Arthur C. Clarke – Prophet of the Space Age by John Uri Manager
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Arthur C. Clarke Fred Körper, SFGH-Treffen 21.02.2009
SF-Klassiker: Arthur C. Clarke Fred Körper, SFGH-Treffen 21.02.2009 Sir Arthur Charles Clarke (* 16. Dezember 1917 in Minehead, Somerset, England; † 19. März 2008 in Colombo, Sri Lanka) war ein britischer Science-Fiction-Schriftsteller. Durch den Film 2001: Odyssee im Weltraum von Stanley Kubrick, der auf einer Kurzgeschichte Clarkes beruht und dessen Drehbuch Clarke gemeinsam mit Kubrick schrieb, wurde er auch außerhalb der Science-Fiction-Szene bekannt. Clarke gilt als Visionär neuer Technologien, die er außer in Science-Fiction-Romanen und Kurzgeschichten auch in wissenschaftlichen Artikeln beschrieb. 1 Leben 2 Werk 2.1 Romane 2.2 Erzählungen 2.3 Kurzgeschichtensammlungen 2.4 Gemeinschaftswerke 2.5 Autobiografisches 3 Verfilmungen (Auswahl) 4 Clarke'sche Gesetze Leben Arthur Charles Clarke wurde am 16.Dezember 1917 in der Grafschaft Somerset im Südwesten Englands geboren. Von 1927 bis 1936 besuchte er die Huish's Grammar School in Taunton/Somerset und las bereits als Jugendlicher die Werke von H. G. Wells und Olaf Stapledon. Da Clarke aus finanziellen Gründen ein Studium zunächst verwehr blieb, ging er 1936 nach London und arbeitete dort zunächst im Staatsdienst. 1941 trat er als Radaroffizier in die Royal Air Force ein. Diese Erfahrungen liegen dem Roman Glide Path zugrunde. Seine Idee, geostationäre Satelliten zur technischen Kommunikation zu nutzen, die er 1945 unter dem Titel Extra-terrestrial Relays – Can Rocket Stations Give World- wide Radio Coverage? in der wissenschaftlichen Zeitschrift Wireless World veröffentlichte, erlebte 1964 mit dem Saetelliten Syncom 3 ihre Verwirklichung. Ihm zu Ehren wird daher der geostationäre Orbit auch „Clarke Belt“ beziehungsweise „Clarke Orbit“ genannt. Von 1946 bis 1948 studierte er Mathematik und Physik am Londoner King's College. -
Lan's Lantern 28
it th Si th ir ©o Lmis £antmi 2 8 An Arthur £. £(ar£c Special Table of Contents Arthur C. Clarke................................................... by Bill Ware..Front Cover Tables of contents, artists, colophon,......................................................... 1 Arthur C. Clarke...............................................................Lan.......................................2 I Don’t Understand What’s Happening Here...John Purcell............... 3 Arthur C. Clarke: The Prophet Vindicated...Gregory Benford....4 Of Sarongs & Science Fiction: A Tribute to Arthur C. Clarke Ben P. Indick............... 6 An Arthur C. Clarke Chronology.......................... Robert Sabella............. 8 Table of Artists A Childhood's End Remembrance.............................Gary Lovisi.................... 9 My Hero.................................................................................. Mary Lou Lockhart..11 Paul Anderegg — 34 A Childhood Well Wasted: Some Thoughts on Arthur C. Clarke Sheryl Birkhead — 2 Andrew Hooper.............12 PL Caruthers-Montgomery Reflections on the Style of Arthur C. Clarke and, to a Lesser — (Calligraphy) 1, Degree, a Review of 2061: Odyssey Three...Bill Ware.......... 17 2, 3, 4, 6, 8, 9, 11, About the Cover...............................................................Bill Ware.......................17 12, 17, 18, 19, 20, My Childhood’s End....................................................... Kathy Mar.......................18 21, 22, 24, 28, 31 Childhood’s End.......................Words & Music -
2001: a Space Odyssey by James Verniere “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
2001: A Space Odyssey By James Verniere “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author Screwing with audiences’ heads was Stan- ley Kubrick’s favorite outside of chess, which is just another way of screwing with heads. One of the flaws of “Eyes Wide Shut” (1999), Kubrick’s posthumously re- leased, valedictory film, may be that it doesn’t screw with our heads enough. 2001: A Space Odyssey (1968), however, remains Kubrick’s crowning, confounding achievement. Homeric sci-fi film, concep- tual artwork, and dopeheads’ intergalactic Gary Lockwood and Keir Dullea try to hold a discussion away from the eyes of HAL 9000. joyride, 2001 pushed the envelope of film at Courtesy Library of Congress a time when “Mary Poppins” and “The Sound of Music” ruled the box office. 3 million years in the past and ends in the eponymous 2001 with a sequence dubbed, with a wink and nod to As technological achievement, it was a quantum leap be- the Age of Aquarius, “the ultimate trip.” In between, yond Flash Gordon and Buck Rogers serials, although it “2001: A Space Odyssey” may be more of a series of used many of the same fundamental techniques. Steven landmark sequences than a fully coherent or satisfying Spielberg called 2001 “the Big Bang” of his filmmaking experience. But its landmarks have withstood the test of generation. It was the precursor to Andrei Tarkovsky’s time and repeated parody. “Solari” (1972), Spielberg’s “Close Encounters of the Third Kind” (1977) and George Lucas’s “Star The first arrives in the wordless “Dawn of Man” episode, Wars” (1977), as well as the current digital revolution. -
Guiding Visions of the Space Age
GUIDING VISIONS OF THE SPACE AGE: HOW IMAGINATIVE EXPECTATIONS DIRECTED AN INDUSTRY by Daniel Waymark Goodman A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History MONTANA STATE UNIVERSITY Bozeman, Montana April 2019 ©COPYRIGHT by Daniel Waymark Goodman 2019 All Rights Reserved ii To Annie, For your unending love, support and patience. “With a bad telescope and a powerful imagination, there is no saying what you may not accomplish.” H. G. Wells, 1898 iii ACKNOWLEDGEMENTS I am enormously grateful for the support of a network of brilliant faculty and friends at Montana State University’s Department of History and Philosophy. I am especially privileged to have had the constant guidance of Dr. Michael Reidy over the last two years. Michael, this project could not have happened without your mentorship, critical eye and insights. I am deeply indebted to have had your support and friendship. I am also hugely thankful to have had the guidance of Dr. Brett Walker and Dr. Timothy LeCain. Brett, you taught me new ways of approaching history that have reshaped my worldview. Tim, in enhancing my understanding of my own country’s history, you provided me much of the context I needed for this project. I also owe a debt of gratitude to Dr. Billy Smith and Dr. James Meyer for greatly advancing my skills as a writer and thinker. You both pushed me again and again, and I am glad you did. Additionally, to the friendly staff at the Smithsonian Air and Space Museum archives in Chantilly, Virginia, thanks for all of your help providing me ample sources for this research as well as future projects. -
43759498.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Keele Research Repository This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. The security of the European Union’s critical outer space infrastructures Phillip A. Slann This electronic version of the thesis has been edited solely to ensure compliance with copyright legislation and excluded material is referenced in the text. The full, final, examined and awarded version of the thesis is available for consultation in hard copy via the University Library Thesis submitted for the degree of Doctor of Philosophy in International Relations March 2015 Keele University Abstract This thesis investigates the European Union’s (EU) conceptualisation of outer space security in the absence of clear borders or boundaries. In doing so, it analyses the means the EU undertakes to secure the space segments of its critical outer space infrastructures and the services they provide. The original contribution to knowledge offered by this thesis is the framing of European outer space security as predicated upon anticipatory mechanisms targeted towards critical outer space infrastructures. The objective of this thesis is to contribute to astropolitical literature through an analysis of the EU’s efforts to secure the space segments of its critical outer space infrastructures, alongside a conceptualisation of outer space security based upon actor-specific threats, critical infrastructures and anticipatory security measures. -
Exploring the Unknown, Vol. 4
Document1 3/25/03 2:14 PM Page 1 Exploring Unknownthe Selected Documents in the History of the U.S. Civil Space Program Volume IV: Accessing Space Edited by John M. Logsdon with Ray A. Williamson, Roger D. Launius, Russell J. Acker, Stephen J. Garber, and Jonathan L. Friedman Ex the Un 4 Inside Cover 3/25/03 2:15 PM Page i EXPLORING THE UNKNOWN Ex the Un 4 Inside Cover 3/25/03 2:15 PM Page ii Ex the Un 4 Inside Cover 3/25/03 2:15 PM Page iii NASA SP-4407 EXPLORING THE UNKNOWN Selected Documents in the History of the U.S. Civil Space Program Volume IV: Accessing Space John M. Logsdon, Editor with Ray A. Williamson, Roger D. Launius, Russell J. Acker, Stephen J. Garber, and Jonathan L. Friedman The NASA History Series National Aeronautics and Space Administration NASA History Division Office of Policy and Plans Washington, D.C. 1999 Ex the Un 4 Inside Cover 3/25/03 2:15 PM Page iv Library of Congress Cataloguing-in-Publication Data Exploring the Unknown: Selected Documents in the History of the U.S. Civil Space Program/John M. Logsdon, editor ... [et al.] p. cm.—(The NASA history series) (NASA SP: 4407) Includes bibliographical references and indexes. Contents: v. 1. Organizing for exploration 1. Astronautics—United States—History. I. Logsdon, John M., 1937– II. Series. III. Series V. Series: NASA SP: 4407. TL789.8.U5E87 1999 96-9066 387.8’0973–dc20 CIP Ex the Un 4 Inside Cover 3/25/03 2:15 PM Page v Dedicated to the Memory of Robert H. -
Filmografía De Arthur C. Clarke 12
2 Índice: 1. Murió Arthur C. Clarke, maestro de la Ciencia ficción. 2. Arthur C. Clarke. Wikipedia, la enciclopedia libre. 3. La estrella. Arthur C. Clarke 4. El centinela. Arthur C. Clarke 5. Entrevista a Sir Arthur C. Clarke: “La Humanidad sobrevivirá a la avalancha de información” por Nalaka Gunawardene 6. La última orden. Arthur C. Clarke 7. Crimen en Marte. Arthur C. Clarke 8. Frases célebres de Arthur C. Clarke 9. Que te vaya bien mi clon. Obituario a Arthur C. Clarke. Por H2blog. 10. Los nueve mil millones de nombres de Dios. Arthur C. Clarke 11. Sección cine: Filmografía de Arthur C. Clarke 12. Historia del cine ciberpunk. 1993. New Dominion Tank Police. 8 Man Alter. Guyver 2. Robocop 3. Para descargar números anteriores de Qubit, visitar http://www.eldiletante.co.nr Para subscribirte a la revista, escribir a [email protected] 3 MURIÓ ARTHUR C. CLARKE, MAESTRO DE LA CIENCIA FICCIÓN Publicado el 21 Marzo 08 El martes 18, falleció Arthur C. Clarke. Autor del relato El centinela, que sirvió de base para el guión-novela que Stanley Kubrick llevaría al cine como 2001: Odisea del Espacio. Científico, sentó las bases para las órbitas geoestacionarias (órbita Clarke en su honor) de los satélites; en los 1960 fue comentarista para la CBS de las misiones Apolo que llevaron al hombre a la Luna en 1969. Nota de La Nación (Argentina) COLOMBO, Sri Lanka, 19/mar/08.- El escritor británico Arthur C. Clarke, cuya obra hizo aportes tanto a la ciencia ficción como a los descubrimientos científicos, falleció ayer, a los 90 años, en un hospital de la capital de Sri Lanka, donde residía desde 1956. -
Download Issue 14
ISSN 2397-9127 PRINCIPIUM The Newsletter of the Initiative for Interstellar Studies Issue 14 | August 2016 ■ Guest Introduction by Paul Gilster ■ News from the Initiative ■ Cosmos: A Personal Voyage ■ The BIS Daedalus Model - the last lap R O ■ The Starship Engineer Course 2015 F E V ■ Interstellar Studies at the ISU 2016 I T A I T I N I S T U D I E S www.i4is.org Scientia ad sidera Knowledge to the stars Principium | Issue 14 | August 2016 1 account in this issue is no more than a taste of what was delivered in Strasbourg. Editorial Last November the i4is delivered a two-day Starship Welcome to Principium 14, our quarterly Engineer course at BIS HQ in London. Kelvin Long newsletter about all things interstellar. Our Guest and Rob Swinney give us an outline of its content. Introduction this time is by Paul Gilster of the This is the first of a series of technical courses at invaluable Centauri Dreams blog and the Tau Zero several levels which i4is is planning. Foundation. He muses on the relations between The front cover illustration this time is a "blueprint" Science Fiction, space advocacy, exoplanets, SETI of the thermonuclear Orion spacecraft as envisaged and increasingly well funded projects for interstellar for the Cosmos series. probes. Paul is one of our foremost "rational For our rear cover we have an image we spotted on dreamers" and we look forward to more Centauri Paul Gilster's Centauri Dreams website. No obvious Dreams. His thoughts will always be very keenly interstellar connection but the beauty of the image welcomed in Principium. -
A SPACE ODYSSEY (1968) Tel: 610.917.1228 Fax: 610.917.0509
COLONIAL THEATRE ILLUMINATING CINEMA: 227 Bridge Street, Phoenixville, PA 19460 2001: A SPACE ODYSSEY (1968) Tel: 610.917.1228 Fax: 610.917.0509 www.thecolonialtheatre.com Beyond the Tyranny of Flesh: Stanley Kubrick’s 2001: A Space Odyssey By Andrew Owen, PhD Stanley Kubrick intended for the film to be “an intensely subjective experience,” to craft a narrative that would purposefully defy an objective interpretation; consequently, any attempt to provide one, not only intentionally contradicts the director’s desires, it also runs the risk of emasculating the work, painting it with a veneer of explanation that only succeeds in a simplistic form of categorization, limiting its strength. A mere exercise in vanity that is unable to express appreciation without forcing an interpretation onto others. This is something that I have no desire to do. To write something, or, for that matter, present something in the guise of a single defining objective interpretation of this work of art would be both arrogant and foolish; in all honesty, in light of Kubrick’s comments, it would run the risk of being a little bit of a waste of time for everyone involved. Simply put, it is something I have no desire or intention to even attempt. Now, this might obviously present us with a problem regarding what to do with the remainder of this article. However, fear not, Kubrick offers me, and you, an out, stating that, “you’re free to speculate all you want about the philosophical and allegorical meaning of the film,” (Nordern, 1968), believing that for us to do so is indicative of the film’s power and potency. -
Updated Version
Updated version HIGHLIGHTS IN SPACE TECHNOLOGY AND APPLICATIONS 2011 A REPORT COMPILED BY THE INTERNATIONAL ASTRONAUTICAL FEDERATION (IAF) IN COOPERATION WITH THE SCIENTIFIC AND TECHNICAL SUBCOMMITTEE OF THE COMMITTEE ON THE PEACEFUL USES OF OUTER SPACE, UNITED NATIONS. 28 March 2012 Highlights in Space 2011 Table of Contents INTRODUCTION 5 I. OVERVIEW 5 II. SPACE TRANSPORTATION 10 A. CURRENT LAUNCH ACTIVITIES 10 B. DEVELOPMENT ACTIVITIES 14 C. LAUNCH FAILURES AND INVESTIGATIONS 26 III. ROBOTIC EARTH ORBITAL ACTIVITIES 29 A. REMOTE SENSING 29 B. GLOBAL NAVIGATION SYSTEMS 33 C. NANOSATELLITES 35 D. SPACE DEBRIS 36 IV. HUMAN SPACEFLIGHT 38 A. INTERNATIONAL SPACE STATION DEPLOYMENT AND OPERATIONS 38 2011 INTERNATIONAL SPACE STATION OPERATIONS IN DETAIL 38 B. OTHER FLIGHT OPERATIONS 46 C. MEDICAL ISSUES 47 D. SPACE TOURISM 48 V. SPACE STUDIES AND EXPLORATION 50 A. ASTRONOMY AND ASTROPHYSICS 50 B. PLASMA AND ATMOSPHERIC PHYSICS 56 C. SPACE EXPLORATION 57 D. SPACE OPERATIONS 60 VI. TECHNOLOGY - IMPLEMENTATION AND ADVANCES 65 A. PROPULSION 65 B. POWER 66 C. DESIGN, TECHNOLOGY AND DEVELOPMENT 67 D. MATERIALS AND STRUCTURES 69 E. INFORMATION TECHNOLOGY AND DATASETS 69 F. AUTOMATION AND ROBOTICS 72 G. SPACE RESEARCH FACILITIES AND GROUND STATIONS 72 H. SPACE ENVIRONMENTAL EFFECTS & MEDICAL ADVANCES 74 VII. SPACE AND SOCIETY 75 A. EDUCATION 75 B. PUBLIC AWARENESS 79 C. CULTURAL ASPECTS 82 Page 3 Highlights in Space 2011 VIII. GLOBAL SPACE DEVELOPMENTS 83 A. GOVERNMENT PROGRAMMES 83 B. COMMERCIAL ENTERPRISES 84 IX. INTERNATIONAL COOPERATION 92 A. GLOBAL DEVELOPMENTS AND ORGANISATIONS 92 B. EUROPE 94 C. AFRICA 101 D. ASIA 105 E. THE AMERICAS 110 F. -
Arthur C. Clarke Collection of Sri Lanka
Arthur C. Clarke Collection of Sri Lanka Tyler Love 2015 National Air and Space Museum Archives 14390 Air & Space Museum Parkway Chantilly, VA 20151 [email protected] https://airandspace.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 1 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Correspondence, 1937-2009 (bulk 1962-2005)........................................ 4 Series 2: Original Writing, 1948-c.2008 (bulk 1948-2008)..................................... 32 Series 3: Media & Publicity, 1950-2007 (bulk 1960-2007)..................................... 52 Series 4: Awards & Tributes, 1932-2003............................................................... 56 Series 5: Manuscripts written by others relating to Clarke's -
He Wrote the Future on Arthur C
COMMENT BOOKS & ARTS EVERETT COLLECTION/MARY EVANS COLLECTION/MARY EVERETT Arthur C. Clarke in 1968, on the set of 2001: A Space Odyssey. TECHNOLOGY He wrote the future On Arthur C. Clarke’s centenary, Andrew Robinson lauds a prescient, original writer. hen Arthur C. Clarke died was famously prescient. He anticipated, response on grounds of frantic busyness. in 2008, Nature’s obituarist for instance, satellite communications and The result seldom needed any editing. — astrophysicist and science- powerful computers in the form of HAL in Clarke’s interest in telecommunications Wfiction writer Gregory Benford — hailed the cult film 2001: A Space Odyssey (1968). began in rural Somerset, UK. His father had him as “the most famous of science-fiction He also popularized the ‘space elevator’. been an engineer in charge of telephone and writers” (G. Benford Nature 452, 546; 2008). That concept, which now has some solid telegraph circuits; his mother, a telegraph The makers of Hollywood biopic Steve Jobs scientific support (see Nature http://doi. operator. The young Arthur received cast- (2015) seem to agree: the film opens with org/fv4rxv; 2007), off equipment, such as telephones, switch- black-and-white footage of Clarke from a was central to “I was struck by gear and a photocell from his relative George television interview filmed in 1974, two years The Fountains of his unquenchable Grimstone, an engineer who taught him before Jobs co-founded Apple Computer. Paradise (1979), curiosity to build wireless crystal sets. Clarke also Balding and bespectacled, Clarke stands one of his score about science, experimented with homemade rockets on opposite the interviewer and his young son of science-fiction literature and family farmland.