DOCSLIB.ORG

Brill. Classic Catalogue 2004

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

catalogue 2004 JOAN RECORDS Joan Records is one of the world’s leading produ- cers in classical music. Recording over 50 hours of repertoire per year, the company has built a catalogue which is unique in the world because of its volume, quality and diversity. Under the label BRILLIANT CLASSICS, recordings are made with first class soloists, choirs, ensembles and orchestras and recorded digitally on state-of-the-art technical equipment by top producers and engineers. The repertoire can be used for multiple purposes. -It is available in eye catching, classy artwork as finished product, to be distributed to certain countries. -It is available for licensing by third parties, territories and condition to be negotiated. The key to the success of Brilliant Classics is the combination of high quality recordings and a very competitive price. The continuous stream of new releases ensures a solid basis for a strong marke- ting concept. This catalogue presents many new box-sets, likely to attract the interest of both the starter and the classical connoisseur. A valuable addition to the catalogue is a series of VIDEO-DVD’s, high-quality digital video- recordings in excellent artwork, presenting vocal masterworks in beautiful settings. CONTENTS CD Pages Brilliant Classics DVD video 4-5 Super Audio CD 6 Mozart Edition 7-11 Brilliant Classics wallet boxes 12-16 Bach Edition walletbox 12 Brilliant Classics 17-50 40 CD 17-19 25 CD 19 15 CD 20 14 CD 20 13 CD 21 12 CD 21 11 CD 21-22 10 CD 22-24 9 CD 24 8 CD 24-25 7 CD 25-27 6 CD 27-28 5 CD 29-34 4 CD 35-38 3 CD 39-43 2 CD 44-50 Columns Classics 51-54 1 CD 51-54 Christmas 55 1 CD 55 2 CD 55 Bach Edition 56-60 Brilliant Classics DVD music 61 Se priser på forsiden. Bestilling: [email protected] 3 CELEBRATION OF THE SPIRIT AVE VERUM JOHANN SEBASTIAN BACH Bernstein - Rutter - Britten - Tippett Popular Choral Classics Johannes Passion The Choir of Clare College, Cambridge The Choir of St. John’s College, Cambridge John Mark Ainsley, Evangelist; Timothy Brown, conductor Christopher Robinson, conductor Stephen Richardson, Christus The Wallace Collection Peter Davis, organ Catherine Bott, Soprano; Michael Chance, Alto Rachel Master, harp Alison Atkinson, cello Paul Agnew, Tenor; Stephen Varcoe, Bass/Pilatus Filmed at: The Church of St. Matthew, Naomi Rudoe, harp King’s College Choir, Cambridge Northampton, England Filmed at: St.John’s College Chapel, The Brandenburg Consort. (leader: Roy Goodman) Cambridge Stephen Cleobury, conductor Filmed at: King’s College Chapel, Cambridge, UK 1 Catalogue number 6322 1 Catalogue number 6323 1 Catalogue number 99780 PAL DVD PAL DVD PAL DVD 1 Catalogue number 6363 1 Catalogue number 6364 1 Catalogue number 99928 DVD DVD DVD NTSC NTSC NTSC JOHANN SEBASTIAN BACH HENRY PURCELL GIOVANNI BATTISTA PERGOLESI Matthäus Passion Sacred Music Stabat Mater King’s College Choir Cambridge, Te Deum - Jubilate - Anthems / Funeral Music For Queen Mary Angharad Gruffydd Jones, soprano Brandenburg Consort; Rogers Covey-Crump, tenor The Choir of Clare College, Cambridge; Timothy Brown, conductor Lawrence Zazzo, counter-tenor Michael George, bass; Emma Kirkby, soprano Andrew Manze, Marshall Marcus, violins; Jan Schlapp, viola; Julia Bishop, Joanna Parker, violin Michael Chance, alto; Martyn Hill, tenor Jenny Ward-Clarke, bass violin; Liz Kenny, William Carter, theorbo Peter Whiskin, viola David Thomas, bass; The Choir of King’s College, Cambridge; Jonathan Brown, Keri Dexter, organ Joanna Levine, cello The Choir of Jesus College, Cambridge (Soprano in ripieno) Baroque Brass of London’ Mark Bennet, Crispian Steele-Perkins, Mark Levy, violone The Brandenburg Consort (Leader: Roy Goodman) Michael Laird, trompets; Ron Bryans, sackbut; Robert Howes, drums Timothy Brown, organ/director Stephen Cleobury, conductor Filmed at: Jesus College Chapel, Cambridge, England Filmed at: All Saints, Aldwincle, England 1 Catalogue number 99781 1 Catalogue number 99782 1 Catalogue number 99783 PAL PAL DVD PAL DVD DVD 1 Catalogue number 99929 1 Catalogue number 99930 1 Catalogue number 99931 DVD DVD DVD NTSC NTSC NTSC 4 Se priser på forsiden. Bestilling: [email protected] CHRISTMAS CAROLS O MAGNUM MYSTERIUM EVENSONG & VESPERS O Come, All Ye Faithful Music for Christmas Music for Christmas The Choir of Clare College, Cambridge Corydon Singers The Choir of King’s College, Cambridge Jonathan Brown, organ His Majesty’s Sagbutts & Cornetts Director of Music: Stephen Cleobury Timothy Brown, conductor Angus Davidson, counter – tenor Filmed in King’s College Chapel, Cambridge, UK Filmed at: St. Edmundsbury Cathedral, Matthew Best, conductor Bury St. Edmunds, Suffolk, England Simon Over: organ Filmed in Stationer’s Hall, London, UK (1-7) Filmed at St. Giles, Cipplegate, London UK (8-12)a 1 Catalogue number 6321 1 Catalogue number 6468 1 Catalogue number 6469 PAL PAL PAL DVD DVD DVD 1 Catalogue number 6362 1 Catalogue number 6470 1 Catalogue number 6471 DVD DVD DVD NTSC NTSC NTSC LAMENTATIONS GEORGE FRIDERIC HANDEL CLAUDIO MONTEVERDI The Choir of Clare College, Cambridge Coronation Anthems Banquet of the Senses Conductor: Timothy Brown Holland Boys Choir Madrigali Erotici e Spirituali Filmed in Jesus College Chapel, Cambridge, UK (1-4) Dutch Baroque Collegium The Consort of Musicke All Saints Church, Aldwinckle, near Cambridge, UK Sir David Willcocks, conductor Anthony Rooley, director and lute; (5-13) Filmed at Dominicanen Church, Zwolle, Emma Kirkby, soprano; Evelyn Tubb, soprano; The Netherlands Mary Nichols, alto; Andrew King, tenor; Joseph Cornwell, tenor; Simon Grant, bass; Gabriele Micheli, organ Filmed at: The Palazzo Te, Mantua, Italy 1 Catalogue number 92098 1 Catalogue number 92101 1 Catalogue number 99784 PAL DVD PAL DVD PAL DVD 1 Catalogue number 92099 1 Catalogue number 92115 1 Catalogue number 99932 DVD DVD DVD NTSC NTSC NTSC Se priser på forsiden. Bestilling: [email protected] 5 DSD-DIRECT STREAM DIGITAL The next generation in music reproduction. From the earliest digital recordings and 16-bit Compact Discs on up to even the latest 24-bit recor- dings, digital audio has always used multi-bit PCM technology. Until now. Now there’s Direct Stream Digitaltm recording, a one-bit system that’s fundamen- tally different. Thanks to an amazing 2,822,400 samp- les per second, you get audio performance that no other format can deliver. Where CD frequency respon- se extends to 20,000 Hz, DSD technology can theoreti- cally reach 100,000 Hz. Where CD has dynamic range of 96 dB, DSD recording can achieve 120 dB across the entire audible range. The difference is breathtaking. If you care passionately about music, then SACD will inflame that passion as never before. JOHANNES BRAHMS MENDELSSOHN Choral Works Choral Works HYBRID SACD Chamber Choir of Europe Chamber Choir of Europe This Super Audio CD contains two layers, one layer Nicol Matt, conductor Nicol Matt, conductor with the new DSD signal and one with the current ‘standard’ CD layer. This disc actually contains three separate versions of the same musical program. 1. Direct Stream Digital multichannel surround sound 2. Direct Stream Digital two-channel stereo Catalogue number 92206 Catalogue number 92207 3. CD standard stereo 1 1 These hybrid discs are compatible with the players you SACD SACD already have. LISZT CORI SPEZZATI SCHÜTZ Organ Works Venezianische Mehrchörigkeit Symphoniae Sacrae Prelude & Fugue on the name of B.A.C.H.; Venetian Polychoral Music Cappella Augustana Variations on “Weinen, Klagen, Sorgen, Zagen”; Chamber Choir of Europe Matteo Messori, organ and direction Fantasia and Fugue “Ad nos, ad salutarem undam” Nicol Matt, conductor Hans-Jürgen Kaiser, organ Ladegast organ of Dom in Schwerin, Germany 1 Catalogue number 92208 1 Catalogue number 92209 1 Catalogue number 92210 SACD SACD SACD MOZART BRUCKNER TELEMANN Great Mass (Bach Choräle) Mass Tafel Musik Chamber Choir of Europe Chamber Choir of Europe Musica Amphion Nicol Matt, conductor Württembergische Philharmonie Reutlingen Pieter-Jan Belder, direction Nicol Matt, conductor 1 Catalogue number 92211 1 Catalogue number 92212 1 Catalogue number 92213 SACD SACD SACD 6 Se priser på forsiden. Bestilling: [email protected] THE COMPLETE WORKS OF WOLFGANG AMADEUS MOZART ON 170 CD'S ISSUED IN 26 SEPARATE BOX-SETS The Complete Works of Wolfgang The music of Mozart is ideally suited for Amadeus Mozart are issued on 170 CD's. a mass audience. The grace, transparancy More than half of the complete edition is and emotional intensity of the music, the newly recorded. The new recordings are diversity of genre (ranging from a solo based on the most recent research in the menuet to a grand scale opera), and the field of "authentic performance practice", music's uncompromisingly high quality using period instruments and stylistic make Mozart without doubt the most features as used in Mozart's time. popular and best loved composer of Furthermore licensed recordings are issu- musical history. ed from high quality classical labels. The Edition is issued in 26 separate multi-CD box-sets. MOZART INTRODUCTION CD MOZART INTRODUKTION CD English German Including English textbooklet Including German textbooklet 1 Catalogue number 99773 1 Catalogue number 99769 CD CD MOZART EDITION Volume 1 MOZART EDITION Volume 2 CONCERTOS FOR OPERAS WIND INSTRUMENTS VIOLIN CONCERTOS Le Nozze di Figaro Apollo et Hyacinthus Le Nozze di Figaro: Huub Claessens, Patrizia Biccire, Werner van Mechelen, Christiane Oelze, Monika Groop, Béatrice Cramoix, Harry van der Kamp, Yves Saelens, Philip Defrancq, Jean-Guy Devienne, Marie Kuijken, Choeur de Chambre de Namur, La Petite Bande, Sigiswald Harmen de Boer, clarinet;Bart Schneemann, oboe; Ronald Karten, bassoon; Kuijken Herman Jeurissen, horn; Peter-Lukas Graf, flute; Emmy Verhey, violin; Nieuw Sinfonietta Amsterdam, Lev Markiz; Apollo et Hyacinthus KV 38: Netherlands Chamber Orchestra, Roy Goodman; John Dickie, Venceslava Hruba-Freiberger, Arno Raunig, Ralf Popken, Axel Köhler, English Chamber Orchestra, Raymond Leppard; Rundfunkchor Leipzig Rundfunk-Sinfonieorchester Leipzig, Max Pommer Concertgebouw Chamber Orchestra, Eduardo Marturet 7 Catalogue number 99713 5 Catalogue number 99714 CD CD Se priser på forsiden.
Recommended publications
  • Season of Song 2010

    Season of Song 2010

    Art Song Canberra Inc. www.artsongcanberra.org SEASON OF SONG 2010 In 2010 Art Song Canberra will present seven recitals of fine art song by an outstanding array of award-winning, highly-accomplished artists, many of them widely experienced on the world stage. Background Art Song Canberra is a dedicated group of volunteers and lovers of art song. It was founded as the A.C.T. Lieder Society in 1976 by a small group of devotees of art song led by Eleanor Houston OAM of Covent Garden fame. The society changed its name to Art Song Canberra in 2006. Its purpose is to foster and extend the love of art song. This is done mainly by: presenting high quality concerts to its members and the general public. The annual series is called the Season of Song; conducting an annual Festival of Song in which aspiring singers perform to an audience in a relatively relaxed and friendly environment and receive advice and encouragement from an acknowledged expert; providing opportunities for concert performance for dedicated and talented amateur singers. This format has met with considerable audience approval and Art Song Canberra has scheduled another such event in its Season of Song 2010; and conducting Members’ Soirées, social gatherings of members to sing and play together, taking us back to the origin of Lieder societies. The society presents a series of six or seven vocal recitals each year – the Season of Song. Most of the society‟s artists over the years have been have been highly accomplished both in Australia and internationally. Among the many artists who have performed for the society are such noted Australian singers as Eleanor Houston, Michael Martin, Sally-Anne Russell, Tobias Cole, Warwick Fyfe, Christopher Allan, Angela Giblin, Louise Page and Christina Wilson as well as Susan Burghardt from the USA and Thomas Weinhappel from Vienna.
  • Richard Strauss's Ariadne Auf Naxos

    Richard Strauss's Ariadne Auf Naxos

    Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails.
  • Private Musiksammlung Archiv CD/DVD

    Private Musiksammlung Archiv CD/DVD

    Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Haas Haas Die heilige Elisabeth - 1 München Maria Venuti - Wolf Bruno Weil Ch-O - BR 4 Euba - - - - - - - Elmar Schloter, Joseph Haas (1879 - - Orgel - 1960) - Münchener 21.03.2004 - Rundfunkorchester op. 84 - cda403 T- VHS-Audi CD o Haas Die heilige Elisabeth - 1990 München Maria Venuti - Wolf Bruno Weil Ch - 26.11.1990 BR 4 Euba - - - - - - - - 1659,01 Joseph Haas (1879 - - 1960) - Münchner 31.03.2010 - Rundfunkorchester op. 84 - cda1003 T- Dok 409 2 CD 2 Haas Scharlatan - 1997 Prag Vladimir Chmelo - Anda-Louise Israel Yinon O - BR 4 Bogza - Miroslav Svejda - Leo 529,01 Pavel Haas (1899 - - MarianVodicka - Ladislav Mlejnek - 1944) - Orchester der Prager 22.06.1999 - Jan Jezek - - - - Staatsoper Oper 1 - T- VHS-Audio Haas Scharlatan - 2009 Gera Andreas Scheibner - Franziska Rauch - Jens Troester O - 06.03.2009 MDR Figaro Peter-Paul Haller - Konrad 1355,01 Pavel Haas (1899 - - Zorn - - - - - Kay Kuntze - Duncan 1944) - Sarlatán Opernchor und 07.03.2009 - Hayler Philharmonisches Oper 1 - cda1601 T- Dok 124 CD 6 Haas Bluthaus - 2011 Schwetzingen Sarah Wegener - Ruth Hartmann
  • Human Requiem (U.S

    Human Requiem (U.S

    Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin
  • B Ach Cantatas for Christmas Gardiner

    B Ach Cantatas for Christmas Gardiner

    Bach Cantatas for Christmas Gardiner 1 Bach Cantatas for Christmas Gardiner 2 The Bach Cantata Pilgrimage On Christmas Day 1999 a unique celebration of the new Millennium began in the Herderkirche in Weimar, Germany: the Monteverdi Choir and English Baroque Soloists under the direction of Sir John Eliot Gardiner set out to perform all Johann Sebastian Bach’s surviving church cantatas in the course of the year 2000, the 250th anniversary of Bach’s death. The cantatas were performed on the liturgical feasts for which they were composed, in a year-long musical pilgrimage encompassing some of the most beautiful churches throughout Europe (including many where Bach himself performed) and culminating in three concerts in New York over the Christmas festivities at the end of the millennial year. These recordings of cantatas for the Christmas season were made at the beginning and end of the Pilgrimage. 3 Johann Sebastian Bach 1685-1750 Cantatas for Christmas and New Year Pages 5-13 CD 1 For Christmas Day 63 / 191 14-24 CD 2 For Christmas Day 91 / 110 For the Second Day of Christmas 121 / 40 25-38 CD 3 For the Second Day of Christmas 57 For the Third Day of Christmas 64 / 151 / 133 39-50 CD 4 For the Sunday after Christmas Motet 225 / 152 / 122 / 28 For New Year’s Day 190 51-62 CD 5 For New Year’s Day 143 / 41 / 16 / 171 63-73 CD 6 For the Sunday after New Year 153 / 58 For Epiphany 65 / 123 The Monteverdi Choir The English Baroque Soloists John Eliot Gardiner Live recordings from the Bach Cantata Pilgrimage Weimar / New York / Berlin / Leipzig 1999-2000 4 For Christmas Day Claron McFadden soprano Bernarda Fink alto Christoph Genz tenor Dietrich Henschel bass The Monteverdi Choir The English Baroque Soloists 1 John Eliot Gardiner Herderkirche, Weimar, 25 December 1999 « Contents page 5 CD1 40:15 For Christmas Day 26:28 Christen, ätzet diesen Tag BWV 63 1 (4:48) 1.
  • Georg Friedrich Händel (1685-1759)

    Georg Friedrich Händel (1685-1759)

    Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella
  • Ariadne Auf Naxos

    Ariadne Auf Naxos

    La natura és l'origen de totes les coses bones. Yoghourts, flams, cremes, formatges. —aliments frescos i naturals— GRAN TEATRE DEL LICEU Temporada d'òpera 1983/84 CONSORCI DEL GRAN TEATRE DEL LICEU CENERALHAT DE CATALUNYA AJUNTAMENT DE BARCELONA SOCIETAT DEL GRAN TEATRE DEL LICEU Ptas.1,949.480PRECIO: decirfaltahaceNomás dynamicThecar BRITISH Tels. Tels. S.A.MOTORS, 46-48Gervasio.SanP.»VENTAS:YEXPOSICION Q38211373124797- 36Calabna,RECAMBIOS:YTALLERES BARCELONA242922314-- ARIADIME AUF IMAXOS òpera en 1 pròleg i 1 acte Llibret d'Hugo von Hofmannsthal Miisica de Richard Strauss Funció de Gala Dijous, 12 de gener de 1984, a les 21 h., funció núm. 23, torn B Diumenge, 15 de gener de 1984, a les 17 h., funció núm. 24, torn T Dimecres, 18 de gener de 1984, a les 21 h., funció núm. 25, torn A GRAN TEATRE DEL LICEU Barcelona HïïVÜS ^ROSSO^ fWlW^ATI martini & ROSSI Un Martini invitaavivir [martini ARIADNE AUF NAXOS El majordom (part parlada): Hans Christian Un mestre de miisica: Ernst Gutstein El compositor: Alicia Nafé Bacchus: Klaus Koening Un oficial: Alfredo Heilbron Un mestre de ball: Wolf Appel Un perruquer: Steven Kimbrough Un lacai: Alfred Werner Zerbinetta: Celina Lindsley Ariadne: Montserrat Caballé Arlequí: Georg Tichy Scaramuccio: Ernst Dieter Suttheimer Truffaldin: Ude Krekow Brighella: Wolf Appel Echo: Downing Whitesell Najade: Agnes Habereder Dryade: Ingrid Mayr Director d'orquestra: János Kulka Director d'escena: Mario Kriiger Violí concertino: Josep M." Alpiste Producció: Staatstheater - Braunschweig (R.F.A.) ORQUESTRA SIMFÒNICA DEL GRAN TEATRE DEL LICEU Comentaris a càrrec dels Drs. Roger Alier, Xosé Aviñoa i Oriol Martorell, del Departament d'Art de la Universitat de Barcelona.
  • Die Tote Stadt

    Die Tote Stadt

    DIE TOTE STADT Erich Wolfgang Korngold Productie / Production DE MUNT / LA MONNAIE Nieuwe productie, gebaseerd op de oorspronkelijke coproductie met / Nouvelle production, basée sur la coproduction initiale avec TEATR WIELKI – POLISH NATIONAL OPERA Nieuwe orkestratie, in opdracht van / Nouvelle orchestration, commande conjointe de DE MUNT / LA MONNAIE & THEATER AN DER WIEN Met de steun van / Avec le soutien de NATIONALE LOTERIJ / LOTERIE NATIONALE In coproductie met Shelter Prod en Prospero MM Productions met de steun van taxshelter.be en ING met de steun van de tax shelter van de Belgische federale overheid En coproduction avec Shelter Prod et Prospero MM Productions avec le soutien de taxshelter.be et ING avec le soutien du tax shelter du gouvernement fédéral de Belgique DIE TOTE STADT Oper in drei Bildern Libretto von Paul Schott frei nach Georges Rodenbachs Roman „Bruges-la-Morte“ Musik von Erich Wolfgang Korngold Nieuwe orkestratie van / Nouvelle orchestration par Leonard Eröd Creatie / Création Staatsoper Hamburg & Oper der Stadt Köln, 4.12.1920 LOTHAR KOENIGS Muzikale leiding / Direction musicale MARIUS TRELIŃSKI Regie / Mise en scène BORIS KUDLIČKA Decor / Décors MAREK ADAMSKI Kostuums / Costumes MARC HEINZ Belichting / Éclairages BARTEK MACIAS Video / Vidéo TOMASZ JAN WYGODA Choreografie / Chorégraphie MARCIN CECKO Dramaturgie Reductie van de orkestpartituur / LEONARD ERÖD Réduction de la partition orchestre ROBERTO SACCÀ Paul MARLIS PETERSEN Marietta / Die Erscheinung Mariens DIETRICH HENSCHEL Frank BERNADETTA GRABIAS Brigitta MARTINA RUSSOMANNO Juliette LILLY JØRSTAD Lucienne FLORIAN HOFFMANN Gaston / Victorin NIKOLAY BORCHEV Pierrot MATEUSZ ZAJDEL Graf Albert SYMFONIEORKEST VAN DE MUNT / ORCHESTRE SYMPHONIQUE DE LA MONNAIE KINDER-EN JEUGDKOREN & KOORACADEMIE VAN DE MUNT o.l.v.
  • Brahms Beethoven

    Brahms Beethoven

    Saturday 18 November 2017 at 7pm All Saints’ Church Lovelace Road West Dulwich SE21 8JY Beethoven Violin Concerto in D Soloist: Patrick Rafter Brahms Ein deutsches Requiem Dulwich Symphony Chorus Ruth Holton (soprano) Jonny Davies (baritone) Leigh O’Hara Conductor Paula Tysall Leader £12/£10 (concessions) under 16s free Interval collection for St Christopher’s Hospice DSO is a registered charity. Charity no. 1100857 Violin Concerto in D Major, Op. 61 (1806) Ludwig van Beethoven i. Allegro ma non troppo ii. Larghetto iii. Rondo Allegro By the time he wrote his only violin concerto, Joseph Joachim, later a close collaborator of Brahms. Beethoven had been living in Vienna for fourteen years. Under Mendelssohn’s baton, the twelve-year-old His hearing had already deteriorated but, in spite of Joachim elicited frenetic applause for his sensation this, the works composed during this, his middle performance before a London audience in 1844. period, show a new generosity of scale, increased From its courtly opening theme to its lively final emotional weight and a spirit of momentum. movement, the concerto is a triumph. Four soft timpani The only violin concerto after Mozart’s five of 1775 strokes open the piece, forming the foundation of the and Mendelssohn’s of 1844 which is still regularly first movement, one of the longest in all Beethoven’s performed, Beethoven’s concerto harnesses classic works, including the symphonies. The initial statement elements of the form while maximizing their dramatic of the main theme is reshaped by the violin. The second force. For all its modern totemic status, its early movement is a peaceful larghetto with two themes and reception was inauspicious.
  • A Critical Study of Five Reconstructions of Bach's Markuspassion BWV 247 with Particular Reference to the Parody Technique

    A Critical Study of Five Reconstructions of Bach's Markuspassion BWV 247 with Particular Reference to the Parody Technique

    A critical study of five reconstructions of Bach’s Markuspassion BWV 247 with particular reference to the parody technique Paula Fourie Supervisor: Professor John Hinch Submitted in fulfilment of the requirements of the degree MMus Department of Music University of Pretoria November 2010 © University of Pretoria Acknowledgements I would like to thank the following people for their part in this dissertation: • Professor John Hinch for his guidance and supervision • Johann van der Sandt for guiding me to this topic and for providing scores and recordings of several of the reconstructions under discussion • Isobel Rycroft from the UP music library for her unwavering help in locating information sources • My parents who have shown that learning is a life-long quest • Etienne, for his patience and assistance with proofreading ©© Abstract A part of Johann Sebastian Bach’s musical duties in Leipzig was to present an annual setting of the passion for Good Friday Vespers. One such work was the Markuspassion, performed in 1731. Although the score of this companion work to the Matthäuspassion and Johannespassion has been lost, the original text of the Markuspassion is extant. Bach frequently made use of the parody technique in his compositions. This practice consisted of adapting existing music to a new text that was based on the rhyme scheme of the original one, resulting in two compositions essentially sung to the same music, barring a number of enforced changes. This particular feature of Bach’s compositional technique makes it possible that the lost music originally contained in the Markuspassion could be discovered within his oeuvre. In the late 19th century, Bach scholars began to research the possibility of reconstructing the Markuspassion, recognizing that it may have contained music parodied from other compositions basing, to a large extent, their research on textual comparison.
  • 28 December 2018 Page 1 of 17

    28 December 2018 Page 1 of 17

    Radio 3 Listings for 22 – 28 December 2018 Page 1 of 17 SATURDAY 22 DECEMBER 2018 Europa Galante, Fabio Biondi (director) Michael How & Luke Fitzgerald (organ) Delphian DCD34197 SAT 01:00 Through the Night (m0001p17) 04:49 AM http://delphianrecords.co.uk/product-group/cantique-de-noel- A Winter's Morning Johan Peter Emilius Hartmann (1805-1900), P. Gunther french-music-for-christmas-from-berlioz-to-debussy/ (arranger), U. Teuber (arranger) An eclectic night with works by Romberg, Lithander and Kaski Blomstre som en rosengard (Blooming like a rose garden) Christmas on Sugarloaf Mountain’ – traditional Christmas guides us through to a morning of First Snow and Winter Fionian Chamber Choir, Alice Granum (director) music Festivals. John Shea presents. Apollo’s Fire (ensemble) 04:54 AM Apollo’s Singers 01:01 AM Friedrich Kunzen (1761-1817) Apollo’s Musettes Anton Eberl (1765-1807) Vinhoesten (Der Fest der Winzer) (Overture) Jeannette Sorrell (director) Symphony No. 4 in D minor, Op 34 Danish Radio Concert Orchestra, Peter Marschik (conductor) Avie AV2396 WDR Symphony Orchestra Koln, Johannes Wohlmacher http://www.avie-records.com/releases/christmas-on-sugarloaf- (conductor) 05:01 AM mountain/ Antoni Haczewski ((C.18th/19th)) 01:35 AM Symphony in D major 9.30am Building a Library: Caroline Gill listens to and Ludwig van Beethoven (1770-1827) Polish Radio Symphony Orchestra, Andrzej Straszynski compares some of the available recordings of Vivaldi's Gloria Violin Concerto in C, WoO 5 (Fragment, 1792) (conductor) Mirijam Contzen (violin), WDR Symphony Orchestra Koln, Although Vivaldi wrote 3 settings of the Gloria Johannes Wohlmacher (conductor) 05:10 AM (RV588-RV590), it is RV589 that has become known simply as Arvo Pärt (b.1935) 'The Vivaldi Gloria', owing to its enduring popularity.
  • 1605431254170 Bach and Italy 2020 Conference Programme.Pdf

    1605431254170 Bach and Italy 2020 Conference Programme.Pdf

    Bach and Italy Organizzato da | Organised by JSBach.it www.jsbach.it Istituto per i Beni Musicali in Piemonte https://ibmp.it/ Conservatorio “G. Verdi” Torino www.conservatoriotorino.gov.it Tutti gli eventi saranno trasmessi online sul sito www.jsbach.it e sul canale YouTube di JSBach.it Ringraziamo Rinaldo ALESSANDRINI, Concerto Italiano e Naive Records per la concessione della musica per la sigla degli eventi All events will be streamed on the website www.jsbach.it and on JSBach.it’s YouTube channel With thanks to Rinaldo ALESSSANDRINI, Concerto Italiano and Naïve Records for kindly allowing us to use their recording of Bach’s Italian Concerto 2 22-28.11.2020 Sponsors Royal Musical Association www.rma.ac.uk Inner Wheel Torino Europea www.innerwheel.it Music & Letters https://academic.oup.com/ml Con il contributo di | With the contribution of Consolato Generale della Repubblica Federale di Germania – Milano www.italien.diplo.de Media partner 3 Bach and Italy In collaborazione con | In cooperation with 4 22-28.11.2020 Con il patrocinio di | With the auspices of 5 Bach and Italy Comitato Scientifico | Programme committee Chiara BERTOGLIO, Conservatorio di Cuneo, JSBach.it – Co-Chair Maria BORGHESI, JSBach.it – Co-Chair Kenneth L. HAMILTON, University of Cardiff Michael HEINEMANN, Hochschule für Musik Dresden Stefano LEONI, Conservatorio di Torino Michael MAUL, Bach-Archiv, BachFest Leipzig Ruth TATLOW, Uppsala University, Bach Network Yo TOMITA, Queen’s University Belfast, Bach Network Comitato organizzativo | Organising committee Responsabile