2012 Annual Report
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1 Public/Social Service/Government
Public/Social Service/Government/Education Elias “Bo” Ackal Jr., member of Louisiana House of Representatives 1972-1996, attended UL Lafayette Ernie Alexander ’64, Louisiana representative 2000-2008 Scott Angelle ’83, secretary of Louisiana Department of Natural Resources Ray Authement ’50, UL Lafayette’s fifth president 1974-2008 Charlotte Beers ’58, former under secretary of U.S. Department of State and former head of two of the largest advertising agencies in the world J. Rayburn Bertrand ’41, mayor of Lafayette 1960-1972 Kathleen Babineaux Blanco ’64, Louisiana’s first female governor 2004-2008; former lieutenant governor, Public Service Commission member, and member of the Louisiana House of Representatives Roy Bourgeois ’62, priest who founded SOA Watch, an independent organization that seeks to close the Western Hemisphere Institute for Security Corporation, a controversial United States military training facility at Fort Benning, Ga. Charles Boustany Jr. ’78, cardiovascular surgeon elected in 2004 to serve as U.S. representative for the Seventh Congressional District Kenny Bowen Sr. ’48, mayor of Lafayette 1972-1980 and 1992-1996 Jack Breaux mayor of Zachary, La., 1966-1980; attended Southwestern Louisiana Institute John Breaux ’66, U.S. senator 1987-2005; U.S. representative 1972-1987, Seventh Congressional District Jefferson Caffery 1903, a member of Southwestern Louisiana Industrial Institute’s first graduating class; served as a U.S. ambassador to El Salvador, Colombia, Cuba, Brazil, France and Egypt 1926-1955 Patrick T. Caffery ’55, U.S. representative for the Third Congressional District 1968- 1971; member of Louisiana House of Representatives 1964-1968 Page Cortez ’86, elected in 2008 to serve in the Louisiana House of Representatives 1 Cindy Courville ’75, professor at the National Defense Intelligence College in Washington, D.C.; first U.S. -
Love Songs Press Release
1 THE MOST ROMANTIC SONGS RECORDED BY THE ACCLAIMED AARON NEVILLE, INCLUDING TRACKS WITH LINDA RONSTADT AND THE NEVILLE BROTHERS, COLLECTED ON NEW COMPILATION AARON NEVILLE: LOVE SONGS “With an angelic voice capable of reconciling spiritual opposites-–wisdom and innocence, masculinity and femininity, the sacred and the profane--(Aaron) Neville can pretty much find the soul of any song...(using) that famous catch in his throat to convey the exuberance of unbridled passion.” --Rolling Stone (1995) The sweet soulful voice of Aaron Neville--the most familiar figure of New Orleans’ first family of music--has been brought to bear on love songs since the late ‘60s. Now 14 of those love songs from his most successful period, the ‘80s and ‘90s, have been collected on Aaron Neville: Love Songs (A&M/UME), released January 14, 2003. With the album co-compiled by Neville himself, each digitally remastered track was selected for its power of romance rather than its chart position. As a result, Aaron Neville: Love Songs brings most of these songs, spanning the years 1981 to 1997, together for the first time on any compilation. The album is the latest in the artist-driven, genre-crossing yet thematic Love Songs series which has previously included collections from Etta James, Elton John, and Stephanie Mills and is scheduled to release albums from Diana Ross, Marvin Gaye, the Moody Blues, Peggy Lee and more. Two recordings heard on Aaron Neville: Love Songs are actually from The Neville Brothers (Aaron, Art, Charles and Cyril): their Nawlins renditions of the doo-wop classic “The Ten Commandments Of Love” and ballad standard “Mona Lisa,” both from the siblings’ 1981 Joel Dorn-produced album Fiyo On The Bayou. -
ENROLLED 2021 Regular Session HOUSE BILL NO. 351 by REPRESENTATIVES PIERRE, AMEDEE, BRYANT, ROBBY CARTER, WILFORD CARTER, COX, D
ENROLLED 2021 Regular Session HOUSE BILL NO. 351 BY REPRESENTATIVES PIERRE, AMEDEE, BRYANT, ROBBY CARTER, WILFORD CARTER, COX, DUPLESSIS, FREEMAN, GREEN, HARRIS, HUGHES, TRAVIS JOHNSON, JONES, GREGORY MILLER, NEWELL, SEABAUGH, SELDERS, STAGNI, WHITE, AND WILLARD 1 AN ACT 2 To amend and reenact R.S. 49:155(A) and (B), relative to state symbols; to designate 3 "Southern Nights" by Allen Toussaint as the official state cultural song; and to 4 provide for related matters. 5 Be it enacted by the Legislature of Louisiana: 6 Section 1. R.S. 49:155(A) and (B) are hereby amended and reenacted to read as 7 follows: 8 §155. State song 9 A. The official state song for the State of Louisiana shall be a musical 10 composition, with words and music by Doralice Fontane, entitled: "Give Me 11 Louisiana"; the words and music1 reading as follows: 12 Give me Louisiana, 13 The state where I was born 14 The state of snowy cotton, 15 The best I've ever known; 16 A state of sweet magnolias 17 And creole melodies 18 Oh give me Louisiana, 19 The state where I was born 20 Oh what sweet old mem'ries 21 The mossy old oaks bring Page 1 of 6 CODING: Words in struck through type are deletions from existing law; words underscored are additions. HB NO. 351 ENROLLED 1 It brings us the story of our Evangeline 2 A state of old tradition, 3 Of old plantation days 4 Makes good old Louisiana 5 The sweetest of all states. 6 Give me Louisiana, 7 A state prepared to share 8 That good old southern custom, 9 Hospitality so rare; 10 A state of fruit and flowers, 11 Of sunshine and spring showers 12 Oh give me Louisiana, 13 The state where I was born 14 Its woodlands, Its marshes 15 Where humble trappers live 16 Its rivers, Its valleys, 17 A place to always give 18 A state where work is pleasure, 19 With blessings in full measure 20 Makes good old Louisiana 21 The dearest of all states. -
Elvis Costello Began Writing Songs at the Age of Thirteen. 2017 Marked the 40Th Anniversary of the Release of His First Record Album, My Aim Is True
Elvis Costello began writing songs at the age of thirteen. 2017 marked the 40th anniversary of the release of his first record album, My Aim Is True. He is perhaps best known for the songs, “Alison”, “Pump It Up”, “Everyday I Write The Book” and his rendition of the Nick Lowe song, “(What’s So Funny ‘Bout) Peace Love and Understanding”. His record catalogue of more than thirty albums includes the contrasting pop and rock & roll albums: This Year’s Model, Armed Forces, Imperial Bedroom, Blood and Chocolate and King Of America along with an album of country covers, Almost Blue and two collections of orchestrally accompanied piano ballads, Painted From Memory - with Burt Bacharach and North. He has performed worldwide with his bands, The Attractions, His Confederates - which featured two members of Elvis Presley’s “T.C.B” band - and his current group, The Imposters – Steve Nieve, Pete Thomas and Davey Faragher - as well as solo concerts, most recently his acclaimed solo show, “Detour”. Costello has entered into songwriting collaborations with Paul McCartney, Burt Bacharach, the Brodsky Quartet and with Allen Toussaint for the album The River In Reverse, the first major label recording project to visit New Orleans after Hurricane Katrina and completed there while the city was still under curfew. In 2003, Costello acted as lyrical editor of six songs written with his wife, the jazz pianist and singer Diana Krall for her album, The Girl In The Other Room. He has written lyrics for compositions by Charles Mingus, Billy Strayhorn and Oscar Peterson and musical settings for words by W.B. -
Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
Catalog 2008-2009
S w e et B riar College Catalog 2008-2009 2008-2009 College Calendar Fall Semester 2008 August 23, 2008 ____________________________________________ New students arrive August 27, 2008 __________________________________________ Opening Convocation August 28, 2008 _________________________________________________ Classes begin September 26, 2008 _____________________________________________ Founders’ Day September 25-27, 2008 ___________________________________Homecoming Weekend October 2-3, 2008 ________________________________________________ Reading Days October 17-19, 2008 __________________________________________ Families Weekend November 5, 2008 _____________________________ Registration for Spring Term Begins November 21, 2008 _________________________Thanksgiving vacation begins, 5:30 p.m. (Residence Halls close November 22 at 8 a.m.) December 1, 2008_______________________________________________ Classes resume December 12, 2008________________________________________________ Classes End December 13, 2008________________________________________________Reading Day December 14-19, 2008 ____________________________________________ Examinations December 19, 2008_________________________________ Winter break begins, 5:30 p.m. (Residence Halls close December 19 at 5:30 p.m.) Spring Semester 2009 January 21, 2009 ___________________________________________ Spring Term begins March 13, 2009 __________________________________ Spring vacation begins, 5:30 p.m. (Residence Halls close March 14 at 8 a.m.) March 23, 2009 _________________________________________________ -
The 6Th Annual Louisiana Studies Conference
1 The 6th Annual Louisiana Studies Conference Conference Keynote Speaker: Barry Ancelet, Professor and Granger & Debaillon Endowed Professor in Francophone Studies and Head, Department of Modern Languages, University of Louisiana at Lafayette Conference Keynote Roundtable: Moderator: Julie Kane, Professor of English, Northwestern State University, Louisiana Poet Laureate, 2011-2013 Participants: Darrell Bourque, Professor Emeritus, University of Louisiana at Lafayette, Poet Laureate of Louisiana, 2009-2011 Clayton Delery-Edwards, Director of Academic Services, Louisiana School for Math, Science, and the Arts Gina Ferrara, Instructor of English, Delgado Community College Mona Lisa Saloy, Professor of English and Folklore, Dillard University Conference Co-Chairs: Lisa Abney, Vice President of Academic and Student Affairs, and Professor of English, Northwestern State University Jason Church, Materials Conservator, National Center for Preservation Technology and Training Shane Rasmussen, Director of the Louisiana Folklife Center and Associate Professor of English, Northwestern State University Conference Programming: Jason Church Shane Rasmussen Conference Hosts: Leslie Gruesbeck, Assistant Professor of Art and Gallery Director, Northwestern State University Greg Handel, Acting Director of the School of Creative and Performing Arts and Associate Professor of Music, Northwestern State University Selection Committees: NSU Louisiana High School Essay Contest: Shane Rasmussen, Chair Jason Church 2 Sarah McFarland, Director of Graduate Studies -
2014 ANNUAL REPORT Within These Pages You’Ll Find Examples of the North Texas Food Bank Mission in Action
FILLING TABLES A Member of Feeding America Improving lives 2014 ANNUAL REPORT Within these pages you’ll find examples of the North Texas Food Bank mission in action. Our passion for ending hunger can only be fulfilled with your support, and we’re so thankful that you partnered with us to make some 62 million meals available for hungry children, seniors, and working families in Fiscal Year 2014. A MESSAGE FROM OUR BOARD CHAIR It’s all thanks to you. Friends, As we close the books on the final year of the ReThink Hunger campaign, the North Texas Food Bank board is celebrating many wonderful accomplishments — most importantly, providing access to some 62 million nutritious meals for hungry North Texans. Through your financial support, volunteer efforts and advocacy, we achieved this important milestone. Thank you! Each day, the team at NTFB provides access to 170,000 meals for hungry children, seniors and families through a network of more than 1,000 programs and 262 Partner Agencies. While this figure is significant, we know that more work needs to be done, as 250,000 meals are needed daily to feed our hungry neighbors. Each year our supporters rise to the challenge and help us provide food for more than 439,000 food-insecure individuals who reside in our 13-county service area. This year was no different. As you flip through the pages of this annual report, you will read about the programs that NTFB has established to provide food and hope to our community, and you will also see the individuals, corporations, organizations and faith communities that brought food, funds and other support to our mission. -
How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1999 How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kane, Julie Ellen, "How the Villanelle's Form Got Fixed." (1999). LSU Historical Dissertations and Theses. 6892. https://digitalcommons.lsu.edu/gradschool_disstheses/6892 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been rqxroduced from the microfilm master. UMI films the text directfy firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiice, vdiile others may be from any typ e o f com pater printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, b^innm g at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
LCV List by Title.Xlsx
AUTHOR TITLE DESCRIPTION ISSUE YEAR PG Lambousy, Greg 100 Years of Interpreting Louisiana The Louisiana State Museum celebrates its centennial Fall 2006 8 A preview of an exhibition at the Louisiana State Museum 1815 Overtures upon the bicentennial of the Battle of New Orleans in 2015 Winter 2012 48 LEH 1993 Media Catalog A Guide to LA video documentaries Winter 1992 45 LEH 1996 Media Catalog A guide to LA video documentaries Winter 1995 57 2000 - 2001 LEH Media Catalog A comprehensive annotated listing of all LEH-funded films Spring 2000 79 Contains details on how to apply for humanities project, 2002-2003 Media Catalog Newview Orleansfilms, etc. photographer Syndey Byrd is honored as the Spring 2002 80 second recipient of the Michael P. Smith Award for Byrd, Syndey 2010 Humanities Photographer of the Year: Syndey Byrd PhotoDocumentary essay of Photography Katrina-related devastation and advance Spring 2010 26 notice of a forthcoming exhibit at the Louisiana State Young, Donn 40 Days and 40 Nights Archives Spring 2008 66 A "beautiful banner" reflects the history of pre-Civil War New A Civil War-era banner purchased on eBay ultimately finds Smith, Arthur Orleans a home at the Louisiana State Museum Spring 2011 76 LEH offers educators chance for lifelong learning via Upshaw, Martha Burns A Beacon of Learning: Summer Teacher Institutes Summer Teachers Institute Fall 1998 88 Kemp, John R. A Brush Most Modern The life and work of N.O. modernist painter Paul Ninas Summer 2000 12 N.O. artist Phil Sandusky documents the ravages of Kemp, John R. -
Refrain, Again: the Return of the Villanelle
Refrain, Again: The Return of the Villanelle Amanda Lowry French Charlottesville, VA B.A., University of Colorado at Boulder, 1992, cum laude M.A., Concentration in Women's Studies, University of Virginia, 1995 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia August 2004 ___________________________________ ___________________________________ ___________________________________ ___________________________________ ABSTRACT Poets and scholars are all wrong about the villanelle. While most reference texts teach that the villanelle's nineteen-line alternating-refrain form was codified in the Renaissance, the scholar Julie Kane has conclusively shown that Jean Passerat's "Villanelle" ("J'ay perdu ma Tourterelle"), written in 1574 and first published in 1606, is the only Renaissance example of this form. My own research has discovered that the nineteenth-century "revival" of the villanelle stems from an 1844 treatise by a little- known French Romantic poet-critic named Wilhelm Ténint. My study traces the villanelle first from its highly mythologized origin in the humanism of Renaissance France to its deployment in French post-Romantic and English Parnassian and Decadent verse, then from its bare survival in the period of high modernism to its minor revival by mid-century modernists, concluding with its prominence in the polyvocal culture wars of Anglophone poetry ever since Elizabeth Bishop’s "One Art" (1976). The villanelle might justly be called the only fixed form of contemporary invention in English; contemporary poets may be attracted to the form because it connotes tradition without bearing the burden of tradition. Poets and scholars have neither wanted nor needed to know that the villanelle is not an archaic, foreign form. -
Dr. John: Adam E
BAM 2012 Winter/Spring Brooklyn Academy of Music presents Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Dr. John: Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, Insides Out President Joseph V. Melillo, BAM Howard Gilman Opera House Executive Producer Approximate running time: two hours including one intermission Produced by BAM Mar 29—31, 2012 at 8pm A LOUIS ARMSTRONG TRIBUTE Dr. John James Andrews Blind Boys of Alabama Wendell Brunious Telmary Diaz Roy Hargrove Rickie Lee Jones Kermit Ruffins Arturo Sandoval Apr 5—7, 2012 at 8pm LOCKED DOWN Dr. John Dan Auerbach Upcoming concert: Apr 12—14, 2012 at 8pm BAM 2012 Winter/Spring Season sponsor: FUNKY BUT IT’S NU AWLINS Davell Crawford, Dirty Dozen Brass Band, Donald Presenting sponsor: Harrison, Ivan Neville, Nicholas Payton, Irma Thomas, and more Leadership support for Dr. John: Insides Out provided by Merryl H. & James S. Tisch, and Frances Bermanzohn & Alan Roseman Dr. John: Louis Armstrong Tribute Louis Armstrong. Photo: Library of Congress Mar 29—31, 2012 at 8pm LOUIS ARMSTRONG TRIBUTE Dr. John piano, guitar, vocals With special guests: James Andrews trumpet Blind Boys of Alabama vocals Wendell Brunious trumpet Telmary Diaz vocals Roy Hargrove trumpet Rickie Lee Jones guitar, vocals Kermit Ruffins trumpet Arturo Sandoval trumpet DR. JOHN’S BAND David Barard bass Alonzo Bowens tenor saxophone and horn leader Gary Winters trumpet John Fohl guitar Jason Mingledorff baritone saxophone Sarah Morrow trombone Kenneth Williams percussion Raymond Weber drums James Lemkin company stage manager Jerry Manuel production manager Dwayne Steele stage technician and sound monitor engineer Sarah Morrow music coordination Alonzo Bowens, Sarah Morrow arrangements Dr.