johnson, Amistad Research Center New Orleans, Louisiana Paul Lauter, Trinity College Hartford, Connecticut William Oandasan, University of New Orleans New Orleans, Louisiana Alan Spector, Purdue University Calumet Hammond, Indiana Ronald Takaki, University of California Berkeley, California John C. Walter, University of Washington Seattle, Washington Vol.15, No.1 January, 1992 Explorations in Ethnic Studies Table of Contents Introduction: New Vistas in Art, Culture, and Ethnicity by Bernard young .... .............................. ............ ...... .. .. .... .... 1 An Art-Historical Paradigm fo r Investigating Native American Pictographs of the Lower Pecos Region, Texas by John Antoine Labadie . .............. ...... ..... .......... .. .. .......... ... 5 Sources of Chicano Art: Our Lady of Guadalupe by Jacinto Quirarte . .............. ... ......... ...... .. .... .... .. ............... 13 Narrative Quilts and Quilted Narratives: The Art of Faith Ringgold -
January 1-4, 2020 January 5-8, 2020
TENTH ANNUAL January 1-4, 2020 Waimea, Mauna Kea Resort + Fairmont Orchid, Hawai‘i January 5-8, 2020 Four Seasons Resort Hualālai Sponsors Contents + About Our Area INNER CIRCLE SPONSORS Contents 4 About the Festival 5 Letter from the Director 8 Host Venues and Map 10 Films 38 Waimea Schedule 42 Waimea Breakfast Talks 46 Four Seasons Schedule 48 Four Seasons Breakfast Talks 50 Guest Speakers and Presentations 84 Artwork and Exhibits MEDIA AND LOCAL SPONSORS Artwork by Christian Enns 90 Thank You to Our Contributors BIG ISLAND About Our Area TRAVELER The Island of Hawai‘i, known as The the world, inhabit these reefs, along Big Island to avoid confusion with the with Hawaiian Hawksbill turtles, state, was formed by five volcanoes to octopus, eel and smaller reef sharks. became one land mass. The still active Spinner dolphins come to rest in Kīlauea sits at the heart of Hawai‘i shallow bays during the day, before Volcanoes National Park, while Mauna returning to deeper water to hunt at Kea, Mauna Loa and Hualālai rise about night. Humpback whales can be seen the Kohala and Kona coastline, where along the coast during winter, when stark lava fields meet turquoise waters the ocean fills with the sound of their and multihued sand beaches. The beautiful song. gentle slopes of the Kohala Mountains, The town of Waimea, also known as now volcanically extinct, provide the Kamuela, sits in the saddle between FOOD AND BEVERAGE SPONSORS backdrop to the town of Waimea and to the dry and green sides of the island, northern Hawi and Kapa‛au. -
Bulletin 2 (8/86)
Dorothy Sloan Books – Bulletin 2 (8/86) 1. ABBOT, G. H. Mexico, and the United States; Their Mutual Relations and Common Interests. New York: Putnam, 1869. xvi, 391 pp., large folding colored map of Mexico, Texas, and the borderlands by Colton, another double-page map, steel-engraved portraits of Juárez and Romero. 8vo, original plum cloth, gilt seal of Mexican eagle on front cover. Slight discoloration to binding, else fine, map excellent. First edition. Larned 3925: “A useful guide to the constitutional history, especially for the period from 1824 to 1859.” Palau 521. $125.00 2. ADAMS, Ramon F. Come an’ Get It. The Story of the Old Cowboy Cook. Norman: Univ. Okla. Press [1952]. xii, 170 [1] pp., illustrations by Nick Eggenhofer. 8vo, original terracotta cloth, brown backstrip. Very fine in d.j. First edition. Adams, Herd 12: “The first and only book devoted to this unique and interesting character.” $35.00 3. ALAMAN, Lucas. Iniciativa de ley proponiendo al gobierno las medidas que se debian tomar para la seguridad del estado de Tejas y conservar la integridad del territorio mexicano de cuyo proyecto emanó la ley de 6 abril de 1830. Mexico: Vargas Rea, 1946. 50 pp. 8vo, original white printed wrappers. Very fine. First edition, limited edition (#16 of 100 copies). Alaman’s argument for one of the fundamental Texas laws, the Law of April 6, 1830, which banned U.S. immigration into Texas and, according to traditional Anglo interpretation, led to the Texas Revolution. See Streeter 759. $65.00 4. ALVARADO TEZOZOMOC, Hernando & Juan de Tovar. -
Translating Revolution: U.S
A Spiritual Manifestation of Mexican Muralism Works by Jean Charlot and Alfredo Ramos Martínez BY AMY GALPIN M.A., San Diego State University, 2001 B.A., Texas Christian University, 1999 THESIS Submitted as partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History in the Graduate College of the University of Illinois at Chicago, 2012 Chicago, Illinois Defense Committee: Hannah Higgins, Chair and Advisor David M. Sokol Javier Villa-Flores, Latin American and Latino Studies Cristián Roa-de-la-Carrera, Latin American and Latino Studies Bram Dijkstra, University of California San Diego I dedicate this project to my parents, Rosemary and Cas Galpin. ii ACKNOWLEDGEMENTS My committee deserves many thanks. I would like to recognize Dr. Hannah Higgins, who took my project on late in the process, and with myriad commitments of her own. I will always be grateful that she was willing to work with me. Dr. David Sokol spent countless hours reading my writing. With great humor and insight, he pushed me to think about new perspectives on this topic. I treasure David’s tremendous generosity and his wonderful ability to be a strong mentor. I have known Dr. Javier Villa-Flores and Dr. Cristián Roa-de-la-Carrera for many years, and I cherish the knowledge they have shared with me about the history of Mexico and theory. The independent studies I took with them were some of the best experiences I had at the University of Illinois-Chicago. I admire their strong scholarship and the endurance they had to remain on my committee.