2018 Children & YA Catalogue
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Conference Programme Guernsey 28-30 June 2019 Organised by the Victor Hugo in Guernsey Society
IN GUERNSEY CONFERENCE 2019 Conference Programme Guernsey 28-30 June 2019 Organised by The Victor Hugo in Guernsey Society Supported by the Guernsey Arts André Gill illustration for L’Eclipse, 25 April 1869, from the Gérard Pouchain collection. from the Gérard Pouchain April 1869, 25 L’Eclipse, André Gill illustration for Commission About The Victor Hugo In Guernsey Society Welcome from The Victor Hugo In Guernsey Society Victor Hugo wrote many of his greatest works on The Victor Hugo in Guernsey Society welcomes you to its 3rd In~ a letter to his publisher, Lacroix, in December the island of Guernsey, a small British dependency Victor Hugo in Guernsey conference. This weekend in the 1868, after he had announced the publication of 20 miles off the coast of France. Hugo was in exile, but island of Hugo’s exile will focus on the novel Hugo published a new work by Hugo which he characterised as a Roman despite his grief for his family and his homeland he was 150 years ago in 1869, L’Homme qui rit, (The Man who Laughs), historique, the famous novelist wrote: inspired by the beauty of the rocky landscape and seas written on Guernsey and set in England. Our sister island of “When I paint history I make my historical characters that surrounded him to produce magnificent novels – Alderney plays a pivotal part in the narrative, and even our old do only what they have done or could do, their characters including Les Misérables, and Les Travailleurs de la mer – Norman law finds its way into the text. -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
Lundi 1 Avril 2019 : *Victor Hugo Est Un Des Personnages Illustres Qui
Lundi 1er avril 2019 : *Victor Hugo est un des personnages illustres qui ont fait l’objet de pochoirs disséminés dans le 5e arrondissement de Paris et réalisés par Christian Guémy alias C215, artiste urbain. Leur localisation est indiquée sur un plan disponible à l’entrée du Panthéon ou à la Mairie du 5e. Ces portraits sont exposés depuis le 10 juillet et jusqu’à juin 2019. Celui de Hugo se trouve, Carine Fréard l’a repéré, en venant du boulevard St-Michel, rue Soufflot, 100 m environ après avoir croisé la rue Saint-Jacques, sur le trottoir de gauche. *10h à 12h 30 et 14h à 17h 30 : L’Invisible au Visible mêlé, exposition inédite de dessins de Hugo à la Maison Vacquerie-Musée Victor Hugo, Rives-en-Seine (Villequier), Du 9 mars au 26 mai, tous les jours sauf le mardi et le dimanche matin ; 14h à 17h 30 le dimanche. *10h 30 à 17h 30 : Exposition « La Poésie sans mots » (du 15 mars au 15 avril) à la Bibliothèque du 1er étage et Exposition permanente, Maison natale de Victor Hugo, 140 Grande Rue, sauf le mardi : Rez-de chaussée - « Hugo bisontin ? » (hommages des Bisontins à l’auteur et liens tissés par lui avec sa ville natale) -; 1er étage - « L’homme engagé » (exposition permanente) ; quatre thématiques et leurs prolongements aujourd’hui : la liberté d’expression (partenaire : Reporters sans frontières); misère- égalité-justice (partenaire : ATD Quart Monde pour la lutte contre la misère) ; l’enfance et l’éducation, dans la chambre natale (partenaire : Unicef pour les droits de l’enfant) ; liberté des peuples, dans le salon de la rue de Clichy, où Hugo a reçu quantité d’invités de 1874 à 1878, donné par Alice et Edouard Lockroy à la ville de Besançon (partenaire : Amnesty International) ; cave voûtée - salle Gavroche, espace pour l’action culturelle – projections, conférences, expositions temporaires, lectures, petites mises en scène théâtrales ou musicales – capable d’accueillir 65 personnes . -
THE MAN WHO LAUGHS / 1927 (O Homem Que Ri)
CINEMATECA PORTUGUESA-MUSEU DO CINEMA REVISITAR OS GRANDES GÉNEROS - A COMÉDIA (PARTE III): O RISO 2 de dezembro de 2020 THE MAN WHO LAUGHS / 1927 (O Homem Que Ri) um filme de Paul Leni Realização: Paul Leni / Argumento: J. Grubb Alexander, segundo o romance “L’ Homme Qui Rit” de Victor Hugo, adaptado por Bela Sekely / Fotografia: Gilbert Warrenton / Direcção Artística: Charles D. Hall, Joseph Wright, Thomas F. O’Neill / Figurinos: David Cox, Vera West / Montagem: Maurice Pivar, Edward Cahn / Conselheiro Técnico: Professor R.H. Newlands / Intérpretes: Conrad Veidt (Gwynplaine), Mary Philbin (Dea), Olga Baclanova (Duquesa Josiana), Josephine Crowell (Rainha Anne), George Siegmann (Dr. Hardquannnone), Brandon Hurst (Barkilphedro, o bobo), Sam De Grasse (Rei James), Stuart Holmes (Lord Dirry-Noir), Cesare Gravina (Ursus), Nick De Ruiz (Wapentake), Edgar Norton (Lord Alto Conselheiro), Torben Meyer (“Comprachicos”), Julius Molnar Jr. (Gwynplaine, em criança), Charles Puffy, Frank Puglia, Jack Goodrich, Carmen Costello, Zimbo (Homo, o cão-lobo) Produção: Carl Laemmle (Universal) / Cópia: 35mm, preto e branco, mudo com intertítulos em inglês, legendado eletronicamente em português, 132 minutos, a 22 imagens por segundo / Estreia Mundial: Cinema Central, Nova Iorque, em 27 de Abril de 1928 / Estreia em Portugal: Condes, em 21 de Janeiro de 1930. Acompanhamento ao piano por João Paulo Esteves da Silva _____________________________ Se Paul Leni não tivesse sido um grande realizador, bastaria o trabalho como “cenógrafo” para lhe reservar um lugar na história do cinema, à semelhança de um Mitchell Leisen, um William Cameron Menzies, um Lazare Meerson, num estilo de trabalho cuja tradição ainda hoje se encontra num Dean Tavoularis, por exemplo. -
Cameron Ag Local Gigs Coming & New Interview Inside
AUTUMN 2018 FREE ISSUE 37 HE’S BACK: CAMERON AG LOCAL GIGS COMING & NEW INTERVIEW INSIDE INSIDE: ALPHABET BACKWARDS, RITUAL UNION, SUMMER FESTIVALS, LOW ISLAND ALBUM, ORBITAL + IDLES ALBUMS REVIEWED.. & MORE OMS37 there’s no such issue. The basis of the work is a RANT N ROLL! long-form poem inspired by the Monmouthshire and Brecon Canal, with musical accompaniment that is interspersed sporadically throughout. The poem THE SPOKEN WORD is beautifully written, and manages to be suitably evocative, despite the unfamiliarity of the location SCENE with itself, yet the exact interplay between words and Owen Collins notes never quite takes full flight, or progresses beyond bucolic backing music. Henry also reads separate, family-inspired poems, which are much COMMON PEOPLE – SOUTH PARKS more moving, and there are a few Stornoway gems Tucked away in one corner of the sunshine was thrown in too, including a cameo from Jon Ouin Steve Larkin’s Cyc du Soleil stage, which played for the ever-masterful Fuel Up. They are welcome host to a satisfyingly eclectic variety of performers touches, that sadly serve to make The Glass Aisle and performances across the weekend – including seem less than the sum of its parts. what turned out to be a sadly prophetic sketch from comedy troupe Albion Basement on the fate of the Chuckle Brothers. Those that took to the portable COMING THIS AUTUMN... GAZ COOMBES stage, ingeniously assembled from parts transportable by bike (hence the name) had a somewhat uphill task, IDLE WOMEN ON THE WARTIME situated as it was opposite the Disco Shed. -
German Documentaries 2014 German Films Is the National Information and Advisory Center for the Promotion of German Films Worldwide
german documentaries 2014 German Films is the national information and advisory center for the promotion of German films worldwide. In association and cooperation with its shareholders, German Films works to promote feature, documentary, television and short films. The work of German Films concentrates on information services, as well as PR and marketing measures to increase the awareness and visibility of German films abroad. German Films also has foreign representatives in Eastern Europe, China and the USA. Shareholders are the Association of German Film Producers, the German Producers Alliance, the Association of German Film Exporters, the German Federal Film Board (FFA), the Deutsche Kinemathek, the German Documentary Association, FilmFernsehFonds Bayern, Film- und Medienstiftung NRW, Medienboard Berlin-Brandenburg, and the German Short Film Association. Range of activities • Close cooperation with major international film festivals, including Berlin, Cannes, Venice, San Sebastian, Locarno, Rome, Karlovy Vary, Montreal, Toronto, New York and Shanghai as well as with the documentary film festivals in Amsterdam, Sheffield, Toronto and Nyon • Organization of umbrella stands for German sales companies and producers at international television and film markets (Berlin, Cannes, AFM Los Angeles, Shanghai, Toronto) • Staging of Festivals of German Films and German Premieres in selected international territories • Providing advice and information for representatives of the international press and buyers from the fields of cinema, video, and -
DOSSIER DE PRESSE Carl Laemmle Présente SYNOPSIS
DOSSIER DE PRESSE Carl Laemmle présente SYNOPSIS En Angleterre, à la fin du XVIIe siècle, le roi Jacques se débarrasse de son ennemi, Conrad Veidt dans le Lord Clancharlie, et vend son jeune fils, Gwynplaine, aux trafiquants d’enfants qui le défigurent. Le garçon s’enfuit et sauve du froid un bébé aveugle, Dea. Tous les deux sont recueillis par Ursus, un forain. Gwynplaine, baptisé « L’Homme qui rit », devient un célèbre comédien ambulant. Le bouffon Barkilphedro découvre L’HOMME son ascendance noble et la dévoile à la reine Anne, qui a succédé au roi Jacques. QUI RIT The Man Who Laughs un film de Paul Leni États-Unis – 1928 – 116 min – visa n°106196 AU CINÉMA LE 9 OCTOBRE à l’occasion du 150ème anniversaire du roman de Victor Hugo EN RESTAURATION 4K Nouvelle orchestration musicale : The Berklee Silent Film Orchestra DISTRIBUTION : PRESSE : MARY-X DISTRIBUTION SF EVENTS cnc n°4438 Tél. : 07 60 29 18 10 308 rue de Charenton 75012 Paris [email protected] Tel. : 01 71 24 23 04 / 06 84 86 40 70 [email protected] NOTES DE PRODUCTION Au début des années 20, le Studio Universal sous la direction de Carl Laemmle Sr connaît deux gros succès avec des films historiques à costumes, Notre-Dame-de- Paris de Wallace Worsley (1923), déjà adapté de Victor Hugo et Le Fantôme de l’Opéra de Rupert Julian (1925) d’après Gaston Leroux. Les deux films avaient pour star Lon Chaney. Universal décide de continuer le filon avec L’Homme qui rit. La pré-production commence en mai 1927. -
By Victor Hugo P
BRUSSELS COMMEMORATES 150 YEARS of ‘LES MISÉRABLES’ SIZED FOR VICTOR HUGO PRESS KIT CONTENTS Brussels commemorates 150 years of ‘Les Misérables’ by Victor Hugo p. 3 On the programme p. 4 Speech by the Ambassador of France in Belgium p. 5 I. Les Misérables, Victor Hugo and Brussels: a strong connection p. 6 II. Walk : in the footsteps of Victor Hugo p. 8 III. Book : In the footsteps of Victor Hugo between Brussels and Paris p. 12 IV. Brusselicious, gastronomic banquet : les Misérables p. 13 V. Events «Les Misérables : 150th anniversary» • Gastronomy p. 15 • Exhibitions p. 15 • Conferences p. 17 • Film p. 19 • Theater p. 20 • Guided tours p. 21 Contacts p. 23 Attachment P. 24 BRUsseLS COMMEMORAtes 150 YEARS Of ‘Les MisÉRABLes’ BY ViCTOR HUGO LES MISÉRABLES IS ONE OF THE GREATEST CLASSICS OF WORLD LITERATURE. THE MASTERPIECE BY VICTOR HUGO ALSO REMAINS VERY POPULAR THANKS TO THE MUSICAL VERSION AND THE MANY MOVIES. Over thirty films have been made of ‘Les Miserables’ and Tom Hooper (The King’s Speech) is currently shooting a new version with a top cast. In March, it is exactly 150 years since ‘Les Misérables’ by Victor Hugo was published. Not in Paris as is often assumed, but in Brussels. The first theatrical performance of ‘Les Misérables’, an adaptation of the book by his son Charles, also took place in Brussels. In addition to these two premieres of ‘Les Misérables’, Brussels played a crucial role in Victor Hugo’s life and his career as a writer and thinker. Closely related to Hugo’s connection with Brussels is also his call for a United States of Europe. -
Summer2016.Pdf
Indexed in MEDLINE, PubMed, and PubMed Central PRSRT STD US POSTAGE National Library of Medicine PAID 500 NE Multnomah St, Suite 100 PORTLAND OR PERMIT NO 1452 Portland, Oregon 97232 20 No. 3 — Summer 2016 Volume Change Service Requested Summer 2016 Volume 20 No. 3 A peer-reviewed journal of medical science, social science in medicine, and medical humanities Original Research & Contributions 4 Weight Loss and the Prevention of Weight Regain: Evaluation of a Treatment Model of Exercise Self-Regulation Generalizing to Controlled Eating 18 A Pharmacist-Staffed, Virtual Gout Management Clinic for Achieving Target Serum Uric Acid Levels: A Randomized Clinical Trial 24 Exploring the Reality of Using Patient THE PERMANENTE JOURNAL Experience Data to Provide Resident Feedback: A Qualitative Study of Attending Physician Perspectives 31 Physicians Experiencing Intense Emotions While Seeing Their Patients: What Happens? 38 Difference in Effectiveness of Medication Adherence Intervention by Health Literacy Level 45 Lifestyle and Self-Management by Those Who Live It: Patients Engaging Patients in a Chronic Disease Model Special Reports 51 Improving Care in Older Patients with Diabetes: A Focus on Glycemic Control 57 Evidence-Based Workflows for Thyroid and Parathyroid Surgery 74 The Truth about Truth-Telling in American Medicine: A Brief History Review Articles 78 Hyperparathyroidism of Renal Disease 84 Recurrence of Epithelioid Hemangioendo- thelioma during Pregnancy: Case Report and Systematic Review Narrative Medicine 102 The Use of Narrative as a Treatment Approach for Obesity: A Storied Educational Program Description 107 You Are Not Alone: Ten Strategies for Surviving a Malpractice Lawsuit Follow @PermanenteJ Printed on acid-free paper. -
Victor Hugo's the Man Who Laughs
Come to a Weekend Conference in Beautiful Guernsey: Victor Hugo’s The Man who Laughs The Victor Hugo In Guernsey Society Victor Hugo in Guernsey Conference 28th to 30th June 2019 Join leading international Victor Hugo experts for a weekend about Victor Hugo’s life and work, particularly while in exile in Guernsey. The Conference will be themed to celebrate the 150th Anniversary of the publication of Hugo’s L’Homme qui rit - The Man who Laughs. th Victor Hugo Saturday 29 June In Guernsey 9:00 CONFERENCE registration in the Harry Bound Room at Les Côtils Centre. 2019 9:30 BEAUTIFUL INSIDE & OUT, by GÉRARD AUDINET ‘Beautiful inside and out.’ Does the soul have a face? We are all familiar A with the concept of ‘inner beauty,’ but how do artists approach the problem of Conference with L’Homme Qui Rit depicting it? This illustrated talk will reflect on the representations of ugliness Supported by the Guernsey 28th to 30th June and beauty in later arts and media of Victor Hugo’s ‘The Man who Laughs.’ Arts The Victor Hugo In Guernsey Society Commission 10:30 Break for discussion, Coffee or tea. The Victor Hugo In Guernsey Society 11:00 JUSTICE IN THE MAN WHO LAUGHS, by MYRIAM ROMAN Victor Hugo in Guernsey 2019 Conference The representation of justice in ‘The Man who Laughs’ passes through a series of 28th to 30th June 2019 images and myths. The singularity of this novel seems to be to ask the last question of a possible divine injustice through a series of metaphors that project, on the PROGRAMME cosmos, terrifying images of the process and the punishment. -
Polifonia, Cuiabá-MT, V. 23, Nº 34, Jul-Dez., 2016
polifoniaeISSN 22376844 Romantismo e imaginário hugoano. Volubilidade do “Homem que ri” nas artes visuais Romanticism and the hugolian imaginary. The volubility of The man who laughs in visual arts El romantismo y el imaginario de Victor Hugo. La volubilidad de El hombre que ríe en las artes visuales Junia Barreto Universidade de Brasília Resumo O imaginário hugoano é permeado pela figura onírica do caos, que se traduz em excesso, estranhamento, totalidade; elementos que compõem a estética romântica. Excesso e desordem expressos na desfiguração do L’homme qui rit, imagem do caos, figura do amontoamento da massa, mas une force qui va. Texto de tonalidade ímpar, carrega em suas releituras contemporâneas − no romance gráfico ou no cinema − a extemporaneidade ao período romântico e, na expressão do verbo, traço e imagens, o que as une ao romantismo francês, em sua mutabilidade e multiplicidade de sentidos. Da palavra ampla do monstro irrompe a volúpia que desorganiza os sentidos e os gêneros, aproximando e distanciando a estética hugoana do protótipo romântico. Palavras-chave: imaginário hugoano, L’homme qui rit, artes visuais. Abstract The oneiric image of chaos permeates Hugo’s imaginary, translated into excess, strangeness and totality, elements that integrate the romantic aesthetics. Excess and disorder are expressed in the disfigurement of The man who laughs, an image of chaos and accumulation of masses, but “a force that moves”. That text has a unique tone, and its contemporary filmic and graphic novel re-readings are marked by extemporaneous romantic elements, so that they relate to French romanticism in its mutability and multiplicity of senses through words, traces and images. -
Orbital I the Orb Na Soundedit
Orbital i The Orb na Soundedit The Orb pojawi się w Łodzi podczas 10. edycji Festiwalu Soundedit. Zespół wystąpi w czwartek, 25 października 2018 r. w Klubie Wytwórnia (ul. Łąkowa 29). Natomiast 26 października (piątek) zagrają: zimnofalowa legenda The Opposition oraz kultowo-klubowa Morcheeba. 27 października (sobota) wystąpią: Mery Spolsky, Nosowska i Giorgio Moroder. Tego samego dnia odbędzie się uroczysta Gala wręczenia nagrody "Człowieka ze Złotym Uchem". The Orb założyli w 1988 r. Alex Paterson oraz Jimmy Cauty, którzy są absolutnymi pionierami ambient house. Ich pomysł na muzykę elektroniczną to spowolnione, bardziej uduchowione rytmy. The Orb wystąpi podczas 10. edycji Festiwalu Soundedit. Zagrają 25 października w łódzkim klubie Wytwórnia poprzedzając Orbital. Przez lata działalności członkowie tylko Alex Paterson przetrwał wszystkie zawirowania składu zespołu. Jego kariera muzyczna rozpoczęła się we wczesnych latach 80. Pracował wtedy jako techniczny formacji Killing Joke, gdzie na basie grał i gra nadal przyjaciel Alexa jeszcze z dzieciństwa - Martin "Youth" Glover (muzyk został nagrodzony statuetką "Człowieka ze Złotym Uchem" w 2012 r.). Po opuszczeniu Killing Joke w 1986 r., Paterson spotkał się Jimmy'ego Cauty, a duet zaczął występować razem jako The Orb w legendarnym londyńskim klubie The Land of Oz. Wspólne muzykowanie w naturalny sposób przerodziło się w nagrywanie płyt. Następnie Patterson i Youth założyli wytwórnię płytową WAU!/Mr. Modo Records. W 1990 r. wydali klasyczny już singiel "Little Fluffy Clouds", na którym wykorzystano fragmenty kompozycji "Electric Counterpoint" Steve'a Reicha. Utwór został odnotowany na 275 pozycji listy "New Musical Express" 500 najważniejszych utworów wszechczasów. W 1991 r. The Orb zarejestrowało swój pierwszy album "The Orb's Adventures Beyond The Ultraworld", na którym znalazł się również wspomniany singiel.