Accordion Concertos Bjarke Mogensen
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Ed Roche Audiovisual Collection Finding Aid (PDF)
Title of Collection: Ed Roche Audio Collection Reference Code: US-MoKcUMS-MSAM0005 Repository: Marr Sound Archives UMKC Miller Nichols Library 800 E. 51st Street Kansas City, MO 64110 Creator: Roche, Ed Biographical History: From 1935 until his retirement in 1991, Ed Roche recorded the sounds of Kansas City. The first engineer for Kansas City’s Municipal Auditorium, Roche installed and operated the then state of-the-art audio system. He meticulously documented music and civic events, including performances of the Kansas City Philharmonic. In 1952, Roche established Crown Recording Studio. Crown quickly became one of Kansas City’s leading studios. Over the years, Roche recorded thousands of bands, choruses and radio programs including the Kansas City Hour. Roche produced tapes for the Nazarene Church that were distributed internationally. During the 1980s, he preserved the open-reel tapes and instantaneous cut discs for the Harry Truman Presidential Library. Date Range: 1935-1967 Extent: 7 linear feet, includes 629 grooved discs and 15 open reel tapes. Scope and Content: The Ed Roche Audio Collection contains many unique items recorded in the Kansas City area, including political speeches, musical performances, religious services, and advertisements for businesses and organizations. The Kansas City Philharmonic Orchestra and the Kansas City Conservatory of Music are strongly represented with numerous recordings of each entity. Finally, the collection also holds some national radio programs, such as “The Guiding Light,” “Hymns of All Churches,” and “Michael Shayne.” University of Missouri – Kansas City Marr Sound Archives Conditions of Access: The collection is open for research and educational use. The physical items in this collection are non- circulating. -
Gubaidulina EU 572772 Bk Gubaidulina EU 26/07/2011 07:59 Page 1
572772 bk Gubaidulina EU_572772 bk Gubaidulina EU 26/07/2011 07:59 Page 1 Anders Loguin Øyvind Gimse Anders Loguin studied percussion at the Royal Øyvind Gimse is Artistic Leader of the Trondheim Soloists and a distinguished College of Music in Stockholm, and conducting in cellist and orchestral leader. After studies with Walter Nothas, Frans Helmerson Sweden, Finland and the United States. He and William Pleeth, he held the position of solo cellist in the Trondheim Sofia frequently conducts orchestras and ensembles in Symphony Orchestra for seven years. He has toured as a soloist with the Sweden and abroad. He was a founding member of Trondheim Soloists in Norway, Britain, Italy and Spain. His performances with the percussion ensemble Kroumata, and left the Anne-Sophie Mutter and the Trondheim Soloists throughout Europe and at the ensemble in 2008, co-founding the Carnegie Hall in 1999, as well as the recordings with her and the ensemble for GUBAIDULINA ensemble Glorious Percussion, which gave the DG, have received the highest critical acclaim. In addition his own work as world première of Sofia Gubaidulina’s work of the Artistic Leader of the Trondheim Soloists has resulted in the group receiving no same name for five percussionists and less than five GRAMMY® nominations for their last two recordings. In 2004 orchestra. Loguin participated in the world Gimse joined Sofia Gubaidulina as soloist in her work On the Edge of the première concerts of Fachwerk in 2009. Since 1977 Abyss at the Trondheim Chamber Music Festival and during the world Photo: Brita Carlens he has been professor and head of the percussion première concert performances of Fachwerk with Geir Draugsvoll and the department at the Royal College of Music in Stockholm. -
HANZHI WANG, Accordion
HANZHI WANG, accordion Photo: Matt Dine COMMUNITIES DIGITAL NEWS (Washington, DC): “Ms. Wang dazzled all at the full house at the Kennedy Center with her skills and musicianship. She offered a program of surprisingly daring and eclectic repertoire, including a wide range of classical repertoire explored so masterfully that it seems as if these works had actually been written for the accordion in the first place. It was a genuinely eye-opening evening. Hanzhi Wang is undoubtedly well on her way to a brilliant career that is certain to be much discussed.” OBERON’S GROVE (New York): “Hanzhi Wang gave a remarkable performance. She displayed staggering virtuosity and a gift for drawing colors and magical dynamics from her accordion. It was an inspiring mixture of passion and finesse. Putting a regal polish on every phrase, her sparkling technique held the audience in a state of breathlessness, as thrilling to watch as to hear.” NEW YORK MUSIC DAILY: “Hanzhi Wang isn’t the first accordionist to specialize in classical music, but she is the first one ever to earn inclusion on the Young Concert Artists roster. That’s a pretty big deal. Nothing beats the plaintive lusciousness of Wang’s instrument of choice. She has a magically dynamic new album, and her Carnegie Hall debut in Zankel Hall is one of THE big accordion events of the year in New York. ” Musical America Worldwide New Artist of the Month, July 2018 First Prize, 2017 Young Concert Artists International Auditions First Prize, 40th Castelfidardo International Accordion Competition (Italy) Peter P. Marino Debut Prize of YCA • Mortimer Levitt Career Development Award for Women Artists of YCA Ruth Laredo Award of YCA • Candlelight Concert Society Prize • Chamber Orchestra of the Triangle Prize Krannert Center for the Performing Arts Prize • Sinfonia Gulf Coast Prize •Tannery Pond Concerts Prize University of Florida Performing Arts Prize • Usedom Music Festival Prize Vancouver Recital Society Prize• Washington Performing Arts Prize YOUNG CONCERT ARTISTS, INC. -
KSENIJA SIDOROVA Classical Accordion Nordheim Bach Berio Scarlatti Mozart Schnittke Takahashi Piazzolla KSENIJA SIDOROVA Classical Accordion FOREWORD
KSENIJA SIDOROVA classical accordion Nordheim Bach Berio Scarlatti Mozart Schnittke Takahashi Piazzolla KSENIJA SIDOROVA classical accordion FOREWORD 01 Arne Nordheim FLASHING 07’21 Music has been my passion since early childhood, and thanks to my grandmother J. S. Bach OVERTURE IN THE FRENCH STYLE, BWV.831 I learnt the accordion. Classical accordion is still a young instrument, and 02 Adagio maestoso - Allegro - Adagio 07’04 unfortunately the image of its folk roots still remains. It will probably be a while 03 Luciano Berio SEQUENZA XIII “CHANSON” 09’15 before the phrase “I play the classical accordion” doesn’t sound unusual or funny! The classical accordion is a wonderfully expressive instrument and the repertoire on Domenico Scarlatti SONATA IN D MINOR, K.77 04 Moderato e cantabile - Minuetto 05’09 this CD ranges from Baroque music to Contemporary, including works which have quickly become core repertoire pieces Domenico Scarlatti SONATA IN D MAJOR, K.33 (Berio’s Sequenza , Nordheim’s Flashing ) 05 Allegro 03’12 balanced along transcriptions of solo 06 W. A. Mozart 12 VARIATIONS “AH, VOUS DIRAIS-JE, MAMAN”, 08’45 and orchestral music. In the past six K.265/300 e years of my studies in London I was Alfred Schnittke REVIS FAIRY TALE fortunate to meet many wonderful 07 i Chichikov's Childhood 02’09 people, and to perform and record with 08 ii Officials 02’22 fantastic musicians. 09 iii Waltz 03’15 10 iv Polka 02’33 This CD recording would not have been Yuji Takahashi LIKE A WATER BUFFALO possible without David and Mary 11 i Like a Water Buffalo (poem: Wendy Poussard) 01’02 Bowerman, recording producer 12 ii Like a Water Buffalo 09’30 Alexander Van Ingen, Professor Owen Murray and the support of my family. -
CMA at Transformer Station — Norwegian Accordionist Frode Haltli by Mike Telin
Preview: CMA at Transformer Station — Norwegian accordionist Frode Haltli by Mike Telin On Sunday, April 27 beginning at 7:30 pm, CMA Concerts at Transformer Station presents Norwegian virtuoso classical accordionist Frode Haltli. The program features music by Hans Abrahamsen, Magnar Åm, Arne Nordheim and Aldo Clementi. “Even though this program is classical contemporary music, I think it reflects my interests in different kinds of music,” Haltli said during a telephone conversation from his home in Norway. “It’s not your ordinary contemporary music, it [ventures] out into many different directions.” If you’re wondering about the term “classical accordion” you’re not alone. The instrument has yet to be recognized in many parts of the world as one associated with classical music. So why is that different in Scandinavia? “It really is because of one person, Danish player Mogens Ellegaard. He was the first accordionist to introduce the instrument to real composers in Scandinavia. He really developed the accordion in a more classical way, although in my view it will never be a traditional “classical” instrument.” Perhaps not, but if you take a quick glance at Haltli’s repertoire list on his website, you will find many recognizable contemporary composers such as Berio, Lindberg, Pintscher, Gubaidulina and Zorn, all of whom have composed for the instrument. “Magnus Lindberg has written two fantastic pieces that I have played a lot. Also, Sofia Gubaibulina has written some very important works for the instrument. Now there is quite a lot of repertoire to choose from.” I ask him to talk me through his program. -
TCNJ Orchestra Repertoire • Bach
TCNJ Orchestra Repertoire • Bach - Brandenburg No. 1 • Bach - Brandenburg No. 3 for Strings • Bach: Brandenburg Concerto No.5 • Barber: 1st Essay for Orchestra • Bartók - Magyar Képek (Hungarian Pictures) • Bartók - Roumanian Dances • Beethoven: Symphony No. 5 • Beethoven: Symphony No.6 (Pastorale) • Beethoven - Coriolanus • Beethoven - Egmont • Beethoven - Fidelio • Beethoven - Piano Concerto No. 3 in C Minor • Beethoven - The Ruins of Athens • Beethoven: Choral Fantasie • Beethoven: Leonora No.3 • Beethoven: Violin Concerto in D • Bernstein - Candide • Bernstein - Symphonic Dances from West Side Story • Bizet - Carmen Suites 1 & 2 • Bizet - Jeux d'Enfants • Britten - Soirées Musicales Op. 9 • Bruch Violin Concerto No.1 in E minor Op.26 • Castelnuovo Tedesco - Concerto in D (Guitar) • Chabrier - Espana • Chabrier: Habanera • Chaminade - Concertino for Flute and Orchestra • Copland - Billy the Kid • Copland - Rodeo • Creston - Accordion Concerto • De Falla - Scenes and Dances from the "Three Cornered Hat" • Debussy - Petite Suite • Debussy - Prélude á l'après midi d'un Faune • Delius - The Walk to the Paradise Garden • Dvořák - Symphony No. 8 in G • Dvořák – Piano Quintet, Op. 81 • Dvořák: Symphony No.9 (From the New World) • Elgar: Cello Concerto in E minor • Elgar-Nimrod from 'The Enigma Variations' • Fauré - Bergamaster Suite • Fauré - Prelude from Pelleas and Melisande • Gershwin - Rhapsody in Blue • Gershwin: Cuban Overture • Ginestera - Danza del Trigo from "Estancia" • Glazunov-Violin Concerto in A Minor • Glinka - Russlan and Ludmilla • Gounod - Faust - Ballet Music • Grieg - Notturno from 'Lyric Suite' Op. 54 No. 3 • Grieg - Piano Concerto in A Minor Op 6 • Grieg - Triumphal March from "Sigurd Jorsalfar" • Haas- Sieben Klangräume • Haydn - Symphony No. 49 in F minor • Humperdink-Hansel and Gretel (Prelude) • Ives - The Unanswered question • Ives: Central Park in the Dark • Khachaturian: "Masquerade" Suite • Kodaly: Hary Janos • Lalo - Scherzo in D minor • Lalo: Le Roi d'Ys • Lecuona - Spanish Dances • Leighton – Festive • Mahler – Symphony No. -
Music Media Multiculture. Changing Musicscapes. by Dan Lundberg, Krister Malm & Owe Ronström
Online version of Music Media Multiculture. Changing Musicscapes. by Dan Lundberg, Krister Malm & Owe Ronström Stockholm, Svenskt visarkiv, 2003 Publications issued by Svenskt visarkiv 18 Translated by Kristina Radford & Andrew Coultard Illustrations: Ann Ahlbom Sundqvist For additional material, go to http://old.visarkiv.se/online/online_mmm.html Contents Preface.................................................................................................. 9 AIMS, THEMES AND TERMS Aims, emes and Terms...................................................................... 13 Music as Objective and Means— Expression and Cause, · Assumptions and Questions, e Production of Difference ............................................................... 20 Class and Ethnicity, · From Similarity to Difference, · Expressive Forms and Aesthet- icisation, Visibility .............................................................................................. 27 Cultural Brand-naming, · Representative Symbols, Diversity and Multiculture ................................................................... 33 A Tradition of Liberal ought, · e Anthropological Concept of Culture and Post- modern Politics of Identity, · Confusion, Individuals, Groupings, Institutions ..................................................... 44 Individuals, · Groupings, · Institutions, Doers, Knowers, Makers ...................................................................... 50 Arenas ................................................................................................. -
Dictionary of Music.Pdf
The FACTS ON FILE Dictionary of Music The FACTS ON FILE Dictionary of Music Christine Ammer The Facts On File Dictionary of Music, Fourth Edition Copyright © 2004 by the Christine Ammer 1992 Trust All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Ammer, Christine The Facts On File dictionary of music / Christine Ammer.—4th ed. p. cm. Includes index. Rev. ed. of: The HarperCollins dictionary of music. 3rd ed. c1995. ISBN 0-8160-5266-2 (Facts On File : alk paper) ISBN 978-1-4381-3009-5 (e-book) 1. Music—Dictionaries. 2. Music—Bio-bibliography. I. Title: Dictionary of music. II. Ammer, Christine. HarperCollins dictionary of music. III. Facts On File, Inc. IV. Title. ML100.A48 2004 780'.3—dc22 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by James Scotto-Lavino Cover design by Semadar Megged Illustrations by Carmela M. Ciampa and Kenneth L. Donlan Grateful acknowledgment is made for permission to reprint an excerpt from Cornelius Cardew’s “Treatise.” Copyright © 1960 Hinrichsen Edition, Peters Edition Limited, London. -
Nato in Scozia, Owen Murray Ha Studiato Con Mogens Ellegaard Alla Royal Danish Academy of Music in Copenhagen
Nato in Scozia, Owen Murray ha studiato con Mogens Ellegaard alla Royal Danish Academy of Music in Copenhagen. Si è diplomato nel 1982 ed è poi tornado nel Regno Unito dove si èdedicato all’attività di insegnamento in corservatori di alto livello. Nel 1986 è stato invitato dalla Royal Academy of Music di Londra per fondare un dipartimento dedicato alla fisarmonica. Sotto I suoi insegnamenti, un elevato numero di artisti emergenti hanno raffinato la loro arte ed il suo lavoro come insegnante ha contribuito allo sviluppo della fisarmonica. Molti dei suoi studenti hanno vinto prestigiosi concorsi e hanno una carriera brillante. Nel 1993 gli è stata conferita una onorificenza di alto livello presso la Royal Academy of Music, e questo testimonia quanto il lavoro di Owen ha contribuito alla diffusione della musica per fisarmonica di alto livello. Owen Murray si è esibito con alcune delle orchestra più importanti del mondo tra cui la BBC Symphony Orchestra diretta da Sir Andrew Davis, Mark Elder (1998 Proms), Martyn Brabbins e Jiri Belohlavek, la BBC Concert Orchestra, la City of Birmingham Symphony Orchestra (CBSO) diretta da Sir Simon Rattle, la BBC National Orchestra of Wales, la London Philharmonic Orchestra, la Glyndebourne Opera Touring Orchestra diretta da Elgarth Howarth, la London Philharmonia Orchestra diretto da Martyn Brabbins, la Scottish Chamber Orchestra, la Paragon Ensemble (Glasgow), la Goldberg Ensemble (Manchester), la Royal Academy of Music Orchestra (London) diretto da Lynn Harrell e la SWF Sinfonieorchestra Baden-Baden (Germany), la Hungarian Radio Symphony Orchestra diretta da Adam Fischer e la Royal Danish Orchestra. Owen Murray si è esibito in alcuni dei principali festival del mondo tra cui l’Edinburgh International Festival, la BBC Proms alla Royal Albert Hall, London, la Huddersfield Contemporary Music Festival, Aldeburgh, il St. -
Honouring Every Note Nobody Knows When and Where A
Honouring every note Nobody knows when and where a musician is born. Then one day there he is with his accordion; alone on the big stage or in the concert hall surrounded by strings, in the smoky basement with enthusiastically improvising free jazz players, or with a Hardanger fiddler and a folk singer on a simple wooden stage erected for the occasion; Frode Haltli seats himself on his stool, perfectly self-assured, the accordion safely resting in his shoulder straps; a quietly satisfied smile spreads over his frank, disarming face, no antics, no gestures. Can one really demand so little attention? Just a few seconds pass. Then the music sounds out. Where is it coming from? From the first note, he sets us, the audience, free. He is already into the work, he has already taken us with him into the music. How does it happen? 'Duende' is an expression used in the flamenco tradition to define the state when the singer's personal sorrows and passions pervade the music and we, the audience, as if by a touch of grace, hear life itself in its grief, pain and rejoicing. A similar expression is used by traditional Norwegian fiddlers; 'å ha dåm i spelet', that is the moment when through the fiddle player the 'springar' or 'halling' dance tune starts to live its own life and turn into a kind of cathedral; every member of the audience knows when it happens and that they too are in the 'cathedral'. In these rare but unique moments the wings of the music touch us; we can never forget it, we shall always long for it. -
090404955327.Pdf
POUL RUDERS (b. 1949) SOUND AND SIMPLICITY (Seven Pillars of Music for Accordion and Symphony Orchestra) (2018) (29:22) 1) I. Rain (3:39) 2) II. Trance (3:58) 3) III. Haiku (:22) 4) IV. Smoke (6:55) 5) V. Song Link (6:06) 6) VI. Twilight (4:06) 7) VII. Wolf Moon (4:16) Bjarke Mogensen, accordion Odense Symfoniorkester Sebastian Lang-Lessing, conductor 2 8) DREAM CATCHER (2004) (arr. Bjarke Mogensen) (4:30) Bjarke Mogensen, accordion SYMPHONY NO. 3 “Dream Catcher” (2005-2006, rev. 2009) (26:31) 9) I. Alla breve con brio - Adagio sognante (15:32) 10) II. Scherzo prestissimo (10:59) Odense Symfoniorkester Scott Yoo, conductor p c and 2021, Bridge Records, Inc. • All Rights Reserved • Total Time: 60:43 3 SOUND AND SIMPLICITY (SEVEN PILLARS OF MUSIC FOR ACCORDION AND SYMPHONY ORCHESTRA) (2018) Note by the composer All music is sound, but not all music is simple. Simplicity is a virtue, espe- cially in the arts, a fact which becomes increasingly and inescapably obvi- ous to me the older I get. In Sound and Simplicity four out of the seven movements are very simple (as in the absence of any structural and metric complexity). Indeed, the second movement, Trance, a sustained chord, em- ploys only four notes, but they are gradually presented over three octaves. Two of the seven titles are related to literary texts. Rain is a musical re- flection on a couple of lines by Danish writer Arthur Krasilnikoff, from his novel The Eye of the Whale (the chapter entitled Rain) – here in my translation from the Danish: “But best of all were the sounds from the drops. -
Program2019.Pdf
Bornholms Musikfestival v/ Steffen Hyldig Solstien 3 3760 Gudhjem Tlf. 5189 6669 [email protected] www.bornholms-musikfestival.dk Mandag d. 22. juli kl. 20 i Østermarie Kirke Bliv medlem af foreningen Kirstine Schneider, Kern Westerberg violin 1 Marthe Husum, Daniel Eklund bratsch Bornholms Musikfestivals Venner Amalie Stalheim, Jonathan Swensen cello Bornholms Musikfestivals Venner er en forening for alle. Vennemedlemmerne Strygesekstetter af Schönberg og Brahms udgør et fundament for festivalen. Alle – fastboende, udenøsboende og udlæn- dinge – indbydes til at være medlem. Torsdag d. 25. juli kl. 20 i Aa Kirke Komponistaften med Martin Lohse For 150 kr. om året får alle medlemmer i såvel ind- som udland tilsendt en over- 2 sigt over årets koncerter forud for koncertsæsonen. Medlemmer får 50 kr. rabat Lohse Ensemble klaverkvartet på hver koncert. Bjarke Mogensen accordeon Indmeldelse kan ske ved at sende en e-mail til [email protected] Værker af Martin Lohse, D. Scarlatti og Brahms Mandag d. 29. juli kl. 20 i Svanekegaarden Erlendis Quartet guitarkvartet 3 Værker af Bach, Dvořák, Mozart, Piazzolla, Sjostakovitj m.fl. Werden Sie Mitglied des Vereins Åbne prøver 27.-28. juli kl. 10-15 samt 29. juli kl. 12-14 på Svanekegaarden Bornholms Musikfestivals Venner Torsdag d. 1. august kl. 20 i Aa Kirke Bornholms Musikfestivals Venner (Freunde des Bornholmer Musikfestivals) ist ein Novo Quartet strygekvartet 4 Verein für alle. Die Freunde des Festivals bilden durch ihre Mitgliedschaft ein Fun- Værker af Carl Nielsen, Sjostakovitj og Mendelssohn dament für das Festival. Alle – nicht nur Bornholmer, und nicht nur Dänen – sind Åbne prøver 30. juli kl.