HANZHI WANG, Accordion
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Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective Alejandro Marcelo Drago University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Latin American Languages and Societies Commons, Musicology Commons, and the Music Performance Commons Recommended Citation Drago, Alejandro Marcelo, "Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective" (2008). Dissertations. 1107. https://aquila.usm.edu/dissertations/1107 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: May 2008 COPYRIGHT BY ALEJANDRO MARCELO DRAGO 2008 The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 ABSTRACT INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. -
The Other Tchaikowsky
The Other Tchaikowsky A biographical sketch of André Tchaikowsky David A. Ferré Cover painting: André Tchaikowsky courtesy of Milein Cosman (Photograph by Ken Grundy) About the cover The portrait of André Tchaikowsky at the keyboard was painted by Milein Cosman (Mrs. Hans Keller) in 1975. André had come to her home for a visit for the first time after growing a beard. She immediately suggested a portrait be made. It was completed in two hours, in a single sitting. When viewing the finished picture, André said "I'd love to look like that, but can it possibly be me?" Contents Preface Chapter 1 - The Legacy (1935-1982) Chapter 2 - The Beginning (1935-1939) Chapter 3 - Survival (1939-1945 Chapter 4 - Years of 'Training (1945-1957) Chapter 5 - A Career of Sorts (1957-1960) Chapter 6 - Homeless in London (1960-1966) Chapter 7 - The Hampstead Years (1966-1976) Chapter 8 - The Cumnor Years (1976-1982) Chapter 9 - Quodlibet Acknowledgments List of Compositions List of Recordings i Copyright 1991 and 2008 by David A. Ferré David A. Ferré 2238 Cozy Nook Road Chewelah, WA 99109 USA [email protected] http://AndreTchaikowsky.com Preface As I maneuvered my automobile through the dense Chelsea traffic, I noticed that my passenger had become strangely silent. When I sneaked a glance I saw that his eyes had narrowed and he held his mouth slightly open, as if ready to speak but unable to bring out the words. Finally, he managed a weak, "Would you say that again?" It was April 1985, and I had just arrived in London to enjoy six months of vacation and to fulfill an overdue promise to myself. -
Kronos Quartet Five Tango Sensations Mp3, Flac, Wma
Kronos Quartet Five Tango Sensations mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Latin Album: Five Tango Sensations Country: US Released: 1991 Style: Tango MP3 version RAR size: 1657 mb FLAC version RAR size: 1417 mb WMA version RAR size: 1164 mb Rating: 4.4 Votes: 597 Other Formats: ADX WMA MOD MMF APE MIDI AAC Tracklist Five Tango Sensation (26:46) 1 Asleep 5:23 2 Loving 6:10 3 Anxiety 4:51 4 Despertar 6:03 5 Fear 4:00 Companies, etc. Phonographic Copyright (p) – Elektra Entertainment Copyright (c) – Elektra Entertainment Made By – WEA Manufacturing Inc. Credits Art Direction, Design – Manhattan Design Bandoneon – Astor Piazzolla Cello – Joan Jeanrenaud Engineer – Dan Gellert, Dave O'Donnell, Judith Sherman, Rob Eaton Executive-Producer – Robert Hurwitz Producer – Judith Sherman Viola – Hank Dutt Violin – David Harrington, John Sherba Barcode and Other Identifiers Barcode: 0 7559-79254-2 5 Matrix / Runout: 2 79254-2 SRC=04 SPARS Code: DDD Other versions Category Artist Title (Format) Label Category Country Year Astor Astor Piazzolla, Piazzolla, Kronos Quartet With Elektra 7559-79254-2 Kronos Astor Piazzolla - Five 7559-79254-2 Europe 1991 Nonesuch Quartet With Tango Sensations Astor Piazzolla (CD, MiniAlbum) Kronos Quartet With Elektra, Kronos 9 79254-4, Astor Piazzolla - Five Nonesuch, 9 79254-4, Quartet With US 1991 79254-4 Tango Sensations Elektra, 79254-4 Astor Piazzolla (Cass, MiniAlbum) Nonesuch Astor Astor Piazzolla, Piazzolla, Kronos Quartet With Elektra 7559-79254-2 Kronos Astor Piazzolla - Five 7559-79254-2 Europe -
Danmarks Nationalbank Issues the Sixth in Its Series of Thematic 20-Krone Coins with Specially Chosen Danish Towers As the Motif on the Reverse
27 January 2005 Ref.: 2005-04E Landet Church adorns new thematic coin On 28 January 2005, Danmarks Nationalbank issues the sixth in its series of thematic 20-krone coins with specially chosen Danish towers as the motif on the reverse. Seen through chestnut leaves from the grave of Elvira Madigan and Six- ten Sparre, the tower of Landet Church on the island of Tåsinge reaches towards the sky on the reverse of the new thematic coin. Landet Church is a traditional Danish village church, built around 1150-1200 in the Age of the Valdemars, with the tower and porch added later. The church tower was built in 1634. The sculptor Øivind Nygaard is the artist behind the tower motif from Landet Church. The hearts and pistol that Øivind Nygaard has woven into the chestnut leaves around the tower symbolise the tragic love story of Elvira Madigan and Sixten Sparre. "In addition to showing a Danish church tower, the pictorial metaphors seen on the coin, combined with the view of the tower of Landet Church, are intended to tell a story and interpret the history and mythology of the church," Øivind Nygaard ex- plains. The Landet Church tower coin is issued as a 20-krone coin in an edition of 1.2 million. It is of the same size and alloy as the ordinary 20-krone coin in circulation. The face of the coin shows a profile of the Queen by the sculptor, Professor Mogens Møller. The new thematic coin can be purchased from banks and Danmarks Na- tionalbank from 28 January 2005. -
The Life and Films of the Last Great European Director
Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN Macnab-05480001 macn5480001_fm May 19, 2009 11:55 Geoffrey Macnab writes on film for the Guardian, the Independent and Screen International. He is the author of The Making of Taxi Driver (2006), Key Moments in Cinema (2001), Searching for Stars: Stardom and Screenwriting in British Cinema (2000), and J. Arthur Rank and the British Film Industry (1993). Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN The Life and Films of the Last Great European Director Geoffrey Macnab Macnab-05480001 macn5480001_fm May 8, 2009 9:23 Sheila Whitaker: Advisory Editor Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © 2009 Geoffrey Macnab The right of Geoffrey Macnab to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 84885 046 0 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress -
Calambre, Between Tango and Fugue
Calambre, between tango and fugue and space, both blazed new trails and inspired future genera- This program interweaves the music of two geniuses who, separated by time and space, both blazed new tions of musicians and composers. Stick&Bow, on marimba and cello, accompanied by Jonathan Goldman on bandoneon and trails and inspired future generations of musicians Juan-Miguel Hernandez on viola, offer a refreshing interpreta- and composers. Stick&Bow, on marimba and cello, ac- tion thanks to this novel instrumentation. The bandoneon and companied by Jonathan Goldman on bandoneon and percussion symbolize the spirit of tango, while the cello and Juan-Miguel Hernandez on viola, offer a refreshing viola honour the spirit of Bach, combining melodic, rhythmic interpretation thanks to this novel instrumentation. and dark sonorities to offer you an extraordinary evening of The bandoneon and percussion symbolize the spirit tangos and fugas. of tango, while the cello and viola honour the spirit of Johann Sebastian Bach Bach, combining melodic, rhythmic and dark sonor- “Contrapunctus IV,” excerpt from The Art of Fugue, BWV 1080 ities to offer you an extraordinary evening of tangos Astor Piazzolla and fugas. Calambre Astor Piazzolla Artists Fuga 9 Stick&Bow Johann Sebastian Bach (Krystina Marcoux, marimba, and Prelude (Fantasia) in C minor, BWV 537 Juan Sebastian Delgado, cello) Astor Piazzolla Jonathan Goldman Primavera porteña Bandoneon Astor Piazzolla Juan-Miguel Hernandez Invierno porteño Viola Johann Sebastian Bach Program Trio Sonata in C minor (Allegro), BWV 526 Known for his famous tangos such as Adiós Nonino, Libertango Astor Piazzolla or The Four Seasons of Buenos Aires, the revolutionary Argentine Fuga y Misterio composer Astor Piazzolla initially hid his musical excursions into Johann Sebastian Bach the world of tango as he blazed the trail for the development of Gigue Fugue in G major, BWV 577 Tango Nuevo in the 1950s. -
– Days Clothed in Blue and Green the Archipelago Trail
k d . v a h e o e k s n y f d y s t e d . w w w t a d n u o f e b n a c o g a l e p i h c r A n e n u F f o h t u o S e h T t u o b a n o i t a m r o f n i r e h t r u F s / a g r o b d n e v s m a e t k y r t : t n i r p / t u o y a L n e e r g d n a e u l b n i d e h t o l c s y a D – t h g i r y p o c - n e s l e r y t s k i r t a M & - t r o K : s p a m f o s i s a B . s g n i d n u o r r u s d n a g r o b d n e v S u a e r u b t s i r u T s n y f d y S d n a k c r ø M e t t e i r n e H , n e s l e i N r e l l ø M k i r E : s h p a r g o t o h P f o y r o t s i h e h t t u o b a n o i t a m r o f n i r o f – 1 6 2 0 1 2 2 6 5 4 + . -
Mozart (1756-91)
WOLFGANG AMADEUS MOZART (1756-91) SOMMCD 268-2 PIANO CONCERTOS Nos. 20, K466 & 21, K467 Valerie Tryon piano, Royal Philharmonic Orchestra, Jac van Steen conductor MOZART FANTASIA IN C MINOR, K396, Valerie Tryon piano PIANO CONCERTO No. 10 for TWO PIANOS, K365 PIANO CONCERTOS Valerie Tryon, Peter Donohoe pianos Nos.20, K466 & 21, K467 PIANO CONCERTO No. 7 for THREE PIANOS, K242 Peter Donohoe, Valerie Tryon, Mishka Rushdie Momen pianos Valerie Tryon piano Royal Philharmonic Orchestra, Boris Brott conductor SONATA for TWO PIANOS, K448 Valerie Tryon, Peter Donohoe pianos PIANO CONCERTOS CD 1 CD2 for TWO PIANOS, K365 Piano Concerto No.20 in D minor, K466 [34:19] Piano Concerto No.10 in E flat for Two Pianos, K365 [24:49] 1 I. Allegro 15:32 1 I. Allegro 10:26 Valerie Tryon, Peter Donohoe pianos 2 II. Romance 9:40 2 II. Andante 6:56 3 III. Allegro assai 9:07 3 III. Allegro 7:27 for THREE PIANOS, K242 Piano Concerto No.21 in C, K467 [31:29] Sonata for Two Pianos in D, K448 [23:57] Peter Donohoe, Valerie Tryon, 4 I. Allegro maestoso 16:55 4 I. Allegro con spirito 8:09 5 II. Andante 6:43 5 II. Andante 9:13 Mishka Rushdie Momen pianos 6 III. Allegro vivace assai 7:51 6 III. Allegro molto 6:35 7 Fantasia in C minor, K396 – Adagio 11:15 Piano Concerto No.7 in F for Three Pianos, K242 [23:33] 7 I. Allegro 9:08 PIANO SONATA Total duration: 77:03 8 II . Adagio 8:07 9 III. -
Swedish Film Flyer.Rev.Indd
Swedish Film Series Winter, 2006; Fridays at 7 pm; 221 McKenzie Hall FREE and open to the public Probably no other nation of comparative population has matched the artistic success of Sweden in the film industry. Come sample a rich variety of wonderful films, from Ingmar Bergman classics to the contemporary Wild Strawberries films of Colin Nutley. All the films have subtitles in English. Each film will be preceded by a short presenta- tion about a particular aspect of Swedish culture (e.g., food, language, geography), as well as a brief introduction to the film itself. At the conclusion of the film, the audience will be invited to participate in a short discussion of the film. McKenzie Hall—the former Law School—is located near 12th and Kincaid, on the west edge of the university campus. 13 January they have a marvelous affair. Then, as the money Wild Strawberries (Smultronstället) 1956 runs out, the atmosphere Directed by Ingmar Bergman changes. This film’s pho- Professor Isak Borg, age 78, is called from his home in Stockholm tography is both sumptu- Elvira Madigan Elvira to the university town of Lund to receive an honorary doctorate ous and impressionistic for his services to science. Events during the automobile trip to and it is beautifully Lund—and several dreams in which he relives his past and is made accompanied by Mozart’s aware once again of his faults—force Isak to review his life and Piano Concerto No. 21 in resolve his terrible bitterness. After the ceremony later that day, he C major. -
New Honors Degree Approved by Senate by PHYLLIS AVOLIO Research And/Or Creative an Honors Bachelor's Scholarly Activity
Bulk Rate U.S. Postage PAID 1Permit No.320 Newark, DE. New HonOrs Degree Approved by Senate By PHYLLIS AVOLIO research and/or creative An Honors Bachelor's scholarly activity. The thesis Degree was approved by the project must show creativity Faculty Senate by a vote of and independent thinking. 25-17 at its meeting Monday. • A written examination in The degree is for students the major. who want to pursue an ac The Director of the univer celerated program that in sity Honors Program, Donald cludes smaller, more deman Harward, described the im· ding honors courses, plementation of the Honors tutorials, and a thesis. Degree as a positive move. Specific requirements for the - "It is a very important step degree are: towards encouraging rich • Fulfilling requirements undergraduate education, the for a current major. development of new op • Grade point average of portunities and a testimony of 3.400 (which might be set the commitment to academic higher by individual depart excellence," said Harward. ments). Departments will begin for • Sixty credits at the 300 mulating . individual pro level or above. grams this summer. •Thirty credits in honors Harward will contact courses, which must include departments this month to en 12 credits in the major courage them to draft degree department or allied depart proposals. The Department of ments, 12 credits in elective anthropology has already courses, and six credits in developed a program. honors tutorial at the The Honors Degree will not sophomore level or above. attract a large number of peo Three of the six credits must ple, Harward said. -
Leon Levy BAM Digital Archive
Brooklyn Academy of Music 1997 Next Wave Festival ••• •• • Julio Galan, Rado, 1996, oil on canvas, 39 W' x 31 W' • Iver PHILIP MORRIS BAM 1997 Next Wave Festival is sponsored by COM PAN IE SIN C. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Harvey Lichtenstein President and Executive Producer presents II Running time: Eiko & Koma approximately Kronos Quartet seventy-five minutes. Somei Satoh There will be no intermission. BAM Majestic Theater December 3-6, 1997 at 7:30pm December 7 at 3pm Dancers Eiko & Koma Musicians Kronos Quartet David Harrington violin John Sherba viol in Hank Dutt viola Joan Jeanrenaud cello Com poser Somei Satoh Lighti ng designer Jeff Fontaine Scenery Eiko & Koma Sculptor Judd Weisberg Audio engineer Jay Cloidt Major support for this presentation has been provided by The Ford Foundation, The Harkness Foundation for Dance and The Joyce Mertz-Gilmore Foundation. Additional support has been provided by the Asian Cultural Council. Metropolitan Life Foundation is the exclusive sponsor of BAMradio, a broadcast series for which Kronos Quartet's performance will be recorded. The creation and touring of River has been made possible by Brooklyn Academy of Music in cooperation with other funders and presenters. Eiko & Koma An Arts Partners project grant to Lafayette College in Easton, PA enabled the Williams Center for the Arts there to function as lead commissioner of River and to provide the use of its theater for development of the work. The Jacob's Pillow Dance Festival, Art Awareness and the Atlantic Center for the Arts provided additional creative time and space. -
090404955327.Pdf
POUL RUDERS (b. 1949) SOUND AND SIMPLICITY (Seven Pillars of Music for Accordion and Symphony Orchestra) (2018) (29:22) 1) I. Rain (3:39) 2) II. Trance (3:58) 3) III. Haiku (:22) 4) IV. Smoke (6:55) 5) V. Song Link (6:06) 6) VI. Twilight (4:06) 7) VII. Wolf Moon (4:16) Bjarke Mogensen, accordion Odense Symfoniorkester Sebastian Lang-Lessing, conductor 2 8) DREAM CATCHER (2004) (arr. Bjarke Mogensen) (4:30) Bjarke Mogensen, accordion SYMPHONY NO. 3 “Dream Catcher” (2005-2006, rev. 2009) (26:31) 9) I. Alla breve con brio - Adagio sognante (15:32) 10) II. Scherzo prestissimo (10:59) Odense Symfoniorkester Scott Yoo, conductor p c and 2021, Bridge Records, Inc. • All Rights Reserved • Total Time: 60:43 3 SOUND AND SIMPLICITY (SEVEN PILLARS OF MUSIC FOR ACCORDION AND SYMPHONY ORCHESTRA) (2018) Note by the composer All music is sound, but not all music is simple. Simplicity is a virtue, espe- cially in the arts, a fact which becomes increasingly and inescapably obvi- ous to me the older I get. In Sound and Simplicity four out of the seven movements are very simple (as in the absence of any structural and metric complexity). Indeed, the second movement, Trance, a sustained chord, em- ploys only four notes, but they are gradually presented over three octaves. Two of the seven titles are related to literary texts. Rain is a musical re- flection on a couple of lines by Danish writer Arthur Krasilnikoff, from his novel The Eye of the Whale (the chapter entitled Rain) – here in my translation from the Danish: “But best of all were the sounds from the drops.