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Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Een Beknopte Geschiedenis Van Zeven Moorden
Een beknopte geschiedenis van zeven moorden Marlon James Een beknopte geschiedenis van zeven moorden vertaald door arjaan en thijs van nimwegen Lebowski Publishers, Amsterdam 2015 De vertalers ontvingen voor deze vertaling een projectsubsidie van het Nederlands Letterenfonds Oorspronkelijke titel: A Brief History of Seven Killings Oorspronkelijk uitgegeven door: Riverhead Books, 2014 © Marlon James, 2014 © Vertaling: Arjaan en Thijs van Nimwegen, 2015 © Nederlandse uitgave: Lebowski Publishers, Amsterdam 2015 © Omslagontwerp originele uitgave: Gregg Kulick Omslagontwerp Nederlandse uitgave: Dog and Pony Amsterdam Omslagbeeld: © Getty Images | Rolf Nussbaumer Auteursfoto: © Jeffrey Skemp Typografie: Perfect Service, Schoonhoven isbn 978 90 488 2531 8 isbn 978 90 488 2532 5 (e-book) nur 302 www.lebowskipublishers.nl www.overamstel.com Lebowski Publishers is een imprint van Overamstel uitgevers bv Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar ge- maakt door middel van druk, fotokopie, microfilm of op welke wijze ook, zonder voorafgaande schriftelijke toestemming van de uitgever. Voor Maurice James Een buitengewone gentleman van een klasse apart. Inhoud Original Rockers 2 december 1976 19 Ambush in the Night 3 december 1976 137 Shadow Dancin’ 15 februari 1979 297 White Lines / Kids in America 14 augustus 1985 465 Sound Boy Killing 22 maart 1991 635 lijst van personages greater kingston vanaf 1959 Sir Arthur Jennings, voormalig politicus, overleden De Zanger, grootste reggaester ter wereld Peter Nasser, politicus, strateeg Nina Burgess, ex-receptioniste, momenteel werkloos Kim-Marie Burgess, haar zus Ras Trent, Kim-Maries minnaar Doctor Love / Luis Hernán Rodrigo de las Casas, cia-adviseur Barry Diflorio, cia-chef kantoor Jamaica Claire Diflorio, zijn vrouw William Adler, voormalig cia-agent, werkt voor eigen rekening Alex Pierce, journalist bij Rolling Stone Matt Lansing, filmmaker, zoon van Richard Lansing, voormalig cia-directeur Louis Johnson, cia-agent Mr. -
Population Redistribution: an Aspect of Urbanization
POPULATION REDISTRIBUTION: AN ASPECT OF URBANIZATION AND SETTLEMENT POLICY IN JAMAICA by ALFONSO FITZ-HENLEY JACQUES B,Sc, Tuskegee Institute, 1960 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE in the Department of COMMUNITY AND REGIONAL PLANNING We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1965 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that, copying or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Alfonso Fitz-Henley Jacques Department of Community and Regional Planning The University of British Columbia, Vancouver 8, Canada Date April 9, 1965 ABSTRACT Urbanization as it affects the developing countries is one of the critical problems facing Jamaica today. The ma• jor urban centre, Kingston, is unable to cope with the many and varied problems introduced by the increasing number of people who are migrating from rural areas with the hope of finding a "better life" in the big city. However, its un• healthy magnetic power persists, draining the other areas of the country of the better educated, more ambitious, wealthier, as well as the less fortunate people, leaving these areas little developed and depriving the country as a whole of some of the greater social and economic potentials. -
Sound System Nation: Jamaica GRAHAM ST JOHN
Sound System Nation: Jamaica GRAHAM ST JOHN from UNIVERSITY OF QUEENSLAND the floor 1. Photo by author Several years ago, I started gathering interest in mobile initiatives committed to social and political causes in Australia called “sound systems”. The likes of Labrats and other vehicles for the performance of postcolonial desires had been rallying the disaffected to wild and weird frontlines, pursuing, as techno-activist mover and shaker Pete Strong (aka Mashy P) once said, “a sound system for all”. Back then, I’d become excited by these proactive and convivial mobilisations. Responding to local ecological and humanitarian issues, and fed by developments in electronic music culture, a groovement was afoot. Becoming interested in the roots of these developments, one path took me in the direction of the original spinners, the UK’s Spiral Tribe, whose anarchist antics ap- pealed to thousands of tekno-travelers and sonic squatters, attracting the law in the form of a four month and £4 million trial in 1994 that eventually saw Spiral Tribe participants acquitted of the charge of “conspiracy to cause a public nuisance”. The Spirals then kicked off the European and worldwide freetekno movement – whose chief cultural expression is the teknival. Dancecult: Journal of Electronic Dance Music Culture 1(2) 2010, 94-104 ISSN 1947-5403 ©2010 Dancecult http://www.dancecult.net/ DOI 10.12801/1947-5403.2010.01.02.07 St John • Sound System Nation: Jamaica 95 2. Simon Spiral with 303. Photo by Stefan Debatsalier, from New Music Express, 9 January 1993 3. Out of System free party, Italy, July 2008. -
Caraïbes. Patrie Du Reg Gae – Tout Juste Classé Par L
TENDANCESÉVASION Au rythme de la Jamaïque en Jamaïque. Sa mission s’appelle Golden Caraïbes. Patrie PAR ANNE-SOPHIE JAHN Eye et il tombe amoureux de cette jungle du reg gae – tout juste uel meilleur moyen d’accoster sur impénétrable et de ces superbes plages l’île que d’imiter Ian Fleming de sable blanc. A la fin de la guerre, il y classé par l’Unesco –, Q soixante-six ans plus tôt ? En y construit la villa de ses rêves, qu’il a lui- l’île a inspiré pénétrant par le nord, via la baie d’Ora- même dessinée. Installé dans sa chambre cabessa, la « tête d’or », comme l’ont nom- face à la mer des Caraïbes, un verre de les plus grands, mée les Espagnols, qui colonisèrent la rhum à la main, il y imagine le person- Jamaïque après sa découverte par nage de James Bond. Mais il ne reste pas de Gainsbourg Christophe Colomb en 1494. En 1942, le longtemps isolé dans sa retraite d’écri- aux Rolling Stones. commandant Fleming, agent du rensei- ture. Dans les années 1950 et 1960, le nord gnement naval britannique, est envoyé de l’île est le repaire de la jet-set. Errol POUR « LE POINT » (X2) LUYSSEN/RÉA JEAN LUC 110 | 13 décembre 2018 | Le Point 2415 Descente du Rio Grande en bambou rafting au nord-est de l’île. Ci-dessous, l’hôtel Strawberry Hill, qui domine la baie de Kingston. Flynn, Elizabeth Taylor et TrumanCapote y passent leurs vacances. C’est à cette époque que Chris Blackwell découvre Goldeneye. -
Chanting up Zion: Reggae As Productive Mechanism for Repatriated Rastafari In
Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Shannon Dudley, Chair Giulia Bonacci Katell Morand Christina Sunardi Program Authorized to Offer Degree: Music i @Copyright 2017 David Aarons ii University of Washington Abstract Chanting up Zion: Reggae as Productive Mechanism for Repatriated Rastafari in Ethiopia David Aarons Chair of the Supervisory Committee: Shannon Dudley Ethnomusicology Since the 1960s, Rastafari from Jamaica and other countries have been “returning” to Ethiopia in the belief that it is their Promised Land, Zion. Based on extensive ethnographic research in Ethiopia between 2015 and 2017, this project examines the ways in which repatriated Rastafari use music to transform their Promised Land into a reality amidst various challenges. Since they are denied legal citizenship, Rastafari deploy reggae in creative and strategic ways to gain cultural citizenship and recognition in Ethiopia. This research examines how reggae music operates as a productive mechanism, that is, how human actors use music to produce social and tangible phenomena in the world. Combining theories on music’s productive capabilities with Rastafari ideologies on word-sound, this research further seeks to provide deeper insight into the ways Rastafari effect change through performative arts. I examine how Rastafari mobilize particular discourses that both challenge and reproduce hegemonic systems, creating space for themselves in Ethiopia through music. Rastafari use reggae in strategic ways to insert themselves into the contested national narratives of Ethiopia, and participate in the practice of space-making in Addis Ababa and Shashemene through sound projects. -
I and I, Bob Marley TG FINAL + CCSS
Lee & Low Books I and I Bob Marley Teacher’s Guide 1 Classroom Guide for I and I Bob Marley Written by Tony Medina Illustrated by Jesse Joshua Watson Reading Level *Reading Level: Grade 4 and up Interest Level: Grades 3–8 Guided Reading Level: S Lexile™ Measure: NP *Reading level based on the Spache Readability Formula Themes Poetry, Music, Family, Dreams and Aspirations, Overcoming Obstacles, History and Politics, Spirituality, Poverty, Nonfiction/Biography, Biracial Interest, World Cultures Synopsis Born in the Jamaican countryside in 1945, Bob Marley seemed special from birth. The curious, intuitive boy had an extraordinary gift for absorbing and interpreting the world around him. Influenced by his biracial heritage, his island home, and the injustices he observed in everyday life, Bob went on to become a musician and messenger, a poet and prophet of reggae culture. His music echoed from Jamaica all the way across the globe, spreading his heartfelt message of peace, love, and equality to everyone who heard his songs. Told in a collection of poems reflecting the songs and rhythms of Bob Marley’s music, and brimming with imagination and insight, I and I Bob Marley is a multifaceted tribute befitting this international musical legend. Soulful, sun-drenched paintings transport readers to Bob Marley’s Jamaica, while uniquely perceptive poems bring to life his fascinating journey from boy to icon. Background Born on February 6, 1945, Nesta Robert Marley was the son of Captain Norval Sinclair Marley (a white man) and Cedella Malcolm (a black woman). Bob Marley grew up in the village of Nine Miles in the St. -
JTB Jan 17 Newsletter Approved
All the Latest News for UK Travel Agents Cots: THE BIG NEWS EVENTS JAMAICA WHAT’S NEW Isnd Vibes REWARDING YOU The Big NEWS INCREASED FLIGHTS TO JAMAICA FROM MARLEY TO GO LIVE! Appleton Rum THE UK A three-LP vinyl edition of Bob Marley and The Wailers’ epic 1975 Rum company J Wray & Nephew who produces Jamaica’s finest British Airways and Thomson Airways have announced additional “Live!” album was released December 16 through the Marley family Appleton Rum will be investing US$7.2-million to renovate and flights to Jamaica. Thomson’s additional flights will include a and Universal Music. The vinyl will include unreleased performances upgrade the Appleton Estate Visitor Centre. The company will third weekly flight from Manchester and a fourth from London of Trenchtown Rock, Burnin’ And Lootin’, Them Belly Full (But We also be looking at establishing a small-scale hotel as part of the Gatwick this winter. Thomson will also introduce service from Hungry) and Rebel Music (3 O’Clock Roadblock). A digital version was offerings at Appleton Estate. The upgrading work will include London Stansted in summer 2017. British Airways will add a also released on the same day, as well as a limited edition seven-inch renovation of the property and surrounding landscape, the fourth weekly flight from London Gatwick to Kingston in summer live vinyl with No Woman, No Cry backed with Natty Dread. The addition of modern rooms to facilitate the tasting of rum, an of 2017 (April to October). Flights will operate on Mondays, original “Live!” album was released by Island Records in December expansive retail store, and a restaurant and lounge offering Tuesdays, Thursdays and Fridays. -
Monty Alexander “Concrete Jungle: the Music of Bob Marley “
Monty Alexander “Concrete Jungle: The Music of Bob Marley “ Release# CD-83635 Telarc (2006) In 1999, Jamaican born jazz pianist Monty Alexander made his Telarc debut with the release of Stir It Up, a tribute to the music of reggae icon Bob Marley. Since then, Alexander has assembled a diverse body of work on Telarc, with recordings ranging from straightahead jazz to the American songbook to world music. Seven years after Stir It Up, Alexander digs deeper into the music and mythos of Bob Marley with Concrete Jungle, a further exploration of Marley’s legacy. Recorded in the late summer of 2005 at Marley’s own Tuff Gong Studios in Kingston, Jamaica, and embellished by a crew of highly talented session players from the U.S. and Jamaica, Concrete Jungle is a set of twelve compositions penned by Marley and reinterpreted via Alexander’s jazz piano-oriented arrangements. The resulting union of musical sensibilities captures the passion and freewheeling creative spirit that have made Marley a universally recognized icon a quarter century after his death—not just within the reggae nation but throughout the world. At the forefront is Alexander’s rich and evocative piano work, accompanied by guitarist Wendel Ferraro (aka Junior Jazz), bassist Hassan Shakur and drummer Herlin Riley. Further seasoning the mix are vocalist Luciano (a Jamaican superstar and an heir to the Marley legacy), trombonist Delfeayo Marsalis, reggae drummer Rolando Wilson, electric bassist Glenroy Browne, the Mento Men (Panchago Christian on guitar/vocals, Ural Gordon on rhumba box/vocals, Vincent Hines on banjo/vocals), and several other musicians who played with the great Bob Marley. -
An Assessment of Post-Dudus Policing Strategies in Jamaica Tracian Meikle and Rivke Jaffe
“Police as the New Don”? An Assessment of Post-Dudus Policing Strategies in Jamaica Tracian Meikle and Rivke Jaffe Abstract -5ʫ LJKJv.5ʪ5#ʫ 5ʪʫw9 ʪ5 5ʫ 5 $ 5 Constabulary Force (JCF) uses in inner-city communities have been under scrutiny. We suggest that recent strategies employed by the police represent a form of intra-urban policy mobilities, involving the appropriation and adaption of strategies utilised by criminal vdonsw. raing on ethnographic ʙeldor conducted in %ingston beteen LJJR and LJKN, e discuss recent JCF activities in security and dispute resolution, social provisioning, and symbolic assertions of authority. .hese activities, e argue, reʚect the JCFws recognition of the efʙcacy of security and legitimisation strategies popularised by dons. Keywords: policing, crime control, policy mobilities, dons, Jamaica Introduction Following Jamaica’s ‘Tivoli Incursion’ in 2010, aimed at the extradition of Tivoli Gardens ‘don’ Christopher ‘Dudus’ Coke, there has been much debate on the efʠcac of previous policing strategies in combatting the countr’s high rate of violent crime> .peciʠcall, the government and security forces have been weighing the pros and cons of ‘hard’ and ‘soft’ policing styles in diminishing the inʡuence of organised crime in inner-city neighbourhoods. Assisted (and sometimes hindered) by foreign diplomats and development agencies, they have been exploring numerous possibilities for innovation ranging from new legislative tools and technologies to police reform. While some previous policing and security policies have been continued, existing strategies have been intensiʠed or reconʠgured in the ‘post-Dudus’ period, starting during the 2010 State of Emergency and continuing into the present. Caribbean Journal of Criminology, Volume 1, No. -
“Smile for Me Jamaica”: a Snapshot of Kingston's Destination Image and the Need for a Collaborative Marketing Approach
| N.º 21/22 | 2014 165 “Smile for me Jamaica”: A snapshot of Kingston’s destination image and the need for a collaborative marketing approach JAN LOUISE JONES * [ [email protected] ] ASHLEY HYDE ** [ [email protected] ] Keywords | Destination marketing, Jamaica, Community tourism, Kingston, Collaborative marketing, Sustainable tourism. Objectives | The overall objective of this study was to analyse the perceptions of local tourism stakeholders in Kingston (Jamaica) about destination image and potential strategies for developing a more collaborative destination marking model for tourism development. This abstract presents a summary analysis of the results after the first round of pilot study interviews conducted in Kingston, Jamaica (July 2013). The significance of this study is to initiate a process that provides an opportunity for the people of Kingston to promote the aspects of their culture that they feel would attract tourists to their communities and assist in the development of a collaborative destination marketing strategy. The focus of the project was identified in collaboration with Touch the Road due to their extensive experience in dealing with local tourism stakeholders in Kingston and because the philosophy of this company matched the desire to develop a bottom-up collaborative destination marketing approach. Methodology | Given the exploratory nature of this project, qualitative research was identified as the most appropriate methodology to study the stakeholders perceptions of collaborative strategies and challenges currently facing increased international tourism to Kingston (Creswell, 2013). This study employs a phenomenological approach differing from positivist approaches in that the emphasis is on “grounded’ theory development. This approach includes a more flexible approach to the research process where perspectives and interpretations of those being studied become the key to understanding the phenomenon being analysed (Finn, Elliot-White & Walton, 2000). -
Jamaica, Jamaica! - an Exhibition Conceived by the Cité De La Musique - Philharmonie De Paris, Produced and Executed by Sesc São Paulo
Jamaica, Jamaica! - an exhibition conceived by the Cité de la Musique - Philharmonie de Paris, produced and executed by Sesc São Paulo The show comes to Brazil to occupy the exhibition space at Sesc 24 de Maio Nitty Gritty, Jammy Studio, 1985. Picture by Beth Lesser From March 15th, Sesc 24 de Maio, located in the centre of São Paulo, features an exhibition conceived by the Cité de la Musique - Philharmonie de Paris, produced and executed by Sesc São Paulo, Jamaica, Jamaica!, comes directly from the french institution, where it was shown last year. The exhibition is curated by french journalist and film director Sébastien Carayol and can be visited until August 26th. A chronological and historical panorama on Jamaican music is shown in eight cores, contemplating a political, social and cultural view, considering the island’s musical production as a guiding line of that history as well as the findings of the researches about the expansion of Jamaican music in Brazil - mainly in Maranhão, Bahia and São Paulo. The exhibition takes up the fifth floor of Sesc 24 de Maio, equivalent to 1,300m², and intends to show the Caribbean country, which is the birthplace one of the main musical and cultural styles of the second half of the twentieth century, beyond reggae and its major icon, Bob Marley. In this context, Jamaica, Jamaica! seeks to recollect part of history by means of looking at conflicts and postcolonial encounters which led to a unique and universal musical movement. To illustrate diversity and heritage, the show brings together photographs, album covers, musical instruments, leaflets, graphic material from street parties, documents, audios and images from private collections and institutions.