Arthur C. Clarke Collection of Sri Lanka
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Arthur C. Clarke Fred Körper, SFGH-Treffen 21.02.2009
SF-Klassiker: Arthur C. Clarke Fred Körper, SFGH-Treffen 21.02.2009 Sir Arthur Charles Clarke (* 16. Dezember 1917 in Minehead, Somerset, England; † 19. März 2008 in Colombo, Sri Lanka) war ein britischer Science-Fiction-Schriftsteller. Durch den Film 2001: Odyssee im Weltraum von Stanley Kubrick, der auf einer Kurzgeschichte Clarkes beruht und dessen Drehbuch Clarke gemeinsam mit Kubrick schrieb, wurde er auch außerhalb der Science-Fiction-Szene bekannt. Clarke gilt als Visionär neuer Technologien, die er außer in Science-Fiction-Romanen und Kurzgeschichten auch in wissenschaftlichen Artikeln beschrieb. 1 Leben 2 Werk 2.1 Romane 2.2 Erzählungen 2.3 Kurzgeschichtensammlungen 2.4 Gemeinschaftswerke 2.5 Autobiografisches 3 Verfilmungen (Auswahl) 4 Clarke'sche Gesetze Leben Arthur Charles Clarke wurde am 16.Dezember 1917 in der Grafschaft Somerset im Südwesten Englands geboren. Von 1927 bis 1936 besuchte er die Huish's Grammar School in Taunton/Somerset und las bereits als Jugendlicher die Werke von H. G. Wells und Olaf Stapledon. Da Clarke aus finanziellen Gründen ein Studium zunächst verwehr blieb, ging er 1936 nach London und arbeitete dort zunächst im Staatsdienst. 1941 trat er als Radaroffizier in die Royal Air Force ein. Diese Erfahrungen liegen dem Roman Glide Path zugrunde. Seine Idee, geostationäre Satelliten zur technischen Kommunikation zu nutzen, die er 1945 unter dem Titel Extra-terrestrial Relays – Can Rocket Stations Give World- wide Radio Coverage? in der wissenschaftlichen Zeitschrift Wireless World veröffentlichte, erlebte 1964 mit dem Saetelliten Syncom 3 ihre Verwirklichung. Ihm zu Ehren wird daher der geostationäre Orbit auch „Clarke Belt“ beziehungsweise „Clarke Orbit“ genannt. Von 1946 bis 1948 studierte er Mathematik und Physik am Londoner King's College. -
[The PROOF of FERMAT's LAST THEOREM] and [OTHER MATHEMATICAL MYSTERIES] the World's Most Famous Math Problem the World's Most Famous Math Problem
0Eft- [The PROOF of FERMAT'S LAST THEOREM] and [OTHER MATHEMATICAL MYSTERIES] The World's Most Famous Math Problem The World's Most Famous Math Problem [ THE PROOF OF FERMAT'S LAST THEOREM AND OTHER MATHEMATICAL MYSTERIES I Marilyn vos Savant ST. MARTIN'S PRESS NEW YORK For permission to reprint copyrighted material, grateful acknowledgement is made to the following sources: The American Association for the Advancement of Science: Excerpts from Science, Volume 261, July 2, 1993, C 1993 by the AAAS. Reprinted by permission. Birkhauser Boston: Excerpts from The Mathematical Experience by Philip J. Davis and Reuben Hersh © 1981 Birkhauser Boston. Reprinted by permission of Birkhau- ser Boston and the authors. The Chronicleof Higher Education: Excerpts from The Chronicle of Higher Education, July 7, 1993, C) 1993 Chronicle of HigherEducation. Reprinted by permission. The New York Times: Excerpts from The New York Times, June 24, 1993, X) 1993 The New York Times. Reprinted by permission. Excerpts from The New York Times, June 29, 1993, © 1993 The New York Times. Reprinted by permission. Cody Pfanstieh/ The poem on the subject of Fermat's last theorem is reprinted cour- tesy of Cody Pfanstiehl. Karl Rubin, Ph.D.: The sketch of Dr. Wiles's proof of Fermat's Last Theorem in- cluded in the Appendix is reprinted courtesy of Karl Rubin, Ph.D. Wesley Salmon, Ph.D.: Excerpts from Zeno's Paradoxes by Wesley Salmon, editor © 1970. Reprinted by permission of the editor. Scientific American: Excerpts from "Turing Machines," by John E. Hopcroft, Scientific American, May 1984, (D 1984 Scientific American, Inc. -
San Diego Public Library New Additions September 2008
San Diego Public Library New Additions September 2008 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABE Abé, Shana. The dream thief FIC/ABRAHAMS Abrahams, Peter, 1947- Delusion [SCI-FI] FIC/ADAMS Adams, Douglas, 1952- Dirk Gently's holistic detective agency FIC/ADAMSON Adamson, Gil, 1961- The outlander : a novel FIC/ADLER Adler, Elizabeth (Elizabeth A.) Meet me in Venice FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/ALAM Alam, Saher, 1973- The groom to have been FIC/ALEXANDER Alexander, Robert, 1952- The Romanov bride FIC/ALI Ali, Tariq. Shadows of the pomegranate tree FIC/ALLEN Allen, Preston L., 1964- All or nothing [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal [SCI-FI] FIC/ANDERSON Anderson, Kevin J. Darksaber FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- Cat o'nine tales and other stories FIC/ASARO Asaro, Catherine. The night bird FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/AUSTEN Austen, Jane, 1775-1817. Mansfield Park FIC/AUSTEN Austen, Jane, 1775-1817. Minor works FIC/AUSTEN Austen, Jane, 1775-1817. Northanger Abbey and Persuasion FIC/AUSTEN Austen, Jane, 1775-1817. Sense and sensibility FIC/BAHAL Bahal, Aniruddha, 1967- Bunker 13 FIC/BALDACCI Baldacci, David. -
Lan's Lantern 28
it th Si th ir ©o Lmis £antmi 2 8 An Arthur £. £(ar£c Special Table of Contents Arthur C. Clarke................................................... by Bill Ware..Front Cover Tables of contents, artists, colophon,......................................................... 1 Arthur C. Clarke...............................................................Lan.......................................2 I Don’t Understand What’s Happening Here...John Purcell............... 3 Arthur C. Clarke: The Prophet Vindicated...Gregory Benford....4 Of Sarongs & Science Fiction: A Tribute to Arthur C. Clarke Ben P. Indick............... 6 An Arthur C. Clarke Chronology.......................... Robert Sabella............. 8 Table of Artists A Childhood's End Remembrance.............................Gary Lovisi.................... 9 My Hero.................................................................................. Mary Lou Lockhart..11 Paul Anderegg — 34 A Childhood Well Wasted: Some Thoughts on Arthur C. Clarke Sheryl Birkhead — 2 Andrew Hooper.............12 PL Caruthers-Montgomery Reflections on the Style of Arthur C. Clarke and, to a Lesser — (Calligraphy) 1, Degree, a Review of 2061: Odyssey Three...Bill Ware.......... 17 2, 3, 4, 6, 8, 9, 11, About the Cover...............................................................Bill Ware.......................17 12, 17, 18, 19, 20, My Childhood’s End....................................................... Kathy Mar.......................18 21, 22, 24, 28, 31 Childhood’s End.......................Words & Music -
Science Fiction Stories with Good Astronomy & Physics
Science Fiction Stories with Good Astronomy & Physics: A Topical Index Compiled by Andrew Fraknoi (U. of San Francisco, Fromm Institute) Version 7 (2019) © copyright 2019 by Andrew Fraknoi. All rights reserved. Permission to use for any non-profit educational purpose, such as distribution in a classroom, is hereby granted. For any other use, please contact the author. (e-mail: fraknoi {at} fhda {dot} edu) This is a selective list of some short stories and novels that use reasonably accurate science and can be used for teaching or reinforcing astronomy or physics concepts. The titles of short stories are given in quotation marks; only short stories that have been published in book form or are available free on the Web are included. While one book source is given for each short story, note that some of the stories can be found in other collections as well. (See the Internet Speculative Fiction Database, cited at the end, for an easy way to find all the places a particular story has been published.) The author welcomes suggestions for additions to this list, especially if your favorite story with good science is left out. Gregory Benford Octavia Butler Geoff Landis J. Craig Wheeler TOPICS COVERED: Anti-matter Light & Radiation Solar System Archaeoastronomy Mars Space Flight Asteroids Mercury Space Travel Astronomers Meteorites Star Clusters Black Holes Moon Stars Comets Neptune Sun Cosmology Neutrinos Supernovae Dark Matter Neutron Stars Telescopes Exoplanets Physics, Particle Thermodynamics Galaxies Pluto Time Galaxy, The Quantum Mechanics Uranus Gravitational Lenses Quasars Venus Impacts Relativity, Special Interstellar Matter Saturn (and its Moons) Story Collections Jupiter (and its Moons) Science (in general) Life Elsewhere SETI Useful Websites 1 Anti-matter Davies, Paul Fireball. -
Fundamental Theorems in Mathematics
SOME FUNDAMENTAL THEOREMS IN MATHEMATICS OLIVER KNILL Abstract. An expository hitchhikers guide to some theorems in mathematics. Criteria for the current list of 243 theorems are whether the result can be formulated elegantly, whether it is beautiful or useful and whether it could serve as a guide [6] without leading to panic. The order is not a ranking but ordered along a time-line when things were writ- ten down. Since [556] stated “a mathematical theorem only becomes beautiful if presented as a crown jewel within a context" we try sometimes to give some context. Of course, any such list of theorems is a matter of personal preferences, taste and limitations. The num- ber of theorems is arbitrary, the initial obvious goal was 42 but that number got eventually surpassed as it is hard to stop, once started. As a compensation, there are 42 “tweetable" theorems with included proofs. More comments on the choice of the theorems is included in an epilogue. For literature on general mathematics, see [193, 189, 29, 235, 254, 619, 412, 138], for history [217, 625, 376, 73, 46, 208, 379, 365, 690, 113, 618, 79, 259, 341], for popular, beautiful or elegant things [12, 529, 201, 182, 17, 672, 673, 44, 204, 190, 245, 446, 616, 303, 201, 2, 127, 146, 128, 502, 261, 172]. For comprehensive overviews in large parts of math- ematics, [74, 165, 166, 51, 593] or predictions on developments [47]. For reflections about mathematics in general [145, 455, 45, 306, 439, 99, 561]. Encyclopedic source examples are [188, 705, 670, 102, 192, 152, 221, 191, 111, 635]. -
N93-13593 Lunar Optical Telescopes: an Historical Perspective
N93-13593 LUNAR OPTICAL TELESCOPES: AN HISTORICAL PERSPECTIVE Stewart W. Johnson BDM International, Inc. 1801 Randolph Road, S.E. Albuquerque, NM 87106 Abstract There is a long history of thought and discussion on the possibilities of astronomical observatories on the Moon. Numerous ideas have been suggested and a variety of concepts have resulted for lunar optical telescopes. This paper reviews some of the ideas and efforts of individuals and working groups including Hershel, Clarke, Malina, Herbig, and Hess; working groups of the 1960s; and recent initiatives of Burke, Burns, and others. The enhanced technologies of the 1980s and 1990s can make past dreams of lunar observatories come to reality in the 21st century. That an astronomical observatory on the Moon offers the potential advantages of emplacement on a stable platform in an environment unencumbered by atmospheric obscurations has long been recognized. The National Academy of Sciences report, Astronomy and Astroohvsics for the 1980s, listed seven promising programs for the 1990s and beyond. All of these programs involved space-based observations and one of the programs was entitled Astronomical Observations on the Moon. The report states: The Moon offers certain decisive advantages as a base for astronomical observations. In particular the far side of the Moon provides protection from the radio interference from sources on or near Earth and therefore has great potential for radio astronomy. Shielded at all times from earthlight, sites on the far side of the Moon are also shielded from sunlight for substantial portions of each month and thus offer advantages for optical and infrared observations requiring the darkest possible sky. -
Interstellar Starships in Science Fiction
Boldly going where no- one has gone before: interstellar starships in science fiction Patrick Mahon MSc FBIS Initiative for Interstellar Studies i4is virtual talks series 1 December 2020 About i4is The Initiative for Interstellar Studies: • i4is was set up in 2012 • We‘re a UK-based not-for-profit with a US offshoot and international membership • We have a long-term ambition to enable both robotic and human exploration and colonisation of the nearby stars • We run two main programmes of work: technical research, and educational activities (with schools and universities) • We publish a free quarterly magazine called Principium – please subscribe! • We also have a membership scheme – see www.i4is.org/membership . Please join us! 2 About me Patrick Mahon FBIS • Born in 1969 – I was 5 months old when Neil Armstrong walked on the Moon, but remember Skylab crashing • I was heavily interested in space as a child – due to Star Trek, Sir Patrick Moore, the Space Shuttle – and Sean! • I have a BSc in Maths & Physics and an MSc in Environmental Mgmt • I work for an environmental charity as a policy wonk • I‘m on the i4is Board & help edit our quarterly magazine Principium. • I also read & write science fiction... 3 Outline of the talk • Introduction – what can we learn about crewed interstellar starships from SF? • Five examples: • Propulsion: the USS Enterprise (Star Trek) • Gravity: Rendezvous with Rama (Clarke, 1973) • Entropy: Aurora (Kim Stanley Robinson, 2016) • Realism: Passengers (2016 film) • Crewed or not: Sunjammer (Clarke, 1964) • Conclusions -
Imperialism, Technology and Tropicality in Arthur C Clarke's Geopolitics of Outer Space
Imperialism, Technology and Tropicality in Arthur C Clarke's Geopolitics of Outer Space Dunnett, O. (2019). Imperialism, Technology and Tropicality in Arthur C Clarke's Geopolitics of Outer Space. Geopolitics, 2019(00), 1. https://doi.org/10.1080/14650045.2019.1569632 Published in: Geopolitics Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2019 Taylor & Francis Group, LLC. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:23. Sep. 2021 Imperialism, Technology and Tropicality in Arthur C. Clarke’s Geopolitics of Outer Space Oliver Dunnett, Queen’s University Belfast Accepted for Publication in Geopolitics Abstract This paper addresses geopolitical cultures of outer space by examining the selected life and works of Arthur C. -
The Overlord's Burden:The Source of Sorrow in Childhood's End Matthew Candelaria
The Overlord's Burden:The Source of Sorrow in Childhood's End Matthew Candelaria In the novels of Arthur C. Clarke's most productive period, from Earthlight (1951) to Imperial Earth (1976), children appear as symbols of hope for the future. The image of the Star-Child at the end of 2001: A Space Odyssey (his collaboration with Stanley Kubrick) is imprinted on the cultural eye of humanity as we cross into the twenty-first century, and this image is emblematic of Clarke's use of children in this period. However, Clarke's most important contribution to the science-fiction genre is Childhoods End (1953), and it concludes with a very different image of children, children whose faces are "emptier than the faces of the dead," faces that contain no more feeling than that of "a snake or an insect" (Œ204). Indeed, this inverted image of children corresponds to the different mood of Childhoods End: in contrast to Clarke's other, op• timistic novels, a subtle pessimism pervades this science fiction classic. What is the source of this uncharacteristic sorrow? What shook the faith of this ardent proponent of space exploration, causing him to de• clare, "the stars are not for Man" (CE 136), even when he was chairman of the British Interplanetary Society? In assessing his reputation in the introduction to their seminal collection of essays on Clarke, Olander and Greenberg call him "a propagandist for space exploration [...] a brilliant "hard science fiction" extrapolator [...] a great mystic and modern myth-maker [...] a market-oriented, commercially motivated, and 'slick' fiction writer" (7). -
Guiding Visions of the Space Age
GUIDING VISIONS OF THE SPACE AGE: HOW IMAGINATIVE EXPECTATIONS DIRECTED AN INDUSTRY by Daniel Waymark Goodman A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History MONTANA STATE UNIVERSITY Bozeman, Montana April 2019 ©COPYRIGHT by Daniel Waymark Goodman 2019 All Rights Reserved ii To Annie, For your unending love, support and patience. “With a bad telescope and a powerful imagination, there is no saying what you may not accomplish.” H. G. Wells, 1898 iii ACKNOWLEDGEMENTS I am enormously grateful for the support of a network of brilliant faculty and friends at Montana State University’s Department of History and Philosophy. I am especially privileged to have had the constant guidance of Dr. Michael Reidy over the last two years. Michael, this project could not have happened without your mentorship, critical eye and insights. I am deeply indebted to have had your support and friendship. I am also hugely thankful to have had the guidance of Dr. Brett Walker and Dr. Timothy LeCain. Brett, you taught me new ways of approaching history that have reshaped my worldview. Tim, in enhancing my understanding of my own country’s history, you provided me much of the context I needed for this project. I also owe a debt of gratitude to Dr. Billy Smith and Dr. James Meyer for greatly advancing my skills as a writer and thinker. You both pushed me again and again, and I am glad you did. Additionally, to the friendly staff at the Smithsonian Air and Space Museum archives in Chantilly, Virginia, thanks for all of your help providing me ample sources for this research as well as future projects. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 6-1-1994 SFRA ewN sletter 211 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 211 " (1994). Digital Collection - Science Fiction & Fantasy Publications. Paper 151. http://scholarcommons.usf.edu/scifistud_pub/151 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. SFRA Revle.... 1211, May/JuDe 1994 BFRAREVIEW laauI #211, may/Junl 1BBit In THII IIIUE: IFRI ImRnll IFFIIRI: President's Message (Mead) New Members & Changes of Address 1993 SFRA Conference Tentative Schedule (HuWFriend) Editorial (Mallett) BEnERIl miICEWny: Forthcoming Books (Mallett) News & Information (Mallett. etc.) FERTUREI: Feature Article: "'The Sense of Wonder' is 'A Sense Sublime'" (Robu) Feature Review: Coover. Robert. Pinocchio in Venice. (Chapman) "Subject Headings for Genre Fiction" (Klossner) REVIEW I: nl.f1ctJll: Anon. The Disney Poster: The Animated Film Oassics !Tom Mickey Mouse to Aladdin. (Klossner) Hershenson. Bruce. Cartoon Movie Posters. (Klossner) Levy. Michael. Natalie Babbitt. (Heller) FlctJll: Allen. Roger McBride & Eric Kotani. Supernova. (Stevens) Anderson, Dana. Charles de Lint & Ray Garton. Cafe Pw-gatorium. (Tryforos) Anderson, Poul. The Time Patrol. (Dudley) Anthony. Piers. Question Quest. (Riggs) AttanaSIo. A. A. Hunting the Ghost Dancer. (Bogstad) Banks. lain M. The State ofthe Art.