The Reign of Louis XIV
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Court of Versailles: the Reign of Louis XIV
Court of Versailles: The Reign of Louis XIV BearMUN 2020 Chair: Tarun Sreedhar Crisis Director: Nicole Ru Table of Contents Welcome Letters 2 France before Louis XIV 4 Religious History in France 4 Rise of Calvinism 4 Religious Violence Takes Hold 5 Henry IV and the Edict of Nantes 6 Louis XIII 7 Louis XIII and Huguenot Uprisings 7 Domestic and Foreign Policy before under Louis XIII 9 The Influence of Cardinal Richelieu 9 Early Days of Louis XIV’s Reign (1643-1661) 12 Anne of Austria & Cardinal Jules Mazarin 12 Foreign Policy 12 Internal Unrest 15 Louis XIV Assumes Control 17 Economy 17 Religion 19 Foreign Policy 20 War of Devolution 20 Franco-Dutch War 21 Internal Politics 22 Arts 24 Construction of the Palace of Versailles 24 Current Situation 25 Questions to Consider 26 Character List 31 BearMUN 2020 1 Delegates, My name is Tarun Sreedhar and as your Chair, it's my pleasure to welcome you to the Court of Versailles! Having a great interest in European and political history, I'm eager to observe how the court balances issues regarding the French economy and foreign policy, all the while maintaining a good relationship with the King regardless of in-court politics. About me: I'm double majoring in Computer Science and Business at Cal, with a minor in Public Policy. I've been involved in MUN in both the high school and college circuits for 6 years now. Besides MUN, I'm also involved in tech startup incubation and consulting both on and off-campus. When I'm free, I'm either binging TV (favorite shows are Game of Thrones, House of Cards, and Peaky Blinders) or rooting for the Lakers. -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Capetian France (987–1328)
FORUM Capetian France (987–1328) Introduction Damien Kempf If “France is a creation of its medieval history,”1 the rule of the Cape- tian dynasty (987–1328) in particular is traditionally regarded as the beginning of France as a nation.2 Following the narrative established by Joseph Strayer’s influential bookOn the Medieval Origins of the Mod- ern State, historians situate the construction of the French nation- state in the thirteenth century, under the reigns of Philip Augustus (1180– 1223) and Louis IX (1226–70). Territorial expansion, the development of bureaucracy, and the centralization of the royal government all con- tributed to the formation of the state in France.3 Thus it is only at the end of a long process of territorial expansion and royal affirmation that the Capetian kings managed to turn what was initially a disparate and fragmented territory into a unified kingdom, which prefigured the modern state. In this teleological framework, there is little room or interest for the first Capetian kings. The eleventh and twelfth centuries are still described as the “âge des souverains,” a period of relative anarchy and disorder during which the aristocracy dominated the political land- scape and lordship was the “normative expression of human power.”4 Compared to these powerful lords, the early Capetians pale into insignifi- cance. They controlled a royal domain centered on Paris and Orléans and struggled to keep at bay the lords dominating the powerful sur- rounding counties and duchies. The famous anecdote reported by the Damien Kempf is senior lecturer in medieval history at the University of Liverpool. -
The History of Cartography, Volume 3
THE HISTORY OF CARTOGRAPHY VOLUME THREE Volume Three Editorial Advisors Denis E. Cosgrove Richard Helgerson Catherine Delano-Smith Christian Jacob Felipe Fernández-Armesto Richard L. Kagan Paula Findlen Martin Kemp Patrick Gautier Dalché Chandra Mukerji Anthony Grafton Günter Schilder Stephen Greenblatt Sarah Tyacke Glyndwr Williams The History of Cartography J. B. Harley and David Woodward, Founding Editors 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2.1 Cartography in the Traditional Islamic and South Asian Societies 2.2 Cartography in the Traditional East and Southeast Asian Societies 2.3 Cartography in the Traditional African, American, Arctic, Australian, and Pacific Societies 3 Cartography in the European Renaissance 4 Cartography in the European Enlightenment 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME THREE Cartography in the European Renaissance PART 1 Edited by DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON David Woodward was the Arthur H. Robinson Professor Emeritus of Geography at the University of Wisconsin–Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2007 by the University of Chicago All rights reserved. Published 2007 Printed in the United States of America 1615141312111009080712345 Set ISBN-10: 0-226-90732-5 (cloth) ISBN-13: 978-0-226-90732-1 (cloth) Part 1 ISBN-10: 0-226-90733-3 (cloth) ISBN-13: 978-0-226-90733-8 (cloth) Part 2 ISBN-10: 0-226-90734-1 (cloth) ISBN-13: 978-0-226-90734-5 (cloth) Editorial work on The History of Cartography is supported in part by grants from the Division of Preservation and Access of the National Endowment for the Humanities and the Geography and Regional Science Program and Science and Society Program of the National Science Foundation, independent federal agencies. -
Kings and Courtesans: a Study of the Pictorial Representation of French Royal Mistresses
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Shandy April Lemperle The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lemperle, Shandy April, "Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 1258. https://scholarworks.umt.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. KINGS AND COURTESANS: A STUDY OF THE PICTORIAL REPRESENTATION OF FRENCH ROYAL MISTRESSES By Shandy April Lemperlé B.A. The American University of Paris, Paris, France, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Fine Arts, Art History Option The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School H. Rafael Chacón, Ph.D., Committee Chair Department of Art Valerie Hedquist, Ph.D., Committee Member Department of Art Ione Crummy, Ph.D., Committee Member Department of Modern and Classical Languages and Literatures Lemperlé, Shandy, M.A., Spring 2008 Art History Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Chairperson: H. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non- commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Katarzyna Kosior (2017) "Becoming and Queen in Early Modern Europe: East and West", University of Southampton, Faculty of the Humanities, History Department, PhD Thesis, 257 pages. University of Southampton FACULTY OF HUMANITIES Becoming a Queen in Early Modern Europe East and West KATARZYNA KOSIOR Doctor of Philosophy in History 2017 ~ 2 ~ UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES History Doctor of Philosophy BECOMING A QUEEN IN EARLY MODERN EUROPE: EAST AND WEST Katarzyna Kosior My thesis approaches sixteenth-century European queenship through an analysis of the ceremonies and rituals accompanying the marriages of Polish and French queens consort: betrothal, wedding, coronation and childbirth. The thesis explores the importance of these events for queens as both a personal and public experience, and questions the existence of distinctly Western and Eastern styles of queenship. A comparative study of ‘Eastern’ and ‘Western’ ceremony in the sixteenth century has never been attempted before and sixteenth- century Polish queens usually do not appear in any collective works about queenship, even those which claim to have a pan-European focus. -
2013: Cambridge, MA
The Society for French Historical Studies 59th Annual Meeting April 4 – 7, 2013 Sponsored by the Massachusetts Institute of Technology and Harvard University Cambridge Marriott Hotel Cambridge, MA Photo Credit: Tristan Nitot SFHS Executive Committee Mary D. Lewis, Harvard University, Co-President Jeffrey Ravel, Massachusetts Institute of Technology, Co-President Linda Clark, Millersville University of Pennsylvania, Executive Director %DUU\%HUJHQ*DOODXGHW8QLYHUVLW\)LQDQFLDO2I¿FHU B. Robert Kreiser, American Association of University Professors, Past )LQDQFLDO2I¿FHU Rachel Fuchs, Arizona State University, Editor, French Historical Studies J. Kent Wright, Arizona State University, Editor, French Historical Studies Elinor Accampo, University of Southern California, Past President Joelle Neulander, The Citadel, Second Past President Julie Hardwick, University of Texas, Austin, Member-at-Large Martha Hanna, University of Colorado at Boulder, Member-at-Large Susan Whitney, Carleton University, Member-at-Large David Kammerling Smith, Eastern Illinois University, H-France Program Committee Ann Blair, Harvard University Barbara Diefendorf, Boston University Venita Datta, Wellesley College Elizabeth Foster, Tufts University Laura Frader, Northeastern University Arthur Goldhammer, Harvard University Jennifer Heuer, University of Massachusetts Amherst Mary D. Lewis, Harvard University Jeffrey Ravel, Massachusetts Institute of Technology Daniel Smail, Harvard University Rosalind Williams, Massachusetts Institute of Technology Local Arrangements Andrew -
The Palace of Versailles, Self-Fashioning, and the Coming of the French Revolution
La Belle et la Bête: The Palace of Versailles, Self-Fashioning, and the Coming of the French Revolution La Belle et la Bête: The Palace of Versailles, Self-Fashioning, and the Coming of the French Revolution Savanna R. Teague Abstract While the mass consumption of luxury items is oftentimes described as a factor leading the Third Estate to take action against the First and Second Estates in the buildup to the French Revolution, that spending is presented as little more than salt in the open wounds of a starving and ever-growing population that had been growing evermore destitute since the beginnings of the early modern era. However, the causes and contexts of the conspicuous consumption as practiced by the aristocracy reveal how they directly correlate to the social tensions that persisted throughout the seventeenth and eighteenth centuries until they erupted in the 1790s. The isolation and the dictation of taste and style that Louis XIV commanded through Versailles and State-run luxury workshops became commonplace within a generation after the Fronde in which the nobles had engaged during the previous century. Versailles allowed the new generation of the aristocracy to be placated with petty privileges that developed out of the rigorous court etiquette, and their conspicuous consumption only increased as the need to compete with others at Court and those newly ennobled continued. This study examines a materialistic culture alongside its material culture, focusing on explaining the expenditures of the aristocracy without becoming enamored by the spectacle of wealth itself. The goods and services that the French aristocracy indulged in purchasing were not simply marks of luxury; they represented social ideals about order and privilege. -
Treaty of Westphalia
Background Information Treaty of Westphalia The Peace of Westphalia, also known as the Treaty of Münster and the Treaty of Osnabrück, refers to a pair of treaties that ended the Thirty Years' War and officially recognized the Dutch Republic and Swiss Confederation. • The Spanish treaty that ended the Thirty Years' War was signed on January 30, 1648. • A treaty between the Holy Roman Emperor Ferdinand III, the other German princes and the representatives from the Dutch Republic, France and Sweden was signed on October 24, 1648. • The Treaty of the Pyrenees, signed in 1659, ending the war between France and Spain, is also often considered part of this treaty. The Peace of Westphalia is the first international agreement to acknowledge a country's sovereignty and is thus thought to mark the beginning of the modern system of nation- states (Westphalian states). The majority of the treaty's terms can be attributed to the work of Cardinal Mazarin, the de facto leader of France at the time (the King, Louis XIV, was still a child). France came out of the war in a far better position than any of the other powers and was able to dictate much of the treaty. The results of the treaty were wide ranging. Among other things, the Netherlands now officially gained independence from Spain, ending the Eighty Years' War, and Sweden gained Pomerania, Wismar, Bremen and Verden. The power of the Holy Roman Emperor was broken and the rulers of the German states were again able to determine the religion of their lands. The treaty also gave Calvinists legal recognition. -
The Idea of Medieval Heresy in Early Modern France
The Idea of Medieval Heresy in Early Modern France Bethany Hume PhD University of York History September 2019 2 Abstract This thesis responds to the historiographical focus on the trope of the Albigensians and Waldensians within sixteenth-century confessional polemic. It supports a shift away from the consideration of medieval heresy in early modern historical writing merely as literary topoi of the French Wars of Religion. Instead, it argues for a more detailed examination of the medieval heretical and inquisitorial sources used within seventeenth-century French intellectual culture and religious polemic. It does this by examining the context of the Doat Commission (1663-1670), which transcribed a collection of inquisition registers from Languedoc, 1235-44. Jean de Doat (c.1600-1683), President of the Chambre des Comptes of the parlement of Pau from 1646, was charged by royal commission to the south of France to copy documents of interest to the Crown. This thesis aims to explore the Doat Commission within the wider context of ideas on medieval heresy in seventeenth-century France. The periodization “medieval” is extremely broad and incorporates many forms of heresy throughout Europe. As such, the scope of this thesis surveys how thirteenth-century heretics, namely the Albigensians and Waldensians, were portrayed in historical narrative in the 1600s. The field of study that this thesis hopes to contribute to includes the growth of historical interest in medieval heresy and its repression, and the search for original sources by seventeenth-century savants. By exploring the ideas of medieval heresy espoused by different intellectual networks it becomes clear that early modern European thought on medieval heresy informed antiquarianism, historical writing, and ideas of justice and persecution, as well as shaping confessional identity. -
The Modern Revival of 'Nostradamitis'
The Modern Revival of 'Nostradamitis' Testing a phenomenal book's interpretations Piet Hein Hoebens Nostradamus: Historien et Prophete. By Jean Charles de Fontbrune. Editions du Rocher, Monaco, 1980. 576 pp., illustrated. Fontbrune's Nostradamus is an extraordinary phenomenon. At the time of this writing over 700,000 copies of the expensive original French edition have been sold, and translations into several languages have either been published or are being prepared. The book has been given front-page treatment by the European pop media from Oslo to Lisbon, but it has also been featured as the subject of cover stories in weeklies as respectable as Der Spiegel, Die Zeii, and Nouvelles Litteraires. An opinion poll ordered by the French illustrated Paris Match revealed that three-quarters of the French public are aware of the book's existence, while a quarter (some 17 million inhabitants of an advanced Western state) believe its horrifying message. Headline writers coined the word "Nostradamitis." Recent reports indicate that the virus is about to cross the Atlantic. What is all the fuss about? Jean Charles de Fontbrune (pseudonym for M. Pigeard de Gurbert) claims to have discovered the hidden key to the enigmatic "prophecies" of the sixteenth-century French seer Michel de Nostredame, better known as Nostradamus. A careful analysis of these prophecies, he says, has revealed that Nostradamus foresaw in gruesome detail that no less than two major wars would take place before the end of this century. World War III, instigated by Khadaffi and to break out in the eighties, will see Paris and Istanbul utterly destroyed, the Pope assassinated, and Europe occupied by Russians and Muslims.