Tanya Stephens Download Torrent Tanya Stephens Download Torrent

Total Page:16

File Type:pdf, Size:1020Kb

Tanya Stephens Download Torrent Tanya Stephens Download Torrent tanya stephens download torrent Tanya stephens download torrent. Tamaño: 8,23 GB. Descripción: 01. Intro 02. Superior 03. Changes 04. The Journey 05. Road of Life 06. Intoxication 07. Different Places 08. Send a Prayer 09. It No Pretty 10. Tranquility 11. To the Top feat. Christopher Martin 12. Warn Dem feat. Shaggy 13. New Day Dawn 14. Runaway 15. In My Arms 16. You Remember 17. Heart of Rub-A-Dub 18. Rainy Days feat. Tamika & Martin Jondo 19. Dem Gone 20. Memories 21. Interlude 22. Homesick feat. Milky Chance 23. No Solidarity feat. Ky-Mani Marley 24. Big City Life feat. Marlon Roudette 25. Walk Away 26. Leave Us Alone 27. Another Melody feat. Tanya Stephens 28. Redemption Song feat. Ky-Mani Marley & Campino. Gentleman - MTV Unplugged (2014)-alE13.mkv Format : Matroska Format version : Version 4 / Version 2 File size : 7.37 GiB Duration : 1h 51mn Overall bit rate mode : Variable Overall bit rate : 9 470 Kbps Movie name : Gentleman - MTV Unplugged (2014)_Rip.-alE13 Encoded date : UTC 2014-12-29 10:45:26 Writing application : mkvmerge v6.7.0 Writing library : libebml v1.3.0 + libmatroska v1.4.1. Video ID : 1 Format : AVC Format/Info : Advanced Video Codec Format profile : [email protected] Format settings, CABAC : Yes Format settings, ReFrames : 2 frames Codec ID : V_MPEG4/ISO/AVC Duration : 1h 51mn Nominal bit rate : 3 764 Kbps Width : 1 920 pixels Height : 1 080 pixels Display aspect ratio : 16:9 Frame rate mode : Constant Frame rate : 25.000 fps Color space : YUV Chroma subsampling : 4:2:0 Bit depth : 8 bits Scan type : Progressive Bits/(Pixel*Frame) : 0.073 Title : Gentleman - MTV Unplugged (2014)-alE13 Writing library : x264 core 142 Color primaries : BT.709 Transfer characteristics : BT.709 Matrix coefficients : BT.709 Color range : Limited. Audio ID : 2 Format : DTS Format/Info : Digital Theater Systems Format profile : MA / Core Mode : 16 Format settings, Endianness : Big Codec ID : A_DTS Duration : 1h 51mn Bit rate mode : Variable Bit rate : Unknown / 1 509 Kbps Channel(s) : 6 channels Channel positions : Front: L C R, Side: L R, LFE Sampling rate : 48.0 KHz Bit depth : 24 bits Compression mode : Lossless / Lossy Title : Gentleman - MTV Unplugged (2014)-alE13_DTS_MA / Core @ 1509 Kbps Language : English. Reggae Forever. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £7.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Etana, MainArtist - Shauna McKenzie, Writer - Andre Morris, Writer - Jesse Adelman, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Andre Morris, Writer - Jesse Adelman, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Tanya Stephens, Writer - Shauna McKenzie, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Khambrel McPherson, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Andre Morris, Writer - Khambrel McPherson, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Khambrel McPherson, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Omar Riley, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Andre Morris, Writer - Jesse Adelman, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Khambrel McPherson, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Khambrel McPherson, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Andre Morris, Writer - Carrington Chiwadzwa, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Andre Morris, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Jerome Campbell, Writer. © 2018 Tad's International ℗ 2018 Tad's International. Etana, MainArtist - Shauna McKenzie, Writer - Andre Morris, Writer. © 2018 Tad's International ℗ 2018 Tad's International. About the album. 1 disc(s) - 14 track(s) Total length: 00:49:52. © 2018 Tad's International ℗ 2018 Tad's International. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Legend – The Best Of Bob Marley & The Wailers. Bob Marley & The Wailers. Crime Of The Century [2014 - HD Remaster] Songs From The Big Chair. Tears For Fears. Playlists. Bob Marley & The Wailers. Bob Marley & The Wailers. Bob Marley & The Wailers. Pink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around 1968. A Saucerful of Secrets (the main track from the eponymous album) was, for Nick Mason at least, where it all began. Their next album Ummagumma (1969) gave each band member the opportunity to create a solo piece, though they would have to combine their talents if they wanted to hit the jackpot. Pink Floyd continued to search for the perfect record with Meddle, an album which highlighted their skills in the studio, and Atom Heart Mother, before they reached nirvana with The Dark Side of the Moon. And the album’s perfection hasn’t faded one bit. It was precisely 40 years ago that Bob Marley released his final album, Uprising, the climax to his political trilogy (with Survival and Confrontation) that was left unfinished after Marley was taken by cancer in 1981. Let us look back at this Jamaican prophet’s shift towards militarism during his last three years on Earth. Behind the huge international success of figures like Bob Marley, Jimmy Cliff and Shaggy, Jamaica’s local scene has always been a vibrant one. The sound is constantly changing. One star succeeds another. Here, Qobuz explores 10 local Jamaican reggae heroes who have all too often slipped under the radar. DJ Barry Bee. DJ Barry Bee - Dirty South Crack Pot Vol. 6 (Hosted By Gangsta Boo) 1. DJ BARRY BEE & GANGSTA BOO - INTRO 2. GANGSTA BOO - QUEEN OF THE SOUTH 3. GANGSTA BOO FT. DRUMMA BOY - STILL GANGSTA 4. STAFA & CYPHER - GOT THAT BLOCKA (AFFISHAUL ENT) 5. SMITTY - YOU DONT RUN M.I.A. 6. EIGHT BALL & MJG - (FREESTYLE) 7. LIL WAYNE FT. TWISTA - WHIP GAME 8. PASTOR TROY - SHOW ME THE MONEY 9. SLIM THUG - PROBLEM. DJ Barry Bee - Reggae 101 Vol. 2. 01. Bounty Killer & Elephant Man - Gimme The Weed (BB Remix) 02. Sean Paul, Lil Vicious, Beenie Man - That Girl (Remix) 03. Bounty Killer - Murderer (Remix) 04. Shaggy & Ravon - Big Up 05. Sean Paul - Gimmie the light 06. Capleton - I Love To See 07. Beenie Man - Toyfriend 08. Mr. Vegas - Think It Over 09. Tanya Stephens - Addiction (BB Remix) 10. Mr Vegas, Elephant Man, Sizzla - Bollywood Riddim 11. Sizzla - In De Streets 12. Beenie Man - My Neck My Back 13. Mad Cobra - Anything 14. Red Rat - Tight Up Skirt 15. Buju Banton ft. Nadine Sutherland - Second Class. 90s Reggae Best of Greatest Hits of 1996 – 2000 Mix by Djeasy. Pull it up – Beres hammond & buju banton Hypocrites – Tony rebel Reggae Bring Back Love – Morgan Heritage Stand up Straight – Cocoa T Oh, Honey – Sanchez It Feels So Good – Twiggi Someone to Hold – Singing Melody Waiting in Vain – Cocoa Tea/Cutty Ranks Give Me Strength – Kashief Lindo Love You Higher – Benjy Myaz make it secure – Sizzla Set Yourself Free – Morgan Heritage Rip and Run Off – Cocoa Tea/Cutty Ranks I Care for You – Sanchez Body Language – Gregory Isaacs/John Holt Sweet Lady – Tony Curtis Land Of Love – Marcia Griffiths Child of a Slave – Ras Shiloh Give Them The Ride – Sizzla Babylon Brutally – Admiral Tibett Handle the Ride -Tanya Stephens Say What – Singing Melody Crush – Richie Stephens Grab You Lass – Mikey Spice And Louie Culture Be Strong – Sizzla el shaddi – jahmali when you down – tyrone taylor Love Me Tonight – Dennis Brown Take Time to Know Her – Freddie McGregor Young Hearts Run Free – Pam Hall No Can Do – Kashief Lindo Saving Myself – Glen Washington Hit & Run – Dennis Brown All My Love – Da’Ville; Marcia Griffiths Let’s Make Up – Morgan Heritage Reunion – Buju Banton; Wayne Wonder Time – Benjy Myaz Alli Alli Ho – Mikey Spice Always Be True to You - Sanchez I See It In You – Freddie McGregor Pretty Girl – Sanchez Down By The River – Morgan Heritage Raid the Barn – Anthony B. holding firm – sizzla One of These Days – Glen Washington Sometimes – Sanchez For You – Sanchez Going Away – Beenie Man & Sanchez Lift up Your Head – Everton Blender Love Jah And Live – Luciano Love So Nice – Junior Kelly Don’t Play With My Heart – Beres Hammond Queen And Lady – Beres Hammond Back at One – Sanchez Six-Eight-Twelve – Tony Curtis Want You Back – Singing Melody Love From A Distance – Beres
Recommended publications
  • Read Or Download
    afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders.
    [Show full text]
  • STAR Digio 100 チャンネル:476 REGGAE 放送日:2009/6/8~6/14 「番組案内(6時間サイクル)」 開始時間:4:00~10:00~16:00~22:00~
    STAR digio 100 チャンネル:476 REGGAE 放送日:2009/6/8~6/14 「番組案内(6時間サイクル)」 開始時間:4:00~10:00~16:00~22:00~ 楽曲タイトル 演奏者名 REGGAE VIBRATION RASTA SHOULD BE DEEPER JUNIOR KELLY DICK TRACY DEAN FRASER FAMILY AFFAIR SHINEHEAD Zungguzungguguzungguzeng YELLOWMAN CB 200 DILLINGER JAVA AUGUSTUS PABLO REGGAE MAKOSSA Byron Lee & The Dragonaires CUMBOLO CULTURE IT A GO ROUGH Johnny Clarke Got To Be There TOOTS & THE MAYTALS AIN'T THAT LOVING YOU STEELY & CLEVIE featuring BERES HAMMOND (featuring U-ROY) Can I Change My Mind HORACE ANDY Ghetto-Ology SUGAR MINOTT RED RED WINE UB40 BUJU BANTON (1) RASTAFARI BUJU BANTON UNTOLD STORIES BUJU BANTON MAMA AFRICA BUJU BANTON MAYBE WE ARE BUJU BANTON PULL IT UP BERES HAMMOND & BUJU BANTON Hills And Valleys BUJU BANTON 54 / 46 BUJU BANTON featuring TOOTS HIBBERT A LITTLE BIT OF SORRY BUJU BANTON FEELING GROOVY BUJU BANTON Better Must come BUJU BANTON MIRROR BUJU BANTON WHY BUJU LOVE YOU BUJU BANTON We'll Be Alright BUJU BANTON feat. Luciano COVER REGGAE With A Little Help From My Friends Easy Star All-Stars feat. Luciano YOU WON'T SEE ME ERNIE SMITH COME TOGETHER THE ISRAELITES WATCH THIS SOUND THE UNIQUES Holly Holy UB40 BAND OF GOLD SUSAN CADOGAN COUNTRY LIVING (ADAPTED) The mighty diamonds MIDNIGHT TRAIN TO GEORGIA TEDDY BROWN TOUCH ME IN THE MORNING JOHN HOLT Something On My Mind HORACE ANDY ENDLESS LOVE JACKIE EDWARDS & HORTNESE ELLIS CAN'T HURRY LOVE~恋はあせらず~ J.C. LODGE SOMEONE LOVES YOU HONEY STEELY & CLEVIE featuring JC LODGE THERE'S NO ME WITHOUT YOU Fiona ALL THAT SHE WANTS PAM HALL & GENERAL DEGREE JUST THE TWO
    [Show full text]
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • Show Me the Money 1 Last Winter, Tucker and Ian Started a Lawn-Mowing and Snow-Shoveling Watch the Bottom Line Service
    LAPLeadership, Attitude, Performance...making learning pay! Financial Analysis LAP 85 Performance Indicator: FI:085 Student Guide Show Me Table of Contents the Money Watch the Bottom Line 2 Nature of Accounting It’s All in the System 8 Objectives Why bother learning about the 2 nature of accounting? Describe the importance of accounting to an organization. What would you do? 5 Explain basic accounting activities. Use what you’ve learned— 18 right now! 1375 King Avenue, P.O. Box 12279, Columbus, Ohio 43212-0279 Ph: (614) 486-6708 Fax: (614) 486-1819 Details: www.MBAResearch.org Copyright ©2017 by MBA Research and Curriculum Center® LAP-FI-085-CS © 2017, MBA Research and Curriculum Center® Show Me the Money 1 Last winter, Tucker and Ian started a lawn-mowing and snow-shoveling Watch the Bottom Line service. Although they did well initially, business slowed Accounting, which is both a basic business function and a career choice, is the down when summer arrived. Many past process of keeping financial records. Most of us practice some form of accounting clients (who had hired them to clear snow from their driveways) chose to in our daily lives, even if we don’t think of it as accounting. We keep records of mow their own yards. Luckily, though, a our personal funds and our debts so that we know how much money we have and few residents wanted the boys to mow how much we owe. instead of doing the work themselves. To mow these yards, Tucker and Ian Suppose for a moment that it’s your birthday, and your Uncle Pete gives you a needed gasoline for their mowers.
    [Show full text]
  • Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
    Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism.
    [Show full text]
  • A Stylistic Approach to the God of Small Things Written by Arundhati Roy
    Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2007 A stylistic approach to the God of Small Things written by Arundhati Roy Wing Yi, Monica CHAN Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons Recommended Citation Chan, W. Y. M. (2007). A stylistic approach to the God of Small Things written by Arundhati Roy (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/eng_etd.2 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY CHAN WING YI MONICA MPHIL LINGNAN UNIVERSITY 2007 A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY by CHAN Wing Yi Monica A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2007 ABSTRACT A Stylistic Approach to The God of Small Things written by Arundhati Roy by CHAN Wing Yi Monica Master of Philosophy This thesis presents a creative-analytical hybrid production in relation to the stylistic distinctiveness in The God of Small Things, the debut novel of Arundhati Roy.
    [Show full text]
  • Dancehall Dossier.Cdr
    DANCEHALL DOSSIER STOP M URDER MUSIC DANCEHALL DOSSIER Beenie Man Beenie Man - Han Up Deh Hang chi chi gal wid a long piece of rope Hang lesbians with a long piece of rope Beenie Man Damn I'm dreaming of a new Jamaica, come to execute all the gays I'm dreaming of a new Jamaica, come to execute all the gays Beenie Man Beenie Man - Batty Man Fi Dead Real Name: Anthony M Davis (aka ‘Weh U No Fi Do’) Date of Birth: 22 August 1973 (Queers Must Be killed) All batty man fi dead! Jamaican dancehall-reggae star Beenie All faggots must be killed! Man has personally denied he had ever From you fuck batty den a coppa and lead apologised for his “kill gays” music and, to If you fuck arse, then you get copper and lead [bullets] prove it, performed songs inciting the murder of lesbian and gay people. Nuh man nuh fi have a another man in a him bed. No man must have another man in his bed In two separate articles, The Jamaica Observer newspaper revealed Beenie Man's disavowal of his apology at the Red Beenie Man - Roll Deep Stripe Summer Sizzle concert at James Roll deep motherfucka, kill pussy-sucker Bond Beach, Jamaica, on Sunday 22 August 2004. Roll deep motherfucker, kill pussy-sucker Pussy-sucker:a lesbian, or anyone who performs cunnilingus. “Beenie Man, who was celebrating his Tek a Bazooka and kill batty-fucker birthday, took time to point out that he did not apologise for his gay-bashing lyrics, Take a bazooka and kill bum-fuckers [gay men] and went on to perform some of his anti- gay tunes before delving into his popular hits,” wrote the Jamaica Observer QUICK FACTS “He delivered an explosive set during which he performed some of the singles that have drawn the ire of the international Virgin Records issued an apology on behalf Beenie Man but within gay community,” said the Observer.
    [Show full text]
  • PAM HALL Singer, Songwriter, Arranger, Producer, Promoter Pam
    PAM HALL Singer, Songwriter, Arranger, Producer, Promoter Pam Hall had her musical beginnings in the traditional school, church arenas. That she was quite gifted was no secret as she would always end up teaching everyone their parts when singing in a choir. She however, never ventured on stage alone until she was a high school senior, when she traumatized herself after having been told that "the mike didn't sound so good" (therefore she didn't sound good. Horror of horrors!). After entering the professional world of music, Pam quickly built up a solid reputation as a versatile lead singer and background vocalist. Pam is highly rated as one of Jamaica 's best and was one half of the award winning Pam and Woody duo (the first duo to be so awarded in Jamaica). Wishing to spread her musical wings, she embarked on a solo career which spawned such perennial favourites as I WAS BORN A WOMAN, PERFIDIA, DEAR BOOPSIE, I'LL ALWAYS LOVE YOU, TRULY, SWEETEST SOUND, YOUNG HEARTS and TIME FOR LOVE, among others. Pam is also a truly gifted jazz singer. She has won the Jamaica Federation of Musicians Jazz Vocalist award several times. As a jazz performer Pam has wooed audiences at home and abroad and is regularly featured on the BET jazz channel. Pam has done backing vocals for most of the top reggae artistes such as PETER TOSH, DENNIS BROWN, BERES HAMMOND, GREGORY ISSACS, BURNING SPEAR, BEENIEMAN and JIMMY CLIFF, as well as international acts like THE FUGEES, MAXI PRIEST, COURTNEY PINE, QUEEN LATIFA, TRACY CHAPMAN, ERICA BADOO, EVE and many others.
    [Show full text]
  • Hempress Sativa
    420 ISSUE APR 2014 M A G A Z I N E ROOTS / ROCK / REGGAE / RESPECT HEMPRESS SATIVA 10 GANJA TRAX UNCONQUEREBEL RESPECT LIONESS PROTOJE KABAKA PYRAMID TURBULENCE JAHKIME JESSE ROYAL SATORI MOVEMENT KEZNAMDI NATURAL BLACK ONE LOVE / ONE EARTH / ONE CHANCE IRIEMAG.COM THE 420 ISSUE / 2014 “When you smoke the herb, it reveals you to yourself.” - Bob Marley Nicholas “Nico” Da Silva Founder/Publisher IRIEMAG.COM Celebrate 420 everyday! ROOTS. ROCK. REGGAE. Irie 420 Satori Movement Hempress Sativa From Jamaica One Love / One Earth / One Chance Unconquerebel Lioness RESPECT. REWIND. RIDDIMS. Kindah Danny Creatah Ganja Trax One Family World A Reggae Music for the Cannabis Culture TABLE OF CONTENT. Jamaica ROOTS. Irie 420 From Jamaica IRIE 420 From Jamaica By Kam-Au Amen Ganja babe my sweet ganja babe I love tha way ya love me and the way ya misbehavin’ ganja babe my sweet ganja babe come wake body-ody take my mind away GANJA BABE, MICHAEL FRANTI & SPEARHEAD Being Jamaican, and growing up in that culture one can hardly escape knowing what ganja, otherwise referred to as marijuana, weed, pot, cannabis, herb, I-ncients, collie, sensi, and a number of other names is. The use of ganja in Jamaica is still illegal, and its possession is criminal, therefore it is largely used outside of the public eye. No doubt this has contributed to its mystique and appeal. In Jamaica, the use of ganja has primarily been associated with the Rastafari brethren. These days however, lots have changed. Much of Jamaica’s international renown is due to its seeming- ly very integral role in counter cultural movements.
    [Show full text]
  • The Italian Girl in Algiers
    Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music
    [Show full text]
  • Cd Cd Cd 2Cd Cd Cd
    IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 153 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/12"/7") D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 22.08.2004 BIS 03.09.2004) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD CD CD 2CD CD CD 2CD IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 09/2004 #1 SEITE 2 *** CDs *** ANN & SONIA....................... RISE AGAIN MILLENNIUM......... WORLD SOUNDS... (GBR) (99/99). 20.49EUR LLOYD BROWN......(back in stock).. STRAIGHT NO CHASER............ GROOVE & A QUAR (GBR) (96/96). 19.79EUR BUSH CHEMISTS....(back in stock).. DUB OUTERNATIONAL............. ROIR........... (USA) (95/96). 18.99EUR DON CAMPBELL.....(back in stock).. REGGAE MAX.................... JET STAR....... (GBR) (--/01). 11.99EUR ETERNALS.........................
    [Show full text]
  • Tanya Stephens
    Tanya Stephens Mientras el reggae dancehall continúa tomando la lista de éxitos, el mundo está conociendo un estilo que refleja la mentalidad de los jóvenes varones jamaicanos: el reggae es un mundo de hombres. En este estilo dominado por hombres rudos y provocativos, la cantante y deejay (reggae rapper) Tanya Stephens está demostrando con creces que las chicas en el dancehall van más allá del simple rol de coristas decorativas de esos machitos. Rebelde, dura y auténtica, Stephens es la reina indiscutible del hardcore dancehall jamaicano, sin competencia. Su sexto CD, \"Rebelution\", confirma su posición privilegiada en lo más alto en el juego dancehall gracias a su imaginación musical y a su agudeza en las palabras. Ya sea con ritmos de dancehall hardcore, con diatribas contra el \"establishment\" político o con el \"crooning\" más romántico, todo lo que genera su talento gigante son ráfagas de arte desbocado. La carrera de Vivienne Tanya Stephenson despegó como la de tantos otros \"free-styling\" por las esquinas con su \"crew\". Segunda de siete hermanos, sus influencias musicales fueron determinadas por \"cualesquiera de las que en mi casa escuchaba cada uno\". Fue un equipaje muy mezclado, incluyendo Smokey Robinson, Buddy Holly & The Crickets, R&B americano y \"los calypsonianos que encantaban a mi madre como Lord Kitchener o Mighty Sparrow. Ellos ayudaron a desarrollar mi ingenio\". Tanya insiste, \"descubrí acerca de lo que ellos cantaban a una edad realmente temprana\". Cantar e improvisar en los sound systems locales completaron su educación musical y no tardó mucho en grabar su primer tema en 1993, \"Is This For Real\".
    [Show full text]