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Auftakt 2008
Zeitschrift der Hochschule für Musik und Theater München für Hochschulangehörige, Freunde und Alumni Auftakt Heft 12 Sommersemester 2008 Inhalt und Impressum Inhalt Zwischenruf. 1 Neue Hochschullehrer im Gespräch mit Prof. Dr. Siegfried Mauser . 2 … Prof. Robert North . 2 … Prof. Cristina Bianchi . 2 … Prof. Robert Tannenbaum . 3 … Prof. Roman Patkoló . 4 … Prof. Nabil Shehata. 4 Vervollkommnung im musikalischen Idiom europäischer Musik – Interview mit Prof. Hariolf Schlichtig und seinem Studenten WenXiao Zheng. 5 Orgellandschaft Paris . 7 Die Studentenvertretung informiert . 10 Die Fusion – ein Gespenst? . 10 Aus Studienbeiträgen fi nanziert:. 10 Was geschieht eigentlich in der Bibliothek? . 12 Einige ausgewählte Pressestimmen . 16 Alumni-Arbeit an der Hochschule für Musik und Theater München . 17 Meldungen. 19 Jubiläen 2007 . 19 Neue Gesichter in der Verwaltung . 19 Ausgewählte Veranstaltungen im SS 2008. 20 Auftakt – Grafi sche Gestaltung: Kay Fretwurst, Spreeau Zeitschrift der Hochschule für Musik und Theater München Druck: Panta rhei-CM, München für Hochschulangehörige, Freunde und Alumni Fotos soweit nicht anders angegeben: Herausgeber: Präsident Prof. Dr. Siegfried Mauser Regine Heiland und Hochschule für Musik und Theater Redaktion: Dorothee Göbel M.A. München Presse- und Öffentlichkeitsarbeit Aufl age: 3000 Arcisstraße 12 Erscheinungsweise: ein Mal jährlich, jeweils zu Beginn des Som- 80333 München mersemesters. Die mit Namen gekennzeichneten Beiträge geben nicht unbe- Tel. +49 (0)89/289 27 440 dingt die Meinung des Herausgebers -
For Immediate Release
CONTACT: Kirsti Pugsley PHONE: 774-801-2021 EMAIL: [email protected] DANIEL ROTH, ONE OF THE LEADING FRENCH ORGAN VIRTUOSOS TO PERFORM ON THE E.M. SKINNER ORGAN AT THE CHURCH OF THE TRANSFIGURATION, ORLEANS, MA FOR IMMEDIATE RELEASE: ORLEANS – Widely acclaimed as one of the leading French organ virtuosos, Daniel Roth from Paris, will be performing a concert as guest organist at the Church of the Transfiguration, Rock Harbor, Orleans, on Thursday, March 30th. Mr. Roth has held numerous prestigious positions throughout his career including being appointed Titular Organist at St. Sulpice in Paris, where his predecessors were Charles-Marie Widor, Marcel Dupré and Jean-Jacques Grunenwald. He was also the Artist-in- Residence at the National Shrine of the Immaculate Conception in Washington, D.C., and has had an extensive teaching career. Mr. Roth is a graduate of the Paris Conservatory where he studied with Rolande Falcinelli and Maurice Duruflé. He has won several competitions, among them the Grand Prix de Chartres in 1971 for both interpretation and improvisation. Daniel Roth will perform on the “overwhelmingly breathtaking” E.M. Skinner Organ at the Church of the Transfiguration. This powerful instrument, restored by Nelson Barden of Boston, is comprised of seventeen different Twentieth Century E.M. Skinner organs, and is the only organ in the world with its particular surround- sound configuration. Consistent with the artwork in the Church, the rich variety of sounds and voices it can create give it the ability to “speak” a multitude of musical languages in prayer and praise to God. The concert will be held on Thursday, March 30th at 7:30pm at the Church of the Transfiguration, Rock Harbor, Orleans, MA. -
Daniel Roth Organist, Saint-Sulpice, Paris
Daniel Roth Organist, Saint-Sulpice, Paris friday, april 24, 2015 at 7:30pm olrbrooklyn.org/organ-recitals-in-new-york-city facebook.com/kilgen5163 jan pieterszoon sweelinck (1562-1621) Chromatic Fantasia johann sebastian bach (1685-1750) Aria Seht, was die Liebe tut (Transcription: J. E. Berthier) from Cantata Ich bin ein guter Hirt, BWV 85 (I am the Good Shepherd) See, what His love hath wrought! My Jesus holds with kindly care His Flock securely in his keeping And on the cross’s branch hath poured out For them his precious blood. césar franck (1822-1890) Allegretto from Symphony in D (Transcription: Daniel Roth) felix mendelssohn-bartholdy (1809-1847) Overture from Paulus (Transcription: W. T. Best) daniel roth (b. 1942) Improvisation intermission daniel roth From Livre d ’orgue pour le Magnificat IV Et misericordia X Gloria louis vierne (1870-1937) Pièces de fantaisie, Op. 51, no. 2 Andantino Symphonie no. 2, Op. 20 Scherzo Symphonie no 4, Op. 32 Romance Final In Memoriam Odile Roth June 9, 1939 - March 9, 2015 daniel roth Daniel Roth is widely acclaimed as one of the leading French organ virtuosos. Renowned for his brilliant interpretations of organ literature and for his thrilling improvisations which are regularly included in his concert programs, Daniel Roth has concertized extensively throughout Europe, Great Britain, The United States, Scandinavia, Japan and Korea. A former student at the Paris Conservatory, his teachers include Marie-Claire Alain and Maurice Duruflé. He is the winner of several competitions, among them the Grand Prix de Chartres in 1971 for both interpretation and improvisation. -
Église Saint-Sulpice, Paris Samedi 16 Novembre 2019
« Il faut bien se rendre compte que la musique peut avoir un pouvoir immense : Église Saint-Sulpice, Paris elle peut nous émouvoir au plus profond de nous-mêmes, nous procurer de grandes Samedi 16 novembre 2019, 20h joies, nous arracher à des situations très dramatiques, nous réconforter… Ainsi, l’interprète a une grande Concert-présentation responsabilité vis-à-vis de ses contemporains. Les mélomanes attendent de lui qu’il leur fasse partager Daniel Roth, Grand chœur l’enthousiasme pour une œuvre en leur Entretiens avec faisant découvrir ses grandes richesses. Il a aussi la mission d’amener à la musique Pierre-François Dub-Attenti & Christophe Zerbini des personnes qui de prime abord n’y sont pas sensibles. Cela ne peut se faire qu’en s’investissant totalement. Cette foi dans la musique est un bien considérable qu’il s’agit de cultiver, d’entretenir et de préserver quelles Éditions Hortus que soient les circonstances. Comme le disait Widor : « Faites sentir votre personnalité, votre émotion, donnez de votre cœur, on vous écoutera » ! Le plus grand ennemi de l’interprète, c’est la routine ! Il ne faut pas hésiter à changer des éléments importants de la technique de jeu en fonction des recherches musicologiques. Mais il est vrai que cela dépend du tempérament de l’interprète. Certains ont la souplesse de faire ces modifications, alors que d’autres par idéologie, restent fidèles à un Maître ou à une École. On ne passe jamais assez de temps à la recherche de tous les détails que comprend une œuvre musicale, ceux indiqués par le compositeur et ceux qui sont sous-entendus. -
28 December 2018 Page 1 of 17
Radio 3 Listings for 22 – 28 December 2018 Page 1 of 17 SATURDAY 22 DECEMBER 2018 Europa Galante, Fabio Biondi (director) Michael How & Luke Fitzgerald (organ) Delphian DCD34197 SAT 01:00 Through the Night (m0001p17) 04:49 AM http://delphianrecords.co.uk/product-group/cantique-de-noel- A Winter's Morning Johan Peter Emilius Hartmann (1805-1900), P. Gunther french-music-for-christmas-from-berlioz-to-debussy/ (arranger), U. Teuber (arranger) An eclectic night with works by Romberg, Lithander and Kaski Blomstre som en rosengard (Blooming like a rose garden) Christmas on Sugarloaf Mountain’ – traditional Christmas guides us through to a morning of First Snow and Winter Fionian Chamber Choir, Alice Granum (director) music Festivals. John Shea presents. Apollo’s Fire (ensemble) 04:54 AM Apollo’s Singers 01:01 AM Friedrich Kunzen (1761-1817) Apollo’s Musettes Anton Eberl (1765-1807) Vinhoesten (Der Fest der Winzer) (Overture) Jeannette Sorrell (director) Symphony No. 4 in D minor, Op 34 Danish Radio Concert Orchestra, Peter Marschik (conductor) Avie AV2396 WDR Symphony Orchestra Koln, Johannes Wohlmacher http://www.avie-records.com/releases/christmas-on-sugarloaf- (conductor) 05:01 AM mountain/ Antoni Haczewski ((C.18th/19th)) 01:35 AM Symphony in D major 9.30am Building a Library: Caroline Gill listens to and Ludwig van Beethoven (1770-1827) Polish Radio Symphony Orchestra, Andrzej Straszynski compares some of the available recordings of Vivaldi's Gloria Violin Concerto in C, WoO 5 (Fragment, 1792) (conductor) Mirijam Contzen (violin), WDR Symphony Orchestra Koln, Although Vivaldi wrote 3 settings of the Gloria Johannes Wohlmacher (conductor) 05:10 AM (RV588-RV590), it is RV589 that has become known simply as Arvo Pärt (b.1935) 'The Vivaldi Gloria', owing to its enduring popularity. -
OCTOBER 2018 St. John's Episcopal Church Fishers Island, New York
THE DIAPASON OCTOBER 2018 St. John’s Episcopal Church Fishers Island, New York Cover feature on pages 30–32 ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Ninth Year: No. 10, 2019 Resource Directory Whole No. 1307 At present, we are working on our 2019 Resource Directory, OCTOBER 2018 to be mailed with our January issue. If your business should Established in 1909 be listed in the directory and was not included in 2018, please Stephen Schnurr ISSN 0012-2378 send me an email with your contact information. If your busi- 847/954-7989; [email protected] ness was listed in our directory this year, please review your www.TheDiapason.com An International Monthly Devoted to the Organ, information to ensure it is accurate and complete. Listings are the Harpsichord, Carillon, and Church Music free and can only help your business! Advertising opportunities but they also make a sensible option for those who want to pro- are available for the directory, as well. -
1605431254170 Bach and Italy 2020 Conference Programme.Pdf
Bach and Italy Organizzato da | Organised by JSBach.it www.jsbach.it Istituto per i Beni Musicali in Piemonte https://ibmp.it/ Conservatorio “G. Verdi” Torino www.conservatoriotorino.gov.it Tutti gli eventi saranno trasmessi online sul sito www.jsbach.it e sul canale YouTube di JSBach.it Ringraziamo Rinaldo ALESSANDRINI, Concerto Italiano e Naive Records per la concessione della musica per la sigla degli eventi All events will be streamed on the website www.jsbach.it and on JSBach.it’s YouTube channel With thanks to Rinaldo ALESSSANDRINI, Concerto Italiano and Naïve Records for kindly allowing us to use their recording of Bach’s Italian Concerto 2 22-28.11.2020 Sponsors Royal Musical Association www.rma.ac.uk Inner Wheel Torino Europea www.innerwheel.it Music & Letters https://academic.oup.com/ml Con il contributo di | With the contribution of Consolato Generale della Repubblica Federale di Germania – Milano www.italien.diplo.de Media partner 3 Bach and Italy In collaborazione con | In cooperation with 4 22-28.11.2020 Con il patrocinio di | With the auspices of 5 Bach and Italy Comitato Scientifico | Programme committee Chiara BERTOGLIO, Conservatorio di Cuneo, JSBach.it – Co-Chair Maria BORGHESI, JSBach.it – Co-Chair Kenneth L. HAMILTON, University of Cardiff Michael HEINEMANN, Hochschule für Musik Dresden Stefano LEONI, Conservatorio di Torino Michael MAUL, Bach-Archiv, BachFest Leipzig Ruth TATLOW, Uppsala University, Bach Network Yo TOMITA, Queen’s University Belfast, Bach Network Comitato organizzativo | Organising committee Responsabile -
David CASSAN
5 juillet 2020 à Alençon David CASSAN Musicien éclectique à la réputation internationale, David Cassan fait partie des personnalités marquantes de la jeune génération des organistes français. Formé au Conservatoire de Caen et aux Conservatoires Nationaux Supérieurs de Musique de Paris et de Lyon auprès de Thierry Escaich, Pierre Pincemaille, Philippe Lefebvre, François Espinasse, Jean-François Zygel et Erwan Le Prado, il poursuit aujourd’hui une carrière de soliste qui l’amène à se produire en compagnie d’ensembles prestigieux (Orchestre Philharmonique de Paris, Orchestre National de Lyon, Capitole de Toulouse, Chœur et Orchestre Symphonique de Paris) et ce dans de nombreux lieux en France et à l’étranger (Allemagne, Angleterre, Russie, Chine, Israël, Lettonie, Estonie, Espagne, Islande, Uruguay, Pays- Bas, Irlande, Portugal, République Tchèque, Luxembourg, Belgique, Italie, Suisse). Interprète reconnu et salué par la critique, David Cassan défend avec conviction l’ensemble du répertoire d’orgue avec une prédilection pour l’œuvre de JS. Bach et les compositeurs français des XIXème et XXème siècles. Improvisateur passionné et créatif, il accompagne régulièrement des films muets à l’orgue ou au piano. David Cassan a remporté une dizaine de 1er prix internationaux dont ceux de Chartres (France), St Albans (Angleterre), Haarlem (Pays-Bas) ainsi que le Grand Prix Jean-Louis Florentz de l’Académie des Beaux-Arts (France). Ces nombreuses distinctions font de lui l’un des organistes les plus titrés de sa génération. Pédagogue réputé, il est invité à donner des masters class au rayonnement international (St Pétersbourg, Pékin, Berne, Milan, Lausanne, Paris…). David Cassan enseigne l’orgue au Conservatoire de Nancy ainsi que l’improvisation au Conservatoire de Saint Maur-des-Fossés. -
Camille Saint-Saëns (1835-1921) the Third Symphony Was Introduced to Audiences on Voix Humaine Solo – a Strange Evocation of the Melodic Symphony No
SAINT-SAËNS Symphony No. 3 ‘Organ’ Danse macabre • Cyprès et Lauriers Vincent Warnier, Organ • Orchestre National de Lyon • Leonard Slatkin Camille Saint-Saëns (1835-1921) The Third Symphony was introduced to audiences on Voix humaine solo – a strange evocation of the melodic Symphony No. 3 ‘Organ’ • Danse macabre • Cyprès et Lauriers modest instruments: the eighteen-stop Bryceson Brothers design of the Prelude to Wagner’s Tristan und Isolde. & Ellis organ for the première at St James’s Hall in A lively fanfare in which the organ tutti competes Camille Saint-Saëns was born in 1835, two years after Symphony on several fronts: the originality of its form (the London, on 19th May 1886 (Saint-Saëns had the against an orchestra featuring military trumpets, Lauriers is Brahms, and died in 1921, three years after Debussy, four standard symphonic movements are grouped in two unpleasant surprise of discovering that this had replaced a tribute to the Allied victory in World War I. Fugato having enjoyed a career of rare longevity. He gave his first sets of two and united by a series of thematic links); the the better-equipped Gray & Davison instrument he had moments bring touches of solemnity here and there, and concert at the age of eleven, and his last just a few weeks manner in which the organ blends with the orchestra (pre- played in 1882); and the Mutin organ at the Paris shimmering harps suggest the transfigured glory of heroes. before his death, and achieved international renown as echoed in Liszt’s symphonic poem Hunnenschlacht (The Conservatoire, where the hugely successful French While the Third Symphony and Cyprès et Lauriers both a pianist and a composer. -
Download Booklet
KERLLComplete Harpsichord and Organ Music Matteo Messori Johann Caspar Kerll (1627-1693) Complete Harpsichord and Organ Music 1. Toccata prima* 4’27 Suite in D** Modulatio organica super Magnificat 2. Toccata seconda* 4’15 19. Allamande 2’34 octo Ecclesiaticis tonis respondens 3. Toccata terza* 5’12 20. Courante 1’14 (1686)**** 4. Toccata quarta (cromatica con 21. Sarabande 1’17 34. Magnificat Primi Toni 7’16 35. Magnificat Secundi Toni 7’33 durezze e ligature)* 4’21 22. Gigue 2’07 (Cantus planus: Magnificat – 36. Magnificat Tertii Toni 6’34 5. Toccata quinta (tutta de salti)** 4’12 Organum: Anima mea – Et esultavit 37. Magnificat Quarti Toni 7’06 6. Toccata sesta Suite in F*** – Versus Quia respexit – Quia fecit 38. Magnificat Quinti Toni 6’21 (per il pedale)**** 3’54 23. Allamande 2’48 – Versus Et misericordia – Fecit 39. Magnificat Sexti Toni 7’04 7. Toccata settima* 3’08 24. Courante 1’03 potentiam – Versus Deposuit – 40. Magnificat Septimi Toni 6’48 8. Toccata ottava** 4’24 25. Sarabande 1’23 Esurientes – Versus Suscepit Israel 41. Magnificat Octavi Toni 6’33 9. Canzone prima**** 3’26 26. Gigue 1’29 – Sicut locutus est – Versus Gloria 10. Canzone seconda** 4’27 – Sicut erat – Versus Ultimus loco 11. Canzone terza* 4’05 Suite in A minor** Antiphonae) 12. Canzone quarta**** 3’45 27. Allamande - Partita 4’40 13. Canzone quinta*** 3’11 28. Courante - Partita 2’14 14. Canzone sesta* 5’13 29. Sarabande - Partita 2’17 15. Ciaccona** 2’45 16. Passacaglia* 6’34 Suite in G** 17. Capriccio sopra il Cucu** 3’03 30. -
Mozart 250 Years Collection 4-7 Brilliant Classics DVD Collection 8
92860 BCCatalogus06V4 21-12-2005 15:11 Pagina 3 CONTENTS Contents Page Mozart 250 Years Collection 4-7 Brilliant Classics DVD Collection 8-14 The Great Composers 8-10 Operas 11 Various 12-14 Brilliant Classics CD Collection 15-96 The Masterworks 15-16 Composers Albeniz/Von Weber 17-67 Various A - L 68-77 Various M - R 77-86 Various S - Z 86-88 Super Audio CD 89-92 Christmas 93 The Best of ..... Collection 94-96 92860 BCCatalogus06V4 21-12-2005 15:12 Pagina 4 INCLUDING FREE CD-ROM WITH TEXTS AND LIBRETTI 92860 BCCatalogus06V4 21-12-2005 15:12 Pagina 5 250 YEARS MOZART CD 2006: Mozart 250 Years January 27 2006 will be a memorable day. It is the 250th anniversary of Wolfgang Amadeus Mozart. Wolfgang Mozart was born in 1756 in Salzburg, Austria. His musical talents revealed themselves at a tender age. Well before his teens father Leopold took him and his likewise gifted older sister Nannerl on several tours through Europe. Soon he became a widely known and admired child prodigy of an unsurpassed class of his own. Already at eight years old his first music was being published. It was the beginning of an astonishing career. The sheer amount of music he wrote is, with hindsight, incredible and of high quality. Amadeus must have written very fast to manage composing the over 600 works he left to posterity. His manuscripts hardly contain any deletions. Mozart’s versatility is impressive too. He wrote anything from simple canons for keyboard to large-scale symphonies and operas on a great variety of librettos. -
SEPTEMBER 2018 All Saints Episcopal Church Southern Shores
THE DIAPASON SEPTEMBER 2018 All Saints Episcopal Church Southern Shores, North Carolina Cover feature on pages 26–27 ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO JAMES DAVID CHRISTIE PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE LOUPRETTE & GOFF DUO ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAéL PRIETO RAM°REZ JEAN-BAPTISTE ROBIN ROBIN & LELEU DUO BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Ninth Year: No. 9, A new season Whole No. 1306 As I write this on August 1, I realize you will read this at SEPTEMBER 2018 the end of this month or early September, the very last days of Established in 1909 summer. Most choirs and ensembles will soon begin rehears- Stephen Schnurr ISSN 0012-2378 als for their weekly services or seasonal concerts. The staff of 847/954-7989; [email protected] The Diapason hopes that these past weeks and months have www.TheDiapason.com An International Monthly Devoted to the Organ, provided you a bit of respite from the myriad activities you will the Harpsichord, Carillon, and Church Music soon experience. 20 Under 30 Our “Here & There” section this month contains listings for The Diapason’s 20 Under 30 program returns in December! CONTENTS many church, university, civic, and regional ensembles that will We will recognize once again young women and men whose FEATURES excite you with opportunities for excellence in organ and choral career accomplishments place them at the forefront of the organ, The 1864 William A.