The Debate on De-Stalinization in the USSR, 1961-1972
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The Transformation of Pushkin's Eugene Onegin Into Tchaikovsky's Opera
THE TRANSFORMATION OF PUSHKIN'S EUGENE ONEGIN INTO TCHAIKOVSKY'S OPERA Molly C. Doran A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2012 Committee: Eftychia Papanikolaou, Advisor Megan Rancier © 2012 Molly Doran All Rights Reserved iii ABSTRACT Eftychia Papanikolaou, Advisor Since receiving its first performance in 1879, Pyotr Il’yich Tchaikovsky’s fifth opera, Eugene Onegin (1877-1878), has garnered much attention from both music scholars and prominent figures in Russian literature. Despite its largely enthusiastic reception in musical circles, it almost immediately became the target of negative criticism by Russian authors who viewed the opera as a trivial and overly romanticized embarrassment to Pushkin’s novel. Criticism of the opera often revolves around the fact that the novel’s most significant feature—its self-conscious narrator—does not exist in the opera, thus completely changing one of the story’s defining attributes. Scholarship in defense of the opera began to appear in abundance during the 1990s with the work of Alexander Poznansky, Caryl Emerson, Byron Nelson, and Richard Taruskin. These authors have all sought to demonstrate that the opera stands as more than a work of overly personalized emotionalism. In my thesis I review the relationship between the novel and the opera in greater depth by explaining what distinguishes the two works from each other, but also by looking further into the argument that Tchaikovsky’s music represents the novel well by cleverly incorporating ironic elements as a means of capturing the literary narrator’s sardonic voice. -
The Guyanese Writer Jan Carew on Modernization and Trauma in the Early 1960S Soviet Union Author: Hannes Schweikardt
Interpreting the ‘Thaw’ from the ‘Third World’: The Guyanese Writer Jan Carew on Modernization and Trauma in the early 1960s Soviet Union Author: Hannes Schweikardt Stable URL: http://www.globalhistories.com/index.php/GHSJ/article/view/102 DOI: http://dx.doi.org/10.17169/GHSJ.2017.102 Source: Global Histories, Vol. 3, No. 1 (Apr. 2017), pp. 19–38 ISSN: 2366-780X Copyright © 2017 Hannes Schweikardt License URL: https://creativecommons.org/licenses/by/4.0/ Publisher information: ‘Global Histories: A Student Journal’ is an open-access bi-annual journal founded in 2015 by students of the M.A. program Global History at Freie Universität Berlin and Humboldt-Universität zu Berlin. ‘Global Histories’ is published by an editorial board of Global History students in association with the Freie Universität Berlin. Freie Universität Berlin Global Histories: A Student Journal Friedrich-Meinecke-Institut Koserstraße 20 14195 Berlin Contact information: For more information, please consult our website www.globalhistories.com or contact the editor at: [email protected]. Interpreting the ‘Thaw’ from the ‘Third World’: The Guyanese Writer Jan Carew on Modernization and Trauma in the Early 1960s Soviet Union HANNES SCHWEIKARDT Hannes Schweikardt is currently studying in the M.A. History program at the University of Cologne. He received a B.A. in Political Science and History from Eberhard Karls University Tübingen. He visited Uppsala University, Sweden in 2011 as ERASMUS exchange student. His research interest includes contemporary history, the history of the Soviet Union and the GDR as well as global and environmental history. He works as student assistant for the University of Cologne and the German Commission for UNESCO. -
The Superfluous Man in Nineteenth-Century Russian Literature
Hamren 1 The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Kelly Hamren 4 May 2011 Hamren 2 Liberty University School of Communication Master of Arts in English Dr. Carl Curtis ____________________________________________________________________ Thesis Chair Date Dr. Emily Heady ____________________________________________________________________ First Reader Date Dr. Thomas Metallo ____________________________________________________________________ Second Reader Date Hamren 3 Acknowledgements I would like to thank those who have seen me through this project and, through support for my academic endeavors, have made it possible for me to come this far: to Dr. Carl Curtis, for his insight into Russian literature in general and Dostoevsky in particular; to Dr. Emily Heady, for always pushing me to think more deeply about things than I ever thought I could; to Dr. Thomas Metallo, for his enthusiastic support and wisdom in sharing scholarly resources; to my husband Jarl, for endless patience and sacrifices through two long years of graduate school; to the family and friends who never stopped encouraging me to persevere—David and Kathy Hicks, Karrie Faidley, Jennifer Hughes, Jessica Shallenberger, and Ramona Myers. Hamren 4 Table of Contents: Chapter 1: Introduction………………………………………………………………………...….5 Chapter 2: Epiphany and Alienation...................................……………………………………...26 Chapter 3: “Yes—Feeling Early Cooled within Him”……………………………..……………42 Chapter 4: A Soul not Dead but Dying…………………………………………………………..67 Chapter 5: Where There’s a Will………………………………………………………………...96 Chapter 6: Conclusion…………………………………………………………………………..130 Works Cited…………………………………………………………………………………….134 Hamren 5 Introduction The superfluous man is one of the most important developments in the Golden Age of Russian literature—the period beginning in the 1820s and climaxing in the great novels of Dostoevsky and Tolstoy. -
378-01 Jones
Spring 2017 History 378-01 (IGS) 2:00-3:15 TR MHRA 1214 Russian History Since 1900 (www.uncg.edu/~jwjones/russia) Instructor: Jeff Jones [email protected] Office: 2139 MHRA Phone: 334-4068 Office Hours: M 10:00-11; T 10-10:50; W 2:00-3:15 and by appointment Course Description This introductory history course, which carries an International and Global Studies (IGS) marker, examines Russian and Soviet history in the 20th century in two parts. Part I: “From Traditional Russia to the Civil War” looks at traditional Russian society and culture; developments in the late 19th century; and the upheavals in Russian society from the late tsarist period through World War I, the revolutions of 1917, and the civil war. Part II: “From the Rise of Joseph Stalin to post-Soviet Russia” emphasizes the impact of the Stalin Revolution, the purges, and WWII; the reformist course of de-Stalinization pursued by Nikita Khrushchev; neo-Stalinism under Leonid Brezhnev; the Soviet-Afghan War and Mikhail Gorbachev’s dramatic reforms in the 1980s; and the collapse of the USSR and post-Soviet Russia with an emphasis on the conflict in Chechnya. The course explores several themes: Russia’s relationship with the West; revolution and the role of the individual in history; the role of gender and class in Russian and Soviet society; and the role of ideology and socialism in theory and practice. Student Learning Outcomes: Upon successful completion of this course students will be able to … Use a historical approach to analyze and contextualize primary and secondary sources representing divergent perspectives. -
BYRONISM in LERMONTOV's a HERO of OUR TIME by ALAN HARWOOD CAMERON B.A., U N I V E R S I T Y O F C a L G a R Y , 1968 M.A
BYRONISM IN LERMONTOV'S A HERO OF OUR TIME by ALAN HARWOOD CAMERON B.A., University of Calgary, 1968 M.A., University of British Columbia, 1970 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department SLAVONIC STUDIES We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1974 In presenting this thesis in par ial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date Afr, I l0} I f7f ABSTRACT Although Mikhail Lermontov is commonly known as the "Russian Byron," up to this point no examination of the Byronic features of A Hero of Our Time, (Geroy nashego vremeni)3 has been made. This study presents the view that, while the novel is much more than a simple expression of Byronism, understanding the basic Byronic traits and Lermontov1s own modification of them is essential for a true comprehension of the novel. Each of the first five chapters is devoted to a scrutiny of the separate tales that make up A Hero of Our Time. The basic Byronic motifs of storms, poses and exotic settings are examined in each part with commentary on some Lermontovian variations on them. -
The Readers of Novyi Mir, 1948-1969 1 See These People Through the Prism of Novyi Mir’S Editors, Their Predilections and Strategies Of
THE READERS OF NOVYI MIR, 1948 – 1969: A SOCIAL PORTRAIT An NCEEER Working Paper by Denis Kozlov Dalhousie University National Council for Eurasian and East European Research University of Washington Box 353650 Seattle, WA 98195 [email protected] http://www.nceeer.org/ TITLE VIII PROGRAM Project Information* Principal Investigator: Denis Kozlov NCEEER Contract Number: 826-03g Date: October 1, 2012 Copyright Information Individual researchers retain the copyright on their work products derived from research funded through a contract or grant from the National Council for Eurasian and East European Research (NCEEER). However, the NCEEER and the United States Government have the right to duplicate and disseminate, in written and electronic form, reports submitted to NCEEER to fulfill Contract or Grant Agreements either (a) for NCEEER’s own internal use, or (b) for use by the United States Government, and as follows: (1) for further dissemination to domestic, international, and foreign governments, entities and/or individuals to serve official United States Government purposes or (2) for dissemination in accordance with the Freedom of Information Act or other law or policy of the United States Government granting the public access to documents held by the United States Government. Neither NCEEER nor the United States Government nor any recipient of this Report may use it for commercial sale. * The work leading to this report was supported in part by contract or grant funds provided by the National Council for Eurasian and East European Research, funds which were made available by the U.S. Department of State under Title VIII (The Soviet-East European Research and Training Act of 1983, as amended). -
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nz ~lii ~::: -- BRINGING IHE WORLD TO YOUR LISTENERS ~Ic Enils~s ~1 oSthe ANCIENT , ~~:~A9T ·: :i :4VOLtTII~UIES ~~r $210 uours :fa~ Oary $s.as cludins shipping & handlin~ ~ s your· intIoduction to The Folio provide a panoraInic view of the founded in 1947, is for dedicated ~ISociety, we are offering you this ancient world. readers n~ho ~~ish to rediscover the uniclue beautifully hound set - worth The Folio Society does NOT send pleasure of the fine edition. $210 - for just $9.95. Plus, the latest you unsolicited books or 'choices of Why not join us Ilow with TI·2e edition of The Ca~·i·2b~-ir!c~eUiqcl~upl?icul the InoIlth~ You simply choose four El??pll-es o~J~tile nllcielll Near East? Enc~jcloper%ia,worth $511.C3j,which is books from our sixty page catalogue Simply fill out and return the coupon youl·s FIIET: just. for replying, to fulfil your membership agreement, today to talte advantage of this special Elizpil-es of' the A Ilcielzt Neal- L:ast is Our current publicatioIls include introductory offer or call Toll Free the definitive, lavishly illustrated history and eye-witness accounts, (24 hours) on 1-800-353-0700. chronicle of the four monumental classic and modern fictioII, short THE FOLIO SOCIETY civilisations that prospered between stories: Ilotahle biographies, poetry, D.O.Ros 693, I-lolmes,PA 190J3. the end of the Stone A%e and the memoirs, childreIl's hooks, humou~, actvent of I-lellenistic Greece. From legend and authoritative books on the The Folio Society Guarantee the invention of the wheel and the classical world. -
Lermontov: the Failure of Humanism
Russian Studies in Philosophy ISSN: 1061-1967 (Print) 1558-0431 (Online) Journal homepage: http://www.tandfonline.com/loi/mrsp20 Lermontov: The Failure of Humanism Irina F. Shcherbatova To cite this article: Irina F. Shcherbatova (2016) Lermontov: The Failure of Humanism, Russian Studies in Philosophy, 54:2, 145-159, DOI: 10.1080/10611967.2016.1203190 To link to this article: http://dx.doi.org/10.1080/10611967.2016.1203190 Published online: 20 Oct 2016. Submit your article to this journal Article views: 66 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=mrsp20 Download by: [Professor Marina Bykova] Date: 20 March 2017, At: 10:54 Russian Studies in Philosophy, vol. 54, no. 2, 2016, pp. 145–159. q 2016 Taylor & Francis Group, LLC ISSN: 1061-1967 (print)/ISSN 1558-0431 (online) DOI: 10.1080/10611967.2016.1203190 IRINA F. SHCHERBATOVA Lermontov: The Failure of Humanism In this article, Lermontov is viewed as one who expresses ideas of humanism not associated with any social class or cast that was typical for the aristocratic period of the Russian culture. The article discusses the situation when the orientation of the democratic criticism—dominant at the time—at the understanding of humanism that had only limited association with a specific class did not contribute to the realization of humanist ideals, leading instead to social disintegration, and a nihilistic neglect of culture and identity. Keywords: Lermontov, aristocracy, absolute humanism, solitude, honor, U¨ bermensch, “little man” Lermontov rose to fame after writing the poem “Death of the Poet,” in which he reproached high society for persecuting Pushkin. -
Abrief History
A BRIEF HISTORY OF RUSSIA i-xxiv_BH-Russia_fm.indd i 5/7/08 4:03:06 PM i-xxiv_BH-Russia_fm.indd ii 5/7/08 4:03:06 PM A BRIEF HISTORY OF RUSSIA MICHAEL KORT Boston University i-xxiv_BH-Russia_fm.indd iii 5/7/08 4:03:06 PM A Brief History of Russia Copyright © 2008 by Michael Kort The author has made every effort to clear permissions for material excerpted in this book. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Kort, Michael, 1944– A brief history of Russia / Michael Kort. p. cm.—(Brief history) Includes bibliographical references and index. ISBN-13: 978-0-8160-7112-8 ISBN-10: 0-8160-7112-8 1. Russia—History. 2. Soviet Union—History. I. Title. DK40.K687 2007 947—dc22 2007032723 The author and Facts On File have made every effort to contact copyright holders. The publisher will be glad to rectify, in future editions, any errors or omissions brought to their notice. We thank the following presses for permission to reproduce the material listed. Oxford University Press, London, for permission to reprint portions of Mikhail Speransky’s 1802 memorandum to Alexander I from The Russia Empire, 1801–1917 (1967) by Hugh Seton-Watson. -
The University of Arizona
Erskine Caldwell, Margaret Bourke- White, and the Popular Front (Moscow 1941) Item Type text; Electronic Dissertation Authors Caldwell, Jay E. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 10:56:28 Link to Item http://hdl.handle.net/10150/316913 ERSKINE CALDWELL, MARGARET BOURKE-WHITE, AND THE POPULAR FRONT (MOSCOW 1941) by Jay E. Caldwell __________________________ Copyright © Jay E. Caldwell 2014 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2014 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Jay E. Caldwell, titled “Erskine Caldwell, Margaret Bourke-White, and the Popular Front (Moscow 1941),” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: 11 February 2014 Dissertation Director: Jerrold E. Hogle _______________________________________________________________________ Date: 11 February 2014 Daniel F. Cooper Alarcon _______________________________________________________________________ Date: 11 February 2014 Jennifer L. Jenkins _______________________________________________________________________ Date: 11 February 2014 Robert L. McDonald _______________________________________________________________________ Date: 11 February 2014 Charles W. Scruggs Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction
Epistolary Encounters: Diary and Letter Pastiche in Neo-Victorian Fiction By Kym Michelle Brindle Thesis submitted in fulfilment for the degree of PhD in English Literature Department of English and Creative Writing Lancaster University September 2010 ProQuest Number: 11003475 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003475 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis examines the significance of a ubiquitous presence of fictional letters and diaries in neo-Victorian fiction. It investigates how intercalated documents fashion pastiche narrative structures to organise conflicting viewpoints invoked in diaries, letters, and other addressed accounts as epistolary forms. This study concentrates on the strategic ways that writers put fragmented and found material traces in order to emphasise such traces of the past as fragmentary, incomplete, and contradictory. Interpolated documents evoke ideas of privacy, confession, secrecy, sincerity, and seduction only to be exploited and subverted as writers idiosyncratically manipulate epistolary devices to support metacritical agendas. Underpinning this thesis is the premise that much literary neo-Victorian fiction is bound in an incestuous relationship with Victorian studies. -
The Individual After Stalin: Fedor Abramov, Russian Intellectuals, and the Revitalization of Soviet Socialism, 1953-1962
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons The Individual after Stalin: Fedor Abramov, Russian Intellectuals, and the Revitalization of Soviet Socialism, 1953-1962 Anatoly Pinsky Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2011 © 2011 Anatoly Pinsky All rights reserved ABSTRACT The Individual after Stalin: Fedor Abramov, Russian Intellectuals, and the Revitalization of Soviet Socialism, 1953-1962 Anatoly Pinsky This dissertation examines the effort of Russian writers to reform Soviet socialism in the first decade after Joseph Stalin’s death. My departure point is the idea that the Soviet experiment was about the creation not only of a new socio-economic system, but also of a New Man. According to the logic of Soviet socialism, it was the New Man who would usher in the new socio-economic order by living out philosophical ideas in his everyday life. Under Khrushchev, Russian writers bestowed the New Man with even more power to build Communism. Stalin, the superhuman engine of historical progress, had died, giving ordinary citizens more agency, according to the contemporary discourse, to shape the future and overcome the consequences of his cult of personality. A new emphasis was placed on sincerity and the individual; and not only on fashioning the future, but also on understanding the details of the past and present. Among writers, a new importance was allotted to the diary, which was conceptualized as a space of sincerity, and as a genre that helped one grasp the facts of everyday existence and pen realistic representations of Soviet life.